Better Late than Never on the Incredible Film "Moonlight"

I just watched "Moonlight". I saw it yesterday for the first time and I cannot stop thinking about how great ofmovie it really, really is. I know that a lot of what I will say today has already been said, and the praise I will heap on it has already been heaped on from other places. But, I just saw it and I thoroughly loved every single moment of the movie.

Everything about "Moonlight" is perfect. The actors, the writers, the director, the story, the locations, it was all superb. As I said in my piece earlier this week about the Oscars, I was very much itching to see this movie. It arrived in my mailbox (Yes, Netflix still mails out movies) and as soon as my kids retired to their rooms for quiet and nap time, I shut myself off from everything around me and put all my focus on watching "Moonlight".

The movie is broken up into three chapters of the growth of a young gay black man in Miami and Georgia. In chapter one, we get the story of "Little". That was the main character's nickname as a child. His real name is Chiron, but everyone calls him "Little". It's a fitting nickname. He is small in stature, personality and grit. He constantly gets picked on and chased home by bullies from school everyday. He is also a confused young man. He doesn't know his place in the world. No one does at the age of 6 or 7 or 8, but Little is really confused and lost.

Little is hiding from bullies one day, and the local drug kingpin happens upon him in one of the abandoned crack houses. The drug dealer, played masterfully by Oscar winner Mahershala Ali, goes by the name of Juan, and he takes Little under his wing so to speak. He takes him from the crack house to get some food and tries to get him to talk. Little is so scared of everything, he does not say one word to Juan until he gets to his home and meets his girlfriend Teresa(Janelle Monae). She is a very pleasant and nice person to be around. She is a much better mother figure than Little's mom.

Little's mom, Paula, another great performance from an Oscar nominated actress, Naomie Harris, is a crack addicted, verbally abusive mom. All she does is berate and yell at Little. She is also very upset when she realizes he is spending a lot of time with Juan. She and Juan have a powerful argument on one of his streets.

Because Little needs an adult to look up to, Juan become the father figure that Little desperately needs though. He teaches him things about life. He teaches him to be the type of person he wants to be. He teaches him to swim. Even when Little comes home from school one day, after being chased and verbally harassed by bullies, he tells him that it is okay to be gay. Little doesn't really know what this means, but he knows that he can trust, and that Juan respects and loves him. Shortly after this heart to heart, Little realizes that Juan is also his mom's dealer, and that is too much for such a young kid to handle. He cuts off communication with Juan. We then get to chapter 2, "Chiron".

Chapter 2 of the movie focuses on high school aged Chiron. He is still very skinny and very tortured and trusts no one except Teresa and his life long friend Kevin. He still gets harassed at school. High school is hard enough, but add on being gay, having a drug addicted mom and being belittled everyday, Chiron had it much tougher than most. One of his bullies threatens to beat him up one day after school, and while Chiron is hiding out, Kevin bumps into him.

Chiron has always had a special place for Kevin in his heart. He loves Kevin. Kevin seems to be into girls during their conversation. But, one night, they are both hanging out on the beach, and Chiron has his first sexual experience with a man. This is one of the first, and probably only time in the movie that we see the character of Chiron smile. He looks like he may start to feel accepted, at least by one person. But, the very next day after school, Chiron's main bully convinces Kevin to punch him in the face three times, and then the rest of the bullies jump him. They put a pretty rough beating on him. It is really tough to watch. He is a helpless kid, and the only person he trusts, besides Teresa, has turned his back on him. Not to mention, his mom is more strung out than ever before and only talks to her son when she needs money for a fix. He is again, that confused scared little boy that he was in the beginning of the movie.

Chiron goes home after getting beat up, and shows up to school the next day looking for vengeance. This is one of the most powerful scenes in the whole movie in my opinion. Chiron walks through the entire school incredibly amped up and angry at the world, and when he arrives to class, he throws his backpack on his desk, picks up a chair and smashes it over his main bully's back. He then hits him with the broken chair a few more times before he is restrained, and we next see him being put into a cop car, and he and Kevin lock eyes before the cop car pulls off. This leads up to the final chapter of the movie, "Black".

In this chapter we see grown up Chiron, who is now a drug kingpin himself, driving a very similar car to what Juan had when they first met, he is ripped and has become a "gangster". He only goes by "Black" now, and he runs streets in Atlanta. He is the man when it comes to dealing. Juan has passed and he has lost contact with Teresa and Kevin and his mom. His mother still calls him all the time and wants to reconnect, but he has made an entirely new life for himself as "Black".

Chiron/Black's mom calls all the time, so one night he answers the phone, he assumes it's his mom, but much to his surprise, it's Kevin. They have a very short, but also very sweet conversation. Kevin apologizes for what happened in the past, and Chiron forgives him. He also tells him that he misses him. Kevin reciprocates, and tells him that if he ever goes through Miami again to find him. He is a cook now. We find out that Kevin went to jail as a young adult as well, found a love for cooking, so hence his new job as a chef.

Chiron decides to make his way back to Miami, this time as Black. He goes to visit his mother first, who is now in rehab. Their conversation is a long time coming and very moving, sad and gives them both closure. It's incredibly touching, yet sad at the same time, It is some masterful directing and acting by all involved. After he makes amends with his mom, he goes to see Kevin. When Kevin finally realizes that Chiron is in the restaurant, he looks to be filled with joy. They sit and they talk. They catch up. Kevin talks about his child and his child's mother. He tells him about his time in jail. He tells him about how he is making the best life for himself that he can. Throughout all this, Chiron is silent. He has reverted back to Little.

Chiron finally opens up to Kevin, and Kevin is not happy that he is a dealer and a "gangster". They proceed to Kevin's place after he gets off work to talk some more. While Kevin is going on about making his new life, Chiron finally opens up to him, telling him he is the only man that he has let touch him ever. I'm positive this is meant literally and figuratively. After saying this, we see tears welling up in Chiron's eyes. Kevin gives him a loving look. The movie closes on the 2 of them hugging each other on the couch, Chiron in tears.

This was a gripping, sad and difficult movie to watch. It's not difficult in the way "The Revenant" was, where I will never watch it again, I plan on purchasing "Moonlight". It was difficult because Chiron/Little/Black's life was so tough, and each actor portrayed that to perfection. Alex R. Hibbert as "Little", Ashton Sanders as "Chiron" and Trevante Rhodes as "Black" were each exceptional. They did not look all that alike, but I heard someone else say this, I cannot recall who, but they all had the same eyes and they all portrayed the pain and difficult life that this young man has. I was very much moved by this movie. As I said at the top, I cannot stop thinking about it. I have told everyone I know that they need to watch it immediately. I haven't seen many of the other Best Picture nominees, but I'm pretty damn sure that none of them will do to me what "Moonlight" did to me. "Moonlight" is a work of art and will go down as an all time classic. It was an incredible movie.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Ty Does not Watch the Dumb Oscars, but He still Has Some Thoughts

I said I'd have a follow up to RD's Oscars piece today, and I'm a man of my word. I'll get to other stuff later in the week.

First off, I totally agreed with pretty much all of RD's thoughts on all the categories. I don't really care about the sound stuff and the shorts. Don't get me wrong, those things are very important to movies, but I do not think the movie going public truly, really cares about those awards. I was very happy to see "Zootopia" win best animated movie. I very much liked the message and the animation and the story. It was a very well deserved win. I was so pumped that Masherala Ali won best supporting actor for "Moonlight". Ali is a wonderful actor, I loved him in "Luke Cage", and though I haven't watched "Moonlight" yet, I plan on seeing it tomorrow, I'm sure he is tremendous and well deserving. And "OJ: Made in America" is a must watch, and it won the award for documentary feature. These were my favorite things about the 2017 Oscars.

All the other stuff, save for Best Picture was predictable. The movie that won Best Foreign Language was a shoo in from what I read. Denzel Washington should have won Best Actor, but the academy gave it to a terrible, mean person, Casey Affleck. I felt real bad for Brie Larson, the presenter, because she does so much charity for victims of abuse, having to give him the award. Denzel is also a masterful actor. Viola Davis was more than deserving. This award was a long time coming.

Then we have "La La Land". As I said, I fully agreed with RD that the academy was going to reward a movie about white struggling jazz musicians, dancers and actors. That movie should have been called "Oscar Bait". And, for the most part, it won everything it was nominated for. I have no intention of watching this movie. I like the director, Damien Chazelle, I loved "Whiplash", but "La La Land" did nothing for me with the trailers. It's not my cup of tea. But, Chazelle won for directing, Emma Stone won for Best Actress and a few, not all, of the technical awards it was nominated in. I have nothing against this movie or the actors. I have made it wildly known my love for Ryan Gosling. I think Emma Stone is wonderful. I already said I love Chazelle's work with a movie like "Whiplash". But I was so excited when I read that "Moonlight" beat it out for Best Picture.

I've read and seen all the stuff that happened last night, with announcing the wrong winner. All that stuff just goes to show that EVERYONE expected "La La Land" to win, even Warren Beatty. But, for a movie like "Moonlight" to take the main prize, especially in this f'ed up political climate right now, makes me so in incredibly and irrationally happy. I haven't even watched it yet, but I'm so, so stoked that it won. This is a big deal for independent movies, which I love, and I'm filled with joy that "Moonlight" and Ali took home major prizes.

One more quick thing, screw the academy for not even nominating "Deadpool". The Golden Globes, and basically every other major awards show at least gave it a nod, but the academy decided movies like "Nocturnal Animals", "Arrival" (ed note: This film is is terrible) or "Hacksaw Ridge" were more deserving. Just give it a nod. You can nominate up to 10 movies, and "Deadpool" was most definitely one of the 10 best of 2016. The academy missed out on a big opportunity, but at least they cashed in a big opportunity with "Moonlight" last night.

Congrats to everyone involved with all the good movies and performances, it was a well deserved, great night for the people involved. Also, I heard that Jimmy Kimmel did a fine job as host, which I expected. Those are my takes on the 2017 Oscars.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He gave up on the Oscars when the best movie of the year, "Hunt for the Wilderpeople" received a non-record zero nominations. The Oscars are dumb. Follow Ty on instagram and twitter.

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SeedSing's Dumb Predictions for the Dumb Oscars: 2017 Edition

It is time for the 89th Academy Awards, and I have a few dumb things I need to get off my chest.

Last year we complained about how idiotic and pointless the Academy Awards have become. The night's top prize did not go to a movie beloved by audiences and critics alike (Mad Max: Fury Road). The Best Picture statue was given to Spotlight, a movie I bet 99 out of 100 people randomly surveyed would say they have never seen. That does not mean Spotlight is a bad movie, it is quite good actually, it just shows that the Academy Awards have no idea what movies are timeless, and truly the best films of the year. People remember Brokeback Mountain as a culturally important, and incredibly great film, while we all remember Crash as the terrible film the Oscars thought was a better movie than Brokeback Mountain. The Artist, The King's Speech, How Green Was My Valley, are forgotten footnotes who only come up in trivia questions, while classics like The Social Network, The Dark Knight, and Citizen Kane are films that get regularly listed as some of the greatest of all time. Even fairly good movies like Dances with Wolves, Shakespeare in Love, and Chicago are hated by people because those films "stole" Oscars that should have gone to Goodfellas, Saving Private Ryan, and The Lord of the Rings: The Two Towers. In short, the Oscars are dumb, and have been dumb for a very long time.

With that being said, why would SeedSing even do predictions for the Oscars. Because, dammit, we still love to watch movies. We also love to complain when our favorites are not honored. Complaining is awesome. The Oscars are the most watched awards show on television because movies represent the highest form of art in our American society. Movie stars are our royalty, movies are our mythology, and the Oscars bring it all together. 

Now presenting the SeedSing predictions for the 2017 Academy Awards.

Best Picture

When the Oscars expanded the field for Best Picture, the intent was to have more audience friendly mainstream movies make the filed. That has not happened. Deadpool should be in the list of 2017 Best Picture contenders, but it is not. The Academy decided that movies like Lion, Hacksaw Ridge, Manchester by the Sea, Fences and Hell or High Water could sit and lose and not excite any new viewers. 

Almost everyone thinks that La La Land will win the big prize, and why not. La La Land is a brave risk taking film that is about a white jazz musician, a white actress in LA, and uses classic Hollywood musicals as it's inspiration. How in the hell is that movie not going to win Best Picture. The producers should have just called the movie The 2017 Award Winner for Best Picture. There has never been a movie so focused grouped to what the Oscars award like La La Land. It exists to win the Oscar.

Some think that audience favorite Hidden Figures or indie success Moonlight may be an upset winner for the big statue, but that will not happen. The inclusion, and hope, for these films is just the Academy throwing a bone to the #OscarsSoWhite crowd. A win by either of these films would be justified, but La La Land is the brave tale of white people playing jazz and trying to make it Hollywood. The response to #OscarsSoWhite will be to give the whitest movie the biggest prize. La La Land is going to be 2017's Best Picture winner.

Personal note. My early pick for the Best Picture was going to be Arrival. Everything I heard about this movie made it sound like a better, modern, version of Contact. I was all in.

After I saw Arrival, I take any love back from that movie. It is terrible and incredibly stupid. Do not watch Arrival

Best Actor

Casey Affleck or Denzel Washington will win this award. The other contenders should practice their gracious clapping after they lose. Casey Affleck was a shoe in for Manchester by the Sea, and then some alleged disturbing allegations from his past started to make the news. The entertainment tried to keep it quite, but the reports kept on coming. Denzel Washington in Fences became the defacto safe pick for people who would not vote for Affleck. Denzel Washington will win.

Another personal thought. If Denzel was accused of what Affleck allegedly has done, Mr. Washington's career in movies would be over. Make your own conclusions to why this is.

Best Actress

Another two person race.

In one corner you have french actress Isabelle Huppert in Elle. She has already won a bunch of awards, is a legend in the business, and is almost universally considered to have given the best performance of the year.

Unfortunately in corner two we have young Emma Stone playing the struggling actress in La La Land. She wins the Oscar

Yet another personal thought. Elle is directed by Paul Verhoeven. I love Verhoeven films like Robocop, Total Recall, and Starship Troopers. Elle is not like any of those movies. 

Best Supporting Actor

This is the only category where any of the nominees could win. Mahershala Ali from Moonlight has won most of the early awards, and this may be the best award the beloved Moonlight will win all night.

Best Supporting Actress

Viola Davis in Fences. No question.

Other Awards

Best Director - It would be awesome to see Barry Jenkins from Moonlight win and make history, but Damien Chazelle directed the film about the white hero of jazz in LA. Chazelle will win.

Best Original Screenplay - The Lobster is inspired insanity, but it is not about struggling attractive white people in LA. La La Land wins.  

Best Adapted Screenplay - Anything except Arrival. Please.

Best Animated Featured Film - Enjoyable remedial meditation on racism that is Zootopia will win. The Batman Lego Movie better damn well win this award next year. I know it will not and I am already irrationally pissed. 

The other categories, also known as the speeches you will fast forward through - La La Land will win any category it is in. Just please do not let Arrival win anything. It's sound, design, and cinematography was great, but the actual movie is so bad I do not want it to be an Oscar winner. Please.

Rant over. That is how the 89th Academy Awards are going to shake out from the SeedSing perspective. I will leave everyone with one more prediction. Jimmy Kimmell should do a good job, I hope. Enjoy the show.

RD

RD Kulik is the Head Editor for SeedSing and the other host of the X Millennial Man Podcast. Did you like Arrival? How could you, it is terrible. I mean what was the point? I can talk my way to time travel? Why is their gravity different? Do the heptapods ever wear pants?   Come tell us.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.