I just finished another book by another former Grantland writer, and, once again, I really enjoyed it. I just recently finished and reviewed the very excellent "Boys Among Men: The Preps to Pro Generation that Changed the NBA" by Jonathan Abrams. So, naturally I figured another Grantland writer would have an equally as good book. The book I chose was "The Rap Yearbook" by Shea Serrano.

"The Rap Yearbook" was given to me as a gift, and I was putting off reading it until I caught up on some other reading, but boy am I glad that I read this book. It is widely known that I'm a big hip hop fan. I've written about a lot of hip hop groups and have been listening to hip hop for many, many years. This book is a great read about the most important, not best, rap songs from the years 1979 to 2014. It was absolutely fascinating. Serrano is just around my age, so we have very similar taste in older hip hop, but very different taste in more recent hip hop.

Serrano picked the most important song for each year, so it wasn't necessarily the best. It was the most important/influential song during it's particular year. The early years are easy to agree with. In 1979 he has Sugarhill Gang's "Rapper's Delight". Obvious choice. Some other obvious choices that are very hard to disagree with, 1980 Kurtis Blow's "The Breaks", 1982 Grandmaster Flash and the Furious Five's "The Message", 1987 Eric B and Rakim's "Paid in Full", 1988 N.W.A's "Straight Outta Compton", basically all the late 80's, early 90's stuff is easily and correctly chosen. He also writes a few paragraphs as to why the song is the most important. He points out what the song is about, why it's important, the influence it had, the message it sends, Serrano pretty much breaks down every legit reason why the particular song is the song of the year.

The author and I definitely differ when it comes to 21st century hip hop, and that makes this book great. Serrano seems to think that more popular artist put out more significant songs. I understand why he thinks this. The more popular the artist, the more people it reaches, thus making it more important. I just prefer more underground, lesser known hip hop artists. That's my particular taste. I'd rather listen to Murs or Mr. Lif or Dilated Peoples than Kanye or Drake or, god help me, Macklemore. But, as I said above, I totally understand why he picks those people. Serrano may like more lesser known artists too, but that would not make for a good book for more than half the hip hop listening community. So, in the 21st century, he picks some songs that I disagree with. In 2005, he picks Kanye West's "Gold digger". Yeah, it's a popular song, with a very good beat, but I don't think any song featuring an actor, Jamie Foxx, should be considered. Also, the song is very misogynistic. But, I don't know what I would put in it's place. That's where Serrano has me beat. Serrano also picks other stuff I don't agree with in the 2000's. Stuff like 2008 Lil Wayne's "A Milli". It's a fine song, but Lil Wayne had peaked already by that time and he was definitely on a down swing. It felt more like a lifetime achievement to put him in this book. For 2009 he picked Drake's "Best I Ever Had". Drake is a terrible rapper and an even worse bandwagon sports fan. Drake stinks, his music stinks and he will be irrelevant in about 5 years. Drake does not belong in this book. For 2012, he picks Macklemore's "Same Love". Sure, the song has a very good message, but it is not a good rap song. Macklemore is the biggest poser in the history of music. He is worse than Elvis. He calls himself independent, but he does nation wide commercials and carries himself like a jackass. "Same Love" is important, but not because of Macklemore and I'm sure there is much better, much more important songs from 2012. Macklemore, in my opinion, is as bad as Drake. They are corporate rappers that make corporate, shitty rap music. For 2013 and 2014 Serrano picked two songs I didn't recognize. For 2013 he picked Big Sean's "Control" and it wasn't until I read why he picked it that it was the coming out party for Kendrick Lamar. Personally, he could've picked any song from Lamar's debut album, "good kid, m.A.A.d city" as the most important song of 2013 and it would have been a better choice. In 2014 he picked a song I never heard of by Rich Homie Quan and Young Thug called "Lifestyle". His reasoning was more about the emergence and weirdness of Young Thug than the music. Ok by me.

Another thing that makes "The Rap Yearbook" a great book is the collaborations. In each chapter, Serrano brings a fellow writer or friend in and they give their rebuttal to what should be the song of the year. So, we get at least two different perspectives in each chapter. Serrano isn't married to his choice and that makes him a wonderfully gifted writer. He wants outsiders points of view and ideas. He's open to hearing why he is wrong and why someone else is right. I love that.

"The Rap Yearbook" is a must read for all fans of rap music and music in general. It's fascinating and it brings you back to that time in your life. I knew exactly where I was when I first heard his 1999 choice, Eminem's "My Name Is". I can picture 16 year old me bobbing my head to his 1998 pick, DMX's "Ruff Ryder's Anthem". I vividly remember arguing with friends and family that Jay Z was the clear winner in his beef with Nas, and Serrano picked "Takeover" vs. "Ether" for his 2001 songs. This book is wonderful. Go out, buy it and read it. You won't be disappointed.

Ty

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man Podcast. He is sorry to tell the head editor that 3rd Bass did not make the book. The head editor gave Ty the gas face. Follow Ty on twitter @tykulik.