Thundercat, Wooten, Claypool. Who is the King of the Bass?

While out for coffee this morning, a Thundercat song came on while we were driving back. I am a big Thundercat fan. He is a magician, a virtuoso if you will, on the bass.

When the song came on, my buddy Kirk mentioned that he just recently heard of Thundercat. I started to instantly sing his praises. I mentioned how I have seen other people online say that he is like a Transformer on the bass. He is an amazing bassist. I said, after heaping compliments on Thundercat, how I think he is one of the best bassists in the world. I mentioned that the only bassist that I think is better is Victor Wooten. Victor Wooten is truly one of a kind. I saw him live once, and boy oh boy was it amazing. I didn't know much about him when I went to the show, but I left a true convert. I was hooked. I devoured his whole catalog. I have been talking him up ever since. I said all of this to Kirk and my dad, and then Kirk hit me with a doozy. After saying that Wooten was the greatest bassist of all time, and Thundercat was second best, he asked me, what about Les Claypool? I had to sit back and think. I told him that he just shook my whole view on this topic. Les Claypool is also a wizard. He plays the bass like he is from another world. He also plays a bunch of different genres. He is stretchy. He can do some wonderful things on the bass.

Now I am stuck. I don't know who, of these three musicians, is the best at the bass. And I am sure that there are other bassists out there that I am forgetting. I don't listen to jazz or hard rock stuff where bass is a driving force. I don't know some of the underground or not yet discovered artists. Leave me alone. I am going totally based on my listening experience. These are the people I like. These are who I know and can talk a little bit about. If I didn't name your favorite bassist, I'm sorry. But also, get over it.

So, taking these three guys as my base, who is the best? Who plays the best? Who is the best writer of the three? Who has the longest staying power? Who is the most technically proficient? These are a few questions I have been pondering since we first talked about this about two hours ago. So, as far as who plays it best, or who is the most proficient, all three have their own high marks. Victor Wooten is the first person I ever heard play harmonics. He was also going wild at the live show. He was going fret to fret, string to string. He crushed. Thundercat, as previously mentioned, is a transformer. The stuff he does on the bass is second to none. He plays faster than Victor Wooten. He makes it look so easy, but what he is doing is incredibly difficult. He is the first person hip hop artists ask to be on their records. He is truly a virtuoso. As for Les Claypool, I mean, this dude is amazing. He literally shreds on the bass. He makes it sound like a guitar sometimes. He is almost too good at the bass. He has his own circus that he runs, and his band is who everyone wants to watch. He is the best of the best among a group of the best bass players in the US. As far as staying power, they all have a good deal. Thundercat has the hip hop community, as well as his solo stuff. Victor Wooten has a solo career, as well as playing with Bela Fleck and the Flecktones. As for Claypool, he has his circus. He has played with many rock bands. He has his own band. They are all going to be around for a long time. As for writing, Thundercat isn't that great, but his playing hides that. Victor Wooten is more an instrumentalist than a writer. As for Claypool, I almost feel like he is goofing off when he writes songs, and that is a-okay. I also like his goofy lyrics. And his playing is pretty damn dope. So, I am still finding myself stuck. At moments it is easily Thundercat, but then I go back and remember all the stuff I just said about Claypool and Wooten. Wooten's live show is a core memory. But, I haven't seen Thundercat or Claypool in concert as of yet. And they are all incredibly proficient on the bass. If I had to make a pick, if I was somehow forced to, I'd go with Thundercat, but just by a hair. And that may change from moment to moment.

All in all, these three dudes are at the top of their craft. If you haven't heard these guys play, do yourself a favor and start right now. They are all more than worth your time. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Thoughts on the Drake/Kendrick Lamar Beef

I think we all know who the real winner is in this whole Drake and Kendrick Lamar beef. It has to be, unequivocally, Kendrick. Let’s discuss

I have only listened to Kendrick's three songs. I only want to listen to Kendrick's songs. I am a big fan of his work, so when he puts new music out there, I'll be very quick to listen to it. On the other hand, I have always been a Drake hater. I don't like his music at all. I think he is a phony. I think he is a try hard. I think he thinks he is way cooler than he actually is. And as a rapper, he is subpar at the very best. I know he has a ton of fans, but so does the band Nickelback, and they are pretty tough to listen to sing a single note. I was speaking with my father earlier today and I told him that Drake, to me, is similar to Bruno Mars. He said that is giving Drake too much respect. So, even my father, who is not a hip hop person, has listened to the songs enough to know that Drake is nowhere near Kendrick's level.

The reason I compare Drake to Bruno Mars you ask? They are both phonies. They are taking on personas that don't fit their real life. By all accounts, Drake grew up wealthy. He was a child actor. He had everything given to him. He had to work for nothing. He is, for all intents and purposes, a silver spoon kid and grown up. He raps about what he has read and seen on tv. He never had to live through some of the stuff that real rappers, like Kendrick Lamar, have rapped about before. Kendrick Lamar has seen some things. He has been through some stuff. His wasn't the easiest life to live growing up. He wasn't on television. He didn't have things handed to him. He had to go out and earn a record deal. He had to freestyle rap. He had to prove himself. And he is standing here today as one of the best to ever do it.

It isn't just me saying this as a fan. You go and look at the discourse, what others are saying, the clear and away winner of this whole ordeal is Kendrick. Almost everyone agrees to this. Fans and non fans. Supporters of music and people just here to listen to what each of them have to say. Kids and grown ups alike. We all agree that Kendrick Lamar is the winner.

I went back this morning and listened to his three tracks this morning, just to refresh my memory. If you want me to rank the three songs, "Euphoria" is the clear number 1, then "Not Like Us" is 2 and "Meet the Grahams" is third, for me. But all three of the songs are biting. They cut and they cut deep. Kendrick tells a story and he is going hard after Drake. There was a moment when I was listening to "Euphoria" and Kendrick was going in hard, I actually felt bad for Drake for a second. Kendrick Lamar is so good at saying all the right things in a rap battle, and he lays it all on the line. He is burning every bridge. He doesn't seem to care what Drake's fans think of him. Kendrick has clearly decided to go scorched Earth, and I'm here for it all. I want more of this. I love it that a true rap icon is going after this punkass wannabe. I want him to hit even harder. I want Kendrick to expose everything. Kendrick doesn't need ghostwriters or yes people around him telling him how great he is all the time, and that is why he is winning this going away.

I'm excited to hear what he has to say next, if he decides to say more. Get him, Kendrick. I'm on your side all the way. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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A Sampling of the Upcoming Talking Heads Tribute Album

A while back I had heard some rumors that a Talking Heads tribute album was coming out. It was going to be musicians covering their live, and best, album, "Stop Making Sense". I was hyped for the record. Then I totally forgot about it. This happens to me from time to time. I get excited about something, then it gets delayed and then I forget.

Thanks to watching Instagram reels, a musician I had never heard of, Girl in Red, put out their version of "Girlfriend is Better". It was just a commercial, just a short snippet, but it got me excited yet again. I checked Spotify to see if the full record was out, and while it doesn't come out for a few more weeks, there are four songs from the record available to listen to right now. So I fired it up on the car ride to school this morning.

The first song I heard was Paramore's version of "Burning Down the House". Paramore has gotten more on my radar lately. I really like their newer single, "Hard Times". It isn't that emo sound they became known for. This is more like a pop/soul hit. I love it. So, I was looking forward to hearing their take on "Burning Down the House". I think it is great. They do the song justice. It has their new sound sprinkled throughout the song, but it pays homage to what  Talking Heads did with this song in the first place. It was a good track for me to start off the new record with this morning. "Burning Down the House" was followed by Teezo Touchdown's take on "Making Flippy Floppy". This song has always been hit or miss for me. Sometimes I'm super into it and want to hear it over and over. Other times, I skip it without a second thought. I also have no idea who Teezo Touchdown is or what kind of music he makes. But, this version of "Making Flippy Floppy" is rad. It is fun. It has a great groove to it. Teezon Touchdown sings his heart out, and I'm here for it. His take on the song has me interested in checking out his other music. My daughter was goofing on his name, but after a minute, she started to dance to the song a bit. That is as good a recommendation as a newish artist can get in my house. Lorde then came on with "Take Me to the River". This is a cover in the first place, one which I think Talking Heads does better than the original. Lorde really nails it. She is one hell of a singer, and hearing her belt this one out brings me back to her hit record "Melodrama". When given proper material, or writing something herself, Lorde is one of the best in the business. She takes this old song and makes it new. She makes it her own. She absolutely nails every note. The band that accompanies her is right at her level, and they nail it as well. This is my favorite track on the record so far. I have already listened to it multiple times. The final song I heard is the aforementioned "Girlfriend is Better" by Girl in Red. The few seconds I heard on Instagram last night awoke my senses. The full version is even better. If not for Lorde, this would be my favorite track. It is fun, groovy, poppy, rocks out and I want to go back and listen over and over again. I also am going to check out Girl in Red's music for sure. When a band can do such justice to one of the best songs ever written, that is a sign of a band I'm going to become a big time fan of in the near future.

I'm all in on these four songs, and cannot wait for the rest of the record to come out soon. Go check this little ep out right now, and when the full record comes out, let's all rock to it together. I'll have a review when the full album comes out. For now though, I'm excited to have these 4 tracks. I think I'll go listen to them again. You should do the same. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Have We Heard Frank Ocean's Last Album?

While driving to my daughter's field trip to chaperone this morning I decided to listen to Frank Ocean. I really enjoy his work. His music is a vibe. It relaxes me. I can really sit back and chill while listening to his stuff. It puts me in a good mood and makes the rest of the day a breeze. But, while listening this morning I realized that we may not get any new music from him ever again. Let’s discuss.

Looking at his discography, the last full length record he put out was "Blonde". That was pre pandemic. And he is notoriously hard on himself and the music he releases. It takes him forever. He never seems to like the third and fourth run through of his music. He is a perfectionist to a fault. He is way too hard on himself. He sets the bar far too high. And I saw what he did at Coachella last year. He was a headliner. People were hyped to hear new music. There were expectations. And he came out, vibed to his own music, sang a few notes here and there and left the stage, not returning for any subsequent weekend. He was supposed to play all three weekends. He claimed that he sprained his ankle, but I think he got too much in his own head. I have to imagine he read, or heard what people were saying about his lone performance and it got to him.

Since Coachella, Frank Ocean has been nowhere to be found. He has been silent on the music front and the social media front. No one seems to know what he is doing. No one seems to know if he is making new music. I like to think he is working hard in the studio. I like to imagine he is going the extra mile to erase what happened the last time he performed live. I like to think he has holed himself up and is cranking out some epic stuff. But I have doubts. I fear that he may just walk away.

I could see him doing just that. He could walk out of the music industry right now and be looked at as a legend based simply on "Blonde" and "Channel Orange". Those are two of the greatest R&B records to ever be released. The writing is top notch. The production is second to none. The stories he paints from song to song is some of the best music that any fan could ask for. So why not just walk away? Why not just wash his hands of the music industry and walk out in a wild yet legendary way. I would not be surprised at all if he did just that. If he just up and quit and moved to the mountains, he'd be forever considered one of the best to do it in the industry. Coachella would be forgotten. The long, seemingly unending wait for new music would be no more. He could go out, leave it all behind and enjoy retirement. What's really stopping him? I listen to his two full length eps all the time. I won't stop listening to those two albums ever. I know his fans will listen to them endlessly.

So, if I had to make a prediction, if people are trying to figure out where my mind is with Frank Ocean and his next step, I'd have to say I don't think he is going to be making any new music anytime soon. Maybe he will never make new music ever again. And while that really bums me out, I will always have "Blonde" and "Channel Orange", and for that I am forever grateful to Frank Ocean. While I hope he makes new music, I don't foresee it coming, maybe ever. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to "Ohio Players"

The Black Keys new album "Ohio Players" was released this morning. Let’s discuss.

I'm a big time fan of The Black Keys. I have been for over 20 years now. So, any time they put out a new record, I get pretty psyched. Today was no different. I've been pretty pumped about this album for a few months now. They released three songs prior to putting the record out, and I liked all three of them. I also read some early reviews, and they were very, very solid. I liked their past couple of albums, but it wasn't like the first time I listened to them. I used to block out hours to listen to their new albums. I would dedicate full days just to listen. But I got older and had kids and couldn't find the time to do that. It has kind of become a listen to the new music whenever I find some free time. Today, with my kids being in school and my wife working, I had ample time to listen to the record.

I have listened from start to finish twice now, and I have got to say, I am finding myself getting more and more into the album with each listen. This is good stuff. I was listening to it with my dad in the car on our way to coffee this morning and he asked why I seemed more into this new record as opposed to some of their other recent albums. I told him that this record is grimy like their earlier records. That is what I grew to love about this band from the start. The first time I heard them I was taken aback at how grimy and dingy they sounded, in the best possible way. The reverb and distortion is what instantly drew me to them. That is back on this record. But it isn't all grimy, they have their newfound refinement here as well. The Black Keys have grown and gotten better at what they do. So, when they meld their old style with the new style, I am going to be all in. I told my dad that the reason I am so into the record is the grimy refinement. That is my go to description of this new record.

The album starts off like an old school record, with a distorted, reverb heavy grungey blues song, but Auerbach has grown so much as a singer, and that makes it all the more better. The moment I put this song on this morning, I was instantly bobbing my head and vibing out in my car. The record only got better from there. There is so much on the album for me to like with my musical taste. They have grunge, blues, and rock. They also have hip hop, keyboards, and slower, love adjacent songs. It kind of runs the gamut for a band like The Black Keys and I'm here for it. Two separate songs feature hip hop artists, one of which is Juicy J. When I saw his name on the tracklist I was stoked. And boy did he deliver with his verse. The other rapper, Lil Noid, is new to me, but his track reminds me of a Blakroc song, a great Black Keys side project. I enjoy the love songs. It is nice to hear them slow it down a bit and sing some sweeter stuff. And their original sound, the thing that made me want to hear them, it is here tenfold and it is awesome.

There is something so perfect when it is Dan and Pat doing the heavy lifting. They are what makes this band work. I know they have added some band members when they tour, but when the push comes from those two it is near perfection. The guestlist is pretty solid outside of Juicy J and Lil Noid. Beck, Noel Gallagher and Dan the Automator are featured on the record as well. This is a nice return to form with their newfound refinement.

I really like this record. I recommend giving it a listen. It is fun and really, really good. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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I Used to Be Cool: Music Edition

The Simpsons

There are many things that can make you feel old. I have had a bunch of these feelings lately. I was playing catch with my son the other day and my shoulder has not stopped hurting. I will get a cut from trail running and it will take forever to heal. If I sleep weird it is always a bummer the next day. These are typical getting older things. But there was an incident the other day that really put me getting older into perspective.

One of my nieces, who is a sophomore in college, was coming to town to go to a concert. I was talking to my folks before she got there, and asked what show she was going to see. They told me they didn't know, but that the show was at a venue called The Duck Room. I'm familiar with this spot, but I have not seen a show there in quite some time. I went on their website and looked up the calendar and saw the band. They are called Bendigo Fletcher. So, first off, I do not know if this is a band or a solo act. That was my first inclination that I was older.

I then looked at the full calendar or upcoming shows. I was scrolling and scrolling and kept coming up empty. I had no idea who any of the artists were. And it is not like I don't listen to cool music. I love finding new music to listen to. I'm open to almost any suggestions. But I was drawing a total blank. I thought to myself that The Duck Room is more of an indie venue. It is smaller and they book more up and coming acts. So I checked The Pageant website. I have gone to The Pageant a bunch over the years. I have seen all kinds of acts there. I saw A Tribe Called Quest when Phife was still alive. I saw The Black Keys when they had to set up their own equipment. I saw a live taping of Comedy Bang! Bang!. I've seen acts like Leon Bridges. The Shins and The Mars Volta. Needless to say, The Pageant gets all kinds of bands and artists to play there, big and small. But when I was scrolling through their calendar, it was mostly blank again. In fact, the only acts I recognized were comedians and tribute bands. I also knew a few of the older bands, guys a bit older than me, but that was it. All these groups or solo acts, who look hip and cool, I had zero idea who they were. I had never heard of more than eighty percent of the people playing The Pageant. It was the same with the venue next door to The Pageant, Delmar Hall. I could not recognize anyone. My buddy told me he was taking his kids to a show there soon, I asked the band, he told me and I had no idea who he was talking about. He knew the band, knew the songs and he is my age, but I was oblivious. I went on to check on some other venues around town, and much to my chagrin I only knew the big acts playing arenas and bigger spots around STL. It truly bummed me out. I've been thinking about it since Saturday night and I am disappointed in myself for not knowing a bunch of traveling musicians.

This “problem” has extended from there to other parts of my life. My other niece, who is a senior in high school, makes fun of my taste in hip hop. I listen to "old people" hip hop according to her. When did Kendrick Lamar become "old people" hip hop? My nephew plays stuff on YouTube when he visits and I have no clue what is happening. My son will tell me all these hip hop artists he likes, and I am just confused. I will tell him about the artists I listen to. I will go on and on about Tribe or Biggie or Outkast and he says they are too old for him. To him this is like when my dad would listen to The Beatles and Bob Dylan around the house, two musical acts I now adore but didn't as a kid.

This was a tough one for me. I am still having trouble with aging. I used to be cool, but I guess I am not anymore, especially when it comes to what is considered popular music. At least I still have the artists I enjoy making new music. But maybe this is just how it goes the older you get and I just have to deal with it. It's a bummer, but that is the way it goes. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to "Penith"

Last week Lil Dicky put out his latest album "Penith". For all intents and purposes it is a soundtrack to his show, which I love also. I have been excited about this album coming out. I mentioned it on the podcast. So, the day it came out, I listened as soon as I could. I went to run at the gym, it was dangerously cold in Saint Louis last week, and turned the record on. I had planned on only doing about four miles that day. But, after turning the record on, I decided to keep going until the record was done. I was so into what I was hearing, I was vibing along and I forgot about my plans and felt good. I ended up doing seven miles that day.

This record is pretty excellent. I have been a fan of Lil Dicky's for a few years now, but he has never really put out a full record. He has songs here and there, he releases them every now and again, but never a full on record. "Penith" is a full on record. There are over twenty songs if you listen to the bonus tracks. What makes this record work so much for me is the space each song puts me in when I listen. I sit back and think about the show and the scene that has each song in it. It lets me reminisce. Again, I love that show, so going back without having to binge it for the millionth time, that is nice. I get to use my imagination. I especially like listening to "Harrison Ave". That song is awesome. It has a very good beat over it, and Lil Dicky's rapping is pretty phenomenal on this track. That episode is also one of the best episodes that I have ever seen on tv. "Brand New", which opens the record, brings me right back to Dave changing things around in his life and career. "Mr McAdams" is pretty fun and a good track. I also really like that episode of "Dave" due to the joke they play on the Met Gala. "Ally's Song" is gut wrenching and sad. And it brings me right back to the heartbreak you feel for Ally. "No Fruits or Vegetables" takes us back to season 1 and the wedding episode. That is where I felt this show got pretty great. This was where I was watching and thought, this has some serious legs. "Hi, I'm Dave" is the theme song to the first season of the show. I would listen to this track on Itunes a ton when it first dropped. To hear it again on this record was pretty cool. The album closes with "We Good", which is one of the more uplifting songs on the album. It also gives us GaTa doing his thing for the first time on the record.

I am loving the album so far. I have listened to it from start to finish three times so far and am not even close to being bored with it or skipping songs. I turn it on and just let myself sit back and listen. I was driving home from the vet today and on the way home my dog and I had a good time dancing to the record. This record is not just a soundtrack either, this is a good hip hop album. Lil Dicky can rap. He has good guest spots, but this record is pretty much all him, with GaTa dropping in here and there. He has good flow and is pretty damn good as a rapper. The beats are pretty solid as well.

I hope he doesn't stop here. I want to hear more music from him. And I hope the tv show comes back as well. But for now, I have "Penith" to listen to until a new Lil Dicky record comes out, and I'm totally fine with that. Check this record out. It is good. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Happy Birthday to Great All Around Person Dolly Parton

Today is Dolly Parton's birthday. Look, I'm a very late convert to Dolly Parton. I've always known who she is, why she's famous and that she has millions of fans. But, it wasn't until recently, namely the pandemic and the rollout of the vaccine, that I really paid attention to Parton. After what I have learned, I’m a big fan of Dolly.

From what I have read and been told by those close to me, Parton was involved in some way helping the COVID vaccine come out, and come out as fast as it did. I will forever be grateful to her for this. She helped usher in this new normal, and because of her tireless efforts, we are back to some kind of normalcy in America. She is an ally of the LGBTQ+ community. She has never given up her political leanings, but she has always been a supporter of same sex marriage and has always loved that she is an icon within the community. She helped with a telethon after wildfires broke out in the Smoky Mountains. She works with Red Cross and HIV/AIDS related charities. She has an honorary doctorate from the University of Tennessee. Dollywood has been a massive success. She has won multiple awards. She has written books. She revolutionized writing rights for songwriters. Colonel Parker tried to goose her out of money for the song "I Will Always Love You". He claimed that it was standard procedure for a songwriter to hand over half the publishing rights when another artist, namely his artist Elvis Presley, covered a song. Parton refused and the rest is history. Parton was not only a genius songwriter, but a genius business person. She has earned an endless amount of money during her career. She's gone on to do multiple genres of music. She is a country icon, but she has also done pop and rock records. She has covered old blues standards. She has a Christmas album. She's even done bluegrass. Not to be outdone on the stage, she is also a fairly accomplished actor. I just recently watched "9 to 5" with my wife, and Parton was the best one in the whole movie. Her music is all over soundtracks. She's appeared on "Grace and Frankie". She has multiple Hallmark Christmas movies. She has lent her voice to many, many animated movies and shows. She has almost an entire "Simpsons" episode dedicated to her. She's been married to the same person for over 50 years. She's never had kids, but she loves them. She has a star on the Hollywood Walk of Fame. She has countless awards, including an Oscar. And she just performed at halftime of a Thanksgiving NFL game. She is a wonderful, beautiful star.

Dolly is 78 years old today, but you would never be able to tell. That is amazing. Dolly Parton is a national treasure. I wish I had come to her stuff earlier in my life. I was a snob when I was younger about music and movies. I still have snobbish tendencies, but it is getting better. I would not have watched "9 to 5" or listened to her music in my 20's. Now, being 41, I loved "9 to 5" and I will pop on "Jolene" at the drop of a hat. I love that tune. Happy Birthday Dolly Parton. Here's to many more and keep doing all that you do for the country. You are one hell of an awesome person. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Best of 2023 - Music

Today I have my top 5 music/rediscovering albums and moments of 2023. Music has always been a big deal in my life. Unfortunately I have not heard much new music the past couple years. I find myself going back to stuff I used to listen to, or finding older music that was popular a few years ago. I am not hip anymore. I'm 41 now. I don't know all the cool new artists out there at the moment. Maybe things will change as my kids get older. But right now, my music taste is not current. Keep that in mind as you read my list.

At number 5 I have Lil Dicky announcing his new record. I am a fan of his music. But even more so, I am a fan of his wonderful show "Dave" on FX. And this most recent season focused on him touring his new music. He also did a bunch of stuff in season two that referenced this upcoming record. The album is entitled "Penith". I can remember howling when he was doing publication for this record in season two. But he played some of the music in the show, and I found myself vibing out. He also did an entire episode this past season where he did a song with Rachel McAdams. It was a great episode, it centered around a fashion ball, and the song is dope. He also had some autotune stuff he did with Brad Pitt that I am curious to see if that made the record. He also had a great video for a song about his childhood crush. I am stoked. I feel like he hasn't put out new music in quite some time and I am more than ready to listen when the record comes out in January.

At number 4 I have my personal reintroduction to the band MGMT. I listened to them when they first came out, but after a bit I found them to be a bit pretentious and kind of forgot about them. Then I started to play a game on my phone called Beatstar and they had a song of theirs featured on the game, "Electric Feel". I would play the song on the game and find myself bobbing my head while playing. I was playing it one day and I looked at my wife and said, "this song slaps". Then I went to Spotify and started to listen to the record with "Electric Feel". I then went back to the beginning and found myself enjoying pretty much all of their work. They make pretty darn good music. They have a pretty cool sound. They make music to dance to. It is all pretty great and I'm glad that I stopped being a music snob with MGMT's discography. It has been nice to reacquaint myself with some pretty sweet, poppy and dancy music.

At number 3 I have my discovery of the band LSD. LSD is a three piece super group consisting of Sia, Diplo and Labrinth. The music is rad too. This is another band that Beatstar introduced me to. And I'm here for it. The music blends a bunch of genres. They have pop, electronic, hip hop and dance music vibes. The songs are catchy and fun to sing along to. They only put out one record, that I know of, and that record is one of my new favorites to listen to a lot in my car and home. I like the version of Sia this record has brought out. I enjoy Diplo's production here. And I love that I get to hear an artist new to me, Labrinth, who is great at his craft. LSD is one of my better personal discoveries lately and I'm glad they are in my music life now.

At number 2 I have Killer Mike's solo record, "Michael". This record is everything I hoped it would be. Killer Mike crushes verse after verse on this album. His guest list is second to none. He brought back a whole bunch of Atlanta rappers and let them shine here. But above all, Killer Mike further cemented his place as one of the best rappers in the game, now and possibly of all time. I knew going into listening that I was going to like this album, I just didn't know how much. Well, I love it and have been listening to it a bunch since this summer. Killer Mike is amazing and continues to do amazing work.

At number 1 I have Lil Yachty's "Let's Start Here". This album came out of nowhere for me. I have never listened to Lil Yachty priors to this record. He was never on my radar. And when people who's musical taste I trust would talk up this record, I laughed it off. Lil Yachty is a party rapper in my eyes. But "Let's Start Here" is an achievement. Lil Yachty did something completely out of his comfort zone, making a psychedelic record, and this is one of the best records I have heard in quite some time. It is wild and insane and wonderful. The songs range anywhere from eight to three minutes. Lil Yachty does hip hop verses, rock verses, R&B choruses and psychedelic stuff all over this album. The instrumentation is incredible. Whoever he got to play the instruments, he knocked it out of the whole entire park. This record is endlessly listenable and awesome. I have been blown away with every listen. Lil Yachty took a chance and hammered it. This album is amazing and you should listen to it immediately if you have not yet. It is worth your time.

That is it for my top 5 albums/musical moments of 2023. Come back tomorrow for my top 5 tv shows of the year. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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I'm Actually Pretty into Two Bruce Springsteen Albums

A week ago I wrote about Bruce Springsteen. I talked about how I appreciate his writing, his work ethic and the breadth of his career. But I also let it be known that I could not get into his music. Try as I might, it just didn;t work for me. Well, I have a little bit of a rebuttal today though.

The podcast about Springsteen is still going on, I'm still listening, and I am still finding it hard to get it. He makes adult contemporary music because his fans are contemporary adults. But in going back there are two records that I do like. There are two records that I can listen to and find myself enjoying what I'm hearing. Those records are "The Ghost of Tom Joad" and "Nebraska".

I have found my listening and repeat listening to these records to be quite enjoyable. They are dynamite, especially "Nebraska". That album is a masterpiece. I also think, despite its grueling lyrics, "The Ghost of Tom Joad" to be a very good record. So when I was listening to "Nebraska" this morning with my dad, we had a little chat. He asked why I was listening to Springsteen if I didn't like him. He reads some of my stuff. As I sat there and contemplated his question, while listening to "Nebraska" with him, it dawned on me. I know why I like these two albums, why I'm able to overlook what I consider misgivings. These records are so good for me, as a listener of music, because they are so stripped back and minimal. These records are like folk records that I adore from the 60's. The record has three musical elements on it, as opposed to his other records that have a full band and a string ensemble. These two records have acoustic guitar, harmonica and Springsteen doing a folky voice. There may be a drum machine here and there, and he may even play piano a bit, but it is very, very stripped down. I love acoustic music. It is one of my favorite styles of music to listen to. I love the barebones of an acoustic guitar. I also like how the acoustic guitar shows an artist's warts. It makes me appreciate the artist even more when they are proficient on an acoustic guitar. I have always loved Bob Dylan, so when you throw a harmonica in with the acoustic guitar, I am even more in. I enjoy the harmonica. And when Springsteen does that folky voice, it works for me. I like when he takes on that voice and really gives it a go. I like folk music, and when Springsteen uses it, singing his very well written words, it is obviously going to work for me. And that is the thing too with these records, the words. These songs tell vivid and enthralling stories. I can let myself get very heavily involved in the stories that are being told when Springsteen is singing. The stories are a drag, but I like stuff like that. I like to be transported into a dark world. It is a nice break for a few minutes.

"The Ghost of Tom Joad" is great, but "Nebraska" is a masterpiece. And it is seemingly an accidental masterpiece. "Nebraska" was just kind of slapped together by Springsteen himself in a farmhouse he was staying in, and it sounds that way. I love the archaic way he recorded that whole record. "The Ghost of Tom Joad" is very stripped down too, but it is mixed and produced by professionals. And that is fine, but it is missing the charm of "Nebraska". That record is amazing.

So, if you agreed with my first piece on Springsteen, but want to give him another shot, listen to "Nebraska" and "The Ghost of Tom Joad". Yes they have Springsteen's voice, but they are both stripped down, small records in comparison to his other stuff, and that is what makes them great. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Tries to Listen to Andre 3000's Flute Record

After a long, long time away, Andre 3000 released a new album today, "New Blue Sun". I was very excited when I heard that he was putting out new music. He hasn't done this in forever. He has shown up on some other songs here and there, but not anything in the way of it all being him. I think the last full length record he put out was "Idlewild", which is better than I remembered it being. So when the news was announced, I let myself get excited.

Then I saw people talking about their experience with the new record. I also have seen many pictures of him in China and Japan. These are the same pictures that show him carrying around flutes. I just assumed he was trying this instrument out for fun.

He was not.

This new record is not a rap record. It is not a rock record. It is not like what he did on "The Love Below". This is experimental, weird and jazzy. This record, I have only heard two songs so far, is totally out of left field. There are eight tracks on this album, but the runtime is nearly 90 minutes. I put on the record on my way to the store today thinking I could listen to a few of the new tracks. I didn't even finish the first song before I got home. The first track is over 12 minutes long. The second song is over 13 minutes long. I finished that one while prepping some kimchi. I will say, there were moments within these first two songs that I was vibing out to. Andre 3000 can really play the flute. But when I was listening I felt like Milhouse and the fireworks factory. I kept waiting for something to kick in. I was hoping that he would maybe sing a bit, and maybe he will when I go back and finish the album. But so far it is an instrumental jazz flute record.

Look, Andre 3000 is a genius. I love his work with Outkast and his features. I have come to the realization that he may be the greatest emcee to ever do it. He is an amazing musical artist. But I'm really struggling with this record two songs in. It is ambient. It is experimental. It's jazz. These are genres and musical styles that have never really been for me. I get that some people genuinely love these styles, and this album is definitely for them. But right now, for me, this just isn't my thing. I am going to keep listening to try and almost force myself to understand what Andre 3000 was trying to accomplish. I feel like he did this album for himself and decided he wanted to see what other people thought of it. And that is totally fine and Andre 3000 has earned the right to do whatever he wants to do. But this is just not my thing. I'm not into jazz. I like the fact that he is trying something different, something way out there. But so far it is not for me. Maybe it will be one day when I get smarter when I listen to music. But right now it is a tough, grueling listen. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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I'm Just Not that Into Bruce Springsteen

Scott Aukerman hosts one of the best podcasts ever created. "Comedy Bang! Bang!" is genius and one of the funniest shows out there. Adam Scott is an extremely dependable actor, and from what I've read, "Severance" is a revelation from him. I mention the two of them because they get together from time to time and do a podcast of their own where they go over a band or musician that they like and cover their catalog. They did it with REM, Talking Heads and U2. They have attempted a Red Hot Chili Peppers one, which they abandoned almost instantly to do the Talking Heads instead. They have a new artist they are covering now, Bruce Springsteen. let’s discuss.

I have never really listened to any Springsteen. I know who he is because he is wildly famous. My folks have also listened to his music. I have some older brothers who have checked him out. It is kind of hard to avoid him because he is a true deal rock star. So with the podcast coming out, and being such a fan of these two creators, I decided this was going to be the push I needed to try out Springsteen's music. I decided I wanted to give it a real shot too. I wanted to make sure that I actually tried with no preconceived notions. And I did. I gave it a real deal shot.

I started by listening to his top hits on Spotify. I then shifted to the albums they were covering on the podcast. I even went for the hits. I also thought about making a playlist of the songs that Aukerman and Scott mentioned as their favorites. But after they did the "Born to Run" record, and after I gave it a real listen, I decided that Springsteen just isn't for me.

Now, before I anger a bunch of people, Springsteen is a genius. The guy is a masterful writer. The way he puts pen to paper and writes his lyrics, he is a true poet. He is no Bob Dylan, but he is a close second. He can really paint a picture with his words. He has also written massive hits for other musicians. He is an amazing artist. He is also a very good guitar player. He can play both rhythm and lead. He integrates the guitar very well into his songs. He can shred from time to time. He is a very good band leader. He may be tough on his band members, but he gets the best out of them. He is also an incredibly hard worker. The dude is prolific, and given the fact that he writes all his own stuff, that has to take a ton of time. He is constantly making new music and has been for well over 40 years now. That is epic.

The reason I am not a big Springsteen fan is his voice. He has this gravely voice that I cannot get into at all. I will start vibing out to a song, but then he will start singing and I'm instantly out. I love the words, just not the voice it is coming from. I dig the backing band, but then he starts to sing and that completely takes over. I get what he is doing, and I get why it works, it just isn't for me. I have never been that much into the whole gravel voice, working man thing from musicians. It just isn't my thing. Again, I get it, I understand the appeal, I just prefer something different. I will say the album "Nebraska" is the most listenable one for me, but that gets too Springsteen-y for me about four songs in. I love the words, I love the imagery, I just don't like the singing. I get what makes "Born to Run" an elite album, but Springsteen's voice is too front and center. Even his early work, which outside of "Nebraska" is the best stuff he has done, his voice is too front and center.

I know I am wrong. I get that I'm in a very, very small group of music lovers that do not mess with Bruce Springsteen, but here we are. Maybe as I get older things will change, but probably not. I gave it a real chance, but it is not for me. Sorry, everyone. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Watches Flavor Flav Perform The National Anthem

The other night the Milwaukee Bucks invited Flavor Flav to sing the national anthem. This may seem like a weird artist to choose, but we must never forget that the Bucks did invite Ja Rule to perform at halftime of one of their games after the release of the Fyre Festival documentaries. They like to take chances in that front office and I am here for it.

I did not see Flavor Flav's performance in real time, but a bunch of people reached out to me afterward to see if I saw it. It was also plastered all over sports pages that I follow online. But it wasn't until RD texted me and asked if I watched it did I actually sit down and watch it. At the time of the text coming across my phone I had not seen it though. And RD told me it was "iconic". That was the push I needed to sit down and take it in. So I did.

You know what? It was exactly what I expected from Flavor Flav singing the national anthem. Sure it was off key. Sure it felt like he didn't know all the words. Sure he was either too quiet or too loud when he sang. But I loved it and I loved that he went out and did it with no fear. He sang his heart out. He gave it everything he had. He tried his hardest. And he seemed like he was having a damn good time.

I also appreciate that the people within the Bucks organization who decide these things tried to get a hip hop legend to do this. And Flavor Flav said yes. I can't imagine Chuck D doing this. No way is Busta Rhymes going to do the anthem unless he is trying to see how fast he can rap it. I don't see many modern hip hop artists clamoring to go do this. But Flavor Flav did, and he gave it all of his gusto. He had his big clock on and everything. I love that. He is also a very committed sports fan. Flavor Flav loves to go to live sporting events. I have seen him at college and pro football games. I'm sure he has gone to a number of baseball games. He would talk about his love for pro sports when he had his crazy dating show on VH1. And he has always loved basketball. The guy is a true hoop head. So I bet that when the phone call came across to do the anthem at an NBA game he jumped at the prospect. The fact that he got to do it and then watch Giannis and Dame play together so early in this new season was probably icing on the cake for Flavor Flav.

As for the people out here bad mouthing him and the Bucks, get over it. Also, what did you expect? This is not some polished singer. This isn't Adele. This isn't Taylor Swift. This isn't Josh Groban. Flavor Flav was the hype man for one of the most important hip hop groups in the history of music. And he was the best at his job. So for people to be giving him a hard time, I'd like to see any one of them go out and do the anthem any better. At least Flavor Flav gave it his all too. He went out there and did the song the best way he knew how and he did it with a smile never leaving his face.

I applaud you Flavor Flav and the Bucks front office. You all took a chance on a rap icon and I thought he did a very commendable job. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to Prof

I wrote the other day about how I am trying out new music and new artists. My brother Seth has always been a reliable source when it comes to artists doing music I already like, but do not know. Seth is very much into hip hop as well, and he knows about many artists who are about to pop off, or just do some dope stuff. He was the first person to introduce me to Tribe Called Quest when I was a teen. He told me about RTJ before they blew up. He let me know about "Good Kid Maad City" before it became a chart topping smash. As I said, he always comes with the heat. So when he told me to check out Prof a while back I knew I was going to like his stuff. But I also kind of forgot about him for a bit.

Seth told me about Prof months ago, but I did not remember until I was scrolling through Instagram the other night and saw his stuff. I sent the video to my brother and asked him if this was the guy he told me about. He responded very quickly with a resounding yes. He also told me he saw him live a few days before this video was sent to him and he was even better in person. Yesterday after dropping my daughter off at school I decided it was time to dig into Prof's music. I went to Spotify and just let it play. I listened to the most played list. I like doing that first to get a taste of what his fans like most.

I was immediately into his music. The beats are super rad. They are slowed a bit and then have some heavy bass drops. And when he does speed up the beat it sounds even better over his rapping. His rapping is pretty awesome as well. He has a very cool style he uses to rhyme and I'm into it. He can be jokey at times. He can be serious. When he has a feature on a track he can go verse for verse with almost anyone. He also has a few tracks that he sings on and I dig that as well. There was a song I heard yesterday that was less than two minutes long, with an incredible beat, that Prof sang over the whole time. The song is called "Vulnerable God", and to this point it is my favorite song I have heard so far. I played it a few times in the twenty minute drive to my folks.

I mentioned the features earlier. One such feature was Redman from Wu Tang Clan. I am a very big Wu Tang fan and if a member is on another artists' song, they are the star. And while Redman crushed on this one song, Prof was right there with him the whole time. They traded verses and it was seamless. Redman also seemed to be having a blast recording with Prof as well. That came off on the recording. And one last thing that I really dig about Prof, that is a little out of left field, the artwork on his records is funny as hell. He has one where he is drinking a cocktail in a booth by himself and he looks very serious. It is hilarious to me. There is another one where he is a cartoon drawn as a mascot. The smile on his face is wild. There is his newest record where he is dressed to the nines, chain and all, and he has this very menacing look on his face. Again, it is wildly funny.

I'm in on Prof. I like his music. I dig his album artwork choices and I am definitely going to listen to more of his stuff. Thank you Seth for the recommendation. This is an absolute home run. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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The Greatest American Music: Beck's "Truckdrivin' Neighbors Downstairs (Yellow Sweat)"

I go back to Beck's music a lot. I am a fan, RD was the first to tell me about him and for that I am ever grateful and he is one of the better writers in the music industry. Lately I have been listening to his earlier stuff. When I revisit an artist I like to start at the beginning, and sometimes I stay at the beginning longer. That is the case right now with Beck. I adore his early stuff. The record that has been getting the most play for me right now is "Mellow Gold".

This album is awesome. I love the gruffness of the record. It sounds so primitive, especially considering his later work. And the song getting the most play is "Truckdrivin Neighbors Downstairs' '. This song is very simplistic, especially coming from Beck, but it is beautiful in its simplicity. There is not a whole lot to the song. It is four chords. And the four chords are easy chords. They can all be played barred. The song is an A major, followed by a G minor, then a F major with a little D major and finished off with a C minor. Those chords are all very close and I learned them all when I was first in guitar lessons. They are not that hard when you figure them out. But I think it is the construction of the chords and the genius lyrics. The lyrics are funny and perfect. I heard a rumor, probably from RD himself, that Beck wrote this song about literal truck driving neighbors that lived downstairs in the same apartment building as him. That is almost too perfect.

The song starts with some dudes yelling at each other and it makes me laugh every time. The two voices can be heard trading some of the craziest, most white trash insults. One calls the other a lousy lowlife that "can't do nothing for himself". The other guy comes back with, "I may be a lousy lowlife, but at least I'm not a drunk". One calls the other a "lousy puke", and tells him to "call your mommy". I mean, to start a track like this, chef's kiss. I love it so much and it never fails to make me laugh. Then Beck plays the chords and starts with the genius lyrics. We get some wonderful stuff like, "acid casualty with a repossessed car", which is followed by "Vietnam vet playing air guitar". I am instantly in and painting a picture in my mind of what these people look like. They are as white trash as white trash gets in my head. The chorus is glorious too. Beck gives us this gem, "it's just a shit kickin/speed takin/truck driving neighbors downstairs". Again, simplistic and beautiful. You get a great idea of what these people look and act like from one verse into the chorus. In the second verse we get another classic line, "whiskey stained buck-toothed backwoods creep/grizzly bear mother fucker never goes to sleep". I have to imagine Beck was so fed up with these people that he decided he was going to put his anger into a song that would become a classic with his fans, and it works to perfection. Some of my other favorite lines include, "belly floppin naked in a pool of yellow sweat/screamin jackass with a wet cigarette", or "psychotic breakdown double edged axe/growin hair like a shag rug on his greasy back", and the final chorus with Beck singing, "come on honey, feel the grease" over and over. This song is a perfect encapsulation of what it is like to live on your own and have to deal with people who only care about themselves.

I love that Beck took the time to record this. I love that you can see, very early on in his career, that his writing style is so different from everyone else's. I love this song so much and am so happy to live in a world where this song exists. Go listen and tell me I'm wrong about this song. I don't think that you can. "Truck Driving Neighbors Downstairs" is an almost perfect song. I love it so much. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to "LSD"

I've been trying new genres of music lately. I've been in a rut with music lately, so I wanted to see if I liked something I never really gave a full go to just yet. I still do not like modern country, too twangy and misogynistic, and jazz is simply unbearable for me. But I have been checking out DJ's, and some of their side projects with other artists. In doing this I stumbled upon an album titled "LSD". Let’s discuss.

This record has three artists on it, Sia, Labrinth and Diplo. I heard of Diplo through my wife who reads gossip magazines. I guess he has dated a lot of famous people. But I also heard of him through "The Eric Andre Show". There is a great street bit they do in an early season where he goes out and talks about scientology. While speaking into a microphone he starts to play music with it and says, "this sounds like a Diplo song". I figured if Eric Andre liked him I'd give him a try. Sia is a massive pop star. I know she made a pretty insensitive movie recently, but she is a good singer. I enjoy her big hits. Labrinth I was not familiar with at all. Doing some research I found out he is an established rap and R&B artist in the UK. I also really enjoy his voice. I decided to give the album a listen because I knew 2/3 of the people, I like some of the stuff they do and the cover is rad.

I really like this record a lot. I'm glad that I gave it a go. This album kind of bounces all over the place genre wise, but that is a good thing. I feel like they let the artists use their strengths on the record. Sia doesn't rap, Labrinth can do that. Diplo picks out the beats. When they need a nice chorus or hook, they let Sia run with it. The songs flow very nicely on the record too. There is no real wasted space here. I have come to realize that the song "Thunderclouds" was a minor hit. I get it. They put it right in the middle of the album and it is an excellent bridge from the start to a wonderful finish. They have some bangers on the front half. Besides "Thunderclouds", the song "Genius" is awesome. It has a nice hip hop feel to it. Labrinth really shines on this song. They also did a remix with Lil Wayne and that version may be better than the original. The song "Audio" has a back and forth from Sia and Labrinth and it works. They both showcase their talents. The second half of the record shines. This is the part that made me love this album. The song "Mountains" is a perfect pop song. From the chorus to the time signature to the beat to the lyrics, it is electric. I also love the stuff Diplo does on this song, making it really, truly feel like this was his baby on the album. "No New Friends" is a fast, almost jarring song on the record, but it works. They then follow that up with "Heaven Can Wait". This is my personal favorite on the album. It bends from hip hop to dance to pop and a little R&B. They wrote a nearly perfect song with this one. The album finishes off with a sweet, slower song, "It's Time". This is a nice closer. It wraps everything up on the album.

I adore this record. I keep going back and finding more and more things I genuinely like with each new listen. Check this album out. It is very, very good. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Let's Take a Closer Look at the Lyrics of "Old Town Road"

My son has been a fan of Lil Nas X for a bit now. I find his music kind of blah, but I do appreciate his lifestyle and how open he is with everything. He leaves it all out on the table and he is very confident in his own skin. That is a feat and an accomplishment. I like that.

So, with my son and his friends enjoying his music, that means I listen to it a lot in my car. Again, the music is blah, but the message is dope. The way I consume music is the lyrics, like a lot of others. I really want to hear what the artist has to say. I try to figure out what they are trying to get across. Trying to memorize lyrics is very fun for me. I love it when I do figure them out as well.

With Lil Nas X and his biggest hit "Old Town Road", the realization of some of the lyrics is hilarious to me. The song is incredibly catchy and very easy to hum along to. I find myself singing the words while walking around my house. My wife does the same. And during one of these personal singalongs, I had to stop myself because I couldn't believe some of the words I was saying. There is some hilarious stuff in this song. In the first verse Lil Nas has two lines that crack me up. He says, "hat is black matte/got the boots that black to match". This is as simple a rhyming pattern as one can have. He even finds a way to rhyme black with black. It is kind of impressive. I also love the whole idea of mentioning multiple times that he has a black hat and he managed to get black boots so it all matches. Also, letting us know his hat is matte is simply wonderful. He also lets the listener know that we can all whip our Porsche's. It is hilarious to me that he thinks all his listeners have a Porsche. Cracks me up every time. I don't care to go into Billy Ray Cyrus' verse on the song because he is clearly doing a coattails thing. Lil Nas X is much more talented and Billy Ray is trying to stay relevant. He almost messes the song up in my opinion.

Lil Nas' second verse though, this is where the hilarity hits an entire new level. He has one lyric in particular that I constantly think about. It is definitely the reason why I wanted to write this blog. I'll touch on that near the end though. I first want to talk about a few other parts in verse two. Lil Nas says that, "my whole life is a movie/bull riding and boobies". First off, boobies, that is nuts. That is what my 11 year old calls them. My seven year old uses the word boobies as well. Also, I believe Lil Nas X is sexually fluid, I am almost positive he is gay. So why boobies? If he is talking about heftier dudes, okay. But he never clarifies that. Again, it is the rhyming scheme, and I get that, but it is still hilarious. Also, in Lil Nas X's mind, a life lived like the movies includes bull riding and boobies. That is iconic. I love that that is where his mind went when he wrote those lyrics. That rules.

He also says that his "cowboy hat from Gucci/Wrangler on my booty". So he will schill out the big bucks for a cowboy hat, but he has to save on jeans. That is almost relatable. Maybe he loves hats so he is willing to spend big bucks on them. But when it comes to pants he is thrifty. I get it. I spend big dollars on running shoes, but I have had the same set of t-shirts forever, with no intention of buying new ones anytime soon.

The creme de la creme of lyrics in this song are as follows, "riding on a tractor/lean all in my bladder". The riding on the tractor point is all fine and well. He is a cowboy on an old town road. The tractor makes enough sense. But the lean in his bladder. That is a chef's kiss if you ask me. Lean, to the uninitiated, is purple drank or sizzurp. Lean is a mixed drink consisting of codeine cough syrup, soda and hard candy. It is a dangerous opioid and highly addictive. I've never had it, but I do know people who have and they have let me know it is disgusting. So for Lil Nas X to say that he is on a tractor and his bladder is full of lean. I mean that is lightning in a bottle. It feels like a comedian wrote this lyric. It is too funny to not be a joke. When I figured out what he was singing I thought I misheard him. Nope, he was saying that he had so much lean and it is now just in his bladder until Lil Nas X goes to use the restroom. That is so wild and so weird and so genius. I cannot get enough of this lyric in this song. I have not stopped thinking about it since I figured out the actual words.

This song is wildly memorable and for people to just glide past that lyric, that makes it even more perfect. I will never not think of these lyrics, especially the lean lyric, everytime I hear this song from now on. I bet you will notice it now too. Keep doing your thing Lil Nas X. You are a true music wonder. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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The Music is Just One Part of Why "The Bear" is Television Perfection

Last night I finished season two of "The Bear". That show is something special. It is as near perfection as there is on tv today. I know some people do not like that it is all released in one day. I don't care about that. I took a week to watch all ten episodes. You can find a way to watch weekly if that is how you want to consume it. TV is in a streaming age, for better or worse, and we have to adapt as viewers. But, as I stated above, I adore this show. I am not going to review season two today though. I'd rather talk about the music, and how they used it, this season.

I saw some other publication, I cannot remember which one right now, say something about the music, this was before I finished the season, and that was when I started to clock the music this season. It is pretty awesome, and it harkens back to the 90's for me. Growing up in a house with three older brothers, all of which had differing tastes in music, this season of the show brought me back to that time in my life. There is a good amount of REM this season. I am a recent convert of their music, but I know RD has listened to them for a while now. I believe our oldest brother listened to them too. So whenever there was a somber, or even moving moment this season, a song like "Strange Currencies" would start and I would reminisce hearing that song as a pre teen. And it would be used so perfectly in the show. They would play it at pivotal moments. It was the perfect drop in for the perfect scene. They also played an Eddie Vedder song at the end of an episode this season and it moved me. I kid you not, hearing the song and seeing what I just saw, it made me tear up. A show about opening a restaurant took this very good Eddie Vedder tune and used it at the exact proper moment, and it moved me.They used Wilco in this season. A one hit wonder band, Fine Young Cannibals, had the perfect moment to play their hit. Steve Earle was peppered in and out this season. The Pixies would show up and amplify an important scene. The episode dedicated to Richie's moment of realization had this epic Taylor Swift soundtrack, but it was just one song. AC/DC was used for multiple scenes while they were breaking down the old restaurant to build the new one. They used Nine Inch Nails in a very fitting way for a viewer such as myself. They had one of my favorite David Byrne songs, "Glass, Concrete and Stone" playing during a montage that I adored. The end credits for the family Christmas episode had the best button of music with the Weezer song "The Christmas Song". Crowded House was featured. They played some solo George Harrison. The Bodeans had a song in this season. The Replacements, who are criminally underrated, had one of their songs used. Squeeze was there for a hot second. The Psychedelic Furs were featured. The season had some bangers by very famous musicians, but they also brought out some of the coolest, lesser known bands from the late 90's and early 2000's for all of the viewers to hear, and I dug it.

This is a soundtrack I will listen to multiple times. This is a season that when I revisit I will be even more focused on the music and how it is used. This is just another example of what makes this show so damn good. Watch "The Bear" for how great it is. But stay to see the food they make and to hear the excellent music they use. I love it and you will too. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to Killer Mike's "Michael"

Killer Mike put out a new record a couple weeks ago. I finally got around to digging deep into it a few days ago. Let’s discuss.

The album is called “MICHAEL” and it is as good as I hoped. Killer Mike’s skills are not new to people who have listened to him since he was part of The Dungeon Family. He has this incredible ability to flip his cadence while rhyming. He can start slow and finish fast. Each song on this record shows that off. Killer Mike jumps from all speeds throughout the record. He is one of the best in the game right now. He also has something to say in his songs. He is telling truths. He is calling out the system. He is talking about family, relationships and the good and the bad of both. He calls out the government, the police and everyone else he feels is not up to snuff. The guest appearances on this album are wonderful. Andre 3000 is on this album. I haven’t heard new music from him in forever. It’s great to hear him, hear how excellent he still sounds and how effortless it comes for him. El-P is on a song here and it’s a great RTJ style song he guests on. These two have incredible chemistry and it constantly shows, especially on this track. 6lack is here, and he’s new to me, but I like his voice. He’s a rapper with a silky delivery. He’s like a young Pusha T. 2 Chainz pops up and this dude is underrated. I feel like people don’t take him seriously. They need to start now. He’s awesome. I could say the same about myself and doubting Ty $Ollar Sign. He’s dope. He can flow. This record starts strong, the middle is solid and finishes with a bang.

Killer Mike is at the top of his game. He had really put it all together and it really shows. I wish he was coming closer to STL on his upcoming tour. I’d love to see him perform these songs live. Until then, at least I have this record. It’s pretty awesome.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

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R.I.P. Tina Turner

Another day, another legend gone. Tina Turner passed away at 83 years old yesterday.

This one hit almost as hard as Jim Brown. I never really listened to Tina Turner's music, but my mom did. She played it loud and proud in the house growing up. My mom is, and was, a fan of her music and her story. I also remember the movie "What's Love Got to Do With It" playing a lot in my house and my mom watching it a ton.

My mom worked in a battered women and children's center when I was growing up and Tina Turner's story was one that her clients could relate to. Tina Turner was abused to the brink while married to Ike Turner. Ike Turner was a fantastic musician, but he was a total asshole and a miserable human being. He used to abuse Tina Turner mentally and physically. She overcame it all to become an even better artist and person. But Ike, he was a prick. So my mom would show this movie to the attendants of her shelter to give them hope. Or least that was how I saw it as a kid. She wanted these women to know there was more out there than an abusive partner. Tina Turner lived that life and she came out on the other side. Tina Turner also worked with Mel Gibson on a "Mad Max" movie. I mean, she spent an inordinate amount of time with two of the biggest abusers in the business world, and she came out of both very scathed, but stronger and more powerful than she was before.

Tina Turner was an absolute legend in every sense of the word. But she was best known for her music and her dancing. Tina Turner was a powerhouse vocalist. She commanded the stage and took the crowd on a ride with how awesome her voice was. I mean, she had some serious pipes. I have gone back and listened to some of her early stuff, the work she did with Ike, and she was the reason to go watch them live. She was also the reason to listen to their music. She was such a commanding and dominating presence while perming music. When she split and became a solo artist I feel she got even better. She became this ballad singer and she absolutely crushed on her songs. I have seen so many people reposting her singing "Simply the Best" and each time, with each version, it gets better and better. I have been totally blown away at how incredible, and widely loved, she was as a solo artist. I always knew she was amazing, but never really listening to her until now, I missed out on a bunch of stuff I will have to familiarize myself with now.

Tina Turner was also an incredible dancer. That was another thing people talked about when I was younger that I never understood. But now, after going back and watching clips of live performances, it all makes sense. She was an absolute crowd pleaser. She knew what moves to do and when to do them. She would get these well deserved applause breaks after doing some amazing dance numbers.

Tina Turner was one of a kind. There is no one else from her early era to when she ended that was as powerful a stage presence. She rocked the house and was one of the best to ever do it. She will be missed by so many people. The response to her passing has been overwhelming. Rest in Peace Mrs Turner. Go amaze crowds wherever you may be now. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

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SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.