Ty Listens to "Ohio Players"

The Black Keys new album "Ohio Players" was released this morning. Let’s discuss.

I'm a big time fan of The Black Keys. I have been for over 20 years now. So, any time they put out a new record, I get pretty psyched. Today was no different. I've been pretty pumped about this album for a few months now. They released three songs prior to putting the record out, and I liked all three of them. I also read some early reviews, and they were very, very solid. I liked their past couple of albums, but it wasn't like the first time I listened to them. I used to block out hours to listen to their new albums. I would dedicate full days just to listen. But I got older and had kids and couldn't find the time to do that. It has kind of become a listen to the new music whenever I find some free time. Today, with my kids being in school and my wife working, I had ample time to listen to the record.

I have listened from start to finish twice now, and I have got to say, I am finding myself getting more and more into the album with each listen. This is good stuff. I was listening to it with my dad in the car on our way to coffee this morning and he asked why I seemed more into this new record as opposed to some of their other recent albums. I told him that this record is grimy like their earlier records. That is what I grew to love about this band from the start. The first time I heard them I was taken aback at how grimy and dingy they sounded, in the best possible way. The reverb and distortion is what instantly drew me to them. That is back on this record. But it isn't all grimy, they have their newfound refinement here as well. The Black Keys have grown and gotten better at what they do. So, when they meld their old style with the new style, I am going to be all in. I told my dad that the reason I am so into the record is the grimy refinement. That is my go to description of this new record.

The album starts off like an old school record, with a distorted, reverb heavy grungey blues song, but Auerbach has grown so much as a singer, and that makes it all the more better. The moment I put this song on this morning, I was instantly bobbing my head and vibing out in my car. The record only got better from there. There is so much on the album for me to like with my musical taste. They have grunge, blues, and rock. They also have hip hop, keyboards, and slower, love adjacent songs. It kind of runs the gamut for a band like The Black Keys and I'm here for it. Two separate songs feature hip hop artists, one of which is Juicy J. When I saw his name on the tracklist I was stoked. And boy did he deliver with his verse. The other rapper, Lil Noid, is new to me, but his track reminds me of a Blakroc song, a great Black Keys side project. I enjoy the love songs. It is nice to hear them slow it down a bit and sing some sweeter stuff. And their original sound, the thing that made me want to hear them, it is here tenfold and it is awesome.

There is something so perfect when it is Dan and Pat doing the heavy lifting. They are what makes this band work. I know they have added some band members when they tour, but when the push comes from those two it is near perfection. The guestlist is pretty solid outside of Juicy J and Lil Noid. Beck, Noel Gallagher and Dan the Automator are featured on the record as well. This is a nice return to form with their newfound refinement.

I really like this record. I recommend giving it a listen. It is fun and really, really good. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to The Black Keys "Dropout Boogie"

A few new albums I have been anticipating came out last Friday. I will be taking the next two days to write about each one. The first one I want to talk about is "Dropout Boogie" from The Black Keys. I waited an entire weekend before writing about the albums because I wanted multiple listens before writing down my thoughts. So, let's get to

"Dropout Boogie". This is a return to form. I adore this album. I have listened to it fully four times now. It is short and sweet and to the point. There are 10 songs, it is a stripped down band, the focus is solely on Carney and Auerbach's talent, it is 34 minutes long and it packs a punch. It reminds me a lot of their last record, "Delta Kream". That was a covers album, but it was just the guys with a few other, older blues musicians on the album. "Dropout Boogie" is like a rock version of that. I like The Black Keys' other stuff, their previous stuff. But I was the typical, "I like their older stuff better" fan. I enjoy "El Camino", "Brothers", "Let's Rock" and "Turn Blue". But I was way more in the bag for "Attack and Release", "Magic Potion", "The Big Come Up", and most of all, "Rubber Factory" and my all time favorite, "Thickfreakness". Those albums are raw and have the feel of a band finding a totally unique sound unto them. That is not to say those other albums don't have that feel. They do, but The Black Keys were clearly trying some other, newer stuff. And it worked. Those are good records. But they never lived up to a record like "Thickfreakness", at least not for me. Then "Delta Kream" came out a year ago. I devoured that album. I loved the direction. I loved the idea. I am drawn to old blues music with a new sound, and the boys nailed it. I wish I could have seen them perform that album live. I bet those shows ruled. And now we get another very good, older sounding record from them in "Dropout Boogie".

Everything seems right on this album. The guitar is crunchy and grimy and filled with reverb. It is like going back in time. The guitar on this album reminds me of a more refined "Rubber Factory". There is no denying Auerbach's greatness on a record like this. He is a one of a kind guitar player. He will go down as one of the greatest. Carney's drumming is just as ferocious and wild and awesome as it has ever been. I feel like he has never really strayed from the original sound they were going for back in the early 2000's. He has stayed true all the way to today. I adore that about him. I also like his manic drum playing, and that is on full display here. He gets to hammer away at his unusual kit and he does a bang up job. His fills and solos and everything work so well. I think when he and Auerbach decided to make a record like this he just smiled and was instantly on board. He feels like the type of guy that never wanted to stray from the main reason they got into this business. And add on the fact that this album comes at you fast, only slows down once and sounds like they are having a hell of a time making it, and it all works. They are cohesive. They have the same idea. They clearly wanted to make an album like this. I think they missed doing music mostly just the two of them. I am now contemplating seeing them this summer in STL. The show is outdoors and the lawn seats are cheap. And I want to see them perform these particular songs.

I like this record a lot. I highly recommend people give “Dropout Boogie” a listen.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to "Delta Kream"

The Black Keys put out a new album last week called “Delta Kream”. Well, it is new for their fans, but the songs are older blues songs.

The track list consists of twelve songs, one repeat at the end, of songs by artists like RL Burnside and Junior Kimbrough. These are the musicians that the members of The Black Keys grew up listening to. I had never heard of Kimbrough or Burnside until I listened to The Black Keys. Then I grew to adore their music. It is really grimy and gritty, dirty old blues music. It is fuzzy and distorted and the voices of Burnside and Kimbrough are second to none. So to hear Dan Auerbach sing and play guitar on these songs, and to hear Patrick Carney's drumming, it is sublime. They do have two other musicians on the record, and they are guys that played with Burnside and Kimbrough.

Look, I am obsessed with this record. I remember when the Keys early released the first track from the album, "Crawling Kingsnake", and I was blown away. I wrote about how excited I was when I heard this. It was like a throwback to my favorite Keys record, "Thickfreakness". It has all the fuzziness and distortion and grim that made me first love this band. It is a throwback in all the best ways. I devoured "Crawling Kingsnake" and "Goin Down South" when they released them. I played them for anyone that would ride in my car. I talked about them obsessively. I was already hooked. Then last Friday, the day the album came out, I listened to the record twice. Then I listened the next day and the next. In fact I have listened to it at least once a day since it came out. And the more I hear it, the more I like it. "Crawling Kingsnake" and "Goin Down South" were great early releases. "Crawling Kingsnake" gave me the "Thickfreakness" vibe I have been craving. "Goin Down South" has some awesome music, and Auerbach does a high falsetto type voice when singing, and it works.

Outside those two songs we get some excellent tunes. Songs like "Louise", which is a classic blues song, or "Stay All Night", in which the Keys sound like they did on their first record, "The Big Come Up", those are incredible. We get some remakes of songs they have already covered on other records. Their new versions of "Do the Romp", "Sad Days Lonely Nights" and "Poor Boy a Long Way from Home" are great. They show the growth this band has had in their very long, very illustrious career to this point. Then there are some songs I have never heard that I have grown to love. "Mellow Peaches" is my favorite cover on the album. It is so good. "Walk With Me" is totally rad. "Come on and Go With Me" is as old school electric blues as it gets. I love that song so very much.

This album is really, really good. I do not get the slander on some of The Black Keys fan pages calling this record "slow" and "boring". That is pure nonsense. I'm not always fan of cover records, but when they are done well, like "Delta Kream", they are so so so good. I cannot recommend this album enough. Any fan of blues music, exceptional guitar and wonderful drums will love this album. It is such an excellent homage to these past blues legends that may not get the credit they are very much due. Go listen to this album. It rules.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to The Black Keys Cover of "Crawling Kingsnake"

This morning while scrolling on the internet I came across some good news for once. Let’s discuss.

I’m a big Black Keys fan. They’re my second favorite band behind Run the Jewels. I’ve seen them live more than any other band. I found out about them when MTV2 used to play videos and they performed on an awards show I came across in 2002. And I’ve stayed with them ever since. They’ve achieved a decent amount of fame and now they’re in a situation where they can do the music they want when they want. So when I saw they have a new record of old blues covers coming out next month I was pumped.

As I said, this was good news. When I saw the musicians they would be covering on the record I got even more excited. They said on the press release that they were doing covers of people who inspired them to do the music they now make. Guys like John Lee Hooker, RL Burnside and Junior Kimborough, amongst others, are who The Black Keys will be covering on this record. That’s great. It was also great to read this press release because they announced that they had released the first single off the new record today. I immediately switched over to Spotify to listen.

The song is called “Crawling Kingsnake”, which I believe is a John Lee Hooker cover. I absolutely loved this song from the first note. I am not familiar with the original version but I will soon be after some more listens to the Keys version. This is The Black Keys that I love. I love everything they do, but this stripped down version, the original version of just Patrick Carney and Dan Auerbach, that’s what I adore. That’s the band I fell in love with. All the records they did as just the two of them, those are the best, especially “Thickfreakness”. And this version of “Crawling Kingsnake” has major “Thickfreakness” vibes. From the dirty guitar to the reverb to the chaotic yet somehow put together drum parts to Auerbach’s gravelly voice, it’s all there and it’s all amazing. I have listened to this song about six times already, both versions I might add. They have the unedited and edited version right now. There is no cursing, it’s just the length of each version of the song. I prefer the six minute version. The version where you can hear the two of them talk before they start the song. It is so damn good. To hear them sound like this again, to go back to the early days, it just made me so very happy. I was, and still am, ecstatic. Not that I ever fell out of favor with them, but the fuller band took just a teeny tiny bit out of their aura to me. So when they strip it down, when they go back to basics, it gives me the same vibes I had when I first heard them.

I highly recommend people go listen to this track and then the album when it comes out. Black Keys fans will dig it, blues fans will like it, garage rock fans will enjoy it and newer Keys fans will hear the original version of this band for the first time. I cannot say enough good things about this song. It gets all the thumbs up that it can have. I cannot wait for the record, but for the time being, I’m going to go listen to the new single about 5 dozen more times. I suggest you do the same.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to Some New Black Keys Music

This morning I awoke to some wonderful music news. I checked my email, as I do every morning over breakfast, and I was pleasantly surprised to have an email from one of my favorite bands, The Black Keys.

As I opened the email I got even more excited. Today they released their first single since 2014. In 2014 they put out the excellent, and I think underrated album, “Turn Blue”. Since then, Dan Auerbach has done some solo stuff. He opened a studio, with the help of Patrick Carney. He gave some new people a chance to shine. I just learned that Carney had a child with former pop star Michelle Branch. Needless to say, they have both kept busy since “Turn Blue”. But, I was commiserating with my dad the other day that I wanted some new Black Keys music. I even brought up the fact that they may be done. That would have been a bummer, but knowing what I know now, I would’ve understood.

Today The Black Keys shocked me in a good way. After opening the email, I immediately downloaded the song, entitled “Lo Hi”. I could not love this song more. It had every blend of The Black Keys in it. It’s quick and to the point, clocking in at almost exactly 3 minutes. The guitar is fuzzy and distorted perfectly and loud and filled with reverb. The drums are punishingly good and loud too. It’s a groove that only Carney, in my opinion, excels at doing. And the singing, my goodness does it rule. Auerbach has grown leaps and bounds as a singer. I personally prefer the early singing, I like the gruffness, but like any perfectionist, Auerbach has taught himself to do wonderful things with his voice.

I have been listening to this song on repeat since this morning. I went for a run with my buddy, and on our way to the spot, he had to hear it twice himself, and hear me talk about my love for the band. I have shared the URL on my Facebook page and have really pushed for other fans to listen. I immediately told my father, another big fan, to check it out. I cannot get enough of it at the moment. I have also already played it for my daughter a few times, she gives it a thumbs up, and my son has heard it once, and asked to hear it again after school.

“Lo Hi” is a great appetizer to what I hope will be a full new record coming soon. It is classic Black Keys, but with the modern good stuff they’ve gotten into since they worked with Danger Mouse. I’m so stoked. I’m so happy they’re back. I cannot wait to hear more, and when they tour, you better believe I will see them. Go listen to “Lo Hi”, especially if you’re a fan, and I guarantee you will be as happy as I am now. This is awesome.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He is still waiting for some new music from rap icon Snow. We need something to compliment the genius of “Informer”

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Ty Listens to "Goin' Platinum!"

After the holidays is when I like to catch up on some music that I haven't heard yet, but have been looking forward to. I usually get some iTunes gift cards and use them on all the stuff I have wanted to hear, but just haven't gotten around to yet. This year I got some good stuff, but the cream of the crop was Robert Finley's newest record, "Goin' Platinum!".

Truth be told, I hadn't heard anything of Finley's until I saw that Dan Auerbach, of The Black Keys, was producing this new record. He did his own solo record, the very good "Waiting on a Song", with a new label, Easy Eye Sound. This piqued my interest because I am an unabashed fan of Auerbach. I mean, he has The Black Keys and everything else he has done on is own and has produced is awesome. So, I checked out some of Finley's stuff on YouTube, and what I heard and saw, I was on board with. Finley is an older gentleman, and he has that sound to his music. His voice is so perfect for what he does. He has that blues-y growl to his voice, but he can do ballads and standard, old school R&B when it is called for. Needless to say, I wanted to hear his new record when it came out.

I waited, but it was the first thing I bought the day after Christmas. I have not stopped listening to it ever since. I adore this record. It has everything that I enjoy about modern artists doing old school music. It also totally helps that the backing band, The Easy Eye Review, has a very Black Keys-ish sound to their music. The Easy Eye Review sounds like a mixture of "Brothers" Black Keys and Auerbach's first solo record. Then, when Finley drops in his guitar and vocals, it all blends perfectly.

From start to finish this record is solid. The opener, "Get it While You Can", has a great guitar riff at the top, then it is all brought home by Finley's vocals. He uses that blues growl and tears through this song. It is a perfect way to set up the rest of this record. From here on out the record trades genres with ease. The songs, "If You Forget My Love" and "Honey Let Me Stay the Night" blend rock and R&B excellently. "Honey Let Me Stay the Night" has some great backing vocals by the Easy Eye Review's singers. They add the extra pop that this song needs. "Medicine Woman" is a trippy, throw back blues song that rules. Great lyrics, vocals and music throughout. "Real Love is Like a Hard Crime" should be a single played on radio. Finley howls through this song in all the right ways. I find myself openly humming this song, or outright singing it, as I walk through the house while I'm cleaning, changing diapers or running on the treadmill. It is such a great song. This song also has the backing vocals that permeate the record. "Complications" is a great straight forward blues song. Finley's vocals on this are the icing on the cake that is this record. When he scream sings "Complications", I cannot get enough of it. The closer, "Holy Wine", is a perfect ending to this great record. It is sweet and nice and just a gem. I love this song very, very much. In fact, I love this entire record.

I know Finley is an older gentleman, but he is doing throwback music perfectly. I'm sure it helps that he grew up with this kind of music, but he didn't get any real notoriety until now for playing this kind of music. This record is so in my alley. It has everything that I like about music, minus any hip hop. But, Finley is not a hip hop musician. He is a rock/blues/R&B musician. I also love that Auerbach worked on this album with him. I am also stoked that he is currently on tour with Auerbach, opening the shows for him. I'm very much considering going to see them both in Kansas City, that is the closest they are coming to Saint Louis, and it is not just to hear Auerbach's new stuff live. I want to hear Finley perform just as much.

If you like old school music with a modern twist, check out "Goin' Platinum!". It is so good, and it fills that need of no new Leon Bridges music yet for me. It is an awesome record.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He needs some good bluesy tunes to help with the diaper changes.

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Ty Listens to "Waiting on a Song"

Dan Auerbach's second solo record, "Waiting on a Song" was released today. Of course I bought it first thing this morning, and I've already listened to it 3 full times. It's a short record. There are 10 songs and the record runs about 33 minutes long. As I've gotten older, I love when albums are put together like this. Short and to the point. There are no pointless jams and songs that go on just for the sake of going on.

"Waiting on a Song" is also a complete departure from what Auerbach has done on every other record. It's not heavy rock like he does with the Black Keys. It's not psychedelic like when he fronts The Arcs. It's not a blend of hip hop and rock like they did with Blakroc. It's not even like his first solo record, which was basically a Black Keys record, but with a full band. This album is completely stripped down. It is very acoustic driven and sounds almost like a Bluegrass record at times. Auerbach is trying something he's never tried before and I've got to say, I am really starting to dig it. At first listen I didn't really know how I felt, but the more I hear, the more I find myself enjoying the songs, and the record as a whole. It kind of sounds like a modern day version of CCR, a band I adore, but better. I personally think Auerbach is a better singer, and his band on this record sounds tighter.

I heard the single "Shine on Me" awhile ago, and I really liked it. Then, as I got deeper into this album, I think I enjoy 7 or 8 of the songs more than "Shine on Me". "King of a One Horse Town" is a very groove, slowed down folk song. I love the lyrics and I adore the music. "Malibu Man" is a very cool, fun song. "Undertow" is a darker song, yet I still really like it. "Cherry Bomb" is about as rock and roll as it gets, and it is a good, good song.

I am a Dan Auerbach apologist. I will say, I will give him more chances than anyone else I listen to. But, when he and his bands continue to make great music, I feel he's earned his chance to take his music in a bunch of different directions. I knew I'd love this album, I just didn't know how much. I was curious with the new direction, but I've always like folk music, and I went through a big Bluegrass phase, so what's not to like. "Waiting on a Song" is a must have for Auerbach and Black Keys fans, but I feel like fans of folk and Bluegrass would enjoy it too. Check it out.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He one time confused CCR with CCW. Boy was he confused when he showed up to that class. 

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The Arcs are Currently Touring, and You Need to See Them Live.

There was a lot more going on than a guitar and drums.

Last night my brother and I went to see the Arcs at the Pageant here in Saint Louis, and it was a very good show. The Arcs is Black Keys front man and lead guitarist Dan Auerbach's side project. I've written about them a couple of times on the site before, but last night was the first time I had seen them live. They were very good.

The band was very tight and you could tell that they enjoy playing music with one another. Auerbach seemed a bit more relaxed on stage as well. Not that he isn't relaxed with the Black Keys, he just exerts so much energy when performing live with the Black Keys because they are a two piece band. The Arcs, on the other hand, they had Auerbach on lead vocals and lead guitar, they had a bass player, a piano/saxophone player, a guy that doubled as a drummer and rhythm guitar player and Richard Swift playing drums as well as keyboards and a beat machine. They also had their openers, an all female mariachi band, come on and do background vocals and play some instruments on a few songs. This was a full band. I absolutely adore the sound and the show that is the Black Keys, I love two piece bands, but it's nice to see Auerbach venture out with a full band, and it sounds good. He also didn't look extremely exhausted at the end of the show last night, much like he does after a Black Keys show.

The Arcs are a very good band and they proved that last night with this show. They opened with "Velvet Ditch", which is a slower burning, almost psychedelic rock song and they crushed it. I knew I was in for a good 90 minutes after they opened the show so well. they went on to play 14 more songs, but not everything was off their album, which was nice. The majority of the show was from "Yours Dreamily", but they also did a new song, a few covers and they played the excellent "Lake Superior".

"Lake Superior" was written after they saw the Netflix show "Making A Murderer", and it's about the unjust way these people were treated and later convicted of a crime they may not have done. The song is eerie, but the melody and the music is upbeat in a weird way. I was very happy to hear them play this song live. I loved it when it came out, I listen to it on my iPod all the time, so it was great to get to hear it live.

The covers were old timey tunes. They played the Temptations "Smiling Faces Sometimes", The Blue Rondos "Little Baby" and they closed the night with Gary "U.S" Bonds "I Wanna Holler". Each song was great and they put their sound on each one. "Smiling Faces Sometimes" was slowed a bit and made a little more psychedelic, which I thoroughly enjoyed. Auerbach's solo's were clutch on this song. "Little Baby" was played just like the old time tune it is and I loved that. They played the sped up time signature, they sang it like the original band and the female mariachi backing band sounded really good on this song. Closing the show with a cover is always a little suspect to me, but they did and excellent job with "I Wanna Holler". It was a good choice by the band to play a song that is similar to their sound already and they did a great job covering it.

They played a newer song that they recently wrote called "Maybe I'm the Only One For Me". It was a very good, slow song. I liked the lyrics and the music. There was some great reverb from the guitar, the drums were slowed down to an excellent groove and Auerbach's vocals were awesome. They played a couple of other tunes that I'm not too familiar with. Right after "Velvet Ditch", they played "Bad Girl". This was a good, slower song, that had Auerbach using his newfound falsetto voice. It was trippy, but good. Right after that they played "Keep On Dreamin", which I think might be on the album, but I'm not 100 percent sure. It was good too though. Very good guitar and very good drums on the song. I liked it a lot. Their other encore song was a song called "Eyez". I think the Arcs were trying out a lot of newer material and that makes me happy. I like that they are giving the crowds at these shows a chance to hear stuff they've been working on. I liked this song too. It had a 50's sound to it, but spliced with their sound meaning, distorted guitars and loud drums. It was pretty good. 

The rest of the show featured songs off their record. They played, "Put a Flower In Your Pocket", "Pistol Made of Bones", "Stay In My Corner", "Chains of Love", "The Arc", "Cold Companion" and "Outta My Mind". I'm already a huge fan of "Put A Flower in Your Pocket", so to hear it live was a delight. They played it excellently and they even had the weird, choppy effect that starts on the song on the record while they played it live. Auerbach's vocals really shine on that song as well. "Pistol Made of Bones" is my sons favorite song and I got to say, they played it really well. Once again, great vocals and guitar from Auerbach, but the drums, with the loud splash when they sing, "I was shot!", was fantastic. "Stay in My Corner" was sweet and pretty and the solo was very well played. They even had a nice floral arrangement as their lights for this song. It was beautiful visually and sonically. "Chains of Love" was where the female mariachi band got their moment to shine. They got to sing the chorus and the added lines and they sounded great. Really excellent guitar on this one as well. "The Arc" and "Cold Companion" both sounded very similar, but very good. They sound alike on the record and the live show wasn't very different. Don't get me wrong, I loved hearing them both, they just sounded kind of the same. And "Outta My Mind" was great. It's a good song to begin with, but hearing it live and seeing the weird clips they added in the background made it that much better. It was done very well.

I knew going in that I was going to enjoy myself last night. I'm an unapologetic Black Keys fan, so anything that Dan Auerbach or Patrick Carney do outside of that, I'm probably going to enjoy and the Arcs, well I enjoy them quite a bit. It was a fun, fast in a good way and well done show. I liked it being in a smaller venue with a smaller crowd too, more intimate that way. The Arcs are a great band and they deliver when it comes to a live show. If they are coming close to your town, I highly recommend checking them out because you will have a good time. It was a very, very good show last night.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He would love to talk about your show in St. Louis. If you are a musician, comedian, or something in between, let us know and Ty will come to your show. Also make sure you follow Ty on twitter @tykulik.

The Greatest American Band Debate: The Mars Volta

For the greatest American band today, I'm going to nominate the Mars Volta. I truly adore this band, but it took awhile for me to get on board. When I first heard them, I just didn't get it. It sounded loud and weird and very distorted. I'd be lying if I didn't say, it kind of felt unlistenable. But, I gave them another try and I'm very happy that I did. I started to get it after three and four listens. I started to understand what they were doing and the type of music they were playing.

This could be a surprise to some, but Mars Volta was my first taste of prog rock. I had never heard anything like it before, so I feel like that's why it may have been so weird to me at first listen. But, before I gave them a second try, I started to listen to bands like King Crimson, Tool, Procol Harum and ELO. I allowed my musical mind to be expanded to different and newer types of music. I was instantly intrigued by both King Crimson and Tool. Those two bands are absolutely incredible. I've already made quick mention of King Crimson on the site before, but they're not eligible for this debate because they're from England. Tool, who I will most definitely write about at a later date, is eligible and they are some of the most talented and eccentric musicians that I've ever listened to and seen live. They're awesome. Procol Harum was a bit more rock heavy, but they still did prog rock stuff and it was great and way ahead of it's time. And ELO, a band that I avoided for years and years because I thought they were too poppy, is so good. People out there, give them a listen, especially if you like prog rock, because they are tremendous.

All  this new prog rock I had found made me want to give Mars Volta another chance. They also had a semi popular song come out around the same time that I revisited them. That song was "The Widow" off the album, "De-Loused in the Comatoruim". I loved the song. When I heard it on MTV, yes they still had videos and played songs once upon a time, I couldn't get enough of it and I also couldn't believe it was from a band that I once thought was not very good. The song was weird, but in a good way, loud, but in a good way and the distorted vocals and guitar were there and they were excellent. This is one time on my life when one song actually made me change my mind about a band. "The Widow" converted me to a big fan after one listen. It's a great and epic song from Mars Volta. 

After falling back in love with this band, I did some research on them so I could learn more. I learned that the two founding members, Omar Rodriguez-Lopez and Cedric Bixler-Zavala, were in a band before this called At the Drive In. I researched and listened to them, and while they are good, they lean a little more emo rock and they are not as good as Mars Volta. I also learned that Bixler-Zavala was a pretty heavy drug addict and he barely survived after At the Drive In broke up. Thankfully, he had a great friend and a real professional musician, Rodriguez-Lopez, that helped get his head back on straight and convinced him to get back to making music. After getting clean, Zivala teamed back up with Lopez and they formed Mars Volta. What a great friendship and band they had after getting clean.

Their sound was weird prog rock, and after my first misstep, I'm so glad that they stuck around long enough to make excellent and weird music. I've already mentioned "The Widow", but they also have some other great, classic prog rock songs like, "Roulette Dares", "Televators", "Viscera Eyes", "Wax Simulacra", "Goliath", "Since We've Been Wrong" and "The Malkin Jewels". Now, when listening to these songs, know that most of them are 8 minutes plus and they go in very weird and odd directions. They constantly change time signatures, chords, keys and drum beats, but it all works to perfection. Zavala's vocals are some of the loudest and most ear piercing words I've ever heard sung, but he makes it so good. Go and listen to "Roulette Dares" and "The Widow" and be blown away by how extremely awesome his singing is on those songs. It's incredible.

But, the crème de la crème of Mars Volta is Lopez's guitar playing. He is a wizard playing six strings. He does some of the weirdest and wildest stuff that anyone has ever done on guitar. He is my generations Jimi Hendrix and no, I don't think that's blasphemy. Lopez is a guitar genius. I love guys like Dan Auerbach and Tom Morello and think that they are some of the best guitar players ever, but Lopez is better. While I may like the overall music of the other guys better, the things Lopez does is like nothing I've ever heard before. He uses distortion like no one has ever used it before. His pedal board holds all kinds of different effects and noises that he manipulates wonderfully. When I saw them live about 7 years ago, I was amazed at what he was doing and I couldn't take my eyes off him while he was on stage. Lopez held my attention for the entirety of the show and I couldn't have been happier. Lopez is one of the best guitarist of all time and he is probably one of the most underrated as well. The dude is a wizard.

Mars Volta has won Grammy's and been in the Billboard 100 multiple times and they've had their albums ranked in top 100 lists by most publications, but they never seemed to get mentioned as an al time great band. Well, that changes today, because they belong in our greatest American band debate for all the reasons I mentioned above. I may not have liked them at first, but I adore them now and I will adore them forever. Mars Volta rocks.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. For ever a decade he thought height of prog rock was Styx. He has since learned of better music. Follow Ty on twitter @tykulik.

The SeedSing (half) Year in Pop Culture: The Top Five Albums of 2015

These are the records to put on

Day two of my Best of 2015 countdown will be my top five albums of the year. I'm a huge music fan and there has been a decent amount of music put out this year. Bands and musicians like Sleater-Kinney, Earl Sweatshirt, Thundercat, Kurt Vile and Father John Misty all put out excellent records. I've also been introduced to some older bands and albums from years past this year. For example, I love both Run The Jewels albums. Shit, I was this close to putting them on this countdown because they're so good and I just recently started listening to them. I also recently got way into AC/DC. Their older stuff is excellent rock and roll music, but it wouldn't be fair to put them in this countdown. I picked five albums that were released this year. They are my five favorites and the ones I go back to the most. They're all fairly popular, but that doesn't make the music any less listenable. On with the countdown.

At number five I have a band that I was just introduced to five days ago, but I can't stop listening to their record. The band is Nathaniel Rateliff and the Night Sweats and the album is self titled. This album is great. It hearkens back to the good old days of early alternative soul music. I was introduced to this band while listening to the Sklar Brothers music podcast and the guy that was talking about them gave the perfect comparison. He said that Rateliff sounds like Van Morrison and the band is like the studio bands for soul music in the 60's and 70's. I couldn't agree more. This album is good from top to bottom. Rateliff has that Morrison/old soul gruff voice and the band is tight. The highlight of the record for me is the song, "Howling at Nothing". It has everything you could want in this style of music. Great vocals, great background music and a kick ass guitar solo. This record is excellent.

Coming in at number four I have what every other publication has at number one, Kendrick Lamar's "To Pimp a Butterfly". Oh my god, this album is so complex and so awesome. It's a total detour from his record last year, "good kid, M.A.A.D. city", but that's oaky. The funny thing about this record, I didn't care for it the first time I heard it, but on the second, third, fourth and so on and so forth listen, I grew to love this album. It's so god damn good. Lamar is a beast. He has taken over the throne as the best rapper out there right now. He is the best writer and his delivery is top notch. This is more an art piece than a rap album. Lamar pays tributes to the people that influenced him and the last track where he reads a letter to Tupac and has Tupac responding is chilling. I love this album. I'm a big rap fan and the things that Kendrick Lamar does on "TPABF" is light years ahead of any rapper out there right now. He's so much better than Drake or Kanye West, it's funny that they're mentioned in the same sentence as him. I cannot wait to see what he will do next.

My number three album is "Yours Dreamily" by The Arcs. I've heard some hipsters complain that this album is no good or complain that Dan Auerbach needs to stop doing side projects, but why not work with some good musicians and do some different, interesting things. Sure, it sounds a bit Black Keysish, but most stuff will if Auerbach is the lead singer. I think "Yours Dreamily" is better than any indie rock or alternative album that was put out this year, with one exception that I will get to at number two. The album spans many different genres of music and I like to hear what Auerbach can do with a full band. When I wrote about this album earlier this year, I said it was like a western movie soundtrack, but in the best way possible. Upon further listens, I still feel the same way, but I also think it's just a downright awesome rock album. Songs like "Velvet Ditch" or "Outta My Mind" are awesome rock/blues songs with Auerbach crushing on vocals and guitar. Auerbach can do no wrong musically. The best track on this album is "Stay in My Corner". There's a different singer, but the song is sweet, rock and roll and blues all mixed into one song. The vocals are great, the music is great and the chorus is memorable. This will be a wedding song for the hipsters that like this band for many years to come. "Yours Dreamily" is a great record, don't listen to the music snobs out there saying that it's not so good, they're wrong.

My number two record is the one alternative record I like more than "Yours Dreamily". That album is "Sound and Color" by the Alabama Shakes. I mean come on, how did they top their debut record, "Boys and Girls" so easily? "Boys and Girls" was a revelation to me, "Sound and Color" has the makings of a classic album. This is a record that I feel my kids will play for their kids. Alabama Shakes could've easily stayed in their little indie corner and make more swamp records and been very successful, but they took a huge chance by playing poppy prog rock and they hit a grand slam. This album is so different from their debut and I love that. "Sound and Color" proved that they were willing to take huge chances and showed a lot of diversity. This is the type of album you put on and listen all the way through without skipping one song. The highlights for me are "Sound and Color", "Future People" and "Dunes". "Sound and Color" is a super trippy, slow burning tune that works perfectly. You may have heard it on the most recent Apple Mac Air commercials. The marimba and Brittany Howards vocals are hauntingly beautiful. "Dunes" is another slow song with flat out awesome music in the back ground. Howard, once again, crushes the vocals as well. "Future People" is the high light of this phenomenal album. It's slow, it's heavy and it builds to be the perfect rock song. The guitar effect used during the chorus is one of the coolest things I've ever heard. "Sound and Color" is so good, Alabama Shakes is now one of the best and most talked about rock bands of the 21st century. Best alternative rock record of the year by far.

My number one album of 2015 is Leon Bridges "Coming Home". I've been on the Leon Bridges bandwagon for about nine months now. I've written about him twice on the website and my first blog on him was about a YouTube video I saw of him before he released his debut album. This album is so wonderful. It brings 60's soul and R&B into the 21st century. Bridges vocals are perfect for this style of music. His background band reminds me of the ladies that sang with guys like Rufus Thomas, Otis Redding and Isaac Hayes. The band plays and records on retro equipment. I mean, this is the coolest thing I've heard in quite some time. The fact that Bridges is only 25 years old makes this album all that more impressive. He is going to be a humongous star if he continues on this path. "Coming Home" is the best 30 minute album I've ever listened to. Songs like "Brown Skinned Girl" and "Better Man" sound like Stax Records re opened their doors and let him record there. Those songs are timeless. My favorite track on the record is "River". It's a quiet song that just builds and builds to a beautiful ending that has Bridges softly and smoothly singing the final lyrics. I love his voice and his band and everything about this album. "Coming Home" is far and away the best record I heard in all of 2015 and it was the first of my top five that I listened to. It's stayed with me all this time, that's how awesome it is.

So, there you have my top five albums of the year. Tell me why I'm right or wrong in the comment section and let me know what I left out. Come back tomorrow for my top five TV shows of the year.

Also, RIP Lemmy Kilmister, you were a guitar god and you will be greatly missed.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. Next year he is planning on getting into the BeeGees and Black Flag. Follow Ty on twitter @tykulik.

Guitars are Great and the Gibson SG is the Greatest Guitar of All

Ty's first life partner

In lieu of writing about a band for the greatest American band debate on SeedSing, I'm going to write about an instrument today.

It's an instrument that I play, I'm very average, but I love. This instrument is the guitar. Now, I know, that's a very open ended thing to write about. To make it more interesting though, I'm going to specifically talk about a brand of guitar, that I and a lot of pros prefer. I'm a big fan of Gibson guitars.

A Gibson SG was the first real electric guitar that I bought. This guitar was my baby before I had real babies. The sound was so clean and smooth. Even when I put distortion on heavy on my pedal board, it still sounded clean. The feel of my SG was phenomenal. It was heavy, but not too heavy. It felt good when I rested it on my lap. I liked the feel when I stood and played it. The colors are beautiful. There's hints of dark brown, black, white and even soft red colors. It looks like it was cut from a humongous redwood tree. I was, and still am, a bit obsessed with this guitar. It was the first thing I bought when I got my first paycheck from my first real adult job. I had been at the dental lab I first worked in, waited two weeks, got my paycheck, cashed it in and went straight to Guitar Center. I brought my dad and two of my brothers with me. I had tested this particular SG prior to this day, but I wanted to weigh all of my options. I tried Squires, Epiphones, Alvarez and Fenders, just to name a few. They all sounded decent and were within my price range, but I kept going back to the SG. I even tried different styles. I tried semi and full hollow bodies, 12 string, electric/acoustic combo guitars, but none of them sounded and felt the same as the SG. After about two hours, my dad and brothers agreed that it was time for me to just pick a guitar already. I went with the SG because I could not shake it. I thought about it the whole week leading up to the purchase, and kept saying about the other guitars I tried, "it sounds fine, but that SG, that's a great sounding guitar".

So, I bought the SG, on sale, with cash. That's how much I wanted this guitar. I brought it home that night and played it for what seemed to be 10 hours. I just couldn't put it down, it was the coolest thing I ever owned, and it was truly mine because I bought it with my own hard earned money. I had an acoustic, and I still have it, prior to this purchase. It's a Washburn that my folks bought me for the holidays about 12 years ago. It's a fantastic guitar and still sounds excellent, but it's not my SG. I have a dobro that I play slide and rhythm guitar on, but it's not my SG. I have a lap steel that I strictly use for slide guitar, but it's not my SG.

Do you see what I'm getting at? My SG is a wonderful and beautiful guitar. I know this sounds like a love letter to a guitar. It sounds like that because it is a love letter to my guitar. This is the best inanimate object that I own. I have a full size Michigan football helmet, I have a signed Charles Woodson football, I have a lot of Michigan memorabilia, and as much as I love these things, they don't compare to my SG. I've heard people, mostly older people, tell me that Gibson is inferior to Fender, but I vehemently disagree. They all tell me that when I'm older, I'll understand, but my love for Gibson guitars will not waver. I'm 32 now, been playing guitar since I was 20, and I still prefer Gibson over Fender. I'll take Gibson 10 out of 10 times if you ask me.

I know that a lot of the older blues musicians, blues is my favorite style of music, play Fenders, but nothing compares to Gibson guitars, and most importantly, their SG brand. I mean, look at some of the famous musicians that played Gibson brand guitars throughout their entire career. First of all, the man who invented Gibson, Les Paul. He was a genius guitar player and created the whole Gibson brand. He is one of, if not the, greatest guitar players that ever lived. Go back and listen to him playing guitar, it's masterful, and he did it all on his Les Paul brand Gibson guitar. Slash, from Guns and Roses and many other side projects, plays Gibson guitars. I may not like the genre of music he plays, but he is an incredible guitar player that only plays Gibson guitars. No way he gets that same sound out of a Fender, not in a million years. Jimmy Page, maybe the second greatest guitar player, behind Les Paul, plays primarily Gibson guitars. He is the master of blues/rock and it sounds so fantastic coming from his enormous collection of Gibson's. Do you think that "Stairway to Heaven" or "Whole Lotta Love" would've sounded the same if he played on any other brand of guitar? No way. Randy Rhoades has played only Gibson's his entire career. You may not know who he is, so I'll tell you. He's been Ozzy Osbourne's lead guitar player his entire career. He played on songs like "Crazy Train" and "War Pigs". Both songs, Gibson guitars. Zakk Wylde, widely considered one of the best heavy metal guitarist of all time, has played all those dizzyingly fast riffs on only Gibson guitars. Ace Freehly, KISS leading guitarist, has played only Gibson Les Paul's his whole career. I don't like KISS, but Freehly is a pretty damn good guitar player. Duane Allman, probably the greatest rock and roll slide player of all time played all of those hits from the Allman Brothers on Gibson guitars. Eric Clapton, arguably considered the best guitar player of all time, played every hit song and every fantastic solo on Gibson guitars. When he was with Cream, Gibson guitars, with Traffic, Gibson guitars, the lead on "While My Guitar Gently Weeps", Gibson. Enough said. Bob Marley, the king of reggae music, played Gibson guitars. That steady beat and groove that almost everyone has come to love was played and made famous on Gibson guitars. I'll get crushed by my brother Seth if I don't mention that Jerry Garcia played a Gibson, an SG at that. I don't like his music, but it's hard to ignore their influence on music, and he was playing a Gibson. Even newer musicians, like Dan Auerbach of The Black Keys, plays pretty much only Gibson guitars. Gibson's are the best.

I think I made that point pretty clear today. But, tell me why I'm wrong or why Fenders are better, or any other brand for that matter, than Gibson in the comment section. Anyone who's played a guitar, or still plays guitar has a favorite brand and mine are Gibson guitars. Specifically, a Gibson SG.

They're the greatest.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He neglected to tell us that all great wannabe guitarists play Gibson, it was the original Guitar Hero controller. Follow Ty on twitter @tykulik.

Cloves and Fedoras: Dan Auerbach's experiment with The Arcs pays off

Is it already time to rock?

Dan Auerbach of the Black Keys side project, The Arcs, put out their debut album "Your Dreamily" today and I'm here to tell you, you need to buy this album, not only if you're a fan of the Black Keys, but if you're a fan of experimental rock/blues/funk/R&B/spaghetti western music.

Dan Auerbach and the members of the band(Richard Swift, Leon Michaels, Homer Steinweiss, Nick Movshon, and features Kenny Vaughan and Mariachi Flor de Toiloache) take a bunch of chances, and more times than not, they knock it out of the park. I had heard the leaked tracks, "Outta My Mind" and "Stay in My Corner" about a month ago and I was immediately on board. "Outta My Mind" is a Black Keys esque rock song, but that's where what I call spaghetti western music comes into play. There's a keyboard playing music that sounds like it's straight out of an old Clint Eastwood western. I've always liked this sound, what I will now call the spaghetti western sound, in the old western movies, so I really liked hearing it on a rock record. "Stay in My Corner" is a sweet love song. It's really funky, yet psychedelic at the same time. I love the mixtures of genres within a song. Other great early tracks include, "Put A Flower in Your Pocket" and "Cold Companion". "Put A Flower in Your Pocket" is a straight up spaghetti western song. It sounds like it could be on the soundtrack for "The Good, The Bad, and The Ugly". There's awesome guitar and that really cool keyboard sound. It's a great song. "Cold Companion" is a bit more of a blues/rock, Black Keys style song. Auerbach plays some really solid solos on this song. Auerbach is an awesome guitar player and he gets better and better with his vocals with each album he puts out.

The first nine songs are all in the spaghetti western, blues, rock genre. The last five songs find them making a complete genre change. The back half of the album turns into a funky, R&B record, and I couldn't be happier about it. Songs like "Velvet Ditch" and "Searching the Blue" are straight up R&B songs, but they add horns to each one, making them really funky. "Velvet Ditch" is where the album makes the switch. It starts out like a rock song, but then it slows down and has Auerbach showing off his falsetto voice. It's, for all intents and purposes, an R&B song. And just when you think it can't get any funkier, here come the horns. It's a great addition to the sound the band is looking for. "Searching the Blue" is the closing track on the album and it is horn and guitar heavy. Auerbach croons while crushing it on the guitar and the horns are dynamite. The genre switch is Richard Swift putting his stamp on this album. He's been touring with the Black Keys the past couple of years, playing bass, but he's put out solo albums himself, and he has a very folksy/funky/R&B sound to his music. He's a great musician and you should go out and buy his solo stuff if you enjoy this album.

I love that Auerbach is taking chances like this lately. He's really branching out with his music. He wrote all the songs on the last Black Keys album, "Turn Blue", and that was a very Pink Floydian type of album. This album, "Your Dreamily" and this new band, The Arcs, show him trying his hand at R&B and psychedelia music. He is so much better than Jack White at everything he chooses to do musically. He's also a better person from what I hear about Jack White. I love this album and I love that Auerbach and Carney are good enough friends that each can do their own side projects. It's really going to help the Black Keys get better and better with each album they put out in the future, having so many different styles of music that they are able to play.

Go out and buy "Yours Dreamily", sit back and the enjoy the cool, funky, spaghetti western, smooth R&B music that they play. It's really, really good.

I am not kidding, it is really, really good.

Ty

Ty is the Pop Culture editor for SeedSing and the co host of the X Millennial Man podcast. He was debating how many albums a band needs to be considered one of The Greatest American Rock Bands. Follow Ty on twitter @tykulik.

The Greatest American Band Debate: The Black Keys

In the Great American Band debate that we have ongoing on the website, I'd like to nominate my personal favorite band, the Black Keys.

Most people know who they are now, but that was not the case when I stumbled upon them in 2002. I was living with my brother at the time and watching an award show on MTV2. This was when MTV stopped showing music videos and only aired reality shows, but MTV2 still showed music videos and the award show I stumbled upon was giving awards to new and unheard of bands. I can't recall the name of the show, but I laid there on the couch watching late into the night and these two guys, one with a bushy beard and shaggy hair named Dan Auerbach and the other, a tall, lanky dorky looking guy named Patrick Carney, introduced me to the concept of a two piece rock band that actually rocked and rocked hard. I couldn't believe that just two guys could make that much sound and make it sound that good. It was like Led Zeppelin came back to perform as a two piece. They're that great.

The next day I immediately went out and purchased their first album, "The Big Come Up". I was in love. These two guys were so very, very awesome. Dan Auerbach is the lead singer and guitarist. He is, by far, the best user of distortion in the history of rock and roll music. The things he did and still does with reverb and distortion is like nothing I've ever heard before. He is a wizard. His voice, while gruff, but in the best possible way early on, has gotten better and better with each album they put out. Patrick Carney has his own make shift drum kit and he smacks the hell out of the skins. I've never seen anyone live that puts as much effort and excellence in their drumming. He's dripping sweat when they get off stage. He's the best drummer alive in my opinion. No one is even a close second.

Back to their debut album. "The Big Come Up" came out in 2002. It has a few originals on it, but about half is covers. Except, they do the covers in their style, and it's awesome. They do the Beatles, "She Said, She Said" like it's an old blues/rock and roll song. Dan Auerbach, once again using his distortion wizardary, crushes the song on guitar and, with the gruff voice, almost makes it a brand new song in the best possible way. Patrick Carney attacks the drums like a machine and I think if Ringo Starr heard his version on the drums, he would be embarrassed by how much better a drummer Carney is. It's a great cover of a great Beatles song. Their version of Junior Kimborough's "Leavin Trunk" is a great homage to one of their biggest influences. It's a great blues song, made better with Carney's excellent drumming. Some of the originals are fantastic. "Heavy Soul" and the "Breaks" are two great introductions for any Black Keys virgins out there. Those two songs will tell you everything you need to know about the band. They're hard rocking, heavily distorted bluesy songs with very, very excellent drumming. My personal favorite Black Keys song is on "The Big Come Up". The song is called "Yearnin" and it's a masterpiece. The distortion, of course, is there but Auerbach's vocals are top notch and I love absolutely everything about this song.

A year later they released their second album, "Thickfreakness". This is my favorite Black Keys record. The story goes, they locked themselves in a studio and recorded the whole album in 14 hours. Holy cow, that's impressive! The opening track, "Thickfreakness" is phenomenal. It starts with a very loud, heavy guitar riff and morphs into a four minute gem of a song. The rest of the album follows suit, with Auerbach excelling on guitar and vocals and Carney rocking out on the drums. There's even two slower songs on the record. They do another Junior Kimborough cover, "Everywhere I Go" and turn it into an even more bluesier tune than I think Mr. Kimborough himself ever thought it could be. It's epic. The last track on the album, "I Cry Alone", has a very slow, repetitive guitar riff and quiet, sleek drums. It's a step in a different direction and it works for them.

The very next year, they released "Rubber Factory". This was the album that I first saw them touring live with. This album was recorded in an old rubber factory in their hometown of Akron Ohio. They started to get a little notice from critics and gained some new fans. Hell, David Cross directed and starred in a music video for the song, "10am Automatic". That is also the first Black Keys song I learned on guitar. It has a simple guitar riff, but there's an epic solo at the end. The drums are immediately noticeable as well. I could pick the song out if I only heard one tom or high hat being hit at the start of the song. "Rubber Factory" features other great songs like, "Girl is on my Mind", "The Lengths" and "Keep Me". Each song is uniquely a Black Keys song and each song shows growth in the band. They also cover The Kinks "Act Nice and Gentle" to perfection. It's a fitting cover to another UK 60's rock band, but the Black Keys still put their spin on it with Auerbach's signature distorted guitar. They also give us their version of an old blues standard, "Stack Shot Billy" with some phenomenal slide guitar being played.

They finally took a year off after releasing three albums in three years and in 2006 they released, "Magic Potion". Some may say that this was a disappointing effort, but I'd kindly disagree. I know every word to every song on this album. There's some great songs on it like, "Your Touch", "Elevator" and the best song on the album, "Goodbye Babylon". "Your Touch" has a cool guitar riff, it's fast and choppy and Carney shines on the drums. "Elevator" reminds me of something that could have been on the album "Thickfreakness". It's a hard driving, Zeppelin esque rock and roll song. It's very good. "Goodbye Babylon" has some of Auerbach's best vocals and the guitar and drums are top notch. It's an excellent song.

The year 2008 marked a big change in the band and they brought in a new producer. Luckily for the fans, that producer happened to be Danger Mouse. He helped them with their fifth album, "Attack and Release". This album showed the band taking big chances, like adding bass and keyboards to their sound, and it really pays off. The opening track, "All You Ever Wanted" is a slow song, accompanied by Danger Mouse on the keyboard. The keyboard is the main instrument on this song. That had never happened on a Black Keys song before, and it took me by surprise how much I loved it. I didn't even think about the guitar until many, many listens later. "I Got Mine" and "Strange Times" are a return to form, with heavy drums and guitar. But then songs like "Oceans and Streams" and "So He Won't Break" and "Psychotic Girl" show the band using bass, keyboards again and even flutes and banjos. "Attack and Release" showed me that the Black Keys still rocked, but they were taking chances and hitting home runs. I was pleased with the growth and the taking of chances.

In 2010, the Black Keys released the album "Brothers" and this was when they became famous. They started winning Grammy's and playing "Saturday Night Live". A younger me would have thought that they were selling out, but "Brothers" is so damn good, I didn't care. They were still doing their style of music, but made it a bit more accessible to all listeners. Check out songs like, "Next Girl", "Tighten Up" or "Howlin For You" and you can see the pop and hip hop influence in their music, but there is still heavily distorted guitars and Carney wailing away on the drums. Other great songs on the album include a slower ode to a brother never met called "Unknown Brother" and "Sinister Kid" that has a heavy hip hop sound with some excellent vocals by Auerbach and a cool drum groove from Carney.

Continuing their assault of great music, a year later the Black Keys returned to their rock roots and released the excellent, straight up rock and roll album, "El Camino". "Lonely Boy", the opening track, has the coolest, most innovative guitar effect I've ever heard. It sounds like the guitar is going in circles. It's so incredibly cool. "Gold on the Ceiling" is a true throwback to rock and roll from the 70's with the Black Keys putting their twist on it. "Little Black Submarines" has a two minute opening that's just Auerbach and an acoustic guitar and then, it turns into a heavy rocker with some of the best solos I've ever heard. "Dead and Gone" is a great singing in the car song on long road trips. It's awesome. The closer, "Mind Eraser", is a classic rock and roll song with expert drumming from Carney. Clearly, working with Danger Mouse opened the band up to trying new things.

Last year, with Danger Mouse once again back in the studio with them, they released their most ambitious album to date. Their eighth album, "Turn Blue" has them taking on an almost Pink Floydian type of sound. The opening track, "Weight of Love" has a trippy, psychedelic three minute instrumental that morphs into a rock and roll song and ends up back at the psychedelic beginning. The title track, "Turn Blue" is a lot like "Weight of Love". The lone exception being, "Turn Blue" has the psychedelic sound of the 70's throughout the entire song. It's spacey and awesome. The Black Keys still have bluesy rockers like "Fever" and "It's Up to You Now", but this record is not like any of their other albums to date. "Waiting on Words", "Bullet in the Brain" and "In our Prime" are all psychedelic rockers with cool bridges and insane solos, both on drums and guitar. I love this new direction they're taking.

As with most great bands, the Black Keys have changed record companies three times. They started at Alive Records, moved up to Fat Possum and are now with the heavy hitters at Nonesuch Records. As you get better, you have to be on bigger labels, that's the music industry. Dan Auerbach and Patrick Carney have worked with other bands and have side projects, but they are best when it's the two of them(also really good with Danger Mouse) doing their thing. I love the Black Keys and will go to bat with them any day. They have a new, yet throwback sound to their music and they just keep getting better and better. All the things I've said should tell you how great of, not just an American band, but just a band, that they are. These dudes rock and will continue to for many years to come.

The Black Keys rule.

Ty

Ty is the Pop Culture editor for SeedSing and the co-host of the X Millennial Man Podcast. What he does is called rockin out and you are to old to get it. Follow Ty on twitter @tykulik.