SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 14 - Fairytale of New York

ed note: This article was originally published on December 14th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 14: Fairytale of New York by The Pogues (featuring Kirsty MacColl)

Opened Doors: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten, Eleven Twelve, Thirteen

I once spent a magical December evening in New York City. My wife and I had an overnight layover in the city on our way for a tropical Christmas vacation. It was bitterly cold that evening. We bundled up and caught the subway to have a nice dinner in Manhattan. The few cold hours we spent in New York City that December were amazing. The city was decked all out for the upcoming holiday. It was magical. On our plane leaving the city I glanced down for one last look. The joys of New York City during Christmas was a memory I will never lose. I am glad I did not stick around to see the hopefulness of Christmas give way to the brutal realities New York City is home to the rest of the year.

"Fairytale of New York" was released by the Irish band The Pogues on their 1987 album If I Should Fall from Grace with God. It is rumored that the song was written based on a bet between Elvis Costello and The Pogues lead singer Shane MacGowan. Costello bet that MacGowan could not write a hit Christmas single. Once the music and lyrics were set, singer songwriter Kirsty MacColl joined MacGowan to sing the song as a duet. Elvis Costello must have lost the bet, because "Fairytale of New York" has spent the last few decades as one of the most popular Christmas songs in the United Kingdom.

"Fairytale of New York" starts off with the magic of New York City during the holidays. MacGowan and McColl are young, in love, and inspired.Being in the drunk tank on Christmas Eve cannot dampen their spirits. They have each other and the wonders of the city. The song treats their ideals as fake as the decorations around town. Love and admiration quickly turns to name calling and regret. Behind the holiday facade of the city lies a brutal, and ugly, reality. The two lovers were embracing the facade, but once the decorations are gone, their hate and despair shows through. They love the imagery and magic, they unfortunately do not really like each other.

The build up to Christmas can make us forget all the unfortunate things that confront us during the year. Our hopes, dreams, and love seem to get amplified in December. Once our holiday drunken stupor turns into a post December 25th hangover, our realities come into sharp focus. I enjoy the magic, and I am trying to prepare for the headaches. Thank goodness I will have the fine Irish ditty "Fairytale of New York" to be my musical companion through the transition.

RD Kulik

RD is the Head Editor for SeedSing. He is embaressed to say that his dinner in New York that night was at Trump Tower. Come and tell your tales of Christmas in the city by writing for SeedSing.

SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 12 - Have Yourself a Merry Little Christmas

ed note: This article was originally published on December 12th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 12: Have Yourself a Merry Little Christmas performed by Judy Garland

Opened Doors: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten, Eleven

There are a few cultural icons produced by the 1944 film “Meet Me in St. Louis.”  For example, it’s where Judy Garland met Vincente Minelli, thus creating Liza.  I had a film TA in college who theorized that the film inspired “Night of the Living Dead.”  But the one I care about the most is that staple of treacly holiday radio, “Have Yourself a Merry Little Christmas.”

A great many BAD versions of this song have been produced.  James Taylor has brought his special brand of anodyne blandness to it.  I once heard a bowdlerized version of it that replaced the word “fates” with “Lord.”  I guess the original line is just too pagan.  I’m sure it’s only a matter of time until Taylor Swift yell-sings her way through with her trademark lack of vocal subtlety.  (To whomever decides these things, I would happily pay $1.29 to hear Josh Groban do it.)  But Judy Garland’s lovely, heartfelt original is one of the finest pieces of Christmas music ever produced.

A great many of our holiday standards are unabashedly joyful.  Those are fine, I’m happy to hear “Silver Bells” and “This Christmas.”  But my favorite pieces of holiday art are the ones with a touch of melancholy about them, like A Charlie Brown Christmas.  To me, as a non-religious person, the holiday season is about finding light during the darkest time of year.  Most religions have a similar holiday, usually around the winter solstice.  Christmas, Hanukah, and Diwali, for example, are all about miracles and triumphs that chase away the darkness (metaphorical and otherwise).  Whether it’s baby Jesus born to bring hope, or lighting the way for Rama after his defeat of evil, it’s basically the same idea.

In Meet Me in St. Louis, the song “Have Yourself a Merry Little Christmas” is sung by Esther to her youngest sister Tootie after they learn they are leaving their St. Louis home for New York.  The song is Esther ostensibly trying to comfort Tootie by assuring her they will always have Christmastime to come with their loved ones, in person or in spirit.  But Esther is really singing about her own sense of loss at moving, and trying to remind herself that there will be joyful times in the future, even if all is bleak right now.  We can all use that reminder some years.

A very merry whatever to all!

Tina S

Tina is a sometime contributor to SeedSing and occasional guest of the X Millennial Man podcast. One time we even let her host the show.

SeedSing Classic: Advent Calendar of Awesome Holiday Television Programs: Day 7 - "The Late Show with David Letterman - December 19th, 2014 "

ed note: This article was originally published on December 7th, 2016

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 7: "The Late Show with David Letterman - December 19th 2014"

Original air date - it is right there in the title.

Opened Doors: One, Two, Three, Four, Five, Six

Every year around Christmas we listen to the same songs and watch the same television shows. We all have our traditions, and there is absolutely nothing wrong with that. These little bits of holiday pop culture sometimes get us into the right mood during a cold December night. These annual traditions help us look back to other pleasant times we experienced during the holiday season. There is a comfort in looking forward to that one thing that makes our holiday season extra special.

David Letterman once famously said that it is not the Christmas until he hears Darlene Love sing that song. The song in question is the new standard (Christmas) Baby Please Come Home. Vanity Fair has a great oral history of how Darlene Love ended up on Letterman for almost thirty years singing her iconic song. That first appearance in 1986 was simple, and without pomp, but a beloved holiday tradition was born.

The small band, and ugly holiday sweaters, had nothing on Phil Spector's iconic Wall of Sound, but Darlene Love still slayed with her vocals. Since that appearance, Darlene Love, Paul Shaffer, and David Letterman made (Christmas) Baby Please Come Home a fixture on Late Night, and then The Late Show. Only a writers strike would stop the trio from letting Letterman start Christmas. Many even believe that Love's Late Show appearances helped her finally, rightfully so, get into the Rock and Roll Hall of Fame.

On December 19th, 2014, Darlene Love performed (Christmas) Baby Please Come Home for the last time on The Late Show. In May of 2015, David Letterman retired from the late night game. Everyone knew that the December 19th performance was going to be the last, and nothing was held back. The four-piece backing band of 1986 was replaced by a horn section, strings, backup singers, and Paul Shaffer on a grand piano. Love even decided to belt out the last few lines on top of the piano because she was afraid of breaking down when Letterman came to give her a hug. The 2014 performance of (Christmas) Baby Please Come Home was an epic curtain call for a singer, a talk show host who was a fan, and the viewers that counted on Darlene Love to usher in the holidays every year on late night television.

Our holiday traditions are something to be celebrated. Listening to the same songs, or watching the same tv specials, is what makes December a great time. We all have that one special pop culture thing that gets us in the right Christmas mood. David Letterman had Darlene Love sing that song. We were truly lucky to share this tradition with Mr. Letterman.

RD

RD Kulik is the Head Editor for SeedSing and the other host of the X Millennial Man Podcast. The holidays do not start for him until he hears Linus and Lucy.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 5 - I Wish it was Christmas Today

ed note: This article was originally published on December 5th, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 5: "I Wish it Was Christmas Today" by Julian Casablancas

Opened Doors: One, Two, Three, Four

The conventional wisdom tells us that the winter holiday shopping season peaks on Black Friday. Once the day after Thanksgiving doorbusters are exhausted, the general public falls into a slower holiday shopping pattern. I disagree with this theory. Black Friday does have a large mob of people looking to score off brand electronics for ultra low prices, but the majority of sane people save their holiday shopping for after the mayhem. The first weekend of December is when the holiday shopping season really kicks into high gear. This is when the Christmas spirit starts its full invasion into our culture.

"I Wish it Was Christmas Today" started out as a simple SNL sketch featuring Horatio Sanz seemingly playing a novelty guitar and singing, Chris Kattan head turning and holding a very large keyboard, Jimmy Fallon providing backing vocals and very rarely playing the keyboard, and lastly Tracy Morgan awesomely dancing in place. Every few years the quartet would add a few lyrics, but the singing and dancing remained the same. Tracy Morgan is great in nearly everything he does, but I do think this is the funniest skit that Sanz, Fallon, and Kattan have ever done. Every year I would look forward to hearing "I Wish it Was Christmas Today" on SNL. The simple tune immediately put me into the holiday spirit.

In 2009 The Strokes lead singer Julian Casablancas released a cover of "I Wish it Was Christmas Today". The simplicity of the SNL version was replaced by a hyper kinetic ultra joyful new song to celebrate the holiday season. Casablancas version of the song starts at the top and never relents. For just under 4 minutes, the holiday season gets the positive excitement it so truly deserves.

Both the SNL and Casablancas versions of "I Wish it Was Christmas Today" celebrate the happiness of Christmastime. There are endless stories on the news of people complaining about the length and commercialism Christmas. Fox News invented the moronic War On Christmas to continue their agenda of splitting the country and feeding the idea of white christian victim-hood. "I Wish it Was Christmas Today" leaves all the negativity behind and says that Christmas kicks ass.

Today I will be out starting my holiday shopping. My house is decorated. my spirit is getting into high gear, and "I Wish it Was Christmas Today" will be on my playlist. The crowds at the stores, the idiots at Fox News, and all the naysayers will not dampen my holiday spirit. I love the awesomeness of the holiday season.  I do't care what anybody says, I wish it was Christmas today.

RD Kulik

RD is the Head Editor for SeedSing. He is hungry right now and really wishes it was Thanksgiving today. Tell us about your favorite time of year by writing for SeedSing.

Better Late than Never on Vampire Weekend's "Father of the Bride"

I come to you all today to eat some crow and apologize to RD.

Since the start of this site and our podcast, I have made fun of the music he listens to. Well, I have made fun of the hipster alt rock that he listens to. RD has introduced me to a ton of hip hop artists I still listen to, he was the first of my brothers to tell me to listen to Talking Heads, he was the first one of us who was hip to Beck, RD has good taste, mostly in music. But as we have both gotten older he seems to listen to more alt rock than me. He has always liked it, but as I have aged I am not as big a fan. I don't listen to Weezer anymore. I find bands like Green Day and Dr Dog kind of boring. I saw St. Vincent live, and while she shreds guitar, her music is not for me. Haim is a good band, but I will not go out of my way to check out their new music. These days I am more into 70's rock, 80's synth and, mainly, most hip hop. One band that I have always challenged him on, and always called him out on, I believe I even told him they are "dad rock", is Vampire Weekend.

What was my issue with Vampire Weekend? I don't like the name, the popular songs are way too radio friendly, and I did not care for their song that was in "Step Brothers". Go back and listen to old podcasts where we talk about music. Anytime he brings them up, I give him a very hard time. But, in listening to the wonderful "You Talking Talking Heads to my Talking Head" podcast, I decided I wanted to actually, fully, give them a try. A few things led to this decision. Scott Aukermann and Adam Scott always talk glowingly of Vampire Weekend, and I have to admit, if it weren't for them I wouldn't have checked out REM, and I may have still bypassed Talking Heads. And in their second most recent episode, they had Ezra Koenig on, I believe he is the lead singer and rhythm guitar player, and I found him quite enjoyable and very pleasant. He was funny, he kept up with the jokes, but what was best about his appearance on the podcast was his insight as a professional musician. He was going very inside music, and I really enjoyed listening to him talk about his love for Talking Heads, and his knowledge for, not only the band, but how to make a hit record.

So after that episode, and a chat with RD, I decided I was going to give Vampire Weekend another chance, but with the caveat that I was only going to listen to their newest record, "Father of the Bride". I kind of made it my starting point. I decided this was going to be where I dove in. I have done the same with a lot of bands I now like. The first Talking Heads album I listened to was "Stop Making Sense". My first listen to Lizzo, "Cuz I Love You". Public Enemy was "Fear of a Black Planet". Some bands I want to hear what I deem, and have heard, is the "good stuff", then I will check out the rest of their catalog if I am interested. So, for the past two days, I have listened to "Father of the Bride" two times fully.

At first I liked it, but I wasn't totally convinced. That being said, I was doing things and my mind may have been elsewhere. But this morning I had chores to do around the house, and when I do chores, I can really focus on what I am listening to. This was the true test for me. And I liked the record. I do want to say, it starts out slow, there are a few decent songs peppered in at the top. But when that album hits the second half, the back part of the record, it is really, really good. I found myself dancing to some of the songs. I was repeating tunes that I had just heard because I wanted to hear the song again. I am going running later today, and I have already decided that I will be listening to this record for a third time. I don't know the names of the songs yet, and when I looked at some titles yesterday it almost turned me off. But when I just listen to them play and sing, I can get behind it. After I finished my housework I went downstairs, where my wife now works due to the pandemic, and stated, "I have to admit it, I like Vampire Weekend". She said, "oooh! Is this a hot take?!". I don't know if it is a true hot take, but for me, it is.

I am sorry RD, and to all of you Vampire Weekend fans out there that have had to listen to me trash them for 5 plus years now. They're a good band, I am curious enough to go back and listen to their older stuff, and when/if we ever have live shows again, I wouldn't mind seeing them at all. I am now a fan.

Check out RD’s review of “Father of the Bride”

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

SeedSing Classic: Advent Calendar of Awesome Holiday Music: Day 1 - Linus and Lucy

ed note: This article was originally published on December 1st, 2015

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we are looking back at the great holiday music, movies, television episodes, and food of this great season. Enjoy

Day 1: Linus and Lucy By The Vince Guaraldi Trio 

Every year my wife and I throw a big winter holiday party. One of my duties is to create the background music. In the first few years we held the party I purchased a few sets of generic Christmas music cd sets. Many of the pieces were from the public domain, and almost all of the songs were jazz. I really dislike jazz. 

A few years back I decided to create a custom playlist from the holiday songs I loved. I wanted the music to reflect the whole season, and I wanted to use songs not widely available. The one song I salvaged from those awful jazz standards was "Linus and Lucy" by the Vince Guaraldi Trio. This was the one and only jazz song I needed for my holiday spirit. This was the song that kicked off my carefully curated holiday playlist. "Linus and Lucy" is the best way to start the season.

"Linus and Lucy" is not exactly a Christmas song. It was originally released by the Vince Guaraldi Trio on the 1964 album Jazz Impressions of a Boy Named Charlie Brown. The upbeat guitar and drums represent the excitement of the holiday season. There is pure joy and excitement throughout "Linus and Lucy". Once December 1st hits, the holiday season starts moving at a hectic pace. Crowded roads, overpopulated shopping centers, and disorganized homes filled with unwrapped gifts. "Linus and Lucy" embrace this chaos, and makes it joyful. 

The Christmas popularity for "Linus and Lucy" started when A Charlie Brown Christmas debuted in December of 1965. The upbeat tune was used as the music for the greatest dancing scene in television history. Many people will automatically think of the Charlie Brown Christmas pageant dancing when they hear "Linus and Lucy". This scene was shot in 1965 and we have voguing, the zombie, the twin girls doing the same dance, and a variety of incredible dance moves. When I hear "Linus and Lucy" I immediately break out into Linus's thrust movement, even if I am out in public (that does get awkward at times).

Since the debut of A Charlie Brown Christmas "Linus and Lucy" has become the unofficial Peanuts anthem. Most of the Peanuts cartoon specials have used the song, including the 2015 film The Peanuts Movie. The song receives the large majority of its airplay during the holiday season. The popularity of A Charlie Brown Christmas has programmed our culture to associate "Linus and Lucy" with the holidays. The song kicks off It's the Great Pumpkin Charlie Brown, yet "Linus and Lucy" makes our mind think of the December holiday extravaganza.

"Linus and Lucy" is the perfect first door to open on our Awesome Holiday Music Advent Calendar. This is the tune that will get your holiday spirit ready. It is chaotic, joyful, and demands to be danced to. If you start your day with "Linus and Lucy" your holiday spirit will never dim.

RD Kulik

RD is the Head Editor for SeedSing. His wife has asked him to stop the Linus out in public, the Shermie is ok though. Tell us all about your favorite holiday tune - write for SeedSing.

Ty Watches "American Utopia"

Yesterday I had the chance to sit down, uninterrupted for two hours, and watch "American Utopia". This is the new concert movie from David Byrne and directed by Spike Lee. It was his short run Broadway show in fact, and it was absolutely amazing. I was totally blown away by the entire thing. I was excited to watch, and when it started, that excitement jumped to a 10.

The opening of “American Utopia”, with Byrne holding a fake brain and singing the song "Here", was pretty god damn cool. The song, and the prop, were a perfect way to open this show. From there on out, Byrne and his band went on to crush the entire set. The spectacle of it all, the band, the music, the message, the way the message was put out there, Byrne interacting with the audience, it all worked out to perfection. I used to attend many live shows, and I still did up until February of this year, and I have never seen something like this. This was so over the top, but in the best possible way. I absolutely loved the way they did the lights, the shadows, everything was done up so well. I loved hearing the songs I have gotten to know off of "American Utopia" in the recent months. As you all know, I am a late comer to David Byrne and Talking Heads. I am catching up during the pandemic, especially when I go running. So seeing this now, for me, was perfect timing. It has all these songs that I am growing to love, and understand more, on a daily basis. The version they play of "This Must Be the Place (Naive Melody)", which is my current favorite Talking Heads song, was so cool. I was dancing on my couch while they played it. "I Zimbra" was rad. The way they performed it, it was so cool to hear all the isolated instruments. "I Should Watch TV" was quite possibly the coolest thing I have ever seen on TV, or in person for that matter, ever. That was done so well, and when Byrne crashes through the chains, and the stage goes to black, damn that was awesome. "I Dance Like This" was really well choreographed. The way the entire band moved in sync, and danced their hearts out, it was really neat. "Everyday is a Miracle" was pretty brilliant, and I was pretty moved by Byrne's performance. I really enjoyed when Byrne talked about the Detroit Choir doing a version of his song, "Everybody's Coming to My House", and making it a totally different song without changing anything. I also liked why his version is much sadder than the Detroit Choir's version. It was also great to hear the Choir's version during the end credits. "Once in a Lifetime" was really exceptional because Byrne recreated a lot of the dancing he did on "Stop Making Sense". I liked that. "Burning Down the House" sounded as full as ever, and when the whole band came together, my goodness was that amazing. The song that moved me to tear up, literally, was their version of the great Janelle Monae song "Hell You Talmbout". To listen to the full band play and sing the song, then say the names of the too many murdered African American people, with their pictures placed in the movie, was heartbreaking and moving and made me want to go and start a revolution. This was simply put, a perfect representation of this important song. And closing the show with "Road to Nowhere", walking into the crowd and singing and playing, it made me miss live shows.

"American Utopia" really had everything I wanted. It was great music. Byrne discussed important, pressing issues, like climate change and voting, amongst other things. The band was incredible, and to see them perform all these songs was truly exceptional. These people are amazing musicians and performers. And it made me miss live music, which is what I look for now when I watch concert movies. Spike Lee's directing was top notch also. Lee can do no wrong. If he doesn't win an Oscar this year, for this or "Da 5 Bloods", it would be very disappointing. I highly, highly recommend everyone watch this movie. It is great music, it is timely, it is important and it rules.

Seriously, go watch this immediately.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.   

Go Check Out The Air Fryer Guy

During this current time we are living in I have been finding certain things that will let me forget, and put a smile on my face. I can't find much of this on Facebook or Twitter. Those are absolute minefields, and understandably so.

The well know n issue with social media is that everyone has an opinion, and they have no filter, or nothing stopping them it appears. Those websites are filled with so many mean and hateful things right now, I have only gone on there the past month to post my blog or to post pictures of my kids. It has been great for my mental health, and I highly recommend other people, people who know who they are voting for, who know that scientists and doctors are right and we should wear masks when in public with other people outside our personal bubbles, and you just want a break, do the same. It is awesome. I still find myself looking at Instagram though. It hasn't gotten too nuts over there, and the fact that people can post mini videos now, it is cool to see some old stand up, or clips from live podcast shows from last year. I also like Instagram because I like what people call "food porn". I like to look at delicious food, and since I am on a pretty strict diet right now, the "food porn" is kind of my way of scratching that itch.

One day when I was browsing the food stuff on Instagram, I came across a person that calls themselves the "Air Fryer Guy". We have an air fryer in our home, and I love that thing. I make chicken wings in it all the time. I made some last night in fact, and they were great. I have also made other chicken dishes and I have done a good amount of low carb stuff in our air fryer, that is the diet I am on, low carb and high fat. Our air fryer is great for that. So when I saw this "Air Fryer Guy", I was intrigued. I didn't really know what to expect, but I saw some people commenting how funny, but also that his recipes, at least some of them, are pretty good. I clicked on his page, and for the next hour I found myself cracking up, watching this gentleman cook every manner of food in his air fryer, all the while singing songs about what he was cooking. I thought it was great. I was pretty much on board from the jump.

The first video I saw was him doing a breakfast hack in his air fryer. With my kids back in school, I find myself having to make a quick breakfast, so I was intrigued by the video. The food was super simple, a piece of bread, an egg and a slice of bacon. But, while he is putting together the food, he started to sing, and I loved it, and thought it was hilarious. He was singing, "when you've got no time in the morning/and you want to make a beautiful breakfast/just put these things in the air fryer/and out comes a beautiful breakfast". That is it, that is the song. I should also mention, he is Australian, I believe. So he has the accent, he is singing a funny little jingle and he is cooking food in an item I use all the time. I also tried this hack with some low carb bread, and it is solid. I didn't sing the song, but I was definitely humming it in my head when I cooked it.

From there I watched pretty much every other video he has on his page, and I find most of them funny, and fun. He is a solid singer. He makes up goofy, but decent lyrics. He does videos where there is no singing, but like little sketches involving his air fryer. I showed the video to my wife and kids, and while my wife thought it was okay, my kids LOVE them, especially my daughter. She wants to listen to the songs all the time. She also likes when I try his recipes. We have done his cookie cake one. I made the cookie cake, and my daughter sang the song while I did. She and my son went on to devour the cookie cake. I have made his crispy pepperoni and cheese, the pepperoni wasn't that good, but the crispy cheese, that is now a snack staple my for me. There are other things we will try in the future, but for the time being, we like to watch the videos and sing along. I have videos of my daughter doing them acapella. My son will sing them time to time. My wife and I walk around the house saying "AIR FRYER" in our best accents we can muster. The songs are total ear worms, but I like them very, very much. He also has his own Spotify station, which we listened to on the way to school this morning.

The Air Fryer Guy is funny, he makes good videos and he is a solid singer with some solid recipes. I recommend people check him out if they want an escape or have an air fryer and are looking for new things to make in it. The videos, for the most part, also deliver some okay looking food. This guy is funny, he has a niche and is rolling with it and it is just nice to see someone do something different right now. Check him out. You will most likely enjoy yourself. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Ty Watches "Holy Calamavote"

I watched the Run the Jewels show that they did on Adult Swim this weekend, "Holy Calamavote", this afternoon, and it was amazing.

This was the first, and only time, they will perform this album live this year. They had a planned tour, supporting Rage Against the Machine, but the pandemic put a total halt to that. I read things where RTJ was trying to do something like this, a live performance, but didn't have a platform, or felt comfortable enough to do it. Then Adult Swim and Ben and Jerry's got involved, and they had their chance. They got tested, quarantined for the allotted time, and were able to pull off this show. They also wanted it to be important, to take a stance and help people, and they used the platform to urge people to go out and vote. This show was put together to promote voting. They mentioned time and again how important it is, especially this year, to go out and vote. Our vote is our weapon, and that is the only way we can make things change. They put that front and center.

As for the performance, I mean come on, these guys are at the top of the game right now. They are the best rap group, and best overall group, making music right now. Not only is the music good, it is well made, important, personal and an absolute reflection of the world we live in right now. I have sung the praises of this most recent RTJ record to the high hills. This is the record of the year by a mile, and this performance only further proved that. They were awesome. The visuals were amazing. The guest list was top notch. And seeing Killer Mike and El-P perform this record live, it was so god damn amazing and impressive. They did each song, in order, from the new record. Eric Andre hosted the show, and they would cut to him from time to time, but this was all about RTJ and their music. All the songs were great, and hearing them live just adds so much more to the listening experience. DJ Nice was on stage with them during "Ooh LA LA". That was pretty cool. A famous Atlanta DJ came out and scratched during a song. Gangsta Boo came out during "Walking in the Snow", and that was a transcendent performance. I mean, the song started with that heavy guitar, and El did his verse, and then it was Killer Mike's turn. He smashed the first part, and when he got to the "I can't breath" part, the whole stage and group went silent, and then Killer Mike ended that verse acapella. It was powerful and moving and made me listen more than I ever had before to what he is saying in what I consider to be the song of the year, and possibly the generation. It was an astonishing performance. They did "JU$T" after that, and Pharrell and Zack de la Rocha did their spots. Josh Homme and Mavis Staples appeared on screen for the song they are featured on as well. Staples' voice was beautiful and haunting. They ended the show with "A Few Words for the Firing Squad", and to see the two of them bear their souls was so, so great. It was such a moving and cool and fierce and awesome and perfect way to present that song. When they were nearing the end, when the song is all horns, both members expressed the importance of voting and using our voices this election. Then El-P formed a fist and Killer Mike formed a gun to make the RTJ symbol, and the lights were on their hands only. It was so god damn cool. They proceeded to leave the stage with the secret ending that shows up at the end of "Firing Squad", and El grabbed his stuff, and both he and Killer Mike put on a mask and drove off in Killer Mike's car. They came back on to again express the importance of voting. It was truly wonderful. The show was cool, the visuals added so much, El-P and Killer Mike are damn fine performers, their music is important , the people filming were masked and kept their distance, all the while getting amazing shots, it was simply perfect.

I loved this so very much. It gave me so much of what I have missed this year. I got to see my favorite band perform live. I was moved to vote more so than I already am. I have even more respect for Michael Render and Jamie Melina, which I didn't know was possible. I got to vibe out to the best record of the year. And they did it all for a great cause. I highly recommend this special for everyone. It is available to watch everywhere, it is as live as we will get this year and it is the best music you will hear all year. Please watch and make a plan to vote. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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RIP Eddie Van Halen

Too many people are dying right now. This year has been awful, and it just continues. The pandemic has taken 215,000 plus, and counting. And people who are relatively young, in their 60’s, are going rapidly too.

Most notably, Eddie Van Halen passed yesterday after a nearly decade long battle with cancer. That seems to be what gets the “older” people right now if they do not get COVID, of if they get it and recover. I never listened to Van Halen. I obviously know of them, but to me they were more of a band that the people I hang out with made fun of. It never had to do with Eddie Van Halen himself though. The jokes were always at the expense of Sammy Hagar and David Lee Roth. They were always too much. But, the songs I know, the ones everyone knows, the guitar always stood out. The guitar is also the best part of “Beat It”, the song from Michael Jackson. All of that was Eddie Van Halen. He was a tremendous, virtuosic guitar player. He was one of a kind. He made hair metal, at least for me, listenable. If there was a way to single out his playing, I would have been the biggest Van Halen fan in the world. The things he did on a guitar where akin to what Jimmy Page did with Led Zeppelin. Now in no world is Van Halen even close to a band like Led Zeppelin. But, Eddie Van Halen was just as good a guitarist as Jimmy Page. He was also up there with other greats. I can look past what genre of music he played and appreciate how skilled and inventive and simply amazing he was as a guitar player. He is the Jimmy Page or Jimi Hendrix or Son House of hair metal. He is the one guy that everyone singles out as the “best” guitar player in his era. Sure the music was goofy and not for me, but Eddie Van Halen was great. He did things on the guitar I never heard, and no one else can duplicate.

I remember being at a Widespread Panic concert years ago with my oldest brother, and during set break they played the first Van Halen record. I was bad mouthing it because I recognized David Lee Roth’s voice. But my brother told me to get that out of my head and try to focus on the guitar player. I scoffed, not knowing too much about Eddie Van Halen at the time. But once I got where my brother was trying to get me to go, it hit me. The guitar was astounding. It was heavy, but technically precise. The fact that he could play so fast, yet make it look effortless was more than enough for me to admit this guy was awesome. I went home after that show and tried to find clips of just Eddie Van Halen playing the guitar. No accompaniment, just him. The stuff I saw on YouTube blew me away. He played better than Steve Vai. He shredded better than Slash. He picked at the guitar like a modern day Django Reinhart. From that moment on I never underestimated Eddie Van Halen. I still wasn’t a fan of his band, and they sure made it difficult with all the fighting and bickering they did, but I found myself liking and appreciating Eddie Van Halen. When I found out he did the guitar on “Beat It”, my fandom of him grew. He proved he could do other music.

Eddie Van Halen is one of the greatest guitar players to ever grace this Earth. It sucks that he’s gone, but we do have his music for the rest of our lifetime. Even for someone like me, someone who doesn’t like the band he is associated with, I can get down with Eddie Van Halen the guitar player. He was taken too soon, and he’s another decent person we’ve lost again in 2020. Rest In Peace good sir. I hope you and Prince are shredding wherever you are right now.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to "Down in the Weeds, Where the World Once Was"

It has been nine years, but Bright Eyes put out a new album a week or so ago. I had read news awhile back that they were working on some new material, but I had kind of forgotten about it. Then they released a music video which I watched and enjoyed. But again, that was in early summer. I had forgotten that they were working on music.

Then one afternoon when I was out, or doing homeschooling, I don't really know anymore, the days all blend, my buddy Kirk texted to ask if I had listened to the new record yet. I hadn't, so I remedied that right that moment. I didn't know what to expect. I am a fan. I first listened to Bright Eyes when I heard the record "I'm Wide Awake, It's Morning". At the time I liked slower acoustic stuff, and when they went heavy and angry, I liked it. I then devoured pretty much all of their stuff. The live record, "Motion Sickness" is a great live album. I wasn't so much into "Digital Ash in a Digital Urn". And I really, truly liked "Cassadaga" and "The People's Key". I then went back and listened to really early Bright Eyes. "Letting Off the Happiness", and mainly "Fevers and Mirrors" were revelatory for me. Then I dug into Conor Oberst' solo stuff and his work with other bands. I was, at least considered myself, a full fledged fan. I dig his writing. Yes it can be depressing, but so can so many other bands and singers and songwriters I listen to. Hell, I love the blues, and that is as sad as it gets. But as he has grown up, Oberst, he seems to have gotten a little less sad, a little less depressing. I could hear a tinge of it in "Cassadaga", I believe he wrote that record when he got clean. Then it was even more forward in "The People's Key". But coming into the new record, since it had been so long, I was intrigued. Would he go back to the anger and depression, focusing more on acoustic music? Or would he continue with his growth?

Well, "Down In the Weeds, Where the World Once Was", definitely reminds me of the more grown up Oberst. It has been nearly a decade, Oberst is now 40 years old, he has gone through a divorce, he has lost a brother, he has been accused of sexual assault, which was retracted by the accuser fairly quick after the accusation, he has been through a lot, and he has come out the other side. That is what I get from "DITWWTWOW". This is a grown up making good, accessible grown up music. It still has his touch, and that voice is so uniquely him. But still, this album has happier music, and not nearly as depressing lyrics. It can go there from time to time. "One and Done" is kind of on that track, but it still sounds happy when you get to the chorus. It is also a great closure song. It feels like he is getting all the bad stuff from past relationships off his chest. Then to follow that up with "Pan and Broom", which sounds like an 80's tune, but with Oberst's happier lyrics, I love it. I like the way the record starts too. "Dance and Sing" really gets it going. There is some nice guitar in the song. It brought me right back to 2010 when I listened to him the most. "Just Once in the World" has that acoustic sound, but it builds and builds to a great crescendo. So far "Mariana Trench" is my favorite track. It has my favorite music in it, and the chorus is catchy as hell, which shocked me coming from Oberst. I find myself humming this song a lot. I really dig "Persona Non Grata". It starts out with just Oberst and a piano, but when the drums kick in it has that classic sound. I find it comforting to hear this music and be taken back to where I was nearly 10 years ago. It also has some cool strings and horns attached, which is always a plus for me. "Tilt-A-Whirl" seems like an ode to his brother that he lost. He opens by saying that a "phantom brother came to me". The song is also sad, but sweet at the same time. It's a good one. "Forced Convalescence" is upbeat and fun, musically. Again, the lyrics can be a downer a bit, but the music works so well, and I find myself bobbing my head along when it plays.

This record is good all around. It is a cozy blanket. It is a reminder of why I started, and continued to listen to his music. Oberst is a great writer, and I think age has only made him better. He has been through and seen so much, I believe that helps him as a writer. I highly recommend this album. It is some great work. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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A Review of the First Broadcast Hour of MTV.

On August 8th, 1981 MTV was launched, thus began the dawn of a new age in cable television. Joining TBS, HBO, and ESPN, MTV would go on to become one of the most important, and polarizing, channels in cable music history.

Recently, the first four broadcast hours of MTV was downloaded to the Internet Archive (you can watch it here). The video is old, and it is missing a few moments. Still, most of the legendary early moments of MTV are intact. Some of those early moments are iconic, some are very forgetful. I decided I wanted to go back and rate those early videos and find out if they have stood the test of time. There are three criteria I will use to rate the MTVness of that first hour.

Is the video any good?

We are obviously using late seventies/early eighties technology, so I will grade on a curve.

Is the video memorable?

Obvious one here. Do we still think of this video almost forty years later.

Did the video kill the radio star?

The 1980’s saw a rise in one hit wonders, and many people think it is because an average band had a good video on MTV. I will ask did the video elevate the song.

One last side note. I loved MTV. I still bitch about the day “Remote Control” came on and doomed my beloved channel to not being the “nothing but videos” spot on my cable box. I also tell everyone I know that I stayed up to watch the launch of MTV. Since I was six years old in August of 1981, I highly doubt I did stay up, but the legend has become reality in my mind.

Alright, let’s get to it.

12:00 AM, Eastern Standard Time August 1st, 1981

Video and audio of the Space Shuttle getting ready to launch. A countdown. Shuttle engines start. The scene switches to the launch of an Apollo rocket. Neil Armstong on the Moon. And then the words “Ladies and Gentleman, Rock and Roll. The MTV flag next to the Moonman and the iconic guitar riff that will forever be associated with Music Television. Transition right into the first video in MTV’s history.

“Video Killed the Radio Star” The Buggles

We all know this was the first video ever. I always thought it was made for the launch of MTV. I was wrong.

Any good? Absolutely. It was a video, not just concert footage. It told a story. It looked cool. Everyone was wearing shiny silver. The backing vocals had on cool glasses. It ushered in the future.

Memorable? We all know this video. The answer is yes.

Did the video kill the radio star? Yes. The Buggles eventual joined the band Yes, but their song and video for “Video Killed the Radio Star” will always be a part of history.

The first commercial on MTV is an ad for…MTV

“You Better Run” Pat Benatar

For decades I have been telling people that the second video ever on MTV was Pat Benatar’s “Love is a Battlefield”. Two things. I was wrong, and I have never ever heard of this song.

Any good? The early days of MTV was all about selling an image. Pat Benatar was one of those early images. Tight leather pants, bold lipstick, short hair, I’ll beat your ass attitude, Benatar was a pioneer in this arena when MTV was in it’s early days.

The video for “You Better Run” is mostly just the band performing, but it focuses on Pat Benatar. That is what separates this video from many others we will see in the first hour.

Memorable: Pat Benatar made much better music, and music videos, after “You Better Run”. I already mentioned “Love is a Battlefield”. This should not be in Benatar’s highlight reel.

Did video kill the radio star? Not this video. Pat Benatar was just getting ready to blow up on MTV and on the radio dial.

Now we meet the VJs (video jockeys in case you did not know). We start with Alan Hunter, then Martha Quinn, followed by JJ Jackson, Next up is Nina Blackwood, and we end with Mark Goodman boldly proclaims that MTV will do for music videos what FM did for music.

In the ad break we see commercials for a three ring binder called The Bulk, a promo for the movie “Superman II”, and then some words from Dolby Laboratories.

“She Won’t Dance with Me” Rod Stewart

Another artist who would make a name for himself in the early days of MTV, and yet another video I have absolutely no memory of.

Memorable: Obviously not. I just said I have no memory of it.

Any Good: Another performance video, but this one does show off the style and antics of Rod Stewart. It is also shot in a black room with white polka dots.

Did video kill the radio star: We all know Rod Stewart for his music, not for his music videos. There is no way “She Won’t Dance With Me” was ever going to deter the incredible career of Rod Stewart.

In the ad break is when we first see the iconic guitar smashing into a tv MTV ad.

“You Better You Bet” The Who

Love em or hate em, The Who is one of rock’s biggest acts. “You Better You Bet” is when The Who were getting away from their “Tommy” and “Quadrophenia” days and just trying to sell some records.

Memorable: The song is popular. The video? Not so much

Any Good: A straight up performance video, but it is shot in classy black and white.

Did video kill the radio star: The Who were already a global success. If anything, the laziness of the video may show that the radio star was not ready for video.

In the break, VJ Mark Goodman explains how you can mail away for a sticker to place on your stereo’s FM dial so you know where you can watch MTV on your television, and listen to the music through your stereo. We are then treated to a Mountain Dew ad followed by a plea from the Interfaith Hunger Appeal. REO Speedwagon then appears and tells you when you watch their next concert live on MTV.

“Little Susie’s on the Up” PH.D.

I have never heard of PH.D., and after doing a little research I know nothing significant about the band.

Memorable: After seeing it, yeah it is memorable because it is all over the place yet still tells it’s story of a dance competition.

Any Good: Being memorable and being good do not go hand in hand. “Little Susie’s on the Up” is exhibit one. We have piano playing, a butcher shop, hairdressers, ironing, a dance competition, snotty dancing people, and a top prize of a jar filled with olives, I think.

Did video kill the radio star: The insanity of this video is much better than the terribleness of the song.

“We Don’t Talk Anymore” Cliff Richard

I was getting ready to say that this is a no name artist left over from the AM Gold era, and a terrible video, and then I researched who is Cliff Richard. Holy crap. This guy is one of the best selling and beloved artists in British music history, and he is a knight. Sorry Cliff.

Memorable: Nope, just a guy swaying and singing with a guitar superimposed every now and then.

Any Good: The dude may be a legit superstar, but I still think the song and the video sucks.

Did video kill the radio star: Obviously not. Cliff Richard was already big by the time this snooze fest came along.

“Brass in Pocket” The Pretenders

A Hall of Fame band with a Hall of Fame video. Absolutely legendary.

Memorable: Hell yeah it’s memorable. This video shaped the way I hear the song “Brass in Pocket”. Whenever Chrissie Hynde says “special”, and the band responds with “special”, I always picture one of the guys pointing to the word special on the menu. It is so cheesy and so awesome.

Any Good: This is the best video to be shown on MTV in these early hours. It has a story you can follow and the iconic use of the special on the menu.

Did video kill the radio star: This is a great video, and it introduced many people to the awesomeness of The Pretenders, but no the video did not overshadow the music.

“Time Heals” Todd Rundgren

Music legend, and not in the Rock and Roll Hall of Fame for some reason, Todd Rundgren sings a song while he interacts with a bunch of surrealist paintings by Dali.

Any Good: It is different. If you like different, then it is good.

Memorable: I never saw it until I started this project. I will now never forget it.

Did video kill the radio star: Todd Rundgren has never been known for his videos. He is known for being one of the most influential people in rock history. Explain to me again why he is not in the Rock Hall.

“Take it on the Run” REO Speedwagon

Side note: The video I was watching cut this music video a few seconds after it started. I do however feel like I got the spirit of the music video by those few seconds.

Concert footage from REO Speedwagon singing one of their most popular tunes of the time.

Any Good: Bland concert footage from a bland band, so no.

Memorable: Maybe if you saw the Speedwagon at a county fair, this video could bring back some memories.

Did video kill the radio star: Not this video.

In the ad break, VJ Mark Goodman once again tells us where we can get the MTV dial position sticker. This is followed by an ad for Chewels gum.

“Rockin Paradise” Styx

Dennis DeYoung is alone on stage with a player piano. DeYoung is sporting an epic fro and killer mustache. He is singing a quiet melancholy tune. And then it gets real. The rest of the band join DeYoung and proceed to rock your world.

Any Good: Basic performance video with a crazy looking Dennis DeYoung

Memorable: Not really. Outside of DeYoung, standard rock performance.

Did video kill the radio star: If you love Styx, it is not because of this video. If you do not love Styx, this video will not convince you.

In the ad break we are told that Andron is the first pheromone based fragrance and the whole family, including the dog, enjoys playing Atari.

“When Things Go Wrong” Robin Lane and the Chartbusters

The biggest hit from a band I have never heard of. A video with a story. Lady goes to a colonial town, sings towards the sea as we follow a guy go on a big ship. The end.

Any Good: At least it is not a performance or concert footage video.

Memorable: Already forgotten.

Did video kill the radio star: I think video was supposed to launch the radio star. Did not happen.

VJ Mark Goodman introduces that MTV will cover the music business in all fifty states. Up first is a report by Bob McClain on the New York homecoming of The Ramones. We are then treated by an ad for The Movie Channel. We also get our first experience of the “Don’t watch that, watch this” MTV promo.

“History Never Repeats” Split Enz

A New Zealand band that never quite made it in the states. At least they had this video which is mostly the lead singer in bed while he sings the tune.

Any Good: Not that bad. They tried to make a visually interesting piece of art.

Memorable: They really did not succeed. Split Enz seems like an early version of the alternative artists that will take over MTV in a few years. They definitely had the eighties pop pretty boy look going.

Did video kill the radio star: Like Robin and the Chartbusters, I think this video was supposed to launch Split Enz. Alas, it did not work.

“Hold on Loosely” 38 Special

A famous band performing their famous song in concert.

Any Good: Do you like the song? Come watch the band play the song in front of people.

Memorable: Concert footage of a semi famous band. You do not need to watch to enjoy the song.

Did video kill the radio star. This is not a video. 38 Special did ok with out the visual aspect of their craft.

That is the first hour of MTV. Thirteen videos, along with introduction of the concept, and the VJs. This was what MTV launched as. A mix of new artists using the new medium, and a bunch of old artists showing you their concert footage. The good thing is after hour one, I am intrigued to see what is in store for hour two. How about you?

Overall review - I WANT MY MTV.

RD

RD is the founder and Head Editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to "Paradiso"

The Sloppy Boys released a new record “Paradiso” last week, and boy was it much needed. I like this band, I think the guys are funny, but I also appreciate the music they make. They are fun, they remind me of summer and, while this whole year has been a totally dumpster fire, their music lets me forget for thirty minutes about what is going on outside. They make fun music that just grooves. I didn't know they were making another new record either, but I guess, just like the rest of us, they have a ton of free time, so why not, right.

This album, much like their first two, is swift, charming and funny. There are songs about drinking, drugs, getting laid and having a good time, which is what I have come to expect from them. But what I didn't really see coming was how much better they are getting at their instruments. I also dig the fact that they have thrown a sax on a few songs. They are branching out, and I like that. I also have become very accustomed to Tim Kalpakis' voice, and I am a tried and true fan. I fully enjoy when he is the lead singer. Don't get me wrong, Mike Hanford is a solid singer too, and Jeff Dutton throws in some solid backing vocals, but I am a Kalpakis guy.

The opening track, "One Last Bender" sets the table perfectly, and Kalpakis' voice is front and center. It is a fun song about getting hammered. It's great. The next song, "We're Gonna Get You Laid" is funny, and it takes the perspective of a guy trying to help a girl get laid. I think that is pretty cool, and the song is rad. "Breakfast at Bellevue" features Kalpakis on lead vocals, and has a very cool build up at the beginning. Then it morphs into their surfer summer rock style they have locked down. "Out on the Town" is like an old school 80's rap song. It has neat keyboards, funny vocals and hearing them do a song like this makes me laugh and groove at the same time. It is a good song to run to as well. "The Mastah Bong Ripper" is like Black Sabbath meets the Count from "Sesame Street". This song is so weird and so awesome. It's also hilarious the way they put it out on the record. It is totally different from anything they've done to this point, and I love it. It is my favorite song on the record at the moment. "Armageddon" is like a tribute to both Billy Joel and Bruce Willis. They sing and play it in classic waltz style, all the while talking about friends that have grown up and stopped drinking and have families, but they also mention Bruce Willis movies. It is great. "Little Miss Socialite" is a song that could easily be played on pop radio today if pop radio were cool. It has some nice distorted guitar in it, and the lyrics are solid. "Oh Yeah" is more of a classic rock song. It has banging drums, good quality guitar and Mike Hanford bringing it with his voice. The song is all about yelling the phrase "Oh Yeah" also. That is what I love about this band. They are good, but they don't take themselves too seriously. They play music for fun and just happen to be good at it. "College Night" is the longest song on the record, coming in at over six minutes, and it starts with Tim Kalpakis just naming colleges, and then they get into the meat of the song. It starts with distorted guitars, and then shifts to acoustic, with some nice little riffs thrown in, and Kalpakis singing about what college students do at night time. It is kind of sweet if I do say so. This is akin to "Classic New York Night" from their last record. It is an anthem type song, and it sounds like an ode to something bigger. But when you listen to the words, it is pure comedy. I love that they do one song like this on their records. It is almost as assured as their surf rock sound. "Full Blown Free for All" is the closer, and it sounds like the closer to a rocking record. It is fast paced with fast singing and it closes out this new album perfectly.

I really like “Paradiso”. I am a Sloppy boys fan, or Slophead as we are now known. I am happy they made a new record also. It is a nice detour from the real world, and I appreciate that they keep making music. I definitely recommend this record. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to "Talking Heads"

I grew up in a house where music was played constantly. My parents are children of the 60's, two of my brothers are kids of the late 70's and early 80's and my brother closest in age to me was a hip hop kid in the early 90's. There has been plenty of music, and plenty of different music that I have heard in my 37 years so far on this planet. Like most people I have developed my own taste, I have very emotionally charged feelings about what I like and why I like it and I consider myself a music snob. But, my taste has been molded by everyone in my family. I have my love for The Beatles from my dad. The Band is one of the best bands ever, and I have my mom to thank for that. Hip hop groups like Public Enemy and Grandmaster Flash and the Furious 5, I have RD to thank for that. Jam music and hippy bands, I can attribute my other brothers, and my oldest brother's wife for my love, albeit short lasting, for jam music.

The one band that all three of my brothers have listened to, and grown to love over the years, Talking Heads, never really, truly spoke to me. I listened to them. I was the typical guy that liked their hits, but I never really ventured beyond that. I would just listen to their songs that I heard in movies or on TV shows or other bands covering them live. Recently though I have found myself revisiting bands that I never gave a true chance. I have been listening to a lot of bands people have told me about, but I never really felt that I needed to give them the time. I am also running all the time during the pandemic, and lately I have been devouring music on my runs because podcasts can get a bit boring, or they don't give me the energy that I need. My kids would also much rather listen to music than another basketball podcast. Over the past week I decided that I was going to give Talking Heads a fair shake. I don't know if it was the new Scott Aukermann and Adam Scott podcast about them that got to me, or if I just decided it was time, or a combination of the two, but the time had come to give in.

Boy am I glad that I did. Talking Heads are absolutely incredible, way ahead of their time, geniuses, have made some of the best music that has ever existed and just an all out wonderful band. Forgive me if I have already written about them in my Greatest American band pieces I did, but I didn't really get them until just the other day. In the past three days I have listened to "77", "More Songs About Buildings and Food" and "Stop Making Sense" each about three times from start to finish. This is some of the most incredible music I have ever heard in my life. To hear them, especially on a debut album like "77", sound like they did is amazing. They were so ahead of their contemporaries. They had a clearer vision than anyone else where their genre was headed. If I had to pick a genre for them I'd say they are post punk, but Talking Heads is so much more than just a genre. They bend so many different styles and blends of music. They can do so many different styles. The band is truly phenomenal, and David Byrne, he may be one of the most musically talented writers and composers of all time. Hearing what he wrote on "77" is simply astounding. Then to hear the sonic change they made on "MSABAF", they knew where they wanted to go, got some help from Brian Eno, and they went there, but also went beyond.

Then yesterday I decided to give "Stop Making Sense" my first listen. I have read and heard many things about the record, but I never dove into it. I decided I was going to go run for about an hour, so I figured it was a perfect time to finally check it out. Well, my run lasted for an hour and 20 minutes because I had to hear the whole thing. I got three songs into it and I was absolutely blown away by what I was hearing. It has to be one of the best live albums that has ever been made. Listening to "Stop Making Sense" actually makes me miss live music that much more. I didn't think I was missing it much during the pandemic, but this record changed all that. I wanted to be there when they recorded this. I want to see Talking Heads. I know it's not viable anymore, but this album makes me miss it, and wish for live music. It is perfectly crafted, perfectly sequenced and lets the band totally shine. And talk about hits. This record is filled with incredible live versions of any Talking Heads song any average fan could ask for. But they also throw in some other stuff that just blows me away. When they turn into the Tom Tom Club and play "Genius of Love", it is such a change departure, but it is groovy as hell. To go from that right into a sped up version of "Girlfriend is Better" shows how gifted they were as a band. Also, the version of "This Must Be the Place" that they play, they call it "Naive Melody", makes me adore the song so much more. "Life During Wartime", which they play right after "Burning Down the House", is legendary. And that is how the whole record is. It just gets better and better with every listen.

I have found that has been my feeling with the first three records I have chosen to listen to as well. I have found myself craving their music lately. I wake up and turn them on when I make breakfast. I listen to them when I workout. They work for everything. I'm so excited to see where they go from here, and how much more I grow to love them. I definitely waited too long to really listen to Talking Heads, but better late than never, right. They are clearly one of the best, most influential and most important bands of all time. Talking Heads are amazing. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Let Me Calmly Explain Why The Ramones are Overrated

I was scrolling through Facebook a few days ago, and ugh is that site becoming more and more absurd and insane by the minute it seems, but I saw a cool thing on a Run the Jewels fan page that I am a part of. In fact, all I have on my front page on Facebook is a few music things, a small amount of friends and sports news, so I was glad to see what I saw.

There was a question asked on the page. The question was simple, but it ended up getting well over 100 comments, in about an hour. The question, or statement was, "unpopular music opinion, Go". And man did people respond. The Beatles. Bob Dylan, Eminem, Bob Marley, EDM, these seemed to be the bands or musicians with the most mentions, and everyone hated them. I saw some other stuff that made my head crane. Someone called Prince overrated, that is wrong. Someone said Tool is better than Pink Floyd. On what planet is this true? People also said Lynrd Skynrd was better than Led Zeppelin. Not now, not ever.

I thought about these remarks, considered my instant reaction, but then thought about the question in place. The person who started this clearly said these are "unpopular opinions". So, after sitting, and thinking about it, I commented too. I mentioned my distaste for The Doors, Jim Morrison and The Beach Boys. I got some angry comments, but I definitely got more people that agreed with my stance. But today I want to put out what I deem to be my "most controversial music opinion". And before I get into it, no I don't have Drake on here, he is already widely considered trash by real hip hop fans. I don't have any of the younger, mumblecore rappers. That is trash too. I don't have the Grateful Dead because I have made my thoughts on them well known, much to the chagrin of two of my older brothers. I feel those are as simple as the people who trashed the Beatles, or gave a group like Limp Bizkit credit.

No, my unpopular opinion on music is, you all ready for this, I think The Ramones are the most overrated, least talented band that has ever existed.

BOOM!

There, I have finally said it. I know that I wrote about them as one of America's greatest bands, but I always felt dirty about it. I felt like I needed to take multiple showers after writing that, or just throw in the towel as a writer. I felt like a goddamn sell out. But now that I am in quarantine, and have been listening to a ton of music, I feel like I can go in hard on The Ramones. I even gave them a chance fairly recently to see if it was just me, if I was the problem. After about three songs, I knew that my initial thought was correct. They are, for me, not good at all. In fact, I think they are more well known as a band that sells t-shirts than a band that played music. I guarantee the myriad of teens and young 20 year olds that wear a Ramones shirt have zero idea who they are, but the shirt is now considered "fashionable". Getting to the music though, it is the most simplistic thing I have ever listened to. Yes, I play guitar, and I was in a few very crappy bands, but I am a mediocre at best rhythm guitar player. But, after listening to some Ramones, I feel like I could've easily been their lead guitar player. The music is so easy and so simple and so entry level. Chords, like major chords, are pretty easy after you figure out how to play them. The old saying goes, "if you know three chords, you can play most songs". Well, The Ramones made it even easier. Instead of playing major or even minor chords, they played power chords. For those that may not know, power chords only encompass 3 of the six strings, they are all on top of the guitar, the easiest strings to reach, and all you have to do is just hammer away with your fingers or a pick. The first time I was taught a power chord, I remarked to my teacher how much easier this was, and asked why more bands don't do this. He told me that it was too simplistic, and that I wouldn't learn if I just stuck with power chords. The Ramones made their living on these. That is insane. It is so easy and so minor and takes the least amount of effort. The same thing with their drummer. He was more brain dead than Meg White, another unpopular opinion from me I suppose. I don't think he even needed a full kit. He could have been fine with just one drum, maybe with a pedal, sticks and a snare. They didn't need anything else. It was just a simple three or four count on drums, and guitar for that matter, and I cannot recall any type of true solos from their music. And then we get to singing. I believe Joey Ramone was the singer(hell, I don't know, and to be quite frank, don't care), and man is he horrible. And this isn't a Dylan or Tom Waits thing, where it is an "acquired taste" This Ramone was just a bad singer. He more talk sang, a la Lou Reed, who I adore by the way, but it was worse. It is so hard to understand. I only know in "I Wanna Be Sedated" that those are the words because that is what the song is called. The same thing can be said with "Rock and Roll High School". I simply don't understand, don't get, any other words he is saying. I think he is one of the worst "singers" in history.

If I'm going to go full scorched Earth on The Ramones, KISS is a better version of what they were trying to do. I don't think they started the punk movement. I'm sure some band, or bands from Europe were doing punk before The Ramones. I don't care about the whole CBGB vibe. Way better bands played at this club that, by all accounts, was a dirty and disgusting place. For me The Ramones are an image. Their fame has nothing to do with their ability or their music. People liked them because they looked different. People liked them because they gave off the vibe that anyone could do what they did. Yet somehow they are in the Rock and Roll Hall of Fame, and looked at as a band that started a movement. I call BS on all of that. If I'm going to listen to punk rock give me Iggy and the Stooges or The Dirtbombs or, hell, that's it for me.

The Ramones stink, and I will go to my grave with this opinion. I do want people to tell me why I am wrong, right and put in the comments your unpopular music opinions. This is a very interesting thought exercise, and I want to hear from the readers. But, just know, The Ramones stink. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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"RTJ4" Breakdown: The Final Verdict

Wrapping up my week long deep dive into "RTJ 4", I want to talk about how important, influential and historic this record is.

This is one of the best records to come out in years. I have deep dived into each song, wrote a piece on the "ooh la la" video and have listened to it dozens of times to this point. It is a solid record with hit after hit. This is one album where you don't skip any songs. Each song has something cool and unique and different. The 11 tracks on here offer something to every listener. I feel like this is a record that can get non hip hop people, people who say they don't like rap, to listen and find something they enjoy. It spans genres and has something for everyone. It is a perfect record. It has made that seemingly impossible goal.

As for its importance, I mean, there are about a million different reasons why this is an important record. We live in dark, dark times. There is a pandemic, there is police brutality and murder, there is a "president" that is clearly a white supremacist. We live in the darkest timeline. We live in a "Black Mirror" episode right now. So the importance of "RTJ 4" is front and center. They talk about all of it, and then some. They cover all kinds of ground. "walking in the snow" has Killer Mike saying the words, "I can't breath" in a whisper, and he wrote that over two years ago. It is even more prominent now. This is the protest record that we all need right now. This is the record filled with anthems that will be played at rallies and protests and any other gathering of individuals that want change, that need change. We need things to be different. We need equal rights for all. Black Lives Matter. The police have too much money and power. The "government" is a sham and a farce. It is all covered on this album perfectly. Every time I listen I get the slightest sense of relief. I think that things are going to be okay. I have this hope that the future is in good hands. And a lot of it is due to the searing lyrics on "RTJ 4". A lot is also due to Killer Mike and El-P. And I know during the week it feels like I haven't spoken about El-P enough. I want to say that he is tremendous, a great rapper, an excellent producer and beat maker and the best partner Killer Mike could have ever asked for. El-P is awesome. Killer Mike just does something otherworldly on this album. They both have gotten better, Killer Mike is just in a whole other echelon right now. He grew leaps and bounds on this album. He is the voice of the new generation. I know he may not want that position, but dammit, he is too important to all of us right now. Listen to the album, and then go watch him speak on the myriad of shows he has appeared on for the past month. He is speaking the truth.

As for the album’s influence, I am sure, almost 100 percent, that there are kids out there, teenagers, kids in their early 20's, who want to make important political music, and their gateway, their textbook, will be "RTJ 4". There is going to be a big group of people that come up in the next decade, and some that will hit it big, I would bet any money that they reference "RTJ 4" as the reason why they decided to push on. Just like 70's rockers thank old blues musicians, or Daft Punk talks about French synth music, or The Beatles talking about Little Richard, that will be "RTJ 4" in the future. I have no doubts.

And as for its history, hell it is all above. This record is going to go down as one of the greats. Years from now, it will be on best of the early 2020's lists. This is going to be a record that all publications and websites as the revolutionary record of the 2020 pandemic. People will talk about it as an election year record. It is going to be talked about for years and years to come, and that is such a great thing. There is a movement happening. People are fed up, we are angry, we don't like the police or the "government" and enough is enough. "RTJ 4" is the soundtrack to this revolution that is going to happen sooner rather than later. It is one of the best records that have ever been put into existence, and it will be remembered for all time.

I thank Run the Jewels, and I am so very impressed by what they did. I am going to go listen to the record the 100th time now. I suggest you do too. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

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SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

"RTJ4" Breakdown: Day 3

Today I am going to talk about the last three tracks on "RTJ 4", leaving tomorrow open for me to talk about why this record is so revolutionary and so important. Let's get to these tracks first.

"The Ground Below" comes in hot, with distorted instrumentation, and man does it bang. Killer Mike comes in and destroys right away, saying he is "Godzilla and we are all Tokyo". That is perfect. It says it all in 6 words. He then talks about supporting sex workers unionizing. Gosh, he is the man. Then El-P does the chorus, and he then gets a verse. He goes hard on this track. His rap style is so perfect for the music that plays over this song. It just works so perfectly. I also love when he says, "this isn't a conspiracy, but you all are against me". The song then drops off for a minute, slowing down, and then fast drums and Killer Mike comes back in, speaking so many truths, as he does this whole record. I also love how he tells us, the listeners, that they have given us all so much for free. It is true and I love him for that. This song starts fast, slows down for about 15 seconds, then finishes with a deafening boom. There is so much heat packed into a less than three minute song. RTJ have become masters of doing that.

The next track, "Pulling the Pin" features Josh Homme, from Queens of the Stone Age, on drums, and Mavis Staples on backing vocals. Those 2 are a get, especially Staples. To get Mavis Staples on a track, that shows importance, fame, influence and attention they've garnered over 4 records now. That is an achievement. The song happens to rule as well. Homme's drumming adds a very cool layer to the music. I also really like the ominous beat that is attached. It is slowed down for a purpose, and El-P comes on first, almost speaking directly to us rather than rapping. It is awesome. The stuff he says is very profound too. This is his Killer Mike, his Jordan moment. He shines on this first verse. I find myself going back to this song a lot more lately just to listen to the lyrics. To study them a bit. And after his verse is when Staples comes in, and just hearing her voice is a treat. Then Killer Mike comes in and does that super fast lyricism, but it is understandable and the words hold weight. He then slows it down and really shines through. He is so good on this record, and I feel like he is cementing himself as one of the best emcees of all time. In fact, both him and El-P are climbing up the rankings as best rappers in the game right now, and forever. Staples then finishes the song off, and it is great. She is one of the all time greats, one of the classic singers of all time.

The final song, "A Few Words for the Firing Squad(Radiation)", reminds me a lot of "A Message to the Shareholders/Kill Your Masters", off of "RTJ 3". It starts off with a repetitive guitar that gets louder throughout. Then El-P starts off the song, and much like the track before, he is so smooth with this slower beat. When the saxophone comes in, that just adds a whole other layer to their music. It shows growth, and a want to try new things from RTJ. I love it. Then Killer Mike comes in with a very personal story about his mom's passing. It is painful and sad and, for anyone that has experienced loss, it is relatable. He then talks about how people want him to become a voice for change, but how his wife wants a husband and not another martyr. I love when artists get personal as I said yesterday. Then El-P does his thing again, and Killer Mike does as well with the second verse. They both come at you hard in what is their final verse of the album. Both personal, both telling it like it is and both crushing. The song then drops for a minute, and we get strings, with that guitar, except really slow. Then sound explodes, and the saxophone is put on full display. It is very cool, and they let the listener sit in this for about a minute. The album then totally drops, you may think it is over, but then a narrator of sorts comes on and gives a very cool speech about the two of them over a dope beat. The song has a little chorus of "yankee and the brave", and the album is over. It is perfect.

I love, love, love this record and all the songs. I will get fully into detail tomorrow, but it still needs to be said today. "RTJ 4" is a god damn work of art, and we really, really need it right now.

Ty 

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

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SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

"RTJ4" Breakdown: Day 2

Okay, so the next 3 songs I'm going to talk about off "RTJ 4" run the gamut of greatness, importance, revolutionary and may be the best three song sequence I have ever heard on a record in my lifetime. These songs are going to go down in history. Especially the first one I'm going to speak on, "Walking in the Snow".

“Walking in the Snow” is the anthem for the current mode of society. This song speaks so many truths it is insane. The fact that this was written well before what is currently going on in the country involving the police is foreboding. It has some "Simpsons" type vibe to it as in predicting the future. The song starts off with a very cool, very distorted guitar. Then it shifts right into verse one, and El-P crushes. He is so good at talking about how bad the world is. How people are treated unfairly because of their place in the world. He says so many things that I agree and can relate with. Throw in the fact that Gangsta Boo is doing the chorus, it makes this song great. What makes this song legendary, historic and profound is Killer Mike's verse. The way he breaks down school scores in world wide testing is perfect. When he then shifts to this is how they predict what prisons will be like in the future, I swear to goodness he is an oracle. He then hits us with the verse where he talks about a police officer choking him out until he says, "I can' breathe", it took my breath away in the best, and most prolific way I have ever been through when listening to music. To then follow it up saying the best it will get out of people is a Twitter rant and people talking for a week, then just forgetting about it, I don't know if a truer statement has been made in music. Both come back with minor verses to close out the song, and I love what Gangsta Boo does at the end. But, "Walking in the Snow" is going to become the anthem for the time. It will be our new "Fuck tha Police", our new "Fight the Power", our new protest anthem for decades to come. This song was a vision of the future when they wrote it around two years ago, and to hear it now, it brings a shiver down my spine by how accurate it is. It is, without a doubt, the most important song on the record, and might be, scratch that, is the most important song of the year, and possibly decade.

They follow that up with "JU$T", which features Zack de la Rocha and Pharrell Williams. This song is a perfect encapsulation of people trying to make money off their image, but being controlled by the government and the powers that be. Killer Mike mentions all this in the first verse. He also does it later in the song when he talks about telling us to "Kill Your Masters", which is also a great, important song. Pharrel Williams is fantastic on the chorus. The things he says are so true, and the way it is put out there is perfect. El-P then comes in and reiterates what Killer Mike says, but puts his wonderful spin on current affairs. He is a great, great writer. Add that to his production, the guy is a genius. His comedy line at the end of his verse is dope as hell too. Then de la Rocha comes in and spits straight fire like he has always done. His verse is brutal, he rips everyone and the verse apart. I love the distortion he uses on the mic too, that is kind of his signature. When he teams up with RTJ, it is going to work no matter what. When the three of them are together on a track, that is what gives me my most visceral moments when I listen. I yell out in my car, or on my runs whenever I hear the three of them trade verses. It is true beauty.

"Never Look Back" is RTJ at their bleakest on this record, but they do that better than anyone. This song is all about not dealing with the BS, at least for me. They both had rough childhoods it sounds, but they are pushing ahead and trying to right their wrongs. This song is kind of like them growing up on the mic. It is really cool to hear them talk about personal experiences, and how they have grown from them. I like when artists bare themselves on tracks like this. They also slow this one down a bit in the middle, but come back with a vengeance, and of course it works. When El-P comes back in after the little slow down, and he and Killer Mike trade words and verses, it is such a great way to close out this near perfect track.

These three songs are some of the best songs, in any genre of music, that I have heard in quite some time. This is the point in some records where it might drag. But "RTJ 4" is different. They take this time to really push their message out there. They let it all out on these three songs, and like I said at the top, these songs are going to go down in history as three of the most important songs in music history. I do want to single out "Walking in the Snow" one more time. That song will be talked about forever. I feel like my son will be talking about it when he is my age. It has that kind of staying power. This run of songs only solidifies how perfect "RTJ 4" truly is.

This is one of the best runs of songs on an album of all time. This is like what The Beatles did on "Abbey Road". I'm not joking, and that is the highest of high compliments from someone like me. These songs are perfect. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

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"RTJ4" Breakdown: Day 1

Welcome to day two of my week long review of the modern masterpiece that is "RTJ 4". Today is when I start to talk about the songs individually. Like I told you yesterday I will pick three songs a day for the next few days and break them down, tell you why they are perfect songs, and what makes them perfect. Since I have already touched on the first two singles, "yankee and the brave" and "ooh la la", plus a piece on the video, I will not cover those. You can read my thoughts on those in three previous blogs.

I'm going to start with the third song on the record, ""Out of Sight". This was the lone song I had slight reservations about prior to the release because I saw the guest was 2 Chainz. Well, I have learned a lesson. I should never, ever doubt what RTJ is doing, and who they invite to guest on their songs. It is going to be a bomb ass song no matter what. This song has a beat that feels like it could be played on pop radio, and then they start to rap. The song is less about affluence and why that is important. It is more about why that stuff is not so important. They go on and on about certain rap cliches, and then skewer them. They are so good at doing that. And both Killer Mike and El-P trade bars liked two very well seasoned emcees. The way they go back and forth is dizzying and mesmerizing at the same time. The hook is cool too. It is just them saying "out of sight", with some lady singers singing other words. Killer Mike then comes in after the first chorus and just CRUSHES his verse. It is one of the best displays of rapping I have ever heard. I feel like this song was almost a contest between the two of them to see who could say words faster. And then 2 Chainz comes in, and I have to admit, he explodes with his verse. He is a good rapper and he proves that on this song. "out of sight" is dope and has that "radio single" feel off this record. It has that "ooh la la" feel to it.

The next song is called "Holy Calamafuck", and man oh man does this song hit. The beat is dope as hell. The record scratching is so cool. The beginning works so perfectly. Then Killer Mike comes in and, like he does this whole record, just absolutely owns the song. Don't get me wrong. El-P has his moments, he is awesome. I have just been a Killer Mike guy from before RTJ, and he goes to a whole other level on this song, and this record. When the song totally shifts, that is some Flying Lotus type stuff they do. In the middle of the song, actually after the first verse, it sounds like a brand new song. It isn't though. It is like the coolest, most unique bridge I have heard. El-P also destroys when they go to the change in tempo. They kind of slow it up, and do the whole "chop and screw" rap, but make it sound cool. It is such a unique, and new way to present a rap song. Of course only RTJ can do something like this, and make it work so well.

The final song for the day is "Goonies vs E.T.". I don't think the song has anything to do with either movie, but it sure as hell lets both guys do their thing. They are just so god damn good. With each song they get better and better. With each listen, I find something new that I like and missed. They also slow this song down during the chorus, and then go into super kill mode, trading verses back and forth. It's only three minutes long, but it is a jarring three minutes in the best possible way . And Killer Mike coming in at the end is absolutely wonderful.

This first part of the record, I feel like both guys are showing how good they are at rapping. Not only do they write great lyrics, important lyrics, but they put them out there in the best possible way. I adore this first part of the record. And, if you think I'm fan boying a bit too much today, just wait until tomorrow and Thursday. The back half of this record is perfection. I'm just saying. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

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SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Ty Listens to "RTJ4"

Last Wednesday I got an email, as well as millions of others I expect, that Run the Jewels had decided to release their fourth album two days early.

I was obviously ecstatic.

I have been anxiously awaiting this album. I have been talking about it on the pod, in my writing and to anyone that will listen about my excitement. I also teased on a podcast a few weeks back that when they released the album I would dedicate an entire week to it. I'd like to welcome you all to that week. That will be my singular focus for the next five days. I'm going to give a review today, something short and sweet. That is because the next four days I will be talking about three songs per day, and then telling you all why I think it is the single most important piece of music out there right now.

Which leads me to my review.

This album is amazing. It was more than worth the wait. You can hear how much they poured themselves into this album. You feel it with every song. I love all of their albums, and I do not think I am being a prisoner of the moment when I say I feel like this is their best work to date. That is also why they are the best group in the world. With each record they continue to grow, try new things out and get better and better. El-P said on Talib Kwali's podcast that they have worked their hardest yet on "RTJ4", and it clearly shows. From the beats to the lyrics, it is a phenomenal, seminal piece of musical art. This goes beyond genres. This isn't simply the greatest hip hop record of the year, it is, without a doubt, the record of the year. It goes past genres. It is too important to be pigeonholed that way. They do so much more than just rap on this album. I knew they were political before. They have stood up to injustices the world over. Killer Mike is one of the most profound and prolific speakers we have in our country. They take all of that to a whole other level on this album.

I cannot wait to tell you all about some of the songs on this that will become anthems, that will stand the test of time and be talked about for the rest of my life. I am letting my children listen to this record because I want them to know what is going on, and how Run the Jewels, myself and millions upon millions of others feel about the state of the United States right now. It is more than just music for me. This is the start of a revolution that I will fall in line with 100 percent. I will follow Killer Mike and El-P to the ends of the world. I have listened to this record around a dozen times, easily I might add, already. And I will listen to it millions more before the month of June is over. Run the Jewels is becoming the mouthpiece of the new generation. They are my era's Public Enemy, and sorry to RD for writing this, only they are better, and more important. That's the honest truth, and I adore Public Enemy. But when El-P and Killer Mike got together to make this record, it must have been that Jordan feeling for them. They must have known that this was going to be extremely important, extremely loved and talked about as one of the greatest records of all time. I already know that it will top my best of 2020 music list. Hell, the video for "ooh la la" may even be on my best of movies list. I cannot stress enough how important, influential and game changing this record is.

I know that RTJ is supposed to go on tour with Rage Against the Machine next year as their opener, but I feel like RTJ may be more suited to being the headlining act. They are that good. I have always loved these guys, even before they formed RTJ. But the idea they had to pair up was lightning in a bottle, and they have only gotten stronger and stronger with each record and each tour.

Run the Jewels continues to amaze me, and I am glad that I live in a world where they release new music, for free I might add, and it is this god damn good. Please, do yourself a favor and go listen to this album right now. As I said, there will be much more in depth pieces this week. But for today I just want to point out that this is the best record of the year, it is the most important record of the year and it will go down as one of the greatest records of all time. So yeah, I love "RTJ 4".

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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