Ty Listens to New Music from Jay Z, Vince Staples, and Tyler the Creator

I have recently purchased or been given 3 pretty awesome hip hop records over the past 2 weeks, and I want to write a little something about all of them. I'm doing it this way because they're fresh on my mind, and starting next week, and the week after that, I'm going to be very football heavy. So, let's get to it.

The first one I bought, and that is the newest Jay Z record, "4:44". I waited until it was off Tidal, I don't have the service, and I got it on iTunes. I have to say, it is a good, straight down the middle Jay Z record. Kendrick Lamar has usurped him as the heir apparent to Biggie as the best solo rapper in my opinion, but Jay Z can still bring it, and "4:44" proves that. He still has that wonderful, effortless flow, and his lyrics are just as profound. From talking about his problems, that he caused, with Beyoncé, to the coming out of his mother to talking about his kids, it all works. Jay Z is one of the best rappers alive for a reason. No album will be as good as "The Black Album" was for me. But, I really enjoy "4:44". I like it more than his last record, which I loved, and if he continues to put our great rap music like this, I will always be happy.

The next album was a gift via an iTunes gift card. That record is Vince Staples "Big Fish Theory". This record bumps. I listened to it fully for the first time this past Tuesday and I was blown away. I am a fan of Staples, but it was more so for his guest spots. His song with the Gorillaz on "Humanz" is one of the highlights. But, I have his other stuff, and while it is good, it's no where near as good as "Big Fish Theory". The way he blends electronic beats with introspective lyrics is amazing. He is one of the better modern rappers too. He has great flow and a sense of confidence when he rhymes. He knocks his verses on this record absolutely out of the park. The track with him and Kendrick Lamar is one of the better singles I've heard all year. I don't know why Staples isn't more widely known, but if he keeps doing new and innovative things like he does on "Big Fish Theory", he's going to be as big, if not bigger, than Chance the Rapper. He's that good.

Finally we have Tyler the Creator's new record, which was given to me by a friend, "Scum Fuck Flower Boy".(sorry for the language mom and dad, but that is the title) I'm a big fan of Odd Future, and Tyler the Creator is the reason why. Even though he can get very dark and dirty, I love the way he raps. He's got a newer voice, but with an old school delivery. His other solo stuff has been good, but like I said, it gets very dark. On "SFFB", it's dark, but not as dark. It's more accessible for rap fans. His lyrics and rhyming are the best I've ever heard from him. I just got this record yesterday and I've already listened to it twice, with a third about to come when I mow my lawn in a minute. This record is amazing. Of the three, this one is my favorite, and I also think it is genuinely the best. The songs are great. The beats are dope. His rapping is on point. It's all around wonderful. I love love love this album.

It is a great time to be a hip hop fan. I highly recommend getting all three of these, but if you can only get one, get Tyler the Creator's "SFFB". Don't listen to it around kids, in fact, don't listen to any of these around kids, but find time on your own to listen. "SFFB" is a masterpiece, and so is "Big Fish Theory". And don't forget about "4:44", it's classic Jay Z, which means it too is awesome.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He does not like the fact that some artist use a swear word in the titles of their albums. He wants the entire album title to be filled with swears. Damn hell ass swears.

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Ty Listens to Kendrick Lamar's "Damn"

What should be to no one's surprise, Kendrick Lamar has done it yet again.

I heard rumblings about a week or so ago that he was putting out another new record so shortly after "To Pimp A Butterfly" and "Untitled, Unmastered". It was proven to be true when his new record, "Damn" was officially released today. I bought it as soon as I woke up, as I have done with all of his records, and I have already listened to it all the way through twice.

I have to say, I really enjoy this album. This is the first album that feels like you can just sit and vibe out to. All his other records are tremendous and wonderful and very, very insightful. Lamar has proven himself the best writer in hip hop since Jay Z, and now, I think he has surpassed him.

After I bought "Damn" this morning, I found an hour to myself, my wife is off work for the day, to listen to it from start to finish while doing some chores here and there, so the kids didn't have to hear it. They cannot listen to this record, just like every other Kendrick Lamar album. Then, when my kids retired to their room for naps, I went to work out, and that was when I really dug into the record. It was just me, my headphones, the pavement and Kendrick Lamar. I got to really focus.

What I really enjoy about "Damn" though, while it is still incredibly introspective, it is easily his most "fun" record. Now, it is not fun in the way that Puff Daddy or any other "party" rappers from the early to mid nineties. It is fun more so in the way that Jay Z was having fun on "The Black Album", or how Run the Jewels have fun on all three of their records.

This record has it all. Like I said, it is deep. The intro is sad and terrifying. Then, the album slips into an almost R&B/funk type record with Kendrick rapping over the beats. It was so different from what I have come to expect from him, but I found myself really enjoying it. I like when artists take a shot at something different, and when they hit, it is even better. Then, the record reverts into a straight up rap record with some big time bass thumping beats. These songs were perfect running songs. Being able to pound the pavement to every bass beat is exactly what I look for when listening to an album that I use for working out. The song "Loyalty" is so prefect for that. "Humble" is another track that made me feel like I could an extra mile or two. "XXX" is kind of a blend of bass and R&B, and it is tremendous.

Look, what it comes down to for me, I am a fan of Kendrick Lamar's just like I'm a fan of Run the Jewels. He would have to do something truly awful, Macklemore awful, for me to not like whatever it was/is. "Damn" just proves tenfold that Lamar is so gifted as a rapper and a writer. The fact that he can put out 3 records in less than 2 years is incredibly impressive. The fact that all 3 records are totally different from each other and successful proves that he may be the best solo rapper in the game right now. Scratch that, he is the best solo rapper right now. He has taken over that throne from Jay Z.

Looking at just the current hip[ hop scene, Kendrick Lamar is so much better than anyone right now, especially Drake. The fact that each of them have a newer record out now, and that Lamar's is so much better is proof enough. Add on "To Pimp A Butterfly" and "Untitled, Unmastered", and he is so much further ahead and so much more prolific than Drake could ever imagine being. While Drake is out there being a front runner for whoever is the best team in college football, basketball and the NBA at the current moment, Kendrick Lamar just keeps getting better and better at rapping and writing. Kendrick Lamar cares more about his craft than most musicians in any genre of music, and "Damn" further hammers home this point. If you ask me, there is no debate about who is a better emcee. It is Kendrick Lamar by a million miles. Lamar is so god damn good and can do any style of rap better than anyone.

I will be listening to "Damn" for a long time now. It will be spliced between listens of "RTJ 3" and "Awaken! My Love" for the next couple of months. There is another rumor floating now that he may release even more music on Sunday, I cannot think of a better way to celebrate Easter, which is a hilarious farcical holiday anyway, than more Kendrick Lamar. Until then, I will be listening to "Damn" over and over again, and you should too. This record is phenomenal.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Ha has yet to pick up the new Drake record. Ty is just not in the mood to hear sub-par rymes where Drake bashes the mentally ill.

Follow Ty on instagram and twitter.

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The Greatest American Band Debate: Rick Rubin and Brian Burton

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

In lieu of talking about another band today for the greatest American band debate, I'm going to talk about two producers. These guys are legends in the music business and without them, we would never have gotten some of the greatest bands of all time. They're both mainly producers, but one also doubles as a pretty good musician. The two people I'm going to talk about today are Rick Rubin and Brian Burton, AKA Danger Mouse.

Let's first start with Brian Burton. Danger Mouse bust onto the music scene with the legendary "Grey Album". This was a "mashup" of the Beatles "White Album" and Jay Z's "Black Album". This record was incredible. He perfectly blended Beatles with Jay Z. We had never heard anything like this before. Now, it's commonplace for DJ's and producers to do "mashups", but Danger Mouse was one of the first. This record was also impossible to come by. He didn't get permission from the powers that be to make it, so the few that got released were hard to get your hands on. You had to know someone who knew someone that had a copy just so you could get one. It's a masterpiece.

With the acclaim that followed "The Grey Album", Danger Mouse was in high demand. He began to work with a lot of artists. He, along with Cee Lo Green started the band Gnarls Barkley. An awesome concept for this band. Green did the vocals and Danger Mouse did everything else. They put out two awesome albums. The way he met Green was working with him on the "Danger Doom" album. This was Danger Mouse and MF Doom. MF Doom is an awesome, but under appreciated rapper. Their "Danger Doom" record is an excellent concept album. They used Adult Swim cartoons as their base and wrote rap songs to go along with it. Some Adult Swim people that appear are Master Shake, Harvey Birdman and Meatwad, to name a few.

Later on, Danger Mouse was called upon by the Black Keys, one of my all time favorite bands, to be the first outsider to produce one of their albums. He came to work with them on "Attack and Release", their first real ambitious album. He's since worked almost exclusively with them, making their sound more complete. He's added bass where needed and piano as a cherry on top of their unique sound. He was one of the driving forces behind their most recent and most ambitious record, "Turn Blue", and I will be forever grateful to him for making the Black Keys take some much needed steps to further their sound and push the limits.

Danger Mouse also has the band Broken Bells. This is him and Shins frontman James Mercer's side project. This is a great platform for Mercer to step away from the indie rock sound and really take some big vocal chances. He has to hit so many high notes with Broken Bells and he does great. That's something he would have never done in the Shins. Broken Bells is great.

Danger Mouse has also done work with a lot of other famous artists, Jack White, Norah Jones and Sparklehorse among many, many others. Danger Mouse is probably the second most in demand producer right now, and everything he's done so far has been pretty great. He's a top of the line producer.

The only guy that may be more in demand than Danger Mouse has got to be Rick Rubin. I mean, the dude co created Def Jam Records first of all. Just google Def Jam and look at all the ultra famous people that have been on that label, it's astonishing. He and Russell Simmons created an empire. They both created probably the best rap label of all time. Bands like Public Enemy, the Beastie Boys and Run DMC owe their fame to Simmons and Rubin. Even a guy like LL Cool J they made famous. Rubin is a total recluse, but when he emerges from his cocoon to work, this guy never disappoints. He was the producer on the "Black Album", Jay Z's best in my opinion.

Rubin has worked outside of rap music as well. His clientele includes  the Red Hot Chili Peppers, Johnny Cash, the Avett Brothers, the Dixie Chicks, Adele, Rage Against the Machine, Slayer, Mars Volta, Mick Jagger, the list could go on for days and days. He's even done stuff with Lady Gaga, Shakira and Ed Sheerhan. He has definitely expanded his grasp on all music.

The one thing you hear when people talk about working with Rubin is what a great professional he truly is. He has a knack for hearing and knowing great music. Before him, the Avett Brothers were just another run of the mill folk group. Rubin made them great. Same thing can be said about the Dixie Chicks. He produced their only listenable record. Rage Against the Machine knew they were working with a legend and let him do his thing, ending with great results. Lady Ga Ga, Shakira and Ed Sheerhan should thank their lucky stars that Rubin agreed to work with them. That's a huge compliment. Slayer and Mars Volta made their best stuff with Rubin on board. He's a genius, there's no other word that better describes him. Rubin's talent was on full display when he  got the absolute best out of an almost dead Johnny Cash. Those last two albums of his are masterpieces and a lot of that has to do with Rick Rubin being the producer.

They may not be a band, but we cannot talk great American music without mentioning these two guys that have helped produce so much of it. I can't wait to see what Danger Mouse and Rick Rubin do next.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. As a kid he thought Puff Daddy was the only producer in music. He has since become aware of others. Follow Ty on twitter @tykulik.

The Greatest American Band Debate: The Avett Brothers

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

For the greatest American band debate today I'm going to nominate one of my personal favorite folk rock groups. The band I'm going to talk about today is the Avett Brothers.

The Avett Brothers are a four piece with the "Brothers" part being banjo player and co lead vocalist, Scott Avett and lead guitar and co lead vocalist, Seth Avett. The rest of the band is bass player, both upright and electric, Bob Crawford and they have a cello player named Joe Kwon. They have other musicians sit in on drums and piano from time to time, but those are the four main guys.

I was introduced to this band about 7 or 8 years ago via an article in "Rolling Stone" I read. They had just started to work with Rick Rubin and I pretty much like anyone that brings Rick Rubin on to work with them. This was kind of a departure for Rubin, but he had been doing mainly rap for awhile when he found the Avett Brothers. He worked with Johnny Cash and he was doing some other stuff with rock bands as well as working with Jay Z and many other rappers, but he had never really produced any folk music, at least not to my knowledge (ed note: He did also work with The Dixie Chicks, I guess they are folk-like). All I needed to see was that this band personally asked Rubin to come in and produce their record. I was going to listen no matter what.

That Rubin produced album was "I And Love And You". This is an absolutely phenomenal album. It was a great way for me to be introduced to their sound. This record is perfection. The way they mix folk and rock is just incredible. They also do beautiful slow songs and when they rock, they really bring it. The opening track, "I And Love And You" is one of the most bittersweet songs ever. They talk about falling out of love with their partner and saying that those three words are very hard to say. The piano they use, as it builds and builds, is downright beautiful. The louder the piano gets, the more pain they sing with and it's awesome. It is a great song. But, when you have had all the sadness you think you can endure, they hit you with a great love song, "January Wedding". This is a great, great first dance song, especially if you have a wedding in the month of January. "January Wedding" features some excellent solo banjo playing from Scott Avett and beautiful vocals from Seth Avett. Another great song. Then, they hit you with a rock song. The song "Head Full of Doubt/Road Full of Promise" is a great rock song. It starts out slower, like a folk song, but when they hit the bridge and then the third verse, it turns into a straight up rock song, with loud drums, banjo and guitar. They also up their vocals and knock it out of the park. The rest of "I And Love And You" is a great example of how to mix rock with folk and Rubin is at the top of his game producing this album. I could write a whole piece just on this record, but they have a lot of other music that is equally great.

After listening to "I And Love And You" on repeat for about 6 months, I decide it was time to dig into their older stuff, the stuff that is mainly folk music. I went out and bought "Four Thieves Gone: The Robbinsvile Sessions", "Emotionalism", "Country Was", "Mignonette" and "A Carolina Jubilee" and listened to them all almost immediately, one right after the other. "Country Was" and "A Carolina Jubilee" are very similar, in the fact that they are straight up folk records. Sure, they rock out on some songs, but it's all acoustic and it's all great. There are some classic Avett Brothers songs on these records like "Love Like the Movies", saying that movie love is fake, and I agree, "Pretty Girl From Raleigh", which finds them opining an old love and "I Killed Sally's Lover" which is a dark song, but the tone is upbeat. All great, early songs from the Avett Brothers.

Then I listened to "Four Thieves Gone: The Robinsville Sessions". This record, in my opinion, is a masterpiece. This album showed the band stretching what I thought was folk music, and had them exploring rock, and on one song, Scott Avett is almost rapping. It's a really good album. Go listen to songs like "Colrshow" to hear them rock out and yell sing lyrics awesomely or "Matrimony" which is about the plight of marriage, but there precision on vocals and instruments is on full display. Some other great songs are "Four Thieves Gone", which has them back to their roots with a ballady, slower folk song or "Pretend Love", which is a great mixture of rock and folk. My favorite track is the opening song, "Talk On Indolence". This song perfectly captures the bands love for folk and rock and both brothers vocals are just excellent.

"Four Thieves Gone" is so great. I didn't think that they could get better on the other albums I had, but, I was floored by what I heard on "Mignonette" and "Emotionalism". Both of these albums show real growth and exploration from this awesome band. On "Mignonette", we get some classic Avett Brothers tunes like "Swept Away", just an absolutely beautiful love song, "The New Love Song", which shows that this band is really unsure that they have ever truly been in love, you can really hear the hurt in this song, "Letter to a Pretty Girl", which has them, once again, opining for a lost love and "Salvation song", that is so good, it should be gospel. "Mignonette" is a really good album. But, "Emotionalism" is better. On "Emotionalism", we get great songs like "Paranoia in B-Flat Major", which is one Avett Brothers song that every fan knows and they play it at most live shows. There's also the beautifully heart breaking song "The Ballad of Love and Hate", which has hate being a jerk, but love loving everything about hate, no matter what. A great folk/rock song on this album is "Pretty Girl From Chile" which has a lady read an old love letter right in the middle of the song, then they proceed to rock for the rest of the song. "Hand Me Down Tune" is a great, slower folk song that is about the love of old music. It's awesome.

I was now hooked on Avett Brothers music. I was ready for their next record to come out because I needed new Avett Brothers music. They released "The Carpenter" in 2012 and I adore this album. It is one great song after another. "Once and Future Carpenter" is a typical folk song made great by this band. "Live and Die", which some of you may know from a GAP ad a couple of years ago, is a really sad song about death, but made upbeat by the vocals and instruments. "Pretty Girl From Michigan" is a great throwback Avett Brothers song that has them rocking and being very folksy at the same time. "Down With the Shine" is a perfect folk song. The instruments are great and when Scott Avett and Seth Avett trade off on vocals, I love every second of it. "Geraldine" is a very short, but very awesome rock song. Great electric guitars and great, very fast vocals. "Paul Newman vs. The Demons" starts off as a rock song and continues to rock harder through all 4 minutes and 43 seconds. It's the first straight forward rock song from the Avett Brothers and they crush it.

Then, one year later they released "Magpie and the Dandelion". This album is great, but it's not as great as their other stuff. I like that they take a ton of chances on this album and play a lot of electric instruments, and it is still very good, it's just not up to par with the other stuff I've mentioned today. Still good and worth a listen for fans though.

Other than what I've mentioned above, the Avett Brothers have a lot of EPs and they have put out three live albums and one live DVD. It's all great. The EPs are very early so they are mainly folk with some country splashed in. The live stuff is great. I've seen them live three times and every time they are awesome. They have a great energy that they bring to their live shows and when they slow it down, their ballads are beautifully done. Go see them if you want to experience a great, high energy live show.

I'm very excited to see what the Avett Brothers have in store for the near future. They are a great band that has put out a ton of music, but they are still fairly young and they have a lot of music ahead of them. I adore the Avett Brothers and they belong in this conversation. I know they lean more folk, but they are one of America's greatest bands.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He liked to strum the banjo on his front porch, but had to stop because the neighbors that it was creepy. Make sure you follow Ty on twitter @tykulik.

The Greatest American Band Debate: The Sugarhill Gang

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

For Seedsing's Greatest American Band debate, I'm going to nominate a group based solely on one song.

That may sound weird, or even unfair, but this one song started a revolution of great, great music that, had these guys not put this song out, we may have never had. The band that I'm going to nominate today is Sugarhill Gang. We all know their famous song, "Rapper's Delight". This is the one song that I'm speaking of and will be the basis of my blog today. In 1979 three guys, Master Gee, Wonder Mike and the now deceased, Big Bank Hank, started a rap group in New Jersey. All three of them had their own rapping style, but combined, they made one of the most influential and greatest rap songs of all time. Without these three, and their producers and business people that were around them, we never would have gotten rap music. Some may argue with me and claim that Blondie's "Rapture" was the first rap song, but it's not. "Rapture" came out in the early eighties and "Rapper's Delight" came out in 1979. Blondie was not a rap group as well. Blondie was a rock group that happened to have Debra Harry "rap" on one song. It gained commercial success because Blondie was a great band and Debra Harry was very pretty. But, had "Rapture" been the stepping off point for rap music, we would've never gotten some of the greats that we now have or had. "Rapper's Delight" and Sugarhill Gang made rap accessible to everyone. This song crossed generations and races of all kinds. Talk to anyone you know, be they a fan of rap, rock, reggae, blues, jazz, any type of music and I guarantee they all know at least one line from "Rapper's Delight". This song is one of the greatest songs of all time. Not just rap, I'm talking any genre of music.

Sugarhill Gang was composed of the three guys I mentioned before. They were all free style rappers, but they didn't really know how to put their music on a record. In the late 70's, rap was not a thing. It hadn't been invented yet. Some producers heard what these guys were doing, and they wanted to put it on record so everyone could hear it. They just didn't know how to put music to what they were doing. Some genius decided to use a sample from a Chic song and the idea of sampling and rap was born. The Chic song they used was "Good Times". It had a constant beat that went throughout the whole song. The producers isolated this music and had the members of Sugarhill Gang put their rap verses to the music. "Rapper's Delight", and for all intents and purposes, rap music was born.

"Rapper's Delight" is, by far, the longest rap song that I've ever heard. It comes in at just around 8 minutes. How crazy is that?"! A rap song lasting for 8 minutes is unheard of, unless we're talking Wu Tang Clan which I'll write about on another day. The length of the song allowed each member to truly shine. We, the audience, got to hear these three emcees do their thing. They were incredible, and no one knew what to call this music. People were amazed at what these guys were doing. They brought the world and the US a new style of music. What made it even more crazy was the fact that there was no hook or chorus. When each rapper took his turn, they spoke the famous lyrics, "I said a hip hop, the hip to the hop you don't stop, rock the bang bang boogie, the up jump the boogity beat". Those are the first real verses of rap music ever recorded. This song was so popular, it was the first rap song to reach the Billboard Top 40. It was lightening in a bottle. 

I was born three years after the song came out, but "Rapper's Delight" was my ipso facto introduction to rap music. To hear what these three did was incredible. I didn't hear the song until the nineties, I was a teenager, but even back then, I understood the importance to rap music that this song had. Without this song, I would never had listened to Notorious B.I.G or Jay Z or A Tribe Called Quest or even rap groups like Outkast. You can go back and watch or read interviews with the vast majority of rappers and rap groups and they will all cite Sugarhill Gang and "Rapper's Delight" being one of their gateways to rap music.

As I said before, this song crosses many, many generations. The first person to tell me and have me listen to this song was my father. He's 32 years older than I am. I have a three year old son and I will put "Rapper's Delight" on in the car and he will mumble the lyrics I wrote before. So, just between three people, myself, my father and my son, we all know the song. That's a 64 year old, a 32 year old and a 3 year old. Tell me one other song that does that. Another great thing about Sugarhill Gang as a group, they're clean. They don't use any swear words and their albums are family friendly. That's almost unheard of in a lot of music today. I love that I can play "Rapper's Delight" with my son in the car. He likes the song and it gives me a chance to listen to something other than children's music. Don't get me wrong, I like that the kids music helps my son learn, but I'd much rather listen to "Rapper's Delight" than the ABC song again.

Sugarhill Gang put out five albums, but nothing came close to the greatness that is "Rapper's Delight". Their other stuff is decent, and they even made a kids rap album, but "Rapper's Delight" was their peak. What a great peak to have though. They are responsible for creating an entire genre of music. The music they created, rap music, may be the most popular music there is today. They are still performing today with the two surviving members and some other friends of theirs. That's pretty incredible that they are still out there doing music. They've even scored some top 100 hits, but it's all overseas.  

With one single song, Sugarhill Gang created rap. That's reason enough for me to nominate them in our debate. They may be more of an influence, which I've written about, but they created "Rapper's Delight", therein creating rap. They belong on this list for that reason alone. Go out, after you read this, and listen to "Rapper's Delight" and be grateful that they created this song. Without Sugarhill Gang, we wouldn't have rap and without rap, we wouldn't have some of the greatest music there is today.

Thank you Sugarhill Gang. You guys belong in the Greatest American Band debate.

Ty

Ty is the Pop Culture editor for SeedSing and the co-host of the X Millennial Man podcast. When he was little, Ty thought hip hop was what a rabbit listen to. Follow Ty on twitter @tykulik.