The Latest Rolling Stone Top 100 Song List is Stupid

As I was strolling the internet today I came across Rolling Stone and they put out a new article ranking the best 500 songs of all time. Rolling Stone does this from time to time. They put out these lists, they get people talking, they get people arguing and they make arbitrary picks for what their writers believe are the best songs or albums or movies or whatever they feel like talking about that day. I will say, I am talking about it on the internet today, so they did pull me in, but I want to talk about how absurd and pointless it is to make lists like this.

I do my top five lists at the end of every year, but I make it very clear that it is my personal opinion. My picks have no reference base for anyone else. I think my picks are solid, but if people disagree with me, that is okay. I truly do not mind. I actually like it because, sometimes, less than I would hope, I get some good recommendations. But Rolling Stone doing these lists are all about getting clicks and getting likes. They cater to a younger audience. Some of the songs on the list I have never heard of, and I listen to a ton of different music. They also leave off very good artists because they are not well known enough for the majority of Rolling Stone's reading audience.

Personally, I do not think songs should be on an "all time" list unless they have been out for at least a decade. Songs need time to sit and grow. Songs on all time lists need to be around for a while before they make a best of all time list. I do think an artist like Lil Nas X is very important, I love how he markets himself and his music, but "Old Town Road" came out two years ago. And the song is very short and a very cliché country song. I bet when Rolling Stone does this list again ten years from now "Old Town Road" will not be on the list. I do think "Truth Hurts" by Lizzo is a tremendous song, but she has better songs. She has also barely been on the scene. Give her time. Hell, her new song with Cardi B, "Rumors", is better than "Truth Hurts". So is "Better in Color" or "Juice" or "Like a Girl". I also do not know that a Solange Knowles song should be on there before Beyonce. Solange is another very talented artist, but her older sister is so much better. Also, we need to retcon everything we know about Kanye, so his songs should not be here. I'm also not a fan of throwing a dozen Taylor Swift songs on the list. She is a fine artist, but come on. She needs to be in the game for a bit longer. I also do not like the fact that they put Coldplay songs on this list. Everyone makes fun of that band. Everyone. They write cheeky, goofy pop songs. Or how is a song like "Wonderwall" in the top 100. Sure, it is a solid song, but not one of the 100 greatest songs of all time. Not even close. Kelly Clarkson is a great artist as well, but "Since You've Been Gone" is the top 90? There are way better break up songs way further down on this list. No LCD Soundsystem song should be in the top 100. This has to have been from the hipster group of writers. And again, I adore LCD Soundsystem. I also do not know what the deal is with Leonard Cohen's "Hallelujah", but how that song makes all these lists is so far beyond me. Having MIA's "Paper Planes" in the top 50 must be a joke. No way is "Seven Nation Army" a better song than "When Doves Cry". "Royals" is not even Lorde's best song, and they have that at 30. A song by synth pop star Robyn is in the top 20, and I have never heard it before. No way does "Smells Like Teen Spirit" belong in the top 50, and they have it at five. It is so funny to me that the highest ranked Bob Dylan song is "Like a Rolling Stone". Total promotional pick.

This list is rife with hipster/company people picking what they want their bosses to be happy with. There is no joy or fun in this. It is all very common or ridiculous. There is no middle ground. But again, this is only a handful of people at Rolling Stone picks. This is who they were either told to put on here, or decided they had to have these songs on the list. If I did a top 500 songs of all time list it would greatly differ, but I am not going to do it for a myriad of reasons, number one being how arbitrary making a list like this truly is. This is all about opinion. If they sat down with real musicians, or people that have worked their whole life using science to figure out what are truly the best songs ever, scientifically, maybe I would take it a little more seriously. But this is typical Rolling Stone nonsense.

Read the very long list if you want to, but try not to let it make you too angry. That would be a waste of your time.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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The Greatest American Band Debate: The Avett Brothers

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

For the greatest American band debate today I'm going to nominate one of my personal favorite folk rock groups. The band I'm going to talk about today is the Avett Brothers.

The Avett Brothers are a four piece with the "Brothers" part being banjo player and co lead vocalist, Scott Avett and lead guitar and co lead vocalist, Seth Avett. The rest of the band is bass player, both upright and electric, Bob Crawford and they have a cello player named Joe Kwon. They have other musicians sit in on drums and piano from time to time, but those are the four main guys.

I was introduced to this band about 7 or 8 years ago via an article in "Rolling Stone" I read. They had just started to work with Rick Rubin and I pretty much like anyone that brings Rick Rubin on to work with them. This was kind of a departure for Rubin, but he had been doing mainly rap for awhile when he found the Avett Brothers. He worked with Johnny Cash and he was doing some other stuff with rock bands as well as working with Jay Z and many other rappers, but he had never really produced any folk music, at least not to my knowledge (ed note: He did also work with The Dixie Chicks, I guess they are folk-like). All I needed to see was that this band personally asked Rubin to come in and produce their record. I was going to listen no matter what.

That Rubin produced album was "I And Love And You". This is an absolutely phenomenal album. It was a great way for me to be introduced to their sound. This record is perfection. The way they mix folk and rock is just incredible. They also do beautiful slow songs and when they rock, they really bring it. The opening track, "I And Love And You" is one of the most bittersweet songs ever. They talk about falling out of love with their partner and saying that those three words are very hard to say. The piano they use, as it builds and builds, is downright beautiful. The louder the piano gets, the more pain they sing with and it's awesome. It is a great song. But, when you have had all the sadness you think you can endure, they hit you with a great love song, "January Wedding". This is a great, great first dance song, especially if you have a wedding in the month of January. "January Wedding" features some excellent solo banjo playing from Scott Avett and beautiful vocals from Seth Avett. Another great song. Then, they hit you with a rock song. The song "Head Full of Doubt/Road Full of Promise" is a great rock song. It starts out slower, like a folk song, but when they hit the bridge and then the third verse, it turns into a straight up rock song, with loud drums, banjo and guitar. They also up their vocals and knock it out of the park. The rest of "I And Love And You" is a great example of how to mix rock with folk and Rubin is at the top of his game producing this album. I could write a whole piece just on this record, but they have a lot of other music that is equally great.

After listening to "I And Love And You" on repeat for about 6 months, I decide it was time to dig into their older stuff, the stuff that is mainly folk music. I went out and bought "Four Thieves Gone: The Robbinsvile Sessions", "Emotionalism", "Country Was", "Mignonette" and "A Carolina Jubilee" and listened to them all almost immediately, one right after the other. "Country Was" and "A Carolina Jubilee" are very similar, in the fact that they are straight up folk records. Sure, they rock out on some songs, but it's all acoustic and it's all great. There are some classic Avett Brothers songs on these records like "Love Like the Movies", saying that movie love is fake, and I agree, "Pretty Girl From Raleigh", which finds them opining an old love and "I Killed Sally's Lover" which is a dark song, but the tone is upbeat. All great, early songs from the Avett Brothers.

Then I listened to "Four Thieves Gone: The Robinsville Sessions". This record, in my opinion, is a masterpiece. This album showed the band stretching what I thought was folk music, and had them exploring rock, and on one song, Scott Avett is almost rapping. It's a really good album. Go listen to songs like "Colrshow" to hear them rock out and yell sing lyrics awesomely or "Matrimony" which is about the plight of marriage, but there precision on vocals and instruments is on full display. Some other great songs are "Four Thieves Gone", which has them back to their roots with a ballady, slower folk song or "Pretend Love", which is a great mixture of rock and folk. My favorite track is the opening song, "Talk On Indolence". This song perfectly captures the bands love for folk and rock and both brothers vocals are just excellent.

"Four Thieves Gone" is so great. I didn't think that they could get better on the other albums I had, but, I was floored by what I heard on "Mignonette" and "Emotionalism". Both of these albums show real growth and exploration from this awesome band. On "Mignonette", we get some classic Avett Brothers tunes like "Swept Away", just an absolutely beautiful love song, "The New Love Song", which shows that this band is really unsure that they have ever truly been in love, you can really hear the hurt in this song, "Letter to a Pretty Girl", which has them, once again, opining for a lost love and "Salvation song", that is so good, it should be gospel. "Mignonette" is a really good album. But, "Emotionalism" is better. On "Emotionalism", we get great songs like "Paranoia in B-Flat Major", which is one Avett Brothers song that every fan knows and they play it at most live shows. There's also the beautifully heart breaking song "The Ballad of Love and Hate", which has hate being a jerk, but love loving everything about hate, no matter what. A great folk/rock song on this album is "Pretty Girl From Chile" which has a lady read an old love letter right in the middle of the song, then they proceed to rock for the rest of the song. "Hand Me Down Tune" is a great, slower folk song that is about the love of old music. It's awesome.

I was now hooked on Avett Brothers music. I was ready for their next record to come out because I needed new Avett Brothers music. They released "The Carpenter" in 2012 and I adore this album. It is one great song after another. "Once and Future Carpenter" is a typical folk song made great by this band. "Live and Die", which some of you may know from a GAP ad a couple of years ago, is a really sad song about death, but made upbeat by the vocals and instruments. "Pretty Girl From Michigan" is a great throwback Avett Brothers song that has them rocking and being very folksy at the same time. "Down With the Shine" is a perfect folk song. The instruments are great and when Scott Avett and Seth Avett trade off on vocals, I love every second of it. "Geraldine" is a very short, but very awesome rock song. Great electric guitars and great, very fast vocals. "Paul Newman vs. The Demons" starts off as a rock song and continues to rock harder through all 4 minutes and 43 seconds. It's the first straight forward rock song from the Avett Brothers and they crush it.

Then, one year later they released "Magpie and the Dandelion". This album is great, but it's not as great as their other stuff. I like that they take a ton of chances on this album and play a lot of electric instruments, and it is still very good, it's just not up to par with the other stuff I've mentioned today. Still good and worth a listen for fans though.

Other than what I've mentioned above, the Avett Brothers have a lot of EPs and they have put out three live albums and one live DVD. It's all great. The EPs are very early so they are mainly folk with some country splashed in. The live stuff is great. I've seen them live three times and every time they are awesome. They have a great energy that they bring to their live shows and when they slow it down, their ballads are beautifully done. Go see them if you want to experience a great, high energy live show.

I'm very excited to see what the Avett Brothers have in store for the near future. They are a great band that has put out a ton of music, but they are still fairly young and they have a lot of music ahead of them. I adore the Avett Brothers and they belong in this conversation. I know they lean more folk, but they are one of America's greatest bands.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He liked to strum the banjo on his front porch, but had to stop because the neighbors that it was creepy. Make sure you follow Ty on twitter @tykulik.

Do not count "The End of the Tour" out as one of the best movies of the year

Ty's VCR is ready for all the great movies of 2015

As 2015 comes to a close, I've been catching up on all the big time movies that I couldn't see in the theaters. One such movie I just watched was "The End of The Tour" and man, this movie is incredible.

The movie is about a Rolling Stone writer, David Lipsky(Jesse Eisenberg) interviewing author, David Foster Wallace(Jason Segel). At least, the synopsis of the movie states that it's about the interview, but the movie is more about the relationship between the two men leading up to the interview in Rolling Stone. The movie opens with an older Lipsky receiving a phone call from a former colleague saying that David Foster Wallace has committed suicide. Lipsky is stunned and upset at this news. He immediately goes to his storage and grabs his old Walkman and a box of cassette tapes. He plays one of the tapes and you hear David Foster Wallace talking. We then cut back to 1996 where a younger Lipsky is giving a reading of his newly published book. He has also just landed a job at Rolling Stone. He's high on what he assumes will be his newfound fame, but all the people at the party, including his girlfriend, are only talking about this new book called "Infinite Jest" , and how it may be the greatest book ever written. Lipsky is annoyed, but then he goes home and on the urging from his girlfriend, he reads "Infinite Jest" and is enthralled. He can't help but admit that this is one of, if not the, greatest book he's ever read. He persuades his editor to let him go on the end of Wallace's book tour and interview him. Rolling Stone has never interviewed a writer before, so why not start with the biggest fish in the pond. He agrees and Lipsky is off to Bloomington, Indiana.

When he first arrives at Wallace's house, he's met by two large black Labradors and Wallace emerges from the front door. At first sight, Wallace is very stand offish and hard to crack. He doesn't seem to want to say too much. It doesn't help that Lipsky is always turning on his recorder so he can capture every moment. Wallace, at least at first, seems like an introvert. He doesn't seem to like the fame. He almost begrudges the fact that he has become this big time author. But, the more he gets to know Lipsky, the more a friendship evolves. They opine over food, TV and girls. Wallace loves his junk food, be it candy, fast food or any type of sweets. He also claims to be addicted to TV. He doesn't own one because he says that he'd constantly have it on. He wouldn't watch it, but it would always be on just to have noise in the background. He also says that he would want a wife and kids someday, just not now. He becomes very open with Lipsky. He has let his guard down right before they go out for the final leg of his book tour. The two of them have very long, very deep conversations involving everything from food to writing. They are becoming legitimate friends. This angers Lipsky's editor. He wants him to get the story and come home to write it. He specifically tells him to "not become friends" with Wallace. Lipsky ignores this and continues recording their conversations and continues to be friendly. They pack their bags and fly to Minneapolis, the last leg of Wallace's tour. At first, everything is going great. Not only is Wallace being open with Lipsky, but he's being open with everyone. Interviewers, fans and even his driver. He's nice to everyone. At one point though, Wallace sees Lipsky getting some love from his fans and he looks a bit miffed. Even later, while hanging out with some of Wallace's college friends, one which he briefly dated, Wallace becomes even more angry and annoyed with Lipsky. He feels that Lipsky is openly flirting with his ex girlfriend right in front of his face. This causes a big bone of contention between the two and Wallace completely shuts down. He won't talk to Lipsky anymore and he's back to his introverted self. They fly back to Indiana and get their rental. On the ride back to Wallace's house, the two men air their grievances and get it all out. This fight actually brings these two closer. The day before Lipsky is set to return home, the two of them just hang out. They're eating McDonalds, talking about life and Wallace's phone rings. He gets a call from a friend to go out dancing. As much as he wants to stay, Lipsky has to catch his flight home. Before he leaves, there's a moment when Wallace is outside cleaning the snow off his car, Lipsky has a few minutes to look over his house and he takes it all in, recording everything he sees. By the time he reaches his basement, he's amazed at everything he's seen, but the writing room takes the cake. It's totally dark and has only a single computer. Lipsky is shocked that such a great writer lives so minimalist. Wallace doesn't need the fanciest computer, desk or office, he just needs his computer. When leaving, Lipksy gives him his book, begrudgingly, and asks him to give him some notes. Wallace says he will, but with most people in his life, he doesn't follow through. We then cut to Lipsky giving a reading at Wallace's "funeral". It's moving and heart breaking at the same time.

This movie has all the potential to be a classic. And, Jason Segel is absolutely phenomenal as David Foster Wallace. Segel usually plays the over the top goofy guy, but in "The End of The Tour", he's a revelation. He inherits all of Wallace's mannerisms and the way he carries himself and how he talks. It's as if Wallace has come back to life. Eisenberg was very good too, but Segel is the true star of this movie. I would be shocked if he doesn't get an Oscar nomination for this movie. I love this movie, but, by no means am I going to read "Infinite Jest". I don't have the time to read an 1,100 page book. This movie had all the information on David Foster Wallace that I could ever ask for. If you want, read "Infinite Jest", but a better way to spend your time, in my opinion, and learn about David Foster Wallace, watch "The End of The Tour'. It's less than two hours and told me what "Infinite Jest" was about. I love this movie and I can't recommend it enough.

Check it out.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He does not have time to read a 1000+ page book because he needs his hours to watch good movies. Urge him to read "Infinte Jest" by following Ty on twitter @tykulik.

The Greatest American Band Debate: TV on the Radio

Getting back to the Greatest American Band debate, today I'm going to nominate a band that's only been around for a little less than 10 years, but I feel like they're on the verge of becoming one of, not only the greatest American bands, but just one of the greatest bands of all time.

I found out about this band in 2006, and since then, I've been a huge, huge fan. Their debut album, "Desperate Youth, Blood Thirsty Babes" had me on the name alone, but after listening to it over and over again, I was immediately hooked. I'm of course speaking of TV on the Radio. I know that they're fairly newish, they've been around for almost a decade like I said earlier, but they're so innovative, and just really, really good musicians. TV on the Radio formed in New York, Brooklyn to be exact, but they didn't release the aforementioned "Desperate Youth, Blood Thirsty Babes" until 2004. They had released one EP before, entitled "Young Liars", and it's awesome, but it doesn't even begin to show you how great of a band they are. "Desperate Youth, Blood Thirsty Babes" was like nothing I'd ever heard before. I heard one of the songs on MTV2, when they still played music videos, "Staring at the Sun", and it was everything I wanted it to be. It was emo, alternative, bluesy and very rock and roll. I love "Staring at the Sun", it was my gateway to TVOTR. What made this album so unique was all the different genres they showcased. Songs like "Ambulance", with Tunde Adebimpe singing acapella and the band giving him an almost doo wop background was incredible. "Poppy" is a 7 minute epic that builds and builds and builds to an epic awesome rock and roll ending. "Bomb Yourself" and "Wear You Out" are two great ending songs to this album. Both songs are like the band King Crimson came back together, found the fountain of youth and played their songs a bit more listener friendly. The guitars are distorted and funky, but not as hazardous to your ears as some King Crimson tunes are. This album came out of nowhere and I still love it as much today as I did in 2004.

They followed "Desperate Youth, Blood Thirsty Babes" up with the fantastic "Return to Cookie Mountain". This album couldn't be more different than their debut, but that's a good thing because, it showed that they had range. They could play more than alt rock music. Take a tune like, "Wolf Like Me". Sure, it's got heavy guitars on it, but it's almost played like a radio song. It's got a great chorus, and Tunde's vocals are absolutely incredible. The opener, "I Was A Lover", features lead guitarist, Kyp Malone, providing lead vocals, and he's just as good a singer as Tunde, he's just different. There's also a really cool, really odd drum beat as well. On "A Method" and "Dirtywhirl", we get a glimpse of what they will sound like on future records with their big booming guitars and their really cool instrumentation. Tunde sings both of these songs and his vocals are perfection, especially on "Dirtywhirl". Another song sung by Kyp Malone, "Blues From Down Here", is really, really good. It starts out with Malone singing solo, no instruments and then pow, it hits you with fuzzy guitars and loud drums. The chorus is really catchy and memorable. It's an awesome song.

In 2008, TVOTR came out with their most critically acclaimed album yet. They released "Dear Science" and in 2008, Rolling Stone named it Album of the Year. This record is a masterpiece. TVOTR is crushing it on every level on this album. "Halfway Home", the opener is an awesome rock and roll song. Great distorted guitars, a really nice drum beat and great vocals from Tunde. "Dancing Choose", their "single" from this record is a really good song. It has elements of rock, alternative and even a little bit of jazziness to it. "Golden Age" is a phenomenal song that lets TVOTR do what they do best and mix genres of music. "Love Dog" is a really cool rock song. It starts out with a faint piano and drums, and just keeps building, gets louder and is met at the bridge by a crescendo of sounds that all come together perfectly. It closes as quietly as it starts, and everything in between is sublime. "Lover's Day" is a neat little song to close out the album. It's kind of poppy, but in a TVOTR type of way. "Dear Science" is a perfect album from start to finish. If someone were to ask me where to start with TVOTR, this would be the album I'd give them first.

They followed "Dear Science" up with the very underrated and under appreciated "Nine Types of Light" in 2011. It's hard to follow up a great album, but I feel like TVOTR did just that with "Nine Types of Light". This album is a bit more radio friendly and poppy, but TVOTR makes it work to their advantage. My gateway to this record was them releasing the song "Will Do" a couple of months prior to the release of the album. "Will Do" is a great radio rock song and the music video is really cool and trippy. Check it out if you haven't seen it. There are some other really great songs on this album. "Second Song" is a really cool blues/rock song that opens this album. "Keep Your Heart" is a sad song, and Malone's singing and lyrics make it even sadder. "Killer Crane" is a really unique slow song with some cool use of different instruments. "New Cannonball Blues" is Malone doing his best Howlin Wolf impression. This song is awesome. It's like Zeppelin, but Malone sings it as if he's channeling Howlin Wolf. "Caffeinated Consciousness" closes out the album and it's the best three chord rock song I've ever heard. Malone's guitar and Tunde's singing are so good on this song. This was the last album that featured original bassist Gerard Smith, who died of lung cancer nine days after the record was released. The song "Killer Crane" is almost a hymn for him, with the video being mostly still shots of the band, with the majority of them featuring Smith. "Nine Types of Light" was also released as a movie. It's more music videos for each song than a movie, but it moves like a movie. I highly recommend listening to the record and then watch the movie. This was a really good idea by TVOTR and it totally works with their persona.

Last year, they released "Seeds". They took time off due to the death of Smith, and "Seeds" was the result of their off time. This is a really good record and it kind of gave TVOTR the little bit of fame they have always deserved. Songs like "Careful You", "Test Pilot" and "Loved Stained" are all slow burners with very cool and innovative music accompaniment. "Careful You" has one of the coolest guitar effects I've ever heard. Other tracks like "Winter", "Lazzeray" and "Happy Idiot" are straight up rock and roll songs with TVOTR's distinct sound. My favorite song on the album, "Seeds", is love song esque, with great lyrics and simple yet sophisticated instrumentation. "Seeds" seems cathartic for the band and it's a fitting tribute to Smith.

As I said earlier, I know that TVOTR is still semi new, but they belong in this conversation for all of these and many more reasons. They will continue to keep making cool, interesting new music and I'm very excited for what their future holds.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He wants to know what American music makes you rock. Come write for SeedSing, then follow Ty on twitter @tykulik.