I just finished watching Bo Burnham's special "Inside" for the third time.

I keep watching it for a few reasons.

One, it is awesome. It's truly one of the best pieces of art I have ever seen.

Two, I constantly find new things every time I view. There is always something new that interests me.

Three, the music is rad. Burnham is already a very funny singer and songwriter, but on "Inside", while the songs are still funny, it is like real, legit music. There are some really solid songs throughout the special. In watching today I noticed something else, and that is what I want to talk about. I swear this will be one of the last times I write about this special, but damn this thing is amazing, so I am not sorry actually.

When watching today I was super impressed with the way he uses lighting for this movie. It is really cool, really unique and totally different from most things I have watched in this same genre. When the special starts, the impressive light show begins. When he is doing the song "Content", he is just sitting in a dark room for about 45 seconds, and when he gets near the end of the song he looks up and there is a spinning disco ball reflecting lights on the wall. The reflection is coming from a headlamp he is wearing and it is super cool. It is dope the way he uses some very simple things to make a very cool visual. This continues throughout the special. The two "Bezos" songs he does have very rad and very different lights. The first one is a bit dark with a shadow. The second one is like watching a techno concert with some wild red objects reflecting off the wall. It is cool to see the way he switches it up on the two different tunes. When he does "All Eyes On Me", the dark room with light blue lights reflects not only the mood, but also his eyes and his white shirt. It makes for a somber look on a dark song, but that has to be what he was going for. It is perfect. The way he shoots the final song, going back and forth, with different images displayed on the screen, it is so awesome. I was completely blown away at how cool and ahead of its time the way he lights and edits the song. We see him in three different phases, and when the camera pans away at the end, the spotlight on him is too perfect. It reflects the mood so well. I also really enjoy the woodsy background he has when he plays "That Funny Feeling". The song sounds like it would be played on a camping trip, so making the background symbolize that, well done. The song that takes the cake in the lighting process is "30". This is my favorite song on the record and during the special. The way he lights it, uses lights and performs with the lights is second to none. When there is a clap, he moves his white light out and the whole room is lit. When he is singing the verse there are red and purple and blue clouds in the background. When he sings the chorus he moves that white light around his whole body which reflects shadows on the wall and it looks like I'm watching a live show. I am immediately transported back to a time when I went to live shows. But the best part is when he is singing the "my stupid friends are having stupid children" and there are three of his shadow, one in the middle and one on each side, that is some damn good art. It is neat and interesting. It makes me wonder how he does stuff like that. I'm sure it is easy for him, but for a rube like me, this is pretty amazing stuff to see.

I get more impressed every time I watch the special. I simply cannot recommend "Inside" enough. It is so god damn awesome, and there are always new things popping up with each new watch. Go check this thing out.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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