Cloves and Fedoras: The rebirth of an insane beautiful dream in "Jodorowsky's Dune"

Madness can create great beauty

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture.  Feel free to contact us with your own submissions of undiscovered gems that must be known.

Once upon a time there was going to be a movie that featured Mick Jagger as the scion of an evil family bent on ruling the galaxy. The evil family patriarch was to be played by legend Orson Welles. The band Pink Floyd, fresh off of Dark Side of the Moon, was going to produce the score for a planet in this movie. Salvador Dali, and a prop of Dali's head, was tapped to play the mad emperor of the galaxy. H.R. Giger worked on his very first movie with this film. The movie was going to be the first adaptation of Frank Herbet's science fiction classic Dune, the power behind this bold dream was avant-garde filmmaker Alejandro Jodorowsky.

Jodorowsky's Dune (2013) is a documentary directed by Frank Pavich that looks at what could have been if the world got to witness this version of Dune on the big screen. Alejandro Jodorowsky (El Topo, Magic Mountain, Tusk) himself is the star of this documentary and he takes you joyfully through his memory, and vision, of creating a truly remarkable film. The french film financier Michael Seydoux, who owned the film rights to the book, adds his recollection to Jodorowsky's creative endeavour. The documentary is filled with the incredible stories these men lived, and goes through the disappointment of not having the director's vision be put to film. 

The cast for Jodorowsky's aborted Dune was an incredible story in itself. The director made insane deals to secure the cast of his dream. Orson Welles agreed to play Baron Vladimir Harkonnen if the actors favorite Parisian chef could be retained on set to make Welles favorite food on demand. The director's own twelve year old son was put through intensive martial arts training to prepare for the lead role of Paul Atreides. David Carradine, at the height of his Kung Fu fame, was tapped to play Duke Leto Atreides. Jodorowsky's  and Seydoux's story of casting Salvador Dali is one of the highlights of the documentary. No spoilers, you need to see the film to see this amazing story of what could have been.

The amazing cast of Jodorowsky's vision was equally matched by the forces who were creating the world of Dune. Legendary french comic artist Moebius was hired by Jodorowsky to create storyboards for the entire movie. Special effects technician Dan O'Bannon, later famous for Alien, was recruited to create the never before seen visual effects. British illustrator Chris Foss, famous for creating many iconic science fiction book covers in the 1960s and 1970s, was tasked with creating the "machinery" of the galaxy. The creative force of these three artists created a massive book detailing the entire layout of the film. This telephone sized book is featured heavily in Jodorowsky's Dune and is a star in its own right.

Seydoux attempted to get the budget together by using the Dune layout book and shopping the idea to film studios. Many speculated that the film would clock in well over ten hours, and in a pre Star Wars days, science fiction was not a hot property in Hollywood. Everyone interviewed in Jodorowsky's Dune seem excited by the memories of creating the film, and they share their dejection in the failure to get the project off the ground. The documentary is not quite as long as Jodorowsky's masterpiece, it is only 88 minutes. The time you spend watching this story will make you wanting more. The documentary made me wish for ten hours of incredible film.

Alejandro Jodorowsky may be known as an eccentric madman. His vision for Dune was incredibly unconventional, but great science fiction is visual and thought provoking. The 1984 David Lynch film, one in which Lynch had his name as director removed from the theatrical release, is considered a disappointing misstep. We will never know if Jodorowsky's version would have done the book justice. Thanks to the incredible documentary Jodorowsky's Dune we get a chance to peek at what could have been. Near the end of the documentary, Jodorowsky suggest that someone could use his storyboard book and make an animated film out of its contents. If we can get this done, I will be one of the first to watch the film. All ten plus hours.

RD Kulik

RD is the Head Editor for SeedSing. He is always looking for insane projects that deserve attention. Realize his dream by writing for SeedSing.

Cloves and Fedoras: Dan Auerbach's experiment with The Arcs pays off

Is it already time to rock?

Dan Auerbach of the Black Keys side project, The Arcs, put out their debut album "Your Dreamily" today and I'm here to tell you, you need to buy this album, not only if you're a fan of the Black Keys, but if you're a fan of experimental rock/blues/funk/R&B/spaghetti western music.

Dan Auerbach and the members of the band(Richard Swift, Leon Michaels, Homer Steinweiss, Nick Movshon, and features Kenny Vaughan and Mariachi Flor de Toiloache) take a bunch of chances, and more times than not, they knock it out of the park. I had heard the leaked tracks, "Outta My Mind" and "Stay in My Corner" about a month ago and I was immediately on board. "Outta My Mind" is a Black Keys esque rock song, but that's where what I call spaghetti western music comes into play. There's a keyboard playing music that sounds like it's straight out of an old Clint Eastwood western. I've always liked this sound, what I will now call the spaghetti western sound, in the old western movies, so I really liked hearing it on a rock record. "Stay in My Corner" is a sweet love song. It's really funky, yet psychedelic at the same time. I love the mixtures of genres within a song. Other great early tracks include, "Put A Flower in Your Pocket" and "Cold Companion". "Put A Flower in Your Pocket" is a straight up spaghetti western song. It sounds like it could be on the soundtrack for "The Good, The Bad, and The Ugly". There's awesome guitar and that really cool keyboard sound. It's a great song. "Cold Companion" is a bit more of a blues/rock, Black Keys style song. Auerbach plays some really solid solos on this song. Auerbach is an awesome guitar player and he gets better and better with his vocals with each album he puts out.

The first nine songs are all in the spaghetti western, blues, rock genre. The last five songs find them making a complete genre change. The back half of the album turns into a funky, R&B record, and I couldn't be happier about it. Songs like "Velvet Ditch" and "Searching the Blue" are straight up R&B songs, but they add horns to each one, making them really funky. "Velvet Ditch" is where the album makes the switch. It starts out like a rock song, but then it slows down and has Auerbach showing off his falsetto voice. It's, for all intents and purposes, an R&B song. And just when you think it can't get any funkier, here come the horns. It's a great addition to the sound the band is looking for. "Searching the Blue" is the closing track on the album and it is horn and guitar heavy. Auerbach croons while crushing it on the guitar and the horns are dynamite. The genre switch is Richard Swift putting his stamp on this album. He's been touring with the Black Keys the past couple of years, playing bass, but he's put out solo albums himself, and he has a very folksy/funky/R&B sound to his music. He's a great musician and you should go out and buy his solo stuff if you enjoy this album.

I love that Auerbach is taking chances like this lately. He's really branching out with his music. He wrote all the songs on the last Black Keys album, "Turn Blue", and that was a very Pink Floydian type of album. This album, "Your Dreamily" and this new band, The Arcs, show him trying his hand at R&B and psychedelia music. He is so much better than Jack White at everything he chooses to do musically. He's also a better person from what I hear about Jack White. I love this album and I love that Auerbach and Carney are good enough friends that each can do their own side projects. It's really going to help the Black Keys get better and better with each album they put out in the future, having so many different styles of music that they are able to play.

Go out and buy "Yours Dreamily", sit back and the enjoy the cool, funky, spaghetti western, smooth R&B music that they play. It's really, really good.

I am not kidding, it is really, really good.

Ty

Ty is the Pop Culture editor for SeedSing and the co host of the X Millennial Man podcast. He was debating how many albums a band needs to be considered one of The Greatest American Rock Bands. Follow Ty on twitter @tykulik.

Cloves and Fedoras: Lux Lisbon is a band you should know

Some new music to make your ears happy.

Cloves and Fedoras is SeedSings reviews for little known pieces of pop culture.  Feel free to contact us with your own submissions of undiscovered gems that must be known.

I was recently introduced to a new band via Twitter. They started following me and sent me a direct message that had a free download of their new ep. I was very happy to receive this gift. I downloaded the ep and just recently gave it a listen and it's really, really good.

The band is called Lux Lisbon and the ep is titled "Get Some Scars". This is a really cool thing they're doing for their fans, sending out a link for a free download. Believe me, the album is well worth multiple listens. They're an English band, but you can hear influences from all over the world. My wife was listening and she said they reminded her of the band Queen. My son and I were listening to it in the car, he's only three years old by the way, and he said to me, "daddy, this sounds like Oasis. The ones you and mommy listen to". I've listened to the ep a few times now and I hear traits of Glen Hansard, Fleetwood Mac and old blues musicians like Howlin Wolf. The singer has a great voice, and while not as gruff as Howlin Wolf, he's got a cool, raspy voice that works perfectly for their style. The female singer is better than Amy Whinehouse in my personal opinion. When she sings, "Devil Got Me Dancing", I got chills. Her voice is that good.

Other songs I really enjoyed were, "Keep Me Wild" and "Demons You Show". "Keep Me Wild" has a great acoustic guitar and the singer is really bringing out his inner Glen Hansard, almost yelling the lyrics. It's really intense in the best possible way. "Demons You Show" is a great rock song that needs to get some radio play. I like every song on the ep, those are just my favorites.

The band even includes bonus tracks and you get some live songs and some stuff they did at the BBC. I like when bands do that on their album. That shows their true musicianship and Lux Lisbon doesn't disappoint. These guys are really good and I think they will be a pretty big band within the next year. They have something special about them. I'm just glad they contacted me via Twitter and gave me the free download. It was a great idea by them and more, less known bands should do the same thing. I know that when a new album comes out from Lux Lisbon, I'll buy it the day they release it. So, check this band out and let them know how awesome they are, because they're really, really good. And I'd just like to say thanks again for contacting me and hooking me up with the download.

You guys and girls are awesome.

You can download Lux Lisbon's music for free on their website luxlisbon.com

Ty 

Ty is the Pop Culture Editor for SeedSing and co-host of the X Millennial Man podcast. If you send him music, he only asks that it is good music. Follow Ty on twitter @tykulik.

Cloves and Fedoras: Ty encourages you to join "The Meltdown"

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture (or older pieces).  Feel free to contact us with your own submissions of undiscovered gems that must be known.

Tonight on Comedy Central the second season of "The Meltdown with Jonah and Kumail" premiers at12:30am/11:30pm central time.

Being a fan of stand up comedy, especially alt comedy, I'm very excited for this show to be back. It's a simple premise. Jonah Ray(from his podcast "Jonah Raydio") and Kumail Nanjiani(from his two podcasts, "Indoor Kids" and "The X Files Files" and the TV show "Silicon Valley") host a standup show in the basement of a comic book store. This is a great showcase for comics that aren't on the level of a Louis CK or even a Nick Swardson, both I'm a big fan of, but for comics that are contemporaries of Jonah Ray and Kumail Nanjiani. That's not to say that pretty famous people don't appear on season one. One episode ended with Weird Al Yankovic doing a pretty awesome and hilarious music medley. Nick Offerman, you may know him as Ron Swanson from "Parks and Recreation", shows up and works on his standup. Marc Maron, the podcaster that just interview President Obama, did two sets on season one. Those are some big time names in comedy. But, while having these famous people on, this show is more for up and coming alt comics. People like Gabe Liedman and Jenny Slate did their routine in season one. Neal Brennan CRUSHED during his five minute set. Garfunkel(Riki Lindholm) and Oates(Kate Micucci) did their comedy music on an episode. I'm a big fan of all these comics and this was the perfect showcase for them.

The Meltdown has been going on for a decent amount of time, but Comedy Central decided to make it a TV show last year. That was a great decision by them. Jonah Ray and Kumail Nanjiani make a great team hosting the show. They're both great standup comics in their own right, but the two of them hosting this show as a pair is phenomenal. They have a great back and forth and their "yes anding" is top of the line. They're so funny.

Another cool thing about the show, you get to see the comics hanging out backstage. One episode last season had Doug Benson on and while he was performing, Jim Gaffigan was backstage giving Doug Benson a hard time, totally throwing him off his timing while doing his set. It was hilarious. Backstage, we get to see Nanjiani's wife, Emily V Gordon doing her thing. She basically runs the whole show. She gets the comics on stage when they're up and keeps things fun and loose backstage. She's pretty great at her job. This season has pretty great lineup from what I've seen so far. Comics like, Ron Funches, Brett Gelman, Cameron Esposito, Kurt Braunholer, the girls from "Broad City", and one of my personal favorites, Hannibal Burress. This show is really awesome and it's an excellent showcase for these comedians. Everybody needs to get on board with this show so that Comedy Central will continue to air it. I highly recommended watching it.

It's fantastic.

Ty

Ty is the Pop Culture editor for Seed Sing.  He practices his stand-up in the basement with his three year old. Follow him on twitter @tykulik.

Cloves and Fedoras: The War on Drugs is examined in the book "Chasing the Scream"

The Seed Sing team would like to welcome Kirk Aug to our little part of the internet world. Kirk will be looking at expanding your knowledge of books, science, technology, and anything else he sees fit to have in electronic print.

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture (or older pieces).  Feel free to contact us with your own submissions of undiscovered gems that must be known. 

Chasing the Scream by Johann Hari is the story of the War on Drugs driven by America and spread to the rest of the world under the fear of retaliation from America. The wage of war began in the 1930s and is alive and well today. Hari begins his book by painting a picture of what it was like before the engagement of this long since failed crusade. You could go to any American pharmacy and buy products made from the same ingredients as heroin and cocaine. The most popular cough mixtures in the United States contained opiates, a new soft drink called Coca­Cola was made from the same plant as snortable cocaine, and over in Britain, the classiest department stores sold heroin tins for society women. In the book we follow the story of so many who were caught up in the drug war starting with the man behind it, Harry Anslinger. He was appointed head of the Federal Bureau of Narcotics which was a new role for the people who ran the Department of Prohibition which had recently been abolished. It was apparent to many that this bureau was due to be a part of history at any time. We also learn about Billie Holiday and how the drug war killed her. Anslinger personally saw to it as he made sure she was forbade adequate care to survive her addiction. There was also Arnold Rothstein, the top gangster who immediately saw the benefit of the drug war. Just as prohibition opened up a black market for alcohol, the drug war would do the same for narcotics. Rothstein was all too ready to benefit. And although he was eventually anonymously murdered for his stranglehold on the market, many more rapidly emerged to take his place. Hari then turns to the climate of the drug war today by following a retired police officer who is now fighting to legalize drugs after what she had seen for many years on the force. A New York City street dealer who embodies the modern day Rothstein selling crack on the corner and leading a gang to keep his turf his not because he wants to, but out of necessity. A woman who lost her daughter to a man mixed up in the war in Juarez, Mexico, who marched to her state capitol only to be murdered by the drug cartels who have bought the state right on the front steps for anyone and everyone to see. And so many other victims of the this failed policy intended to remove drugs from society. It quickly becomes more than clear that our prescribed solution to the drug problem is monumentally more of a problem that drug addiction is alone. The author also goes to a few places where things are turning around thanks to a change in policy. Leaving drug prohibition and criminalization behind and focusing on compassion and education seems to be working for places like Vancouver, Switzerland, and Portugal. These places are trying new approaches which seem to be reducing most of the negative side effects that been left in the stain of the drug war leaving us with hope for ways to spread this change of tide.

Kirk Aug

Kirk is the new guy around here at Seed Sing.  We are still evaluating his personality and will let you know some interesting facts soon. In the meantime give Kirk a follow on twitter @kirkaug

Cloves and Fedoras: Ty looks to the future of HBO with a look at two new shows

HBO premiered two new shows this past Sunday night. "Ballers" and "The Brink".

I was excited to watch both shows. "Ballers" seemed like a good idea. It is about an ex football player that becomes a financial advisor for current players. It stars Dwayne Johnson, some of you know him as The Rock, as said ex football player. The show started out okay. A flashback scene to his playing days, hitting a receiver after the catch, they both get dinged up and flash forward to present day and he's taking pain killers, literally eating them like candy, and he has pain in his joints as he exits his bed. Typical stuff to show you that football can cause future, lingering injuries. No duh, thanks for the insight writers of "Ballers". Then we see the building that Dwayne Johnson works in. He's met there by his colleague, played by the hilarious Rob Corddry. They have a decent scene together, but that's all we get in the pilot between the two stars of the show. One scene. They seem to have pretty good on screen chemistry so I hope in the future episodes they have a lot more scenes together. According to the preview of the upcoming season after the pilot episode, that seems to be the case. During the episode, there's a scene with another ex player speeding down a dangerous highway in Miami with his mistress. They get into a fight and during said fight, the guy takes his eyes off the road and gets crushed by a semi truck. Smash cut to a funeral and Dwayne Johnson talking to the widow. She explains to him that the now deceased athlete didn't save any money because he had no financial advisor. See the irony. Later on, a current football player/bad boy gets into a fight with a fan at a bar, knocks the guy out cold and gets cut the next day by his current team. He gets signed by a new team in the next few days and calls Dwayne Johnson to tell him that he needs someone to help him keep his money straight. This couldn't come at a better time for him because, right at that moment, he is unable to withdraw 200,000 dollars from his bank account. At the ATM! How can he take so much money out at one time at an ATM?! This show seems pretty ridiculous and probably won't last for more than one season unless the writers and directors put Rob Corddry in more scenes with Dwayne Johnson. That's about the only thing that worked for me in the pilot. I will continue to watch since it's only been one episode, but "Ballers" is on pretty thin ice.

"The Brink" on the other hand, I enjoyed. The show takes place between a Washington D.C. war room, with Tim Robbins playing one of the President's right hand men in matters related to war, and in Pakistan where Jack Black plays a lower level US Ambassador that has a driver played by Aasif Mandvi. Mandvi is excellent in his role. Tim Robbins character is a sex crazed booze hound, but he's also extremely intelligent in all matters involving when to strike and when not to in war situations. He's playing the role with gusto. Jack Black is playing his typical buffoon. He is a little stupid, but a little smart and he likes to ogle women and get stoned. It's basically Jack Black playing a clean shaved Jack Black. He's still pretty funny because he's a good actor. But, the real star of the show is Mandvi. Like I said earlier, he's a glorified taxi driver for Jack Black, but in one scene we get to see his home and his family. This was great. He lives in a beautiful home, equipped with a pool and many comfortable rooms. His dad is a distinguished doctor and his uncle, that lives with them, is a well respected psychiatrist. He also has a smoking hot sister that, of course, Jack Black wants to hook up with. The topic of war is brought up during unrest in Pakistan over a political vote gone bad. There's a evil dictator type person that wants to get people on his side and the militants are more than willing to help. Jack Black finds out that the uncle has worked with this dictator and declared him clinically insane. Black feels that this info will get him on the good side of the president and they will relocate him to Paris. Mandvi's family catches him trying to fax this stuff over and end communication immediately believing that he works for the CIA and housing a CIA agent will get them in worlds of trouble. Back in DC, Robbins is trying to convince the president to wait on sending missiles because he doesn't want to start World War Three. I know this all sounds serious and dramatic, but it's quite the opposite. The pilot was very funny and doesn't take it's source material too seriously, in a good way. I hope the rest of the episodes follow the same direction as the pilot. That would be great.

Of the two new shows that premiered this week, I have more hope for "The Brink" than I do for "Ballers". Time will tell.

Ty

Ty is the Pop Culture editor for Seed Sing.  He is shocked the political show is more interesting than the sports show (so far). Follow him on twitter @tykulik.

Cloves and Fedoras: Ty thinks "A Deadly Adoption" was deadly boring.

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture (or older pieces).  Feel free to contact us with your own submissions of undiscovered gems that must be known. 

I finally got around to watching the Lifetime movie "A Deadly Adoption" the other night.

You know the movie I am talking about, the made for Lifetime movie starring Will Ferrell and Kristen Wiig. I had huge expectations for this. I thought it was going to be a work of comedic over acting and terribly written dialogue delivered from two pretty great actors.

Well, the dialogue was pretty terribly written and performed as such, but the jokes and Wiig and Ferrell being in on the absurdity of this was missing. This was a pretty straight forward, completely ridiculous Lifetime presentation. It was just like every other movie on that channel. It was melodramatic lunacy and Ferrell and Wiig were acting as if they weren't humongous stars. They acted as if this was a real job for them, like they really needed the work. There was little to no lunacy from the two of them and that was highly upsetting to me. The only humor I really got out of "A Deadly Adoption" was how seriously they tackled the issue of child diabetes. Wiig and Ferrell's daughter in the movie has diabetes and there were many mentions about not keeping real sugar in the house and how she desperately needed her insulin when she was held captive. The movie was insane from start to finish. It opened with a pregnant Wiig hanging out on a dock by a boat and she slips off the dock, can't swim and Ferrell rescues her, but they lose the baby. Fast forward five years and Ferrell is a very over protective father of their one child. He's also a very successful financial author. They take in a young pregnant girl because they want to adopt her baby so their daughter can have a brother. But, a little to on the nose, there's something a little off about this girl. She's clearly hitting on Ferrell's character and wants Wiig's character out of the picture. She also has a bad news boyfriend who is about as white trash as they come. It's eventually found out that the young lady isn't pregnant at all. I know, real shocker right? She and her boyfriend just want ransom money from Wiig and Ferrell since they've decided to kidnap their daughter. At least that's what the boyfriend wants. Turns out that after they lost their child in the accident five years ago, Ferrell's character hit the bottle pretty hard and met a groupie of his on the road and slept with her. You know that common story of a famous author having groupies and a crippling alcohol addiction. Ridiculous. Well that groupie turned out to be, wait for it, the young "pregnant" lady they let stay in their home. Needless to say, she just wants to be with Ferrell and his daughter and have a "normal" family. She tries to kill Wiig by knocking her unconscious and putting her in her car and turning the engine on and closing the garage door. Ferrell comes home after a night of searching for his daughter only to be met by the crazy girl(I can't remember any of the names of the characters because this movie was so stupid) and she shoots him twice in the arm, albeit by accident because she says she doesn't want to hurt him. She flees and Ferrell finds Wiig in the garage. He removes her from the car and gets her breathing again and he's back on the road to search for his daughter. Now, we see the crazy girl and the daughter speeding away in a pick up truck, all the while the little girl complaining that her stomach hurts and she needs her insulin. I say again, ridiculous. Ferrell finds them, confronts the crazy girl, pretends to let his daughter go with her, only to have them both jump in an idling boat under the bridge and before the crazy girl can get a shot off, Wiig plugs her in the back with a bullet. Another flash forward, this time only six months, and all is well. Ferrell has even calmed down on the over bearing parenting and the family breaks out into a dance. Then, end credits.

All I could think of was, WHAT THE HELL JUST HAPPENED?! This made me feel like I was going crazy. It was so bizarre. I guess I expected something different, akin to James Franco's role on the soap opera he was on. I didn't expect Ferrell and Wiig to take it so seriously. Maybe it's just me, but I was looking for something way different and therein lies the problem. Don't expect anything good or promising from any programming Lifetime TV puts out there. You will be highly disappointed.

This was a real drag.

Ty 

Ty is the Pop Culture editor for Seed Sing. He is an author but does not have groupies (yet). Follow him on twitter @tykulik.

Cloves and Fedoras: Ty gives praise to Leon Bridges, the new voice of soul.

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture (or older pieces).  Feel free to contact us with your own submissions of undiscovered gems that must be known. 

This is a follow up an earlier blog post about Leon Bridges.  You can find it here.

The sound of Sixties soul music is back today.

The sound comes in the form of a young man that was born thirty years after Stax Records and guys like Otis Redding and Rufus Thomas were making their strides in the soul music world. He's a twenty five year old music genius named Leon Bridges. His first album "Coming Home" was released today and it is so perfectly a throwback to the golden age of soul/R&B. This record is phenomenal. I didn't think I'd hear an album the rest of 2015 that I liked as much as Alabama Shakes "Sound and Color", but I've already listened to "Coming Home" two and a half times and I've got to say, it's now my album to beat for the year. Leon Bridges vocals are so damn smooth. I like to call this type of music "baby making music". He sounds like a much better version of Raphael Saadiq, and I love me some Raphael Saadiq. His guitar playing and his band are really tight. I seems like they've been perfecting this sound for sometime now, and they hit a grand slam. This may sound like it's from the Sixties because Leon Bridges asked to record on vintage equipment. He was taking a huge chance doing this because, in my opinion, you have to be one hundred percent committed to the equipment being used and you can't succumb to the technology today. That's got to be pretty difficult. But they did a wonderfully masterful job. It sounds like a recording from Stax in it's heyday. I've mentioned Leon Bridges on this site before, stating that I thought he would be the next great soul star, and today has not changed my mind at all. In fact, I feel even stronger about this prediction after listening to his record. He is going to be HUGE. There's ten songs on the album, with the longest being about four and a half minutes. This is great because that's how songs were back in the day. Singers back then only needed two to three minutes per track and they packed each song with as much soul as possible. Leon Bridges is no exception. He effortlessly flows from upbeat, drums and guitar heavy songs to slower songs with horns being his main background music. For example, for the more up beat songs, check out "Smooth Sailin" or "Twistin and Groovin". Both these songs are powered by Bridges vocals and his excellent guitar work. His drummer is superb with the groove of these songs too. With songs like "Shine" he lets the keyboardist take front stage and, accompanied by his vocals, they sing a sweet, slow soul song. My favorite song on the record is a slow song, which is very unlike me. But, "River" is a beautiful closer to this excellent album. It starts out with strumming from an acoustic guitar and soft vocals. It builds until the last minute of the song and it's just Leon Bridges and an all female chorus singing "take me to your river, I want to go". It's beautiful. I literally got goose bumps while listening. I hope his tour brings him to Saint Louis. I'd love to see him perform live. "Coming Home" by Leon Bridges is fantastic.

Go out and get this album as soon as possible.

Ty 

Ty is the Pop Culture editor for Seed Sing. He has made two babies, we do not know what kind of music was on. Follow him on twitter @tykulik.

Cloves and Fedoras: Ty gives praise to Marc Maron, King of the Podcasts

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture (or older pieces).  Feel free to contact us with your own submissions of undiscovered gems that must be known. 

When it comes to podcasting, one of the pioneers has to be Marc Maron.

He was one of the first people out there to start a podcast. His show, WTF With Marc Maron (you can find it here), was there in the beginning and continues to run strong, with two episodes every week. One on Mondays and one on Thursdays. The episodes will be there every week, it's like death and taxes, WTF will be there for you to listen to two times a week. IFC even gave him a TV show which is loosely based on his life as a comedian and podcaster. That's how popular his show is. Marc Maron has had pretty much every important person in comedy, from people like Eddie Peppitone, to heavy hitters like Louis CK. In fact, his episode with Louis CK was voted best podcast episode ever in a publication last year. WTF With Marc Maron has featured character actors like Kevin Corrigan on and he's had huge stars like Will Ferrell. He's had legends like Dick Van Dyke and Mel Brooks and Carl Reiner on. He's also had former big time stars such as Pauly Shore on his show. Some episodes went away from comedy and highlighted musicians. Marc Maron has interviewed smaller guys like Mark Oliver Everett(E from the Eels) to big time rock legends like David Byrne. He's brought on countless other people, he's done over six hundred episodes of WTF.  

This coming Monday, June 22nd, he's got the biggest, most important interview that any podcaster will ever have on their show. This Monday, he will be interviewing The President of the United States, Barack Obama. I cannot tell you how excited I am to listen to this episode. First of all, I voted for and support President Obama. I'm so happy that he's a smart, cool and hip enough President to realize how big a deal podcasts are to a younger generation. I'm also pumped that he's letting Marc Maron interview him. This is huge. People may forget that Maron was a part of the Air America family when they had a radio broadcast. So, he's no slouch when it comes to talking politics, but after at least three plus years of listening to WTF, I'm pretty sure politics will only be 10 to 15 minutes of the hour long interview. I'm hoping he asks President Obama stuff like, if he enjoys stand up comedy, or what it was like being a young kid growing up in the Midwest. Basically, I'm hoping, as hard as it's going to be, that Marc Maron treats this episode like every other WTF. President Obama is the most powerful man in the United States, but he's also a person with a story to tell, just like we all are people with different stories to tell. This is a huge deal for the millennials since the majority of us listen to podcasts everyday. To have someone as important and powerful as President Obama appear on a podcast is a huge deal. I cannot express that enough. IT"S HUGE. Please, if you're a conservative, a liberal, an independent, or whatever else there is out there, listen to WTF on Monday and I think you will see that we are all just people with stories, even if you happen to be the President. 

Thank you Marc Maron for doing this interview, you are a pioneer and you just keep getting better and better. You're the man.

Ty

Ty is the Pop Culture Editor for Seed Sing.  He is getting ready to co-host his own podcast The X Millennial Man. Follow him on twitter @tykulik

Cloves and Fedoras: Who is joining Ty for a Lifetime movie viewing?

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture (or older pieces).  Feel free to contact us with your own submissions of undiscovered gems that must be known. 

This Saturday on the Lifetime Television Network everyone needs to tune in to watch "A Deadly Adoption."

This is the rumored movie starring Kristen Wiig and Will Ferrell on the Lifetime Channel! It's really happening! I saw the trailer for it this morning and was shocked at how serious it looked. This is a legit Lifetime type movie according to the preview.

Will Ferrell and Kristin Wiig play a successful married couple with what looks to be one daughter. Next, we see Wiig talking to Ferrell saying, "the agency may have found us a single mother." I guess they can't have anymore kids, we will have to tune in to find out, but want a brother or sister for their daughter. Then Ferrell begins to treat this young, attractive pregnant girl with extreme politeness. He seems almost too kind, almost as if he has a thing for her. Smash cut to Wiig yelling at him saying that he is ruining the good thing that they have, and he brought this into their house. The next thing they show in the trailer is the pregnant girl ripping Wiig's character out of a picture so it only shows Ferrell's characters face. This I assume implies that she wants Wiig out of the picture. Then the final thing we see is a car barreling down on Ferrell, who's wearing a blood stained shirt and hooded sweatshirt while the pregnant lady watches from a distance. Fade to black and then the awesome title, "A Deadly Adoption" appears on screen, with the word deadly a bright color of red.

The craziest thing, amongst many crazy things about this, it looks like the actors are taking this very seriously. This doesn't look like a "Sharknado" type movie, where everyone is in on the joke. I think the only ones who are in on the joke are Wiig and Ferrell. These are two huge stars that have been the leads in big time productions. I commend the two of them for doing what looks to be a type of soap opera Lifetime movie. I wonder if they're looking at this like James Franco looked at his role on General Hospital. He is also a big star, who took a small, but weird and very memorable role as a criminal that's into art on the soap. He was incredible because he seemed to take it seriously, but was for sure in on the joke. I can only hope that Wiig and Ferrell take the same approach to their roles in this movie. If the trailer is true, that's exactly what the two of them are doing. I cannot believe I'm saying this, but I'm very excited to watch a movie on the Lifetime Network. I hope this is everything I'm expecting and wishing for, because, if this movie is half as good as the trailer, it's going to be EPIC.

Join me and tune in this Saturday, June 20th to Lifetime and watch the craziness that will be "A Deadly Adoption."

Ty

Ty is the Pop Culture editor for Seed Sing.  He was not even born when The Burning Bed came out. Follow him on twitter @tykulik

Cloves and Fedoras: Like Teenage Mutant Ninja Turtles, Ty tells you the definitive movie to watch (hint it is not the new one)

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture (or older pieces).  Feel free to contact us with your own submissions of undiscovered gems that must be known. 

As a kid, I loved the Teenage Mutant Ninja Turtles.

I mean I was obsessed. I had all the action figures and the toys attached with the action figures. Hell, I even had a Ninja Turtle back pack at some point during elementary school. You all know who I'm talking about when I talk about the Turtles. Leonardo, my favorite and the responsible one of the group, Michaelangelo, the prankster of the group, Donatello, the smart, engineer and inventor of the group and Raphael, the strong, bad boy loner of the group (ed note: What about my favorite - Splinter the Yoda like rat). As I got older, I, as most adults do, lost interest in "kid" things and my passions turned to sports and girls. It's kind of sad when I think about it now.  

The other day I was shopping for stuff at Target and I saw the original Teenage Mutant Ninja Turtles movie. The one from the 1990(pre-Vanilla Ice). I continued to shop, but going through the aisles all I could think about was buying the DVD. The inner child in me was beginning to come out and my passion for the Turtles was returning! The movie was only five dollars to boot. It definitely helps that I'm a father to a three year old boy that is now equally, if not more, obsessed with the Ninja Turtles. He and I were equally excited when I grabbed the DVD, showed it to my wife and proclaimed, "WE ARE BUYING THIS!" She was very happy as well. She is also a fan of the Ninja Turtles, I guess I married the right woman. So, first goal is achieved, myself, my wife and my son are all on board, excited and we purchase the movie. Next my wife and I decide we will watch it that night to see if it's appropriate for our son to watch. But, I was secretly concerned that it may not hold up and not only will it not be good for my child to watch, but adult me may not like it as much as kid me. This was a very big concern.

I'm here to tell you, if you were a fan as a kid and are now in your thirties, this movie 100 percent holds up. It's so damn good. I was as intrigued now as I was when I was a little kid. What made it even better, I actually understood the jokes and references the directors put in the movie for the adults. I also was able to spot a young Sam Rockwell playing a thug that sells cigarettes. I was pleased watching the movie remembering how dark it was. In the comics, the Ninja Turtles are put in many adult situations and they handle those in adult ways. The movie is pretty kid friendly, but some of the fight scenes are pretty brutal, with the Turtles and the Foot Clan taking some big time beatings. There is a whole scene where Raph gets his butt kicked by the Foot Clan and he takes a good beating. So bad in fact that Leonardo is relieved when Raph wakes up. Implying that Leo was worried that his friend may not wake up. That's dark for a kids movie. Casey Jones was pretty bad ass as well. He still had his patented goalie stick and Jason face mask and the writers of the movie decided to give him a baseball bat as well. He is also a super impressive fighter too. The fight scene when Raph runs into him in the park is really cool. The fact they made it look that real in a movie made in 1990 is pretty fantastic. April O'Neil was pretty cool in the movie too. She was an independent, funny journalist, who no matter what the circumstance, be it her house getting destroyed during a fight between the Foot Clan and Turtles, or her losing her job, she always stayed on the Turtles side and was happy and eager to help them. Splinter was classic Splinter. He treats the Turtles as if they're his children, which if you think about it they really are, and he just wants them to be safe. Shredder is pretty terrifying as well. He's very ominous and even captures and tortures Splinter early on in the movie. See what I'm saying when I say it's dark. This was everything I remember it being, but means so much more to me now. I still haven't shown it to my son yet being that it is pretty dark, but in a year or two I will show it to him. This was more for my wife and I. We were both very into it, so into it we didn't even play on our phones or chit chat during it, we just watched it.

Don't watch the new, terrible Michael Bay produced TMNT, watch the original from the nineties. You will not be disappointed.

Ty 

Ty is the Pop Culture Editor for Seed Sing.  He is one man with one love for early nineties superhero films and needs people to help him cover pop culture. Write for Seed Sing.

Follow Ty on twitter @tykulik

Cloves and Fedoras: Ty thinks you should give "Womp it Up!" a listen

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture.  Feel free to contact us with your own submissions of undiscovered gems that must be known. 

As you all know I listen to many, many podcasts. I'd say about ninety to ninety five percent are comedy. When I heard that Marissa Wompler(Jessica St Clair) and Charlotte Listler(Lennon Parham), who are beloved from their many appearances on the great "Comedy Bang Bang", were getting their own podcast,"Womp It Up!" I subscribed to it immediately I listened to the four mini preview clips with much anticipation. Now that they're four episodes deep, it has not disappointed.

Wompler and Listler are still up to their usual shenanigans. In episode one, they have Eric Gutterman AKA Gutterballs(Jason Mantzoukas) controlling the soundboard and he and Marissa still have their hilarious back and forth. Clearly she loves him, but he's not into her. Jessica St Clair and Jason Mantzoukas are both so excellent as these characters I'm filled with joy when I see that they're are going to be on a podcast together. They are great. Each episode of "Womp it Up!" is show is broken down into sections. On every podcast they will do a spot called "Hot Topix", where in, Marissa dishes the dirt on what's going down at Marina Del Ray High School(that's where the podcast takes place). Then there's "Listler's Love Lockdown", where Ms. Listler reads letters from someone who has a crush on someone else and proceeds to give them advice. They also have the "Spotlight On" section. In this part, they interview a friend, or teacher, or sometimes even former teachers from the school. In episode one, theater teacher, Dr. Lionel Drioche(the always hilarious Seth Morris) explains what it's like to be the theater teacher at Marina Del Ray High. In episode two, "Spotlight On" features Lil Nicky(Chris Gethard), a foreign exchange student from New Jersey, whose passions include ghost hunting and managing an acapella group called "Deep Treble". In episode three, we get to meet Mr. Jordache(Neil Casey). He's a former computer science teacher who had an incident in the men's locker room. Pretty hilarious to hear him explain the incident, I am not going to spoil it so just go listen. In the most recent "Womp It Up!" we get two guests for "Spotlight On". First, we have Marissa's step dad Seth(Brian Huskey reprising his role from "Comedy Bang Bang") and Dr Dennis Endercut, who writes a literary magazine and wants to talk about his bucket list. Each episode ends with Marissa reading a listeners email and giving her "sage" advice on what to do. In the beginning of the podcast we learn that this is a project for the STARS program that Ms. Listler started, which isn't a real thing. The STARS program they explain, is for the kids taking remedial classes. We also find out in the first episode that the podcast is all taking place in the library and that the principal does not know about it because her and Listler are enemies. I know this all sounds crazy and probably a little ridiculous, but fans of "Comedy Bang Bang" and the TV show "Playing House" know exactly what I'm talking about and they know how damn funny these two ladies are. The episodes, up to this point, come out every two weeks. As I said, they're only four in and each one is about an hour long, so there's plenty of time to catch up.

I highly recommend "Womp It Up!" Womp up the jamz everybody!

You can find "Womp it Up!" on the Earwolf network - here.

Ty

Ty is the Pop Culture Editor at Seed Sing. What is better than reading about culture? Writing about Pop Culture. Join Ty's Pop culture team and write for Seed Sing. You can follow Ty on twitter @tykulik.

Cloves and Fedoras: Ty thinks "Ex Machina" may be a vision of our near future

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture.  Feel free to contact us with your own submissions of undiscovered gems that must be known.

Yesterday I saw the film Ex Machina and I think it is a modern day Sci Fi cult classic.

Ex Machina is very small on the effects and relies more on the story telling, which is impeccable. The movie opens with a young employee named Caleb(Domhnall Gleeson) who works for a computer company called Blue Book. Caleb wins a grand prize via email to go to the company owner's, Nathan(Oscar Issac), secluded island. Caleb thinks it's just going to be a meet and greet type of thing, but it turns out that Nathan wants to have Caleb do a Turing test with a female robot named Ava(Alicia Vikander, in a star turning performance). Caleb is very on board with this idea, seeing how this could be a great opportunity not only for himself, but also for mankind. The movie is broken into seven sections, each one titled "Ava: Session One", "Ava: Session Two" and so on up to "Ava: Session Seven".  As the tests go on, we start to realize that Nathan may have brought Caleb to his island under false pretenses. Nathan may be a sociopath using his employees as "bait" for his female robot tests. As we get deeper into the movie, we see that Ava may have some tendencies of her creator and she may be playing a game with both Nathan and Caleb. This is a movie you need to go into, I'd recommend, not watching any trailers. If you've seen the trailers, take them with a grain of salt. This is not some type of erotic thriller. This is a disturbing type of horror movie about what life will be like in the not to distant future because lets face it, AI's will be here, if not in my lifetime, they will be here in my son and future daughter's lifetime (is that right Siri?). This a great piece of work done by first time director Alex Garland(writer of "28 Days Later"), so let's hope he gets a lot of work in the future. I don't want to say too much more about the plot because it is such a well written movie with lots of twists and turns that you don't see coming. People need to go see movies like this, so movies like this will continue to be made.

So, go see Ex Machina, let it wash over you and gaze into the horror of what the not to distant future is going to look like. We as a people are so obsessed with upgrading our electronic devices that the only thing left to upgrade is the human race, or as Nathan says in the movie (this is NOT a spoiler by the way), "Ava is not an upgrade, she's evolution"

Ty

Ty is the Pop Culture Editor for Seed Sing.  Is that right Siri?  Damn Siri can't seem to connect right now.  Give him a follow on twitter @tykulik

Cloves and Fedoras: Ty thinks you should give "Doughboys" a listen

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture.  Feel free to contact us with your own submissions of undiscovered gems that must be known.

Ed note: The podcast is called Doughboys.  They do not feel the need to have the differentiated THE.  We have corrected the text.  Find this great podcast here.

I recently talked about a great podcast called "I Was There Too" by Matt Gourley.  I'm always on the hunt for new podcasts that are comedy centric and I've just discovered "Doughboys". The hosts of the show, Nick Wiger(writer for Comedy Bang Bang) and Mike Mitchell(Birthday Boys) have a guest join them each week and they go out and review restaurant chains. On the first episode, they go to Chili's and they review it as if they're professional restaurant critics, but with a comedy edge, since they're both comedy performers and writers. It's very funny, but they also take it kind of serious. I mean, they really give constructive feedback on the food. In the Chili's episode, they really take the ribs to task. Saying that they are too saucy and they look gray. But, with all that being said, they still seemed to enjoy the rest of their meal. The only other problem they had was, the drinks were too sweet. After they review the restaurant they give it a ranking of one to five forks and give their overall impression. While going through the review, there's always some kind of funny story or experience that they've had at said restaurant in the past. Following the fork review, they go to a segment they call "Snack or Wack", where they have some type of big brand name snack(Chocolate Chip Resse's Peanut Butter Cup Chocolate Chips Ahoy in the Chili's episode) and decide if the snack is good(Snack) or bad(Wack). Also, very funny to hear them rate these well known snack brands as if they are big time food critics. Being a fan of the Birthday Boys(both the comedy sketch team and the TV show) Mike Mitchell being attached to this made me excited to listen, since the Birthday Boys show was cancelled. I was just happy to see he was still doing things since he is my favorite Birthday Boy. They've only done three episodes, with the third one being released today, May 28th 2015. The restaurants they've reviewed are, the aforementioned Chili's, Taco Bell and today, IHOP. I highly recommend checking "Doughboys" out, it's pretty great.

Ty

Ty is the Pop Culture editor for Seed Sing.  He will only visits restaurants that get reviewed.  He is eagerly looking forward to his first trip to Chili's, Taco Bell, and IHOP.

Cloves and Fedoras: Is Leon Bridges poised to be the next great soul singer?

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture.  Feel free to contact us with your own submissions of undiscovered gems that must be known.

I'm always on the hunt for new music that sounds like old music. By this I mean it sounds like a throwback to older music. For example, I started listening to the Black Keys because they sounded a little like Led Zeppelin to me. I started listening to Gary Clark Jr because he had that old blues feel to his music. Saint Paul and the Broken Bones sounded as if they'd just recorded with Rufus Thomas. Well, I think I may have heard the next Otis Redding, or dare I say Marvin Gaye. He's a 25 year old soul singer named Leon Bridges. His music sounds like he just got done recording at Stax Records in the 60s. This guy is legit. He writes and plays, on guitar, all of his own music and he uses vintage equipment to record. How cool is that. This guy is going to be a star. I know comparing him to an Otis Redding or Marvin Gaye is a bit much, but this guy has the chops. His album doesn't come out until June 23rd, but do yourself a favor and go check out his stuff on YouTube. That's where I found out about him. So, next month, go out and buy his album "Coming Home".

Remember the name Leon Bridges. He's the next big thing in soul music.

Ty

Ty is the Pop Culture Editor for Seed Sing.  He likes listening to the musical styling of his parents generation being sung by people of his generation.

Cloves and Fedoras: Ty has a few issues with critics proclaiming the Mad Men finale as great television

If you have not seen the Mad Men series finale DO NOT READ(come back when you are ready). This review is full of episode spoilers

Last night was the much anticipated series finale of Mad Men and in my opinion, it fell completely flat. Lots of spoilers coming, so beware. 

This particular episode of Mad Men was like any other episode in the series, not a finale. Most of the episode took place in a hippie commune where the people there all talked about their feelings, it was very boring. There was also the three phone calls that Don Draper(Jon Hamm) made to the three important ladies in his life, Peggy Olsen(Elisabeth Moss), his daughter Sally(Kiernan Shipka) and his ex wife Betty(January Jones). This was interesting, but it came and went. I felt like you got little to no closure with these calls and then it was done. Then back to the boring hippie commune. There was also Joan's(Christina Hendricks) closing story. Very fast and very unexplained. First, she took the buyout from the new company, goes on vacation with her much older boyfriend(Bruce Greenwood), does cocaine for some unknown reason and then starts her own production company. Very unfulfilling. Then Peggy and Stan(Jay R Ferguson) fall in love with each other very predictably. Pretty lame. Pete(Vincent Kartheiser) and Trudy(Alison Brie) got back together and he took the job that Duck(Mark Moses) offered him in the previous episode. Who cares. Roger Sterling(John Slattery) and Marie(Julia Ormond) stay together and presumably get married and live happily ever after, because now Mad Men is apparently a romance show and not a hard drama. And poor Betty, smoking a cigarette just waiting for the lung cancer to kill her. I felt the worst for her, in fact she was the only one who I felt any feelings for in the finale. But the icing on the crap cake that was this finale was the final shot of Don Draper sitting in the hippie commune meditating, close up on his face and then pull back to the show the famous "If I Bought the World a Coke" commercial. Of course Matthew Weiner decided to give Don a happy ending because what does every drunk, wife and girlfriend cheating, workaholic a hole deserve? Apparently a happy ending. The fact that Matthew Weiner said, prior to the finale, that he doesn't owe anyone anything was very apparent watching the finale. He only cared to stroke his own ego and say look how smart I am and how dumb all of you are who don't get it. He's an a hole as well. 

Reading the reviews the day after made me even more angry. Publications like the AV Club and Uproxx saying how genius it was, come on, you didn't get it either, you just want to sound like a pompous intellect and spoiler alert, it's not working. You sound like a bunch of wannabes. This was an emphatic thud of a finale and real fans of the show deserved better.

Let's just say, Matthew Weiner owed us more.

Ty

Ty is the Pop Culture Editor for Seed Sing.  He enjoys good television, and does not enjoy indulgent series finales.

Cloves and Fedoras: Alabama Shakes refuses to submit to a sophomore slump.

I just recently bought the new Alabama Shakes album "Sound and Color."

This is a work of art. People and critics talk about sophomore slumps when bands put out their second album after the first was a surprise success, but let me tell you, Alabama Shakes knocked it out of the park with "Sound and Color." You can really hear the growth and exploration of the band through all twelve songs. They are taking chances and stretching limits more than most rock bands making music right now. Their first single off the album "Don't Wanna Fight" is a great rock/pop song with Brittany Howard's beautifully gritty singing voice driving it home. Her guitar playing on the song, and throughout the whole album, is a distorted, crunchy pleasure to the listener. The opening track, "Sound and Color" is a very trippy, slowish tune with, what I believe to be a marimba, accompanying the whole song. It's a great tune. I love every song on the record. This is an album you can put on, press play and let the whole thing go with no skips. If they continue to grow and explore on forth coming albums like they do on "Sound and Color" the sky is the limit for them. Last year they were playing small rock clubs, now theaters. Keep this up and they'll be selling out arenas in two to three years.

Very, very good album. Check it out.

Ty

Ty is the Pop Culture Editor for Seed Sing.  He is eagerly anticipating the next great album from Alabama Shakes.