Ty Talks About the Biggest 2021 Oscar Nomination Snubs

Every year the Oscars seem to get something wrong, and I’m including winners and nominations. It happens all the time. “Inside Llewyn Davis” got nothing its year. “Moonlight” almost got screwed by “La La Land”. “Crash” won best picture. So did “The Artist”. This is a thing. But this year the snubs seem a little more apparent. There are a good amount too. Let’s discuss.

Regina King deserved a best director nom. So did Aaron Sorkin. Eddie Redmayne and the guy that plays Dr Manhattan on the TV adaptation of “Watchmen” should have been nominated for “Trial of the Chicago 7”. Daniel Kaluuya got a supporting actor nom, but it should be leading actor. The fact that Glenn Close got nominated for “Hillbilly Elegy” is insane. She was also nominated for a Razzie for the very same role. I think that’s the first time that have ever happened. All these snubs suck. Yet there are three blatant snubs in this go around that are so hard to ignore.

The fact that “Da 5 Bloods”, Delroy Lindo and Spike Lee are not even nominated is insane. The movie may be kind of scattershot, it may jump time a bit too much and it’s a little overlong, but it definitely deserves a nomination. For its faults, it’s still a very well made movie with a very good story. It is essentially an updated version of “Treasure of the Sierra Madre”, only better. The academy opened it up to ten movies eligible to be nominated and they only put in eight this year. The ones I’ve seen are good, and I’m sure so are the others. But come on, throw “Da 5 Bloods” in there. It is more than deserving.

I’m even more shocked that Delroy Lindo didn’t get a nom. He is wonderful and insane and scary and excellent and so memorable in this role. I was taken aback at how great his performance was. I couldn’t take my eyes off him. I didn’t agree with his character’s point of view, but that was the point. Every time I think of that movie I think of him. Even more so than Chadwick Boseman, who was excellent as well. Lindo, much like the movie, should be nominated. It’s nuts that he isn’t. They could’ve easily replaced Anthony Hopkins with Lindo. I haven’t seen Hopkins movie, but he’s had his time. Now it’s Lindo’s turn. I’d also rather have Lindo in there in place of Gary Oldman. I haven’t seen “Mank”, and I don’t plan to, not a fan of “Citizen Kane”. I’d go as far to say that Lindo was better in his movie than Oldman was in his. Lindo may be the biggest snub.

Also, what does Spike Lee have to do to get an award? He didn’t direct just one great movie this year either. He also directed “David Byrne’s American Utopia”, and that could’ve gotten a best picture and director nom as well. Spike Lee is a preeminent director, yet he seems to always get passed over. It’s frustrating. The fact that he’s only been nominated five times, with only one win for adapted screenplay, is criminal. He should’ve won for “Do the Right Thing”. He should’ve been nominated for “He Got Game”. He got Ray Allen to give him a solid performance. “Inside Man” is one of the most underrated movies in history. I could say the same for “25th Hour”. “Kings of Comedy” is a crucial stand up comedy movie for people my age. And “Crooklyn” is quietly awesome. “Da 5 Bloods” and “American Utopia” are better than all these movies, save “Do the Right Thing”. If I were Spike Lee I’d be pissed off. This happens to him far, far too much. As much as I loved Lindo in “Da 5 Bloods”, I think Lee is the biggest snub of anyone that was eligible for an Oscar. I’m sure this sounds like whining, and I’m sure “Mank” is going to win everything because Hollywood loves movie about Hollywood, but come on. Give people the credit they deserve.

“Da 5 Bloods”, Delroy Lindo and Spike Lee were the biggest snubs. That is a fact.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Ty Watches "The Sound of Metal"

Tuesday mornings have become my time to catch up on movies that I have wanted to watch, and haven't gotten around to for one reason or the other. This morning while both my kids were at school I watched "Sound of Metal". Let’s discuss.

This movie has been on my radar for awhile now. And, last night when my wife and I watched an episode of "The Boys", the ad beforehand was for the movie. I said right then that I was going to watch it this morning. I did and I was blown away.

“The Sound of Metal” is one of the better movies I have seen in quite some time. It is also very sad and dire and gut wrenching, but kind of uplifting near the end. For those that may not know, "Sound of Metal" is about a drummer in a heavy metal band that loses his hearing, and the trials and tribulations he faces when he realizes he is losing his hearing. Riz Ahmed plays the drummer, his name is Ruben, and he is amazing. His performance is right up there with Daniel Kaluuya from "Judas and the Black Messiah", and Delroy Lindo from "Da 5 Bloods". He is also better than Sacha Baron Cohen from "Trial of the Chicago 7". The difference here is, Ahmed plays a fictional character. He and Lindo are the only two that do that. Cohen is exceptional as Abbie Hoffman, and Kaluuya is magnetic as Fred Hampton. I come from the school that thinks awards should be given to original characters, and not someone playing a real person. This year is the exception, because Kaluuya is so great, but Ahmed is right up there too. He is tremendous. I fully bought in and believed he was Ruben and he was going deaf. Ahmed played the role to absolute perfection. He is also a recovering addict, and he pulled that off as well. He showed the grief and terror and frustration and willingness to do what he felt he wanted to do so well. The first couple scenes, when you can watch him begin to lose his hearing is relatable. He is trying to unplug his ears thinking that they may be popped. Or he tries to clean them out. All of the stuff we all do when our ears feel weird. When that doesn't work, he skirts getting the problem checked out because he has a show that night. The show is not great, and the lead singer of the band, and his girlfriend, exceptionally played by Olivia Cook, notice something is wrong. He gets help from a doctor, and this doctor sends him to a place for addicts that happen to be deaf. The scenes that take place here are wonderful and sad and touching and moving all at once. From when he first gets there, he doesn't want to be there, he feels it is a waste of time, to him figuring out sign language, to him helping the staff and students, and even him leaving to go get surgery, it is played and shot so well. Even with the surgery, spoiler alert, which doesn't work out like he hoped, it is done perfectly. I think what helps it work so well is how they use sound in this movie. This movie goes from very loud to silent to small noises, and at times, it hurts to listen. But this was done on purpose. The writers and director want us to go through this journey with Ruben. They want us to feel the things he feels. Now, I do not know what it is like to be deaf, I thankfully have my hearing, but there were times watching this that I just could not imagine how hard it would be, especially to go deaf later in life. But they do show some things that are moving for deaf people. The way musical vibrations are used in this movie is absolutely terrific. I assume this is how deaf people enjoy music, and it is done so well. When Ahmed and a young student go outside and play drum beats on an aluminum slide, I could have watched that for hours. Or when he teaches the kids how to drum, that made me tear up. When they all stand around a piano with their hands on it to "hear" it, it was truly amazing.

This movie is going to stay with me for a long while. The stuff after he gets the implant, how it doesn't go the way he hoped and wanted, that was stunningly made. The way they used sound for that, the sound engineers deserve all the accolades in the world. This is a tough movie, but it is also a very, very good movie and well worth your time. It is on Amazon Prime right now, and I cannot recommend this movie enough. Go watch it. It is great.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Ty Watches "The Trial of the Chicago 7"

Continuing my quest to watch historical movies, last night I finished “The Trial of the Chicago 7”.

It was great. I really enjoyed this movie. I know it may be weird to use the word “enjoy”, but that’s what I felt. There was a difference from this movie as compared to “Judas and the Black Messiah”. “Judas and the Black Messiah” was a better movie in my opinion, but it was bleak. That’s because it is more realistic, and it ended tragically. I know both movies are based on true stories, but “Judas and the Black Messiah” felt more real. But “The Trial of the Chicago 7” starts fast, moves fast, intertwines the multiple storylines fast and ends fast. It was a very quick 2 hours and 10 minutes, and I appreciated that.

The cast is great in this film too. John Carroll Lynch was dynamite as the conscientious objector and soft spoken father and husband. Yahya Abdul Mateen II was perfectly cast as Bobby Seale. He was a force. The three main lawyers, played by Joseph Gordon Levitt, Ben Shenkman and Mark Rylance did wonderful. I appreciated that Gordon Levitt didn’t have a “white savior” moment either. He played a republican lawyer, and he didn’t really change his attitude too much throughout the movie. Frank Langella was a monster, a racist and mean. He nailed the judge, and this judge was truly a monster. Eddie Redmayne and Alex Sharp were very good, especially Redmayne, as the young and opportunistic student democrats leader. Michael Keaton was spectacular in his five minutes on screen. But for me the true stars were Jeremy Strong as Jerry Rubin, and especially Sacha Baron Cohen as Abbie Hoffman. They knocked their roles completely out of the park. Strong was a perfect hippy, who happened to be extremely smart. He had some of the best lines, he was funny at moments and he really sounded and looked and acted like a hippy. I totally bought it. Cohen, he was a revelation. I know he can act. I’ve seen both “Borat” movies. I’ve watched his shows. He is good in bit parts in other stuff. But here he got to show his dramatic side, and man was he great. His line, “I’ve never been on trial for my thoughts” was powerful. I was stunned at how great he was in this role. He brought Abbie Hoffman back to life. It helped that he got to be a bit comedic, but when drama was needed, he nailed it. Delroy Lindo or Daniel Kaluuya deserve the Oscar, but Cohen is a very close third. The movie was so well done too.

The actors were great, as mentioned, but so was the writing and directing and recreating of this pivotal moment in American history. They showed the good and bad. They put in real footage with their shot footage, and it worked. The recreation of interviews and meetings and court scenes was great. The stories jumping back and forth in time was a great way to keep the story moving. I have no bad things to say about this movie. It is worth the hype. It lives up to it. It is a very well made movie that hits all the criteria for an Oscar worthy movie.

As I said, I think “Judas and the Black Messiah” is a better movie about this time period. But, “The Trial of the Chicago 7” is no slouch, just a different perspective. Watch this movie too. It is also a very important one.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Ty Watches "Judah and the Black Messiah"

This morning while my daughter was in preschool and my son was in elementary school, I decided to finally sit down and watch "Judas and the Black Messiah".

From the moment I heard of this movie, and saw the trailer, it was on my must watch list. I am really into African American history, I have read a ton on The Black Panthers, and this seemed to be the most real story to date on Fred Hampton, and his importance in American history. The cast is also absolutely top notch. I am a humongous LaKeith Stanfield fan. Love him in "Atlanta", "Sorry to Bother You" is one of my all time favorite movies, he was excellent on this most recent season of "The Eric Andre Show", the dude can act. I enjoy Daniel Kaluuya as well. He first appeared on my radar in the "Black Mirror" episode "One Million Credits". Then I saw "Get Out", which was followed by his role in "Black Panther" and I most recently saw him in "Queen and Slim". He's great. I am a Jesse Plemons fan too. He is becoming one of the nicest creeps in Hollywood. He is a force. All three of these guys are the main dudes in this story, and they all absolutely nailed their roles. Sure, Martin Sheen is eerie as J. Edgar Hoover, Dominique Fishback is wonderful as Deborah Johnson, Ashton Sanders, from "Moonlight", has a nice and important part, and Lil Rel Howery is only in five minutes of the movie, but man is he memorable. Really though, this is Kaluuya and Stanfield's movie, with some nice spot duty from Plemons.

In the movie Stanfield plays former car thief turned FBI informant Bill O'Neal. He is so good as the rat. He is squirrely and squirmy and it appears at times he is going to be had, but he always finds a way out somehow. Stanfield nailed the nerves, then belief, then betrayal and looking out only for himself to perfection. I openly rooted for him at times, but in the end, I loathed him. I know Stanfield and Charlamagne the God have some kind of beef over this role. What Charlemagne needs to understand, Stanfield is acting. He is not this person he is portraying. Charlemange needs to get off his jock because Stanfield was incredible. He is a creep, and he deserves all the bad he gets in the end. Plemons is the FBI agent who convinces Stanfield to be his rat. Plemons plays this role very monotonous, but it is clearly on purpose. He is an officer trying to catch someone who he believes is a "bad guy". He is as creepily quiet, and almost endearing in this role as he was on "Breaking Bad", or the season of "Fargo" he was on. He is really good at playing someone who is sympathetic on the surface, but in the end, is a real bad dude. The scene where he sees O'Neal at the Black Panther rally speech is frightening.

With all of the great actors in this movie, Daniel Kaluuya is the absolute star of this movie. Every award and accolade he is getting is totally understandable. He nailed it. He gives a powerhouse of a performance. When he spoke as Fred Hampton in this movie, when he had an audience, I felt it. I would go to battle with this man. He was so impassioned and powerful and commanding and thoughtful and political and downright charming. For every Malcom X and Martin Luther King Jr, we also had a Fred Hampton. Someone who isn't as well known, or studied, but needs to be. And Kaluuya brought this person back to life. I was moved by his performance. I watched him jaw agape because of his tremendous performance. His speech scenes were the best, but the prison stuff was very good, and his death, the day before, was brutal and heartbreaking. Kaluuya should be one of the frontrunners for Best Actor. I'd say it is Delroy Lindo for "Da 5 Bloods", or Kaluuya for this role. They are head and shoulders above the rest of the pack this year. I loved him in this movie and in this role.

I highly recommend this movie for everyone to see. It is important American history brought back to life by some really great actors, writers and a director. Check it out. It is great.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Better Late than Never on "Eighth Grade"

This morning I finished the movie “Eighth Grade”, and now I am going to talk about it.

This movie was so many things, mostly great. In fact, it was uncomfortably great. I have put off seeing this movie for sometime now because I didn’t know what to expect. I saw the rave reviews, I am a Bo Burnham fan and I could’ve watched it in the theaters, but other stuff kept coming up. Then COVID hit, and I kind of forgot this was on my list to see. Luckily it was on Showtime last week, and I recorded it. I still waited about a week to watch, but I watched it and loved it. I was also very uncomfortable with some stuff, but that seemed purposely. This movie is supposed to be about how rough early teenage life is. It’s supposed to make us who are older remember how tough that time of our lives was. It’s supposed to make you cringe and talk out loud at the people on the screen. It wants you to have these visceral reactions. And this movie achieves that tenfold.

There was so much stuff in “Eighth Grade” that made me squirm, and then think about how I reacted when I was 13 years old. That may be the most awkward time in anyone’s life, and Burnham and Elsie Fisher portrayed them to perfection. From the pool party, to class superlatives, to meeting high school boys and girls, to having moments with your folks and finally finding your group of friends, it’s all there and it’s all wonderfully executed. Seeing Fisher, she played the main character Kayla, go through such panic when being invited to a pool party, showing up and having to interact with other kids, that was so well done. The stuff with her and her dad hit me right in the heart. From her being on her phone when he’s trying to talk to her, to him spying on her when she’s hanging out with the high school kids, to their very poignant and perfect and tear jerking bonfire talk, it was simply wonderful. I was in tears hearing him tell her how happy and proud and perfect she is. I know my daughter and I will have these moments in the future, and it was almost reassuring to see that, while it will be tough at time, it will also be so rewarding. Fisher was so so so great in the starring role. She played introverted and quiet and anxious and teenage so exceptionally. She was tremendous. It helps that she was the age of her character because she’s going through it right now.

The other kids were almost as good as Fisher. They didn’t have as much to work with, but they all played their roles great. I also liked the technology aspect of the movie. “Eighth Grade” showed how important and influential things like YouTube and Snapchat and Instagram are to the younger generation. Hearing these kids talk about how they got Twitter in middle school, or Snapchat in fifth grade, I mean that’s wild. Middle and high school was tough enough when I went, and cell phones were relatively new. I cannot imagine how much harder it is now, and how much harder and weirder it will be when my kids are that age. I have two nieces in high school, and I get glimpses how important Instagram is to them. It’s tiring to see from my perspective. This is a movie that is going to stick with me for a long, long time. I want this to be watched by kids that are in the 13-16 age range. It will ring so true for them I imagine. I also think parents of kids of any age should see this movie just to get a blip of what we are all in for in the near future.

“Eighth Grade” is a wonderful, timely and squirmy in all the right ways movie. I wish I’d seen it sooner, but at least I watched it. I cannot recommend this movie enough. It is so worth your time. Please go watch this movie if you can. It’s great.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Better Late Than Never on the Great Movie "A Futile and Stupid Gesture"

This past weekend I sat down and watched "A Futile and Stupid Gesture". This movie has been on my list since it came out in late 2018, but I just never got around to it. Other stuff came up, other shows were on, I forgot about it and then this past weekend, I noticed it was still streaming, and I just happened to have two spare hours. So, I finally watched it.

I am bummed it took me so long to watch this great movie. This one is totally on me. I should have watched it in 2018 because I really, really enjoyed this movie. For those that may not know, "A Futile and Stupid Gesture" is about the creation of the National Lampoon magazine, and the people who helped create it. And for those that may not know what National Lampoon is or was, it was a parody magazine, and then it became a movie making studio, creating "Animal House" and "Caddyshack" along the way. The leads, Domhall Gleeson as Henry Beard, and Will Forte as Doug Kenney, were great. Gleeson was very monotone and gave one word answers and never really changed his facial expression. He also happened to be extremely funny, and knew how to run a business. Forte, who I am a big time fan of, was perfectly cast as the wild and crazy and equally hilarious Kenney. Doug Kenney was the idea man, who would go for it no matter how many people told him no. He never quit. He was also heavily into drugs, was not the greatest husband at all and went a little too nuts sometimes. But hey, he co created National Lampoon, and he wrote both "Animal House" and "Caddyshack". He gave us two of the greatest comedies of all time. It takes a little crazy to pull that off. "A Futile and Stupid Gesture" is Kenney's story too. This is a dramatized autobiography of his life, that he personally cut short. This movie gave Forte a chance to shine, and he totally nailed it. As I said, he was perfectly cast, and for someone so self centered and egotistical, I rooted for him at times, and was saddened by the end. Forte brought that to this movie.

While Gleeson, and more so, Forte really shined, the rest of the cast was awesome. Thomas Lennon as Michale O'Donoghue was almost as perfect as Forte. He was rude, crude and crazy. Natasha Lyonne as Anne Beats, especially in her intro scene, was stupendous. Matt Lucas, you all may know him as Rebel Wilson's writing partner, was great as Tony Hendra, the English comic who had to leave Ed Sullivan because it wasn't edgy enough for him. Neil Casey was excellent as the weird and crazy and odd, but also hilarious, Brian McConnachie. Ed Helms popped us as Tom Snyder in a hilarious scene. And all the people they got to play the really famous people, the people who did the radio show, and then ended up on "SNL", were great. They were cast as to not look like the people they portrayed either. Jackie Tohn was Gilda Radner, Jon Daly was Bill Murray, Seth Green was Chris Guest, John Gemberling portrayed John Belushi, Rick Glassman was Harold Ramis and Joel McHale totally knocked it out of the park as Chevy Chase. None may have looked like the people they played, but boy did they crush everything else. Gemberling did a great Belushi when Belushi did Joe Cocker. I already mentioned McHale's performance. Tohn was as funny as I imagine Radner was. Daly did some excellent imitations of Murray on the "Caddyshack" set. And Glassman as Ramis was pitch perfect. That was one of the many things I loved about this movie, was the talk of all the very famous, very important comedy people that got their start at National Lampoon. It helped that I just read a book on "SNL", and watched the "BELUSHI" doc on Showtime because all this is fresh in my mind, but I think the way they showed it would help someone new to this.

While this is a very funny movie about very funny people, there is heavy stuff. Kenney was not a good husband, and this movie shows that. He wasn't a great friend either. He also made life hard for a lot of people that counted on him. He constantly lived in his brother's shadow, even though his brother passed when he was a kid. His parents were tough on him. And, spoiler alert, although it is common knowledge among comedy fans, Kenney did die young. Some say suicide, others say to was an accident caused by too many drugs. Glassman as Ramis said it best at the funeral, and supposedly this was a true statement, when asked how he thought he died, he said, "he probably fell while looking for a place to jump". That was a pretty telling statement coming from Ramis. It kind of perfectly encapsulates his life.

I highly recommend fans of comedy definitely check out this movie, but I also think it could pull in some outside fans. I think people that like decent biopics will enjoy it. People who like Foret will love. And people who lived in that generation will most likely have a good time with it. I know I loved it, and I think you will too. Give it a shot if you haven't already, if only for Forte's performance.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Best of 2020: Top Five Movies

For my best of lists this year, today I come to you with movies.

Movies weren't as hard as music, but I still ran into some issues. I watched a ton of old movies this year. My wife and I do have a movie date night every Friday or Saturday from our home, but again, we have watched a ton of older movies, movies we liked when we were teenagers, or before we started to date. And there were a ton of good ones during these date nights. But we did see some movies that came out in 2020. We haven't seen a lot of the Oscar bait movies yet, but I usually wait until later anyway to see those movies. That is why "Uncut Gems" didn't make my initial list last year. And while we did just watch the new "Wonder Woman" movie, and liked it, it did not push its way into my best of. With all that being said, let's get to the list.

At number five I have "Bill and Ted Face the Music". This movie was all I wanted it to be, and so much more. My wife hadn't seen either of the first two, so we watched them, and then saw this movie, and she loved it too. This movie was funny and fun and silly and cool and had an excellent message. The music was also pretty rad. They also brought back classic characters, and introduced some funny new ones. I have seen the movie a few times since we first watched, and it is still as funny and fun as the first time. This is a great movie to watch to let you escape from the crazy world. It is a good movie, and a very solid sequel.

At number four I have "Da 5 Bloods". I had some issues with this movie personally, but it wasn't anything that a third viewing totally got rid of. The first time I watched, I loved it, but thought it was a bit too long. The second time, I felt I understood it more, but not quite enough. The third time was where it hit me the hardest. This movie is a true masterpiece in many ways. The way Spike Lee directed this, intercutting scenes with Chadwick Boseman as his young soldier self, and his platoon as their older versions, was amazing. The way they weaved racism and the new generation and mistaken identity, fantastic. The setting was beautiful. The story was compelling and heartbreaking. This is a movie that deserves all the awards, and hopefully it will be recognized for the achievement it is. It is also one of Boseman's last performances, and he is magnetic. I highly recommend multiple viewings of this movie. It is a slow burn, but a great slow burn.

At number three I have "Palm Springs". This is my generation's, hell maybe even a generation younger than me, "Groundhog Day". Andy Samberg and Cristin Milioti are so great as the two people caught in the time loop. JK Simmons was pretty wonderful too. But the way they did this movie, the comedy and the raunchy and the sweetness and the story itself was just wonderful. I also love that it is the highest selling movie to ever come out of Sundance by 69 cents, per request of the movie makers. That rules. But this movie is good. There is a reason it is the highest selling Sundance movie ever. The performances by the leads are tremendous and noteworthy. They both deserve Oscar buzz. And the way it all unfolds, in a comedic/science fiction way, was so unique and so cool. I love this movie, I love that it is on Hulu still so I can watch it whenever, and I love how great of a movie it truly is.

At number two I have "David Byrne's American Utopia". Is it a concert film? Yep. Didn't Spike Lee direct this one too? Sure did. Isn't it just David Byrne being himself? Most definitely, and it is exquisite. I am new to Talking Heads, and anything involving the four original band members. But like most people I have gravitated towards Byrne. Sure he is a weirdo, probably did some shady stuff to Talking Heads during their heyday and can be a headache, but he is a genius, and "American Utopia" proves this tenfold. Watching this concert doc was the closest I have come to feeling optimism towards the world in 2020. This movie was all about upbeat, good things to come in, hopefully, the near future. And the people backing Byrne were absolutely magnetic. They almost stole the show from Byrne. The dancers and the band were amazing. They were incredible to watch. But Byrne would talk in between most songs, and while I am even one of the people who have no problem admitting that he is pretentious, this was the least pretentious I have seen him. Maybe age and wit and wisdom have caught up to him and he finally realizes how he can put out his music without being an asshole. I also was moved to tears when I heard them do Janelle Monae's "Hell You Talmbout". That was so moving and powerful. I have watched this almost a half a dozen times already, and I know I will watch it many, many more times. "American Utopia" is one of the greatest concert docs ever. It is right up there with "Stop Making Sense". And, real quick, Lee's direction was perfect.

One movie is better than "American Utopia", and that movie, my number one movie, is "The Last Dance". Not a movie you say? I disagree. Just because it is nearly 10 hours long doesn't mean it is not a movie. The OJ doc was always considered a doc, and that is the case with "The Last Dance". Everyone, and I mean EVERYONE was looking forward to this. I have friends that do not care about sports at all that watched "The Last Dance". This was the moment we would finally get to hear Michael Jordan, the GOAT, talk about his personal experience with the Bulls during their two three-peat title runs in the 90's. And you know what, Jordan didn't hold back at all. He said whatever he felt, what he deems to be true, and it was incredible to see the distaste and disdain he has for some people. It was also interesting to see him admit that he needed more than just himself to get to the heights he achieved. This movie also gave answers to pretty much every question people may have had about Jordan, the 90 Bulls and the other players on that team. We found out the truth about the "flu game". We got to see the real Dennis Rodman. We got to hear Scottie Pippen talk about when Jordan left, and how that made him feel. We got some real dirt on Horace Grant. Phil Jackson is the hippiest hippy out there still. Jerry Krause and Jerry Reinsdorf are both pretty shrewd businessmen, and could be real assholes. I truly, really loved this movie. I love that ESPN, who I do not like that much, released it two months early because they knew people didn't want to wait in quarantine. "The Last Dance" is a true one of a kind classic. Sure there are other sports movies and sports docs, but this one feels different. This one was more salacious, more dirt was spilled, the real people told real stories, it was all unedited and real. It was awesome. It is on Netflix now too, I have already rewatched it all once. "The Last Dance" is an achievement that will go down in history. It is number one, and it is so far ahead of the rest of the competition.

That does it for movies, come back tomorrow for my top five shows of the year.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

SeedSing Classic: The Advent Calendar of Great Holiday Movies: Day 17 "American Psycho"

ed note: This article originally premiered on December 17th, 2018

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a great movie associated with the holiday season. Many will be awesome, some will be extra awesome. Enjoy.

Day 17: “American Psycho”

Opened Doors: Day 1, Day 2, Day 3, Day 4, Day 5, Day 6, Day 7, Day 8, Day 9, Day 10, Day 11, Day 12, Day 13, Day 14, Day 15, Day 16

The holiday season feels like a competition. We want to one up our friends and family with better gifts. We want to impress our neighbors with superior outdoor decorations. We want to be the most stylish, and the most recognizable, at our office holiday parties. The competition of the holiday season is not only annoying, it is also dehumanizing. It is not a shock that some of us have fantasies about murder and mayhem on all of those around us when the competition hits a little to close to our own neurosis.

At the Sundance Film festival in 2000 writer director Mary Harron premiered her film adaptation of the novel “American Psycho”. The film was a hit and featured future Oscar winners Jared Leto, Reese Witherspoon, and in a star making role, Christian Bale as Patrick Bateman. “American Psycho” revived interest in author Brett Easton Ellis’s work, and became one of the definitive films of the early 21st century.

Early in the film, Patrick Bateman is at a Christmas party with a fiancé he does not love, work friends he loathes, and massive insecurity about his place in the world. Drugs and alcohol are no help. The banality of 1980’s pop music is helping him get by a little bit, but Bateman needs more. He needs to destroy what feeds his insecurity. At the Christmas party, Bateman convinces Jared Leto’s Paul Allen to have dinner. The dinner is a disaster, and the evening ends with Bateman murdering Allen with a shiny ax while the dulcet tones of Huey Lewis and the News tell us all that it is hip to be square.

The weeks following Christmas find Bateman destroying anyone he sees as artificial. The false commercialism of the holidays have broken the young Wall Street worker. In the end, Bateman’s own artificial nature saves him from any punishment. He is free to wreck havoc on the poor yuppies of Manhattan next Christmas time.

The commercialism of Christmas is dehumanizing. We do not want the latest, expensive, gift, but we must participate. We really do not care about the fashionable holiday getaway, but we still make sure to book the trip. The fanciest business card from one of our office mate drones, who cares? You better damn well believe though that we are going to one up Brad from marketing. If we can not do better this holiday season, we may just go insane. In our insanity it is important to remember that ATM’s do not eat cats.

RD

RD is the Head Editor for SeedSing. Sometimes we go crazy during the holiday’s we discover something dark from Christmases past. The gang knows this all too well in “A Very Sunny Christmas”.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

SeedSing Classic: The Advent Calendar of Great Holiday Movies: Day 15 "The Christmas Shoes"

ed note: This article was originally published on December 15th, 2018

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 15: “The Christmas Shoes”

Opened Doors: Day 1, Day 2, Day 3, Day 4, Day 5, Day 6, Day 7, Day 8, Day 9, Day 10, Day 11, Day 12, Day 13, Day 14

Yes the movie I choose for day fifteen is a little film called “The Christmas Shoes”. First things first, I have never seen this movie, but I wanted you the audience to be aware of it’s existence. I put it on here for two reasons, the star and the song.

“The Christmas Shoes” premiered in 2002 and Rob Lowe, aka one Ty’s favorite actors, was the star. I do not know why. Rob Lowe has always seemed to make pretty good career choices. To star in a movie based off a terrible christian book and song, that seems noteworthy. Maybe Lowe, like us all, has his own guilty pleasures. Starring in this maudlin, convoluted, story is his I guess. God speed Rob.

The other reason I think you should all be aware of “The Christmas Shoes” is because of the epic take down Patton Oswalt does on the god awful song. (Here is a great animation with Oswalt’s epic piece.) It may not be a movie, but that under eight minute YouTube clip is probably more worth your time than the two hour made for tv movie.

My gift to you this season is to make you aware that Rob Lowe starred in a made for tv movie based on one of the worst Christmas songs ever. Now you know, and that is half the holiday battle.

RD

RD is the Head Editor for SeedSing. Do you know what can be festive and tacky at the same time? Christmas lights. Thank goodness there is a joyous song about all the lights we see during the season.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

SeedSing Classic: The Advent Calendar of Great Holiday Movies: Day 10 "Lethal Weapon"

ed note: This article originally premiered on December 10th, 2018

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a great movie associated with the holiday season. Many will be awesome, some will be extra awesome. Enjoy.

Day 10: “Lethal Weapon”

Opened Doors: Day 1, Day 2, Day 3, Day 4, Day 5, Day 6, Day 7, Day 8, Day 9

The Holiday season is not easy for everyone. While everyone else is festive and happy, we may have some personal pain that eggnog and candy canes cannot wash away. We may be mourning the loss of a loved one, or concerned about the unknown whereabouts of a grown child who has lost their way. The prospect of a new partner to work with may make us feel stressed. Even worse the new partner may be battling some personal demons that makes them reckless during the holidays. Sometimes we are just to old to deal with any of this during Christmas, or any time of the year.

In March of 1987 the iconic film ‘Lethal Weapon” was released in the United States. It went on to become a smash hit, spawn multiple sequels, and even get the reboot treatment with a television series. It was the first film from influential writer Shane Black. Legendary director Richard Donner came in to direct. It secured Mel Gibson as a movie superstar. “Lethal Weapon” was destined for great success.

Where there is debate about “Lethal Weapon” is if the first film is actually a holiday film. It takes place around Christmas, but the themes of “Lethal Weapon” is what makes it a violent, darkly comic holiday treat. The story of Riggs being lost in his grief, and being taken over by his depression, we see and read stories about that every December. The growth of a friendship between two very different souls is not that different than spirit of the season bringing joy. In the end of the movie Riggs gives Murtaugh a hollow point bullet, the one Riggs was going to use to kill himself, and says Merry Christmas. Also for good measure, Darlene Love plays Danny Glover’s wife in the movie. If the appearance of the person who sang David Letterman’s favorite Christmas tune doesn’t scream holidays, I do not know what does.

It is hard to forget about the pain that surrounds people during the holiday season. We become more charitable and forgiving in December because of the holiday spirit. We want to help those who need the help. “Lethal Weapon” has these themes in the DNA of a classic plot. If you need reminding of the magic of the holidays, and you need a great action flick with one of the greatest Gary Busey characters ever, gather the family to watch “Lethal Weapon” while you usher in this season of celebration. You will not be sorry.

RD

RD is the Head Editor for SeedSing. For another updated take on a classic Christmas story, check out the Doctor Who episode that makes their own revisions to Dicken’s “A Christmas Carol”.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

SeedSing Classic: The Advent Calendar of Great Holiday Movies: Day 8 "He-Man and She-Ra Christmas Special"

ed note: This article was originally published on December 8th, 2018

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 8: “He-Man and She-Ra Christmas Special”

Opened Doors: Day 1, Day 2, Day 3, Day 4, Day 5, Day 6, Day 7

There are times when we may find ourselves in a place that does not have the same traditions and customs that our own home celebrates. We may go to a new part of the world that our western way of life has not been the primary influence. First thing to know, do not be rude. We can introduce our customs and traditions, but we must respect the ways of the indigenous people’s. We may learn some new traditions to bring home, and we may impart part of our way of life to make a positive impact on their day to day dealings. These lessons of understanding and sharing are not just important to Earth, but to all the planets we may accidentally visit that are spread out among the universe.

On December 25th 1985, the “He-Man and She-Ra Christmas Special” aired once on American televisions, and was then released as a VHS so families could enjoy the movie every holiday season. The story centered around two Earth kids who were accidentally transported to the planet Eternia and they just want to get home for Christmas. The wizard Orko initially accompanies the kids, and he learns all about this holiday called Christmas. Orko is on board with this great day, and he wants all his Eternia friends to get in on the action.

Since this a He-Man She-Ra joint venture, the audience is treated with the double dose of villainy that is Skeletor and Hordak. The two bad guys want to please their great evil master by bringing the earth kids to him (or to it, Horde-Prime may have a masculine voice but is just a big colorful cloud, I do not think cloud’s have genders. I could be wrong.). Unfortunately Hordak and Skeletor do not like each other, and refuse to work together. Through some sort of shenanigans, Skeletor ends up with the two earth kids in his custody and he is going to bring them to Horde Prime.

The moments with Skeletor and the earth children is what makes the “He-Man and She-Ra Christmas Special” an instant classic. The kids teach Skeletor all about Christmas, and the evil ghoul seems all in. He asks if their are fights and exploding presents, the kids say no there are only nice things that people want at Christmas time. The problem is that Skeletor likes fights and exploding presents, oh and he is definitely not nice. See the magnificent scene for yourself.

Thanks to a well timed attack from a snow beast, and a dog that keeps licking Skeletor’s fleshless face, the once evil scourge of Eternia seems to be infected by the Christmas spirit. He saves the kids from the snow beast, saves them later on from Hordak and Horde Prime, and doesn’t beat the hell out of He-Man and She-Ra when they have a laugh at Skeletor’s Scrooge like change of heart. The Earth tradition of Christmas saved everyone on Eternia the inconvenience of a Skeletor scheme on this one day of the year. God bless us everyone.

The best of our traditions that get passed down generation to generation usually have great kindness at their heart. Eternia may not have had Christmas before a couple of Earth kids got caught up with the careless Orko, but the ideas of generosity, togetherness, and being nice had a great effect on the planet’s number one Grinch. For good measure the earth kids also got to take home a tradition from Eternia. Man at Arms gifted them some run of mill rocket belts. Befriend Skeletor and get a couple of rocket belts, it is going to be hard to top that Christmas.

RD

RD is the Head Editor for SeedSing. If the earth is destroyed in a nuclear war, will Christmas still exist? Weird Al Yankovic seems to think it will.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

SeedSing Classic: The Advent Calendar of Great Holiday Movies: Day 4 "Batman Returns"

ed note: This article originally premiered on December 4th, 2018

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a great movie associated with the holiday season. Many will be awesome, some will be extra awesome. Enjoy.

Day 4: “Batman Returns”

Opened Doors: Day 1, Day 2, Day 3

The holiday season is filled with beautiful scenery and insane people. There is something magical about the look of fresh snow on late December night, but our boss at work may just kill us. The twinkle of the lights bring a feeling of festive joy, but we also know that some hideous looking forgotten son may arise from the sewer and try to take over the city. The sounds of children singing Christmas carols warms our heart, but a batman is out there having a sensual fight with a catwoman trying to keep the streets a bit more safe for the Christmas season. It is a weird time of the year.

In the summer of 1992 director Tim Burton and actor Michael Keaton delivered the promised sequel to their smash hit movie “Batman”. This time around Michelle Pfieffer and Danny DeVito joined Keaton’s Batman as Selina Kyle/ Catwoman and Oswald Cobblepot / The Penguin respectively. Christopher Walken even joined the action as the villainous Max Schreck, a wild haired character created just for this film. The movie split some critics with many for and against the movie pointing to the surreal atmosphere Tim Burton brought to his vision of Gotham City. The snow was a blueish gray, the lights twinkled against the large impressive Gothic buildings, and the film takes place during the holiday season. ‘Batman Returns” would be the last Burton/Keaton outing for the Dark Knight. The weirdness of the this particular summer blockbuster was not acceptable by the major Hollywood studios of the early 1990’s.

What “Batman Returns” has in strangeness, it pays the audience back with a great story for the holidays. Bruce Wayne and Selina Kyle are insane, lonely, people. They find each other under a mistletoe in the midst of a struggle. The magic of the holidays takes over. Grotesque, and abandoned, Oswald Cobblepot comes back to a city who is willing to embrace the monster. The holiday spirit asks us to see the good in people. An army of penguins equipped with rocket launchers almost destroys a city, the first born son of every household is nearly kidnapped, but through the chaos and destruction Bruce Wayne and Alfred the Butler know to wish each other a Merry Christmas in the end. The holidays are too strong to let super villains, industrialists, and Catwomen bring it all crashing down. Batman knows this.

Every great holiday movie does not need to be steeped in the mythical figures of the North Pole, we can have a holiday lesson with the mythical figures of our comic books. Tim Burton saw the serene strangeness of the holidays, and he used it to tell a Christmas tale using the Batman. Chaos, quietness, destruction, and togetherness all have a place in every person’s holiday season. Embrace the gifts, and discard the negative. Batman and Catwoman learned this lesson in “Batman Returns”. Let us all bask in their victory.

RD

RD is the Head Editor for SeedSing. Hanukkah is different year to year. Tragedy does not care for respecting the holidays, but people do. See one of the best Christmas stories ever told by one of the best television shows ever. Check out “Death Takes a Holiday from “M*A*S*H”.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

A Few Thoughts on the Live Action Films of Trey Parker and Matt Stone

I come to you all today with maybe a hot take. I don't really know how people feel about this because they haven't done much outside their regular show as of late. Last week I watched two movies made by Trey Parker and Matt Stone, and I have a few thoughts.

First things first, I love "South Park". I watch it in and out, catch some episodes here and there and recently watched, and loved, their pandemic special. "South Park" is a once in a generation show, and it is a true classic. And the "South Park" movie is an absolute masterpiece. I think it was robbed of an Oscar, that it is one of the funniest things ever put on screen and that it is so well made and so well voice acted and so well directed. So is "Team America: World Police". But, when Parker and Stone try their hand at live action movies, it just doesn't seem to work.

The two movies I watched were "Orgazmo" and "BASEketball". Now, I like these two movies, but they just don't hold the weight that "South Park", the show and movie, or "TAWP" do. Both of the movies I watched are very much of their time. They are very 1990's. The clothes, music, jokes, it all reeks of the 90's, as it should. "Orgazmo" looks like a porno, maybe on purpose, but that movie is very, very low budget. I thought that the story was funny enough, but everything outside of that was very blah. The actors were not great. I mean, when Ron Jeremy is one of the bigger stars, that is not a great sign. The movie was also very choppy and edited very bizarre. It was also only about 90 minutes, but it felt every bit of 90 minutes. Sure I laughed here and there, and it is always funny to me to hear them do the voices from "South Park", but I think I expected, and hoped for more. That is probably on me, considering it was one of their first full length features.

Now "BASEketball" is a whole other story. I used to adore that movie. It came out when I was 16, at the beginning of the height of "South Park", and it hit me in the exact right spot. I must have seen it close to two or three dozen times. And I continued to watch it into my 20's. My friends and I would get together, watch it and quote it for days. It felt like it was our movie. I look at that movie more fondly than "American Pie". And in a rewatch, it is still a much better movie. But my wife had never seen it, and I decided I was going to show it to her last night. I also hadn't seen it in close to a decade, and I just assumed it would hold up.

Well, it did not hold up as well as I had hoped. I still liked it, I still laughed at stuff and it definitely moved faster than "Orgazmo", but it just didn't hit me like it used to. My wife didn't like it at all, but I do not think her dislike clouded my feelings after watching it last night. Again, the jokes are very of the time. This was also when Parker and Stone had a ton of hair, and that was weird. The music was that god awful return of swing/crappy alternative music. Reel Big Fish was a prominent character in this movie. I cannot stand that band. But what was most upsetting to me was how little I did laugh, and how much, at least in my mind, I thought the humor was very blah. Some of it was on purpose. They made fun of themselves and their newfound fame. But, outside of that, there weren't nearly as many moments last night that made me laugh as much back when I was 16 or 20 or 25. It just felt old. Maybe I am just old. Again, I still enjoyed my viewing of "BASEketball", but it just wasn't as funny as I thought it would still be.

Something else I want to say, Parker and Stone don't owe me a goddamn thing. They have given me "South Park", "TAWP" and they created "Book of Mormon", which is incredible. But their live action movies just don't work for me like they used to. This is not meant to be a slight to them either. I just think all of us, including Parker and Stone, have grown up. Hell, they make fun of these movies all the time, going as far as injecting jokes about them in "South Park". So, if you are looking for a vehicle helmed by Parker and Stone, I suggest stick to their cartoons or puppet movies and shows, or go listen to "Book of Mormon". That is where they truly shine.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Better Late than Never on "Sleeping With the Enemy"

This Friday was my wife's pick for movie night and she showed me "Sleeping with the Enemy". I had never seen it, I liked it and I have some thoughts.

First off, I did not realize how much of a star Julia Roberts was in the 90's. I mean, I know of her, I know she is famous, I have seen her in a few movies. But when I looked up her IMDB page for this movie I was kind of stunned how many leading roles she had in the 90's in all different kinds of movies. She was a top of the line, big time marquee movie star. She was a legit upper tier famous person. My wife also told me she thinks Roberts took this role because this was her "damsel in distress" movie. And she totally knocked it out of the park. She was really great as the damsel, but I will get to it a little later on in my piece how she turned from damsel to hero in 90 plus minutes.

This movie was also a perfect snapshot of 90's fashion and hairstyles. Julia Roberts' hair is beautiful in this movie, but it is so long, so thick and so curly. And the big bows and scrunchies and all of that, they were front and center. The two main male characters, their looks were something else. The abusive husband looks like a villain. I mean, you look up a villain in the dictionary and this dude fits it to a T. He is menacing, he wears all black, he has a creepy mustache and he seems to always have a weapon on his person. The gentleman that Roberts meets when she leaves her abusive husband, his hair and clothes were insane. The amount of turtlenecks was wild. The colorful button up shirts were nuts and loud. And his hair, my goodness. He looked like he had a headband in his hair, but he didn't. It was like this weird hybrid of a mullet and a shaggy hair look. It was as 90's as 90's gets. In fact, the only person who didn't have a wild get up was Roberts' mom, but she was the old lady in a nursing home. She got to wear comfy clothes.

Shifting to the music, it was as cliche as a thriller in 1991 can get, and again, I liked this movie. But anytime there was a tense or nervous or uncomfortable scene, there was this loud twinge of music that filled the movie, and you knew something bad was going to happen. The music when the villain husband was on screen was almost hilarious to me. It was so loud and so ominous. It was a little too on the nose. There was also this weird tonal shift in the movie when Roberts and the new guy are trying on clothes, which becomes a montage scene, and this happy music underscores this very odd moment of an otherwise nice thriller. They also have a weird dance scene where they play the song "RunAround Sue", which seems to be a staple of 90's movies.

Outside of these few minor personal issues I had though, as I have stated so far, I did enjoy the movie. It was a good thriller. It kept me on the edge of my seat. I was rooting for Roberts to be happy, to be the hero, which she gets to be. This movie could have followed along the same lines of most "damsel in distress" movies and let the guy be the hero, but this movie didn't. The villain husband, spoiler alert, tracks her down, and has her trapped in her home. It looks like he will win, but the new guy shows up and tries to stop him. The new guy gets knocked out, and it is just the villain and Roberts. I thought this was where they were going to have the new guy wake up and save Roberts. "Sleeping with the Enemy" had other ideas, and I loved it. Roberts grabbed the gun and pointed it at the villain. He tried to talk her down, tried to control her. And just when it looked like he might win her over, she called the police and said she had just shot an intruder. She hadn't yet, but I was pretty certain she was on that path. When she hung up the phone she fired four shots into his chest. All the while the new guy was knocked out on the floor oblivious to what was going on. Roberts took actions into her own hands, shot the bad guy and won. She defeated the villain. She saved herself and the new guy. She was able to exorcise this demon in her life, and she did it by herself.

I think that is a pretty powerful move by a movie from the 90's. As I have said, a lot of movies back then would have let the guy save the day. This one didn't, and I thought it was a great move on the writers and actors and directors part. I love that they let the "damsel" be the hero. It was great. I recommend this movie to anyone that is looking for a classic 90's thriller and to any Julia Roberts fan. I really enjoyed many things about this movie.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Ty Watches "Borat Subsequent Moviefilm"

I, like most of the rest of the country, watched "Borat 2" this past Friday.

Right off the bat, this was a solid sequel. It wasn't as good as the original, most sequels aren't, but it achieved its main goal. There are parts of the US that are as terrifying as anywhere else in the world, and Sacha Baron Cohen, as Borat, proved that yet again. In fact, while this movie is a comedy in genre, I view it almost like a horror film. The people not named Borat, Tutar and 3 other ladies, legitimately have me worried about the country I live in. This was as eye opening as the first "Borat" movie, but in so many different ways, and in a very new, very racist light.

The main plot of the movie is simple. Borat is in prison for the first movie, he is let out to give a present to the current "government", to get in their good graces, things go awry and we meet some truly awful, awful people. The "present" is supposed to be a very popular monkey from Kazakhstan that is a movie star. Unfortunately for Borat, his daughter hides away in the cargo, eats the monkey, and then she becomes the "present". It is as simple as that. But, it just got worse and worse and worse from there. Again, I liked the movie, but the people we meet in it, with three exceptions, are the worst people I can imagine. When Borat realizes he has to give his daughter as a gift, this is when things get nuts. The first person we meet that is horrendous is an Instagram "influencer". I never understood that "job", but this lady seems to make money off of it. But the way she talks to Tutar, Borat's daughter, it is so demeaning and so misogynistic. She tells Tutar, "women have to be more submissive", or, "we kind of have to let the men do everything". It is pretty demeaning. The actress that plays Tutar does a great job of egging her on, trying to get more from her, and the other stuff she says is truly embarrassing. That lady should be ashamed of herself, for real. There is a preacher they meet later on, and Borat tries to get him to "get a baby out of her", "that he put in her". The "baby" is a plastic toy from a cupcake, but they don't tell the religious guy that. They make it seem like he actually put a baby in her. They try to get this monster to help them out, but he refuses to do anything, and says something along the lines of, "it doesn't matter how the baby got there, now we are here". Again, when these words came out of his mouth, I was stunned that someone could be that ignorant and stupid and disgusting.

It only gets worse from there. Tutar leaves Borat to be a journalist. We then cut to the US when the pandemic first hit. This is when the movie gets truly scary. Borat finds a few guys that let him stay in their home during the beginning of quarantine. The stuff that comes out of these guys mouths, on film, is some of the most vile and hurtful and horrible things I have ever heard. They say they are "sad" that "unfortunately democrats have the same rights as us". I mean, we are all people. Jesus Christ why is it that hard for people to see. They read QAnon constantly. They call the pandemic and COVID a hoax. It is really bad. It gets even worse when they go to an anti mask rally. This was the second scariest moment in the movie. Borat changes his outfit because he has to hide out. He proceeds to sing a song that the crowd sings along with, which is one of the most heinous songs I have ever heard. The lyrics are truly, truly horrifying. I don't even want to repeat them on my blog because I fear it will put me on some weird list. While singing the song, the cameraman cuts to maskless people in the crowd standing too close to one another, people holding AR 15's for some unknown reason and racist assholes doing the Nazi heil sign. I was so upset it made my stomach hurt. And this wasn't the worst thing in the movie. T

he worst thing happened next. Tutar gets a job doing fake journalism for conservative nutjobs. She is so beloved by these maniacs that believe what she is doing is real, she gets a one on one interview with Rudy Guiliani. He is a real, real, real dirtbag. I don't know if anyone has had such a hard fall as he has. He was considered an okay person after 9/11, and now here we are. He starts the interview off calling Tutar "sweetie" and "honey". Tutar is supposed to be 15 years old by the way. From there Tutar kind of sees how far she can go. She keeps laughing and touching his knee. Meanwhile, Guiliani is drinking a scotch, not wearing a mask and openly coughing while stating that "we've done a great job containing this virus". There is so much wrong with everything that is going on in this short little segment. He's openly drinking hard alcohol with a 15 year old. If you are not in someone's bubble, please, please, please wear a mask. The coughing, to me, is a clear sign that he has some form of COVID. And the statement is patently false. We have lost far too many lives, and still counting, because of the current "government's" lack of doing anything, and thinking this virus would "just go away". It is all wrong. From there, Borat storms in, pretending to be a boom mic guy, and messes up the interview. Tutar takes him to the back, and tells him she is fine. Then Tutar escorts Guiliani to her room in the hotel to "have some drinks". Then, in a wildly disgusting, disturbing and telling moment, Guiliani lays on his back and looks to be unzipping his pants. Borat storms in in a thong and bikini underwear and tells him to take him instead. He says that Tutar is too old for him, again, she is 15, and tries to get him to take him. Of course Guiliani takes offense to this and tries to make Borat look like the bad guy. Borat is not. He saved the actress that plays Tutar, although I am sure she would have saved herself too. This is, by far, the most heinous and gross and disturbing thing I have seen in a movie in quite some time. If it weren't for the babysitter and the two Jewish ladies in the movie, there would be no redeeming characters. They are the soul of the movie.

I recommend watching this movie if only to see how truly terrifying some people in this country can be. It is startling and upsetting, but this is who we need to fight and vote out of office. These people are monsters and just outright awful, and "Borat 2" proves that tenfold. We live in a weird and scary world, and this movie shows that. Now is the time to revolt and vote. Please vote. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.    

Ty Watches "American Utopia"

Yesterday I had the chance to sit down, uninterrupted for two hours, and watch "American Utopia". This is the new concert movie from David Byrne and directed by Spike Lee. It was his short run Broadway show in fact, and it was absolutely amazing. I was totally blown away by the entire thing. I was excited to watch, and when it started, that excitement jumped to a 10.

The opening of “American Utopia”, with Byrne holding a fake brain and singing the song "Here", was pretty god damn cool. The song, and the prop, were a perfect way to open this show. From there on out, Byrne and his band went on to crush the entire set. The spectacle of it all, the band, the music, the message, the way the message was put out there, Byrne interacting with the audience, it all worked out to perfection. I used to attend many live shows, and I still did up until February of this year, and I have never seen something like this. This was so over the top, but in the best possible way. I absolutely loved the way they did the lights, the shadows, everything was done up so well. I loved hearing the songs I have gotten to know off of "American Utopia" in the recent months. As you all know, I am a late comer to David Byrne and Talking Heads. I am catching up during the pandemic, especially when I go running. So seeing this now, for me, was perfect timing. It has all these songs that I am growing to love, and understand more, on a daily basis. The version they play of "This Must Be the Place (Naive Melody)", which is my current favorite Talking Heads song, was so cool. I was dancing on my couch while they played it. "I Zimbra" was rad. The way they performed it, it was so cool to hear all the isolated instruments. "I Should Watch TV" was quite possibly the coolest thing I have ever seen on TV, or in person for that matter, ever. That was done so well, and when Byrne crashes through the chains, and the stage goes to black, damn that was awesome. "I Dance Like This" was really well choreographed. The way the entire band moved in sync, and danced their hearts out, it was really neat. "Everyday is a Miracle" was pretty brilliant, and I was pretty moved by Byrne's performance. I really enjoyed when Byrne talked about the Detroit Choir doing a version of his song, "Everybody's Coming to My House", and making it a totally different song without changing anything. I also liked why his version is much sadder than the Detroit Choir's version. It was also great to hear the Choir's version during the end credits. "Once in a Lifetime" was really exceptional because Byrne recreated a lot of the dancing he did on "Stop Making Sense". I liked that. "Burning Down the House" sounded as full as ever, and when the whole band came together, my goodness was that amazing. The song that moved me to tear up, literally, was their version of the great Janelle Monae song "Hell You Talmbout". To listen to the full band play and sing the song, then say the names of the too many murdered African American people, with their pictures placed in the movie, was heartbreaking and moving and made me want to go and start a revolution. This was simply put, a perfect representation of this important song. And closing the show with "Road to Nowhere", walking into the crowd and singing and playing, it made me miss live shows.

"American Utopia" really had everything I wanted. It was great music. Byrne discussed important, pressing issues, like climate change and voting, amongst other things. The band was incredible, and to see them perform all these songs was truly exceptional. These people are amazing musicians and performers. And it made me miss live music, which is what I look for now when I watch concert movies. Spike Lee's directing was top notch also. Lee can do no wrong. If he doesn't win an Oscar this year, for this or "Da 5 Bloods", it would be very disappointing. I highly, highly recommend everyone watch this movie. It is great music, it is timely, it is important and it rules.

Seriously, go watch this immediately.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.   

"Not Another Teen Movie" is Still a Classic Spoof Movie

Lately I have found myself rewatching old comedies, or as Netflix puts it, "late night comedies". I like these type of movies because they are just dumb and fun and a breeze to watch. They are usually under 90 minutes too, which is a total bonus in my book. And by "old", I am not talking Chaplin, or "Dr. Strangelove", but stuff like "Dazed and Confused" or "Orgazmo" or "Half Baked". I'm talking about late 90's and early to mid 2000's movies.

One that I recently revisited I was hesitant on because I truly like this movie, and I was certain that it was going to be problematic and not hold up. The movie is "Not Another Teen Movie". I have revisited some of the movies they spoof, like "American Pie" and "She's All That", and those movies are problematic and do not hold up. I wrote a whole thing about how truly awful "American Pie" now is, seeing it with adult eyes.

I am here to say that "Not Another Teen Movie" totally holds up. It is funny, the movies they spoof, the spoofing is perfect and it is meant to be bad because the movies they make fun of are truly awful. When I turned it on the other day, I was immediately brought back to the first time I saw it, and laughing as hard this time as the first time. It is, for me, the best spoof movie since "Airplane". None of the other spoof movies, like the whole "Scary Movie" franchise, or movies like "Date Movie" or any of those hold a candle to "Not Another Teen Movie". What "NATM" does better than any of the other recent movies like it, they got good actors who had a good time and looked like they enjoyed what they were doing. This was Chris Evans first major movie role, and he is great. He is so perfect as the jock guy that turns it around. He spoofs that character, which is so prevalent in every teen movie. But what Evans does so well, he makes the jokes, and they all land. When he is walking through the hall and everyone is throwing underwear at him, and a guy throws a pair, this could have been such a bad and mean joke, but the way Evans played it, it totally lands. Outside Evans, the rest of the cast is really good too. Chyler Leigh, as the geeky girl with glasses that suddenly becomes cute when she takes her glasses off, she is pitch perfect. Jaime Pressly as the mean girl, she was born to play that role comedically. Eric Christian Olsen as the best friend of Evans, but also his foil, this kid is so perfect for these types of roles. He is funny and goofy and seems to love doing comedy. The side characters stand out too. Mia Kirshner as Evans' sister, playing the Sarah Michelle Gellar character from "Cruel Intentions", is so funny and so disgusting, on purpose. Deon Richmond as the lone black guy, simply pure and perfect. Damn he is funny in this movie. And Eric Jungman as the best friend in love with Janey, playing the Ducky role, awesome, Ron Lester reprising his role from "Varsity Blues", but playing it for laughs, perfect, and Cody McMains as the young high schooler who just wants to hook up with a girl, he is one of the best. "NATM" just works on every single level. It makes inappropriate jokes, but it is on purpose, and it works. The way they intertwine so many different teen movies, yet still make the story work, it is one of the best. The actors are really, really solid. The direction is good. And all the inside jokes, be it from calling the high school John Hughes High School to the cheerleaders ripping off the dance moves to all the football jokes, and everything else, it just works.

I love this movie, and I am happy that it holds up. If you haven't seen it, and are looking for something light and fun, I highly recommend checking out "Not Another Teen Movie". It is really good, thank goodness. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.  

The Comedic Genius of Fred Willard

I mentioned last week how my wife and I have been on a Christopher Guest kick for our quarantine date movies. We have watched three the last three weeks. We watched "This is Spinal Tap", "A Mighty Wind" and "Best in Show". They all still hold up, they are all still very funny and they all make me want to watch his other movies.

On these re-watches, I noticed that it is Fred Willard usually being, or having one of the best parts or moments in the movie. He is only in "Spinal Tap" for one scene, but it has still stuck with me. He is the naval base guy when they play a veterans show, and he greets them. He calls them Spinal Tarp, he throws in some solid dry dad jokes and I was sitting there watching it and just laughing and laughing. It is supposed to be a forgettable role, but Willard made it great. And then in "A Mighty Wind" and "Best in Show", he steals each movie, at least for me. He is absolutely wonderful in both of these movies. He is, by far, in a cast filled with great humorists and comedians and improv people, the very best. In "A Mighty Wind" he is the manager of the New Main Street Singers, the cheesy Branson esque folk band, with a past in TV. He appeared on a TV show called, "Wha Happened", which according to the newspaper in the movie was "canceled due to total lack of interest". But Willard's performance makes it seem like he was a star. He was so funny, doing the "wha happened" line over and over again. And when he is talking about doing stand up and bombing, but throwing in lines that he thought worked, it was tremendous. He was a sad sack of a comedian and actor, but he had this happiness that he let wash over him all the time. He also had bleached blonde hair that he gelled up for this role, adding even more humor. I don't know if Guest asked him to do this, but I like to think it was his idea, he told no one and showed up to set the first day and rolled with it. He is so good in that movie.

Fred Willard, and I am not kidding, is Oscar worthy great in "Best in Show". He is a bumbling broadcaster for the dog show, who knows nothing about dogs. He goes off on these tangents and soliloquies, that are total nonsense, but coming from Willard, they are delivered to perfection. He is so funny. He is so memorable. He is the best thing about what I consider to be the best Christopher Guest movie. When he is talking about the dogs, then goes into questioning the co broadcaster how much he thinks he could bench in his prime, that is classic. When he calls Jane Lynch "one happy fellow", and is told that she is, in fact, a woman, hilarious. When he tells the proctologist joke, and the other broadcaster calls him out for using that last year, and he just moves on, it is majestic. Every single thing Willard does in "Best in Show" not only works, it is perfect. His portrayal of this buffoon is just perfect.

This got me thinking about some other things I have seen Willard in, and how he is pretty damn good in everything he did in his lifetime. Most recently he was on "Modern Family", and even though we stopped watching that show, I did see Willard, as Phil's dad, and he was great. He was in a sketch in one of my favorite shows from last year, "I Think You Should Leave", as an organist at a funeral, and his performance is riotous. He's the TV show manager at the news station in "Anchorman", and his cut away lines, when he is talking to the school about his kid, or his one interaction with Christina Applegate, those are some of my favorite quotable lines from that gem of a movie. He was in three episodes of "Space Force" as Steve Carrell's father who is clearly suffering from dementia, and he makes that funny. I will never, ever forget him in "Review". He was amazing as Jessica St Clair's dad, who Forrest tries to reconcile with, takes him to space, and he meets a very unfortunate and untimely death, again, played to humongous laughs.

The list for Willard goes on and on and on. IMDB has him as a credited actor in over 300 things. That is astounding. The fact that he isn't more appreciated, he barely ever comes up when people talk about all time great comedic and improv actors, is criminal. Willard is one of, if not, the best. He is always reliable. He was always funny. He never really had any outside problems, minus the being caught in an adult movie theater, but he found a way to make a joke out of that because he is a master. Fred Willard was a tremendous talent, and rewatching some of his older stuff, I have found myself missing him, and wishing I could see him in more. Willard was great, and I suggest people go and check out his work. It is a plethora of comedy classics, and he usually steals the show.

The fact is that Fred Willard was one of the all time greats. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.  

The Genius of a Christopher Guest Movie

My wife and I have been watching "Schitt's Creek" the past couple weeks. We are taking it slower than other shows we have binged because we want to savor the show. We heard all the good reviews, my mother in law is a humongous fan, and we are in the midst of season three and the show is totally worth the hype, and more than lives up to it. It is an excellent show with tremendous acting and writing and likeable characters. It is truly a great TV show.

I am not here to review "Schitt's Creek" today. I will do that when we finish. In watching this show, my wife and I have been revisiting Christopher Guest's movies because Eugene Levy and Catherine O'Hara are the stars of "Schitt's Creek", and they have been in all of Guest's movies. We plan on going through Guest's whole catalog in the next couple weeks. These movies have been our quarantine date night movies. Two weeks ago it was my pick, and I picked "This is Spinal Tap". Now, I know that Guest didn't direct this movie, Rob Reiner did, but "This is Spinal Tap" is where Michale McKean and Christopher Guest made their mark. They were writers and stars of this movie. Levy and O'Hara are not in this movie, but do our personal mission, we had to go to the beginning. And boy oh boy does "Spinal Tap" hold up. This is a perfect parody of an aging rock band. I watch this movie now, and all I see is the Metallica documentary, "Some Kind of Monster", but that was supposed to be a serious movie. "This is Spinal Tap" is a straight up comedy, and man does it hit a homerun. Guest, McKean and Shear play the main three guys in the band, and they are oblivious to their actual downfall. They think they are stars, even though they get poor reviews and shows get canceled at the drop of a hat. The on stage performance is just as ridiculous. "This is Spinal Tap" is the rock movie parody. I love a movie like "Walk Hard", but there would be no "Walk Hard" if not for "Spinal Tap".

This past Friday my wife had the pick, and she chose "A Mighty Wind". Two weeks, two musical parodies. "A Mighty Wind" is Guest at the top of his game. This one has all the people you have come to expect in one of his movies, and they are all tremendous. Guest, Shearer and McKean reunite, this time as the folk trio The Kingsman. They are so talented and so funny and so musical and it comes across great in both movies. Eugene Levy and Catherine O'Hara are in this movie, and they are the unequivocal stars. The movie hinges and rides on their story and relationship. It is crazy to watch this performance, then turn around and watch them on "Schitt's Creek". It is totally separate. But Levy is dynamite in "A Mighty Wind". He is Oscar worthy. He embodies the 60's folk singer, and where I would imagine one would have been in the early 2000's after going through what he did. O'Hara is almost equally as good. She loves him, but she has to move on. She needs to better herself. She needs to live a normal life. But she so desperately wants to be with him. It is opposite their dynamic in "Schitt's Creek". She is Levy's provider. He is lucky to be with her. It is not like that at all in "A Mighty Wind".

This all leads me to Christopher Guest. He is clearly a genius when it comes to making these "mockumentaries". He has a pitch perfect tone. The joke writing and improvising is perfect. The actors are professionals. Everyone seems to be having a great time making these movies. They are so much fun to watch. And that is why I think Guest is so great, but also underappreciated. He hasn't made a movie in awhile, with the last one being "Mascots" on Netflix I believe. I hope he decides to make more movies. I want to see these people work together again. It will be a bummer to not see Fred Willard in the movie, but Guest can still get most of the original crew back together at some point. I'm glad my wife and I started this new thing. I'm glad we added this to our date night. This week will be "Best in Show", and I am so stoked to revisit that one.

Bottom line, these movies are awesome, and Guest is a great actor, writer and director. He deserves all the accolades he has achieved and so much more. The dude is a genius. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.  

Ty Watches "Bill and Ted Face the Music"

For quarantine date night my wife let me choose the movie, it was my turn, and we watched "Bill and Ted Face the Music". First things first, I am a "Bill and Ted" fan. The first movie, the sequel, I truly love them both. I think they are great, they hold up and they are a ton of fun. And after a real tough week last week, I wanted to watch something that would put my mind at ease, and let me laugh for an hour and a half.

"Bill and Ted Face the Music" did just that. I truly enjoyed every single second of the movie. It was a good story, it moved with the time change pretty effortlessly, it was fun, it was funny and damn did I enjoy it. Bill and Ted may have grown up, but they are still teenage rockers at heart. They are speaking at Ted's little brother's wedding to start the movie, Ted's little brother is marrying Missy, who you may remember from the first movie, and they give a very odd speech, and then go into song. They are still searching for that one song that will save humanity, and at the wedding, they decide to play their latest chance at said song. I personally like the song, but everyone else at the wedding, except for their daughter's, is not feeling it. They think it is weird, and they all still don't believe that Bill and Ted traveled through time. Also, yes, they do each have a daughter. They are both married to the princesses from the first movie, again played by someone different, and they have had kids. The daughters are mini versions of their dad's, except they really know a ton about music. They have studied almost every form of music imaginable. The daughters are absolutely fantastic in the movie too. They are very important to the story as well. In fact, after they realize their latest song is not the song to save humanity, they are brought to the future to be told they have one day to write this epic song, that all humanity is in the palm of their hands. But, unlike "Excellent Adventure", Bill and Ted travel to the future to try and find the older versions that wrote this song. This is where a ton of hilarity ensues. The older Bill and Ted's they run into each have their own personal stuff, and every one of them they meet is worse off then the next. But, the daughters take the "Excellent Adventure" path, and they travel back in time to get together some of the greatest musicians ever to help their dad's write this song. They get Jimi Hendrix, Mozart and Louis Armstrong, among others. These actors also did a wonderful job in their portrayals. As we move through the movie, there are pieces of each of the first two movies, and they all work. We get to see the Grim Reaper again, I already talked about Missy, there is a hologram George Carlin, the phone booth is in there, and used plenty, this one has it all. They also added a few new characters, and they were awesome. Kristan Schall plays Carlin's daughter, basically playing his role. And we have a robot, who is supposed to be a killing machine, but gets a conscience somehow, and it is one of the funniest characters in the whole movie. When he reveals he has a name, and says it over and over again, it is great.

I do not want to spoil much because I think people should watch it. I also think you, if you can, see it at home and pay the premium rental price. No matter how good, or how much you want to see a movie, and you think you have to go to a theater, please don't, for your own safety. Watch this stuff at home if you can. Luckily for me, "Bill and Ted Face the Music" was, and I watched it happily and safely from the comfort of my own home. I suggest you do the same. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.