It has been nine years, but Bright Eyes put out a new album a week or so ago. I had read news awhile back that they were working on some new material, but I had kind of forgotten about it. Then they released a music video which I watched and enjoyed. But again, that was in early summer. I had forgotten that they were working on music.

Then one afternoon when I was out, or doing homeschooling, I don't really know anymore, the days all blend, my buddy Kirk texted to ask if I had listened to the new record yet. I hadn't, so I remedied that right that moment. I didn't know what to expect. I am a fan. I first listened to Bright Eyes when I heard the record "I'm Wide Awake, It's Morning". At the time I liked slower acoustic stuff, and when they went heavy and angry, I liked it. I then devoured pretty much all of their stuff. The live record, "Motion Sickness" is a great live album. I wasn't so much into "Digital Ash in a Digital Urn". And I really, truly liked "Cassadaga" and "The People's Key". I then went back and listened to really early Bright Eyes. "Letting Off the Happiness", and mainly "Fevers and Mirrors" were revelatory for me. Then I dug into Conor Oberst' solo stuff and his work with other bands. I was, at least considered myself, a full fledged fan. I dig his writing. Yes it can be depressing, but so can so many other bands and singers and songwriters I listen to. Hell, I love the blues, and that is as sad as it gets. But as he has grown up, Oberst, he seems to have gotten a little less sad, a little less depressing. I could hear a tinge of it in "Cassadaga", I believe he wrote that record when he got clean. Then it was even more forward in "The People's Key". But coming into the new record, since it had been so long, I was intrigued. Would he go back to the anger and depression, focusing more on acoustic music? Or would he continue with his growth?

Well, "Down In the Weeds, Where the World Once Was", definitely reminds me of the more grown up Oberst. It has been nearly a decade, Oberst is now 40 years old, he has gone through a divorce, he has lost a brother, he has been accused of sexual assault, which was retracted by the accuser fairly quick after the accusation, he has been through a lot, and he has come out the other side. That is what I get from "DITWWTWOW". This is a grown up making good, accessible grown up music. It still has his touch, and that voice is so uniquely him. But still, this album has happier music, and not nearly as depressing lyrics. It can go there from time to time. "One and Done" is kind of on that track, but it still sounds happy when you get to the chorus. It is also a great closure song. It feels like he is getting all the bad stuff from past relationships off his chest. Then to follow that up with "Pan and Broom", which sounds like an 80's tune, but with Oberst's happier lyrics, I love it. I like the way the record starts too. "Dance and Sing" really gets it going. There is some nice guitar in the song. It brought me right back to 2010 when I listened to him the most. "Just Once in the World" has that acoustic sound, but it builds and builds to a great crescendo. So far "Mariana Trench" is my favorite track. It has my favorite music in it, and the chorus is catchy as hell, which shocked me coming from Oberst. I find myself humming this song a lot. I really dig "Persona Non Grata". It starts out with just Oberst and a piano, but when the drums kick in it has that classic sound. I find it comforting to hear this music and be taken back to where I was nearly 10 years ago. It also has some cool strings and horns attached, which is always a plus for me. "Tilt-A-Whirl" seems like an ode to his brother that he lost. He opens by saying that a "phantom brother came to me". The song is also sad, but sweet at the same time. It's a good one. "Forced Convalescence" is upbeat and fun, musically. Again, the lyrics can be a downer a bit, but the music works so well, and I find myself bobbing my head along when it plays.

This record is good all around. It is a cozy blanket. It is a reminder of why I started, and continued to listen to his music. Oberst is a great writer, and I think age has only made him better. He has been through and seen so much, I believe that helps him as a writer. I highly recommend this album. It is some great work. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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