Ty Listens to "LSD"

I've been trying new genres of music lately. I've been in a rut with music lately, so I wanted to see if I liked something I never really gave a full go to just yet. I still do not like modern country, too twangy and misogynistic, and jazz is simply unbearable for me. But I have been checking out DJ's, and some of their side projects with other artists. In doing this I stumbled upon an album titled "LSD". Let’s discuss.

This record has three artists on it, Sia, Labrinth and Diplo. I heard of Diplo through my wife who reads gossip magazines. I guess he has dated a lot of famous people. But I also heard of him through "The Eric Andre Show". There is a great street bit they do in an early season where he goes out and talks about scientology. While speaking into a microphone he starts to play music with it and says, "this sounds like a Diplo song". I figured if Eric Andre liked him I'd give him a try. Sia is a massive pop star. I know she made a pretty insensitive movie recently, but she is a good singer. I enjoy her big hits. Labrinth I was not familiar with at all. Doing some research I found out he is an established rap and R&B artist in the UK. I also really enjoy his voice. I decided to give the album a listen because I knew 2/3 of the people, I like some of the stuff they do and the cover is rad.

I really like this record a lot. I'm glad that I gave it a go. This album kind of bounces all over the place genre wise, but that is a good thing. I feel like they let the artists use their strengths on the record. Sia doesn't rap, Labrinth can do that. Diplo picks out the beats. When they need a nice chorus or hook, they let Sia run with it. The songs flow very nicely on the record too. There is no real wasted space here. I have come to realize that the song "Thunderclouds" was a minor hit. I get it. They put it right in the middle of the album and it is an excellent bridge from the start to a wonderful finish. They have some bangers on the front half. Besides "Thunderclouds", the song "Genius" is awesome. It has a nice hip hop feel to it. Labrinth really shines on this song. They also did a remix with Lil Wayne and that version may be better than the original. The song "Audio" has a back and forth from Sia and Labrinth and it works. They both showcase their talents. The second half of the record shines. This is the part that made me love this album. The song "Mountains" is a perfect pop song. From the chorus to the time signature to the beat to the lyrics, it is electric. I also love the stuff Diplo does on this song, making it really, truly feel like this was his baby on the album. "No New Friends" is a fast, almost jarring song on the record, but it works. They then follow that up with "Heaven Can Wait". This is my personal favorite on the album. It bends from hip hop to dance to pop and a little R&B. They wrote a nearly perfect song with this one. The album finishes off with a sweet, slower song, "It's Time". This is a nice closer. It wraps everything up on the album.

I adore this record. I keep going back and finding more and more things I genuinely like with each new listen. Check this album out. It is very, very good. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Better Never Than Late on "Vox Lux"

Yesterday I wrote about a movie starring Natalie Portman that I really liked. Today, I’m going in the opposite direction.

I really wanted to see the movie “Vox Lux” when I first saw the preview, about 2 years back. I thought it had an interesting premise, girl is involved in a school shooting, gets hurt, writes a song about the event, becomes a pop star and has many mental problems stemming from the incident in school. It also starred Portman as the grown up version of the kid, the pop star version.

The movie started out strong enough to keep my attention. The school shooting was a little bit too real, which made me emotional, and I felt for this young kid, dealing with the aftermath. It was upsetting and a struggle and, at least I thought, portrayed tragedy through the eyes of a teen very well. But, when the music starts in the movie, that’s where they lost me. As I said, the main character writes a song about the event, someone is filming it on local news, a record exec hears it and decides they want to record it. That is when the movie shifts tones and kind of goes off the rails. The girl, while dealing with record people, and people in the music industry, kind of becomes a satirical version of a young person breaking into the pop music scene. She has to learn how to do choreographed dances, but can’t really dance after the shooting. She goes away overseas and starts to get heavily involved in drugs and sex. She constantly derides herself for making pop music. She has weird monologues that seem pointless and endless. She walks in on her sister sleeping with her manager and that strains their close relationship. She is then late for a plane, but she’s told that she is going to make a video because her song is so popular.

What I gleaned from all of this, pop musicians can do whatever they want if they’re good. She shoots the music video, but that scene felt forced and pointless. We then flash forward about 15 years, and we see Portman as the adult version. And surprise surprise, she has all kinds of mental problems, she’s a head case, she’s an addict and she has no real redeeming qualities.

I’m a humongous Portman fan, but I did not find her very good in this movie. She talks way too fast, and her New York accent is trifling. She’s also over dramatic far too often. As is Jude Law, who plays her manager. In fact, everyone is a bit over dramatic in this movie. They also have a scene, twice in fact, where some bad dudes dressed as the people in her video, shoot up a beach, and they only broach that topic once. I feel like they could’ve done a ton with that, using her past, fame, religion, a ton of stuff, that they barely touched on, if at all. And when you think there’s going to be some big, revealing ending, there’s not. Spoiler alert, Portman sings the song from the beginning, they scan the characters in the audience all smiling, and when the song is over, credits roll. It was very unfulfilling.

This movie had all the makings of things I like, original songs from Sia, Natalie Portman, talking about modern pop music, and a tragic story that could have ended with revelations. None of that, except Sia’s music, worked at all. I wish this movie was better. Unfortunately it is not. Oh well, at least Portman crushes in pretty much everything else she’s in. Watch “Annihilation” instead of this movie. You’ll be happy you did.

Also, on a positive note, happy birthday mom! Love you.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.