The Best Movies of 2018

I waited until today to do my top 5 movies of 2018 because I went to the movies today and I thought the one I was seeing would be on the list. By the way, it made it. My movies are fairly mainstream this year. As I’ve said before, it’s harder for my wife and I to go to the movies. Sometimes it’s even harder to watch them at home because we are so tired. But, I still see enough movies to make this list. I still go to the movies by myself, or bring my dad to some of the odder movies I see. I see more kids movies because I have 2 of my own that enjoy them. So my list is odd, with 3 big time movies on it this year. Maybe this will make RD stop calling me Pierre. We shall see.

At number 5 I have “Teen Titans Go! To The Movies”. I took my kids to see this because my son loves the show. I’ve watched a few episodes with him, found them kind of funny and agreed to take him. I had super low expectations, and this movie far surpassed them. This movie is great. It’s fast, funny, well written, animated like the show and has several good stories. I love the joke of how many super hero movies there are now. There’s far too many. Hell, counting “TTGTTM”, I technically have 3 on my list. But how they make a joke about it is great. The underlying stories of friendship, camaraderie, stardom and teamwork make this movie even better. Add the fact that is basically a musical makes it that much more fun. I had a blast watching this movie. And since seeing it this summer in the theater, I’ve enjoyed the 2-3 dozen more times I’ve watched it. I can also sing every lyric to every song. “Teen Titans Go! To The Movies” was one of the best times I’ve ever had in a theater.

At number 4 is the movie I saw this afternoon, “Spider-Man: Into the Spider Verse”. This is one of the coolest looking movies I’ve ever seen. The way it was filmed is like a comic book. It’s like “Sin City” for kids. This movie was simply incredible. The way the story is told was masterful. Seeing young Miles Morales go through his journey with all the different versions of Spider heroes was remarkable. The bad guys were bad too. I loved Doc Ock as a woman. She was evil. Kingpin was just as bad as any bad guy in a gangster movie. And the heroes were awesome. The second Peter Parker, who has B as his middle initial was hilarious. Spider Gwen was a total badass. Penni Parker, Spider Noir and Spider Ham all had their own personal charm, which I liked. The story was tremendous. The lessons were amazing. This is the type of movie that pulls me back into the super hero and comic book genre. It’s a work of art. I’m still totally blown away at how cool that movie looked. It’s awesome.

At number 3 I am getting away from hero movies and dipping into horror/suspense with “A Quiet Place”. This movie had me at the edge of my seat the whole run time. I kept apologizing to my wife for squeezing her hand so much throughout the movie. This movie made me not want to eat my movie snacks because it needed to be silent in the theater. What John Krasinki and crew did with this movie was usher in a new era of suspense. They made it hip to make a new age silent movie. And with this being, technically a silent movie, I was never, ever bored. As I said I was on razors edge. And Emily Blunt was phenomenal in this movie. Watch it alone for the birth scene. You may get anxiety after seeing it, if you don’t already suffer from it. “A Quiet Place” has renewed my love for the horror/suspense genre. I’m very excited/curious to see what they do with the sequel. But for the time being, this movie is right up there with “Get Out”, at least for me. 

At number 2 I have “Black Panther”. This is the best super hero movie ever. Nothing will top it. As good as some of the early Marvel stuff was, they all pale in comparison to “Black Panther”. This is the type of movie that has it all. A tremendous villain, maybe the best one yet. Strong, powerful female leads. African Americans as the stars. A great story about family and how important home is. Doing what’s best for the people you love. Great fight scenes. Funny moments. Touching moments. All of this in a comic book movie. “Black Panther” was overdue for its spotlight. But when it got it, they smacked it out of the park. Also, the soundtrack is amazing. The movie has it all, and it has zero flaws. “Black Panther” is the perfect movie. But there was one better, at least for me.

My number one movie of 2018 is “Sorry to Bother You”. There is no other movie like “STBY”. It’s an original, one of a kind. It’s science fiction with a story about race and culture and selling out and what all that means to multiple groups of people. I was blown away by this movie. I have watched it a dozen times since I saw it on its opening weekend, and with each new viewing I find something I missed or something new I like. And the performances, my goodness are they wonderful. This movie will make LaKeith Stanfield a star. Tessa Thompson is remarkable. Stanfield’s buddy, the guy from “Superior Donuts”, is hilarious. Steven Yeun is perfect. Even bigger actors, like Terry Crews and Danny Glover, shine in their minimal screen time. We need more movies like this. I’m done with remakes and sequels. Please give me new and fresh stuff. And nothing is newer or fresher or more I treating or cooler or crazier than “Sorry to Bother You”. I will watch this movie for the rest of my life. It’s a remarkable achievement. And it’s so unique. I love this movie. There was no question this movie was going to be number one the moment I left the theater. It’s amazing.

That’s it fit today. Come back tomorrow for my top 5 podcast moments of 2018.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He may not go to as many independent films like he did as a younger man, but the Head Editor will always call him Pierre. Old habits die hard.

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The Best Music of 2018

As promised last Friday I am going to come to you all this week with my top 5 things in sports, movies, music, tv and podcasts. These lists were a bit more difficult than usual because I am very set in my ways now. I also don't get out to the movies as much, but I have seen enough to make a list. I like doing this every year though, and that has not changed at all. I'm also ready to hear why I am wrong for the top 5 things that I have picked.

Today I am going to start with my top 5 albums/music that happened in 2018. I will count down from 5 to one. It also needs to be said that my list is different from others. You will see what I am talking about as I get into my top 5 music of the year. Lets get started.

At number 5 I have the three song EP released on Spotify this year by the band Heartbones. I heard about Heartbones since I am a fan of Har Mar Superstar. I follow pretty much all the music stuff he does, and when I heard he was going to team up with Sabrina Ellis, and do the songs of "Dirty Dancing" live, I was intrigued. Unfortunately for me I did not get to see them live, but I was blessed with the three songs they put out. The songs are also originals, they are not covers from "Dirty Dancing". I love these songs. They have that 80's synth sound, but made to sound more modern. Har Mar is perfect for this type music. He is a pop singer. His voice is perfect for that style music. And he shines on these 3 tracks. I had never heard of Sabrina Ellis until now, but she rules. Her voice is also great for this style pop music. These 3 songs I can listen to in the car with the kids, and they sing and dance along with them. I love these 3 tracks. I cannot wait to see what they come up with when they do eventually put out a full album. If the rest of the tracks are 1/3 as good as "Little Dancer", "Disappearer" and "This Time it's Different", it will most likely end up on my top 5 albums of 2019. If you are a fan of either Har Mar or Sabrina Ellis, or well made pop music in general, check out this 3 song EP. It rules.

At number 4 I do have a full album, and it is a soundtrack. That album is "Sorry to Bother You" by the Coup. First things first, this is not the same record with the same name that came out in 2012. I like that record to, but this is the soundtrack to a movie that you will definitely hear more about on Wednesday. But, the soundtrack to the movie is all new material from one of our greatest hip hop groups. Boots Riley and the Coup come just as hard on this record as they do on every other one they have released. The opener, "OYAHYTT" comes at you hard. It gets you ready for the rest of the record. Boots Riley crushes the vocals, and the guitar in the song is perfect. LaKeith Stanfield also crushes his verse on the song. It is a great table setter. From there on out we get great songs featuring people like tUnE yArDs, Janelle Monae, Killer Mike and E-40. It's a relative who's who of hip hop and R&B. This soundtrack comes hard, it makes me want to watch the movie and is a good, 9 song rap record. The Coup always do good stuff, and this record is no different. It's awesome.

At number 3 I have Nathaniel Rateliff and the Nightsweats "Tearing at the Seams". This record is amazing. I loved his first record, but I was hesitant on the second. I am always hesitant on second records from people who's first record I cherish. But a friend of mine, who's musical taste I very much trust, texted me and told me it was one of the best records he had listened to in quite some time. That night I downloaded the record and listened to it three times. It was, and still is, amazing. Rateliff and his band totally crush this record. It is so good. It is a shift in the alt rock genre of music. Rateliff has that gruff voice that I love in rock music. His band is amazing. The addition of the horn section was phenomenal. The way the record is sequenced is perfect. The fact that he has a song called "Intro" that comes in the middle of the record is one of my favorite things about it. This is a record I go back to every month or so and remember why I like it so much. It is such a good modern rock record. Rateliff and his band are on a big time upward trajectory. Now I cannot wait to see what they do next. I will have no trepidations when they put out their third record. I will listen to it the day it comes out. For the time being though, I have "Tearing at the Seams", and that makes me very, very happy.

At number 2 I have more of moment than an entire record or EP. But, "This is America" is a seminal moment in music, and out current culture, and it fully deserves to be on my top 5 music list for 2018. When Donald Glover, AKA Childish Gambino, released this song and video, you could feel a shift in political hip hop music. It is such an important song, but the video puts it over the top. That video is astonishing. It is haunting. It is terrifying and it is all true. Glover and director Hiro Murai knew exactly what they were doing this when they released it. I still, many months later, go back and watch this video from time to time. I listen to the song almost daily, especially when I exercise. It is such an important piece of music and art. It will be remembered for years to come. I would bet a good amount of money that my kids will study this song and video when they are in high school and college. Everything about "This is America" will be historically acclaimed and remembered. It is the most important piece of pop culture to come out in 2018.

And my number one record, and it is only ahead of "This is America" is because it is a full record, I have Pusha T's "Daytona". This record is the perfect hip hop record. Pusha T, from the start, crushes all the songs. He puts himself at, or near, the top of current emcee's. The opener, "If You Know You Know" has one of the best beats I have ever heard on a rap song. And Pusha crushes with his rhyming. And in a short 25-30 minutes he touches on so many important things and he nails it all. What stands out most is his "diss" track of the highly overrated Drake, and he doesn't even have to mention his name. We all know exactly who he is talking about, and like only he can do, he pulls it off without even mentioning him. I grew up listening to Clipse, they were one of the first real hip hop groups I devoured, and to see where Pusha T is now makes me so happy. "Daytona" is wonderful. I listen to this record all the way through once a week. Usually when I run. It is a perfect hip hop record. It has anything and everything a hip hop fan could want, and it is short and to the point. I love this record. I have not heard anything nearly as good as "Daytona". It is number one, and it is number one with a bullet. This record rules. It is, by far, the best record of 2018.

That's it for today. Come back tomorrow for my top 5 TV shows of the year.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He was going to wait on his best music list to see if Run the Jewels did another surprise album drop just before the new year. Only a few hours left guys.

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Cloves and Fedoras: Go See the Intriguing Film "Sorry to Bother You"

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture.  Feel free to contact us with your own submissions of undiscovered gems that must be known.

This past Saturday I had the great pleasure of seeing one of the wildest, weirdest, crazy, scatter brained, satirical and best movie that I have watched in a long, long time. I took my dad to see "Sorry to Bother You", and boy did this movie not disappoint.

I had very high expectations for this movie. From the moment that I heard Boots Riley of The Coup, a band that I am a big time fan of, I even nominated them for greatest American band, had written and directed a movie, I was interested. I didn't need to know what it was about, or who was even in it, I was just totally stoked that a visionary, and political activist like Boots Riley was getting a chance to make a movie. That being said, when I heard who was cast in the movie, that made me want to see it even more. As you all know, I am a big time fan of the show "Atlanta", and when I saw that Lakeith Stanfield was starring in the movie, I was pumped. It  also didn't hurt when I saw names like Tessa Thompson, Terry Crews, Steven Yeun, Jermaine Fowler and Danny Glover in the cast. Then the trailers started to some out. The trailers put all of the craziness and absurdity and wonderfulness that was this movie into the world. The trailers also made me realize who people like David Cross and Patton Oswalt were in this movie. I got advanced tickets and saw it the day after it was released nationwide. As I said, I saw it with my father, and a fairly crowded theater during a Saturday matinee. That made me happy from the start. The theater was not sold out by any means, but to see it about 1/2 full for an independent movie that was described as a "comedy, sci fi thriller", well, that is awesome. Maybe that means that more unique and cool movies will get a chance to be made. I am fatigued by sequels, remakes and super hero movies. It was nice to see something totally original. And, after only 3 previews, which I definitely appreciated, the movie started.

Now, I am not going to spoil anything, so I am going to continue very carefully with how I describe this wonderful movie. Stanfield plays Cassius Green. Green is broke. He lives in his Uncle's garage, Terry Crews played his uncle, and he is engaged to a performance artist that is also a sign twirler on the road. Green's fiancé is played by Tessa Thompson, and she shines in this movie. Her name is Detroit. She wears some of the wildest and coolest clothes that I have ever seen. She is an activist and she is just a beam of light whenever she is on screen. She makes all of her earrings in the movie, and they make it a point to say that, and to point them out. I loved that about this movie. Her wardrobe is also so hip and forward thinking, I would not be shocked if I saw people starting to dress like Detroit in real life. Anyway, Green needs a job because he is 4 months behind on his rent, and his uncle is about to lose the house. He gets a job at a telemarketing company, Regal View, and it is a struggle at first. Some of the scenes where he is making his first calls, where he literally drops into the home of the people he is calling, are so cool and unlike anything that I have seen. It was awesome. Green is struggling, and he is not making any money. The co worker sitting next to him, played by Danny Glover, gives him some advice. He tells him he needs to use his "white voice". He says that this will calm the people he is talking to, and they will be more willing to speak with him. I found this part of the movie very intriguing. I, and I assume many other people, just hang up on telemarketers. But, I wonder if the people that actually field these calls take them because of how the person sounds. It is a very great take on race relations, and only someone like Boots Riley could have pulled this off.

Green, now using his "white voice", which is voiced by David Cross, begins to crush it at work. He is selling whatever Regal View sells, it isn't very clear, and he is selling a ton. Amidst all this, Steven Yeun, playing a character named Squeeze, and Jermaine Fowler, Cassius' best friend, are starting to unionize so they can make living wages. This movie takes place in an alternate universe, and telemarketers in this world make far less than telemarketers do now. Cassius is part of their fight at first, but then he gets promoted to "power caller". This is where the real money is made. This is where Cassius can make enough money to help his uncle keep his house, buy an apartment for himself and Detroit, and furnish it with nice things. He is happy about this, at first. He then realizes what he is selling as a "power caller".

There is a company in this movie called Worry Free. They give people a job, a free place to live and free food, all they have to do is sign a lifetime contract, and work for them forever. It is essentially slave labor. Cassius comes to realize that, as a "power caller", he is only furthering and helping this awful corporation continue to thrive. But, since he is making money, he continues to go to work.

This begins to strain his relationship with Detroit and his friends. He is a scab. He may not realize it, but he is going against everything he believes in. He continues to cross the picket lines because he has finally found something that he is good at doing. He has struggled all his life, but telemarketing, with his "white voice", and selling things to random people on the phone, he is good at this. Needless to say, he and Detroit split. Fowler and Yeun want nothing to do with him. One day, while crossing the picket line, he gets struck in the head by a soda can. With all this happening, he continues to go to work, and to make Worry Free a ton of money.

Due to his success, Green gets invited to a big party with one of the owners or CEO or something of Worry Free, Steve Lift. Lift is played by Armie Hammer, and while I do not think he is a great actor, he is amazing in this movie. He is evil, a womanizer, a pig, a bully, a drug addict and just an all around bad guy. It is only when Cassius meets Hammer does he start to question what he is really doing. Hammer bullies him into free style rapping at a party. He essentially traps him in his home, and threatens his life when Cassius finds out some major news about what he is doing to help Worry Free continue to progress their laborers, who, lets just say, may not be all human. When Cassius learns of all of this, he decides now that he needs to fight back.

From here on out, if I were to say much more, I would spoil some major things in the movie. With that being said, you need to stay through the credits to get the full extent of what I am trying to get across without spoiling anything.

"Sorry to Bother You" is one of the most ambitious movies that I have ever witnessed. Boots Riley had a vision, and I feel like he decided he was going to put as much of it into this movie as possible, and that makes me so happy. He took all the chances. I mean, in this movie, the number one TV show in America is called, "I Just Got the Shit Kicked Out of Me". When they showed that, I was reminded of another one of my favorite, off the wall movies, "Idiocracy". But where the shows are similar, that is the only thing. "Sorry to Bother You" is much deeper, and way more in depth than "Idiocracy", and I adore "Idiocracy".

"Sorry to Bother You" is, quite possibly, the most original movie, with common themes, that has ever been made. The movie touches on class, selling out and race, but in such a unique and cool and visionary way. You must see this movie. You also must know, going into it, that it is weird and different, and there are crazy cuts and some of the wildest stuff you can think of times ten in this movie. But, it is all worth it. This movie more than surpassed my expectations. I saw it on Saturday, and I am still trying to figure everything out. The movie is open ended and lets you kind of decide what you think is right and wrong, and I love it even more because of that.

"Sorry to Bother You" is an amazing achievement, and I cannot wait to see what Boots Riley does next. What a gem.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He has had a bunch of crappy jobs that forced him to bother people. Never again will you see Ty knocking on your door asking if you have the latest in Video Cassette Recording experience.

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The Greatest American Band Debate: The Coup

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

Today I'm going to get back to my greatest American band debate, and the band I'm going to nominate is a very underrated, yet super conscious hip hop group, the Coup. The Coup is comprised of 2 people, emcee Boots Riley and DJ Madame Funkress. There are other members, but these 2 are the driving force behind this wonderful hip hop group.

I was introduced to the Coup about 10 years ago by one of my brothers. I was getting into politically conscious rap, i.e., Mr. Lif, Dead Prez and Talib Kweli, among many others, and my brother had just discovered the Coup, and he thought I would enjoy them. The first record he gave me was "Pick A Bigger Weapon". This was their fifth of six albums, but it was a great gateway to the awesomeness that is the Coup. I was blown away by Boots Riley. His rhyming was fantastic. He was fast, but also clear. It was conscious music as well. I was getting angry about dirty politics, and the way minorities were being treated, I still think the stuff that is happening now is disgusting, and the Coup, but mainly Boots Riley, was telling these stories.

The opening track, "Pick a Bigger Weapon", kicked off the anger and showed that Boots had something to say. He was angry about the way his people were being treated, and he put it all out there on the opening track. Then, from there on out on the record, Boots and Madame Funkress cover everything from racism to having babies to being underpaid to starting a revolution. "My Favorite Mutiny", featuring Talib Kweli and Black Thought, has the three emcees trading verses about over taking the government and taking a stand. Each emcee crushes on this song. Kweli has the best verse, but both Black Thought and Boots Riley are nearly as good. This is probably my favorite track on the record. They follow that song up with "IJustWannaLayAroundAllDayInBedWithYou", which is just Boots talking to his lady about wanting to stay at home with her all day and make love. But, he also takes a stand against the low wages given out to the working class. He complains about his alarm clock. He just wants to be with his lady all day. But, that divulges into some great takes about being underpaid, or even worse, being paid in IOU's from a crooked boss. Boots, the song makes it seem like he is just having a conversation with his lady, really takes a stance on how the working class gets screwed over by crooked companies. It's a great, funky and heady song. Some other tracks that showcase his distaste for being underpaid and undervalued are songs like "Ass Breath Killers" and "Yes 'Em To Death". Both of these tracks have a skit at the top, and then the song starts. They are both excellent. As far as starting a revolution, the very last track on this record, "The Stand", is a 6 and a half minute epic. The track is beautiful and poignant and has Boots Riley at his absolute best. This is a great, great song that has a very important message. Boots states that he is not going to take this stuff from the big wigs, the government and the crooked bosses of crooked companies, and it still, to this day, holds so much weight for me. This is an essential track for anyone new to the Coup.

I know that I have focused primarily on this one record, "Pick A Bigger Weapon", but it was my introduction, and it is their absolute best record, in my opinion, to date. Their early stuff is great, don't get me wrong. "Genocide and Juice" and "Steal This Album" are both phenomenal and they both have the same message. You could tell early on that Boots and Funkress had some important things to say, and that comes off ten fold on their first three records. But, they really hit their stride on "Pick A Bigger Weapon". They absolutely knocked it out of the park with that record. But, as I said, listen to their early stuff too. It's a bit rougher, they weren't totally solid yet, still great though. I actually like older stuff a bit more, but there is something special about "Pick A Bigger Weapon".

They released another record 4 years after, "Sorry to Bother You", which is also pretty good. It has the same message as all their stuff, but this time around, they sound like they are having fun making this politically conscious rap music. It's a bit poppier, in a good way. Boots is still there crushing it, it just has more of a radio sound.

I have talked almost primarily about Boots Riley, but Madame Funkress is not to be left alone. She is a great DJ, first and foremost. The stuff she does on their records is truly awesome. She is also an excellent singer. She has a soulful voice and can belt it out. She can rap too. Madame Funkress is awesome and she deserves just as much credit for the success of this band as Boots Riley does.

Boots Riley has also branched out and done other stuff with other musicians that is pretty great. He started another band with Tom Morello from Rage Against The Machine, Street Sweeper Social Club. This band had the same mood as the Coup, but instead of beat machines, record scratching and drum machines, it's just Tom Morello playing guitar and Boots emceeing. It's like a funkier version of Rage. I really like the record they put out. And, when you put one of my favorite rappers along with one of the greatest guitar players ever, I'm going to like it. Other than his many collaborations with Morello, Boots Riley has done stuff with Dead Prez, Talib Kweli, Les Claypool, Galactic, Del the Funky Homosapien and Killer Mike. That is a lot of different genres of music that he has leant his talents to. That should prove to any disbelievers that Boots Riley can do almost anything. Boots Riley is one of the most underrated emcees of all time. I know that true hip hop people and fans know him, but the common fan needs to know his name and listen to his music.

If you like hip hop, you will love Boots Riley, and the Coup. Look, this band is great and the world needs to know more about them. The Coup has gotten little to no recognition from the mainstream media, but I will sing their praises all day long. The Coup is not only one of America's greatest bands, but they are one of the most important bands too. They more than belong in this conversation. Do yourself a favor and go listen to anything by the Coup. I guarantee you will fall in love with their sound immediately.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Check out all of his nominees of the Greatest American Band. Make sure to follow Ty on twitter @tykulik.