Ty Watches the New "Clone High"

Back in 2003, while living with RD in a townhouse, I stumbled upon a show called "Clone High". I didn't think much of it at the time, but it very quickly grew on me. I loved the show. I watched each week. I had to see it. It was a TV show on MTV that felt worth my time. When it was canceled after one, 13 episode season, I was bummed out. I thought the show could use more time. I thought it was going into more promising territory. I started to care about cartoon characters and their story arcs. But in an instant it was gone. There were always rumors that it may come back, but I never fully bought in.

The show was created by Lord and Miller, and they have clearly moved on to bigger things. But the show did come back. They officially announced it awhile back and I was amped. But then I kind of forgot that it was coming back. With HBO Max switching over to Max and announcing a ton of canceled shows, I just assumed "Clone High" would not be made. But it is back and I am loving it as much as I did before.

So far I have watched the first four episodes and I cannot get enough. It still has the feel of the original show. Everyone is back, except for Gandhi, and they have added new people. Gandhi was, quite possibly, the best part of the show, and I do not know why he isn't back, but the transition has been pretty seamless. Abe, Joan, JFK and Cleopatra are back. So is Professor Scudworth and his trusty robot assistant. They have added another evil shadow government villain, and a good amount of new students. Harriet Tubman, Frida Kahlo, Christopher Columbus and Confucius are here, and I have enjoyed all of them so far. They also have most of the original voice cast, and the actors cast to voice the new characters are great as well. I really like how they did the new premiere too, thawing out the old students and just setting them down at Clone High in 2023. I like how the show is taking on cancel culture and male toxicity. I have read that some people are calling the show "woke" and opining for"the good old days when you could tell real jokes' '. I hope those people realize that, in the second episode, they are who Topher Bus is being. He is a little shit online and hides behind a screen name. That is how all of those people bad mouthing the new direction of the show act and sound. They need something to complain about so they go on their computer in their parent's basement and gripe. Topher Bus' portrayal and the writer's portrayal is spot on. I like the new direction of the show. Things evolve. People grow up and change. The world changes. And the people behind the show have to have realized that it has been 20 years and they cannot say some stuff they did in the early aughts. That is a sign of maturity.

I'm all in on the "reboot" or second season or whatever we are calling it. I want it to stick around for longer than a season. They have a formula that works and works really well. If you liked the original version you have to watch the new version. It is a really decent throwback and I remembered instantly why I liked this show in the first place. Check it out. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

A Review of the First Broadcast Hour of MTV.

On August 8th, 1981 MTV was launched, thus began the dawn of a new age in cable television. Joining TBS, HBO, and ESPN, MTV would go on to become one of the most important, and polarizing, channels in cable music history.

Recently, the first four broadcast hours of MTV was downloaded to the Internet Archive (you can watch it here). The video is old, and it is missing a few moments. Still, most of the legendary early moments of MTV are intact. Some of those early moments are iconic, some are very forgetful. I decided I wanted to go back and rate those early videos and find out if they have stood the test of time. There are three criteria I will use to rate the MTVness of that first hour.

Is the video any good?

We are obviously using late seventies/early eighties technology, so I will grade on a curve.

Is the video memorable?

Obvious one here. Do we still think of this video almost forty years later.

Did the video kill the radio star?

The 1980’s saw a rise in one hit wonders, and many people think it is because an average band had a good video on MTV. I will ask did the video elevate the song.

One last side note. I loved MTV. I still bitch about the day “Remote Control” came on and doomed my beloved channel to not being the “nothing but videos” spot on my cable box. I also tell everyone I know that I stayed up to watch the launch of MTV. Since I was six years old in August of 1981, I highly doubt I did stay up, but the legend has become reality in my mind.

Alright, let’s get to it.

12:00 AM, Eastern Standard Time August 1st, 1981

Video and audio of the Space Shuttle getting ready to launch. A countdown. Shuttle engines start. The scene switches to the launch of an Apollo rocket. Neil Armstong on the Moon. And then the words “Ladies and Gentleman, Rock and Roll. The MTV flag next to the Moonman and the iconic guitar riff that will forever be associated with Music Television. Transition right into the first video in MTV’s history.

“Video Killed the Radio Star” The Buggles

We all know this was the first video ever. I always thought it was made for the launch of MTV. I was wrong.

Any good? Absolutely. It was a video, not just concert footage. It told a story. It looked cool. Everyone was wearing shiny silver. The backing vocals had on cool glasses. It ushered in the future.

Memorable? We all know this video. The answer is yes.

Did the video kill the radio star? Yes. The Buggles eventual joined the band Yes, but their song and video for “Video Killed the Radio Star” will always be a part of history.

The first commercial on MTV is an ad for…MTV

“You Better Run” Pat Benatar

For decades I have been telling people that the second video ever on MTV was Pat Benatar’s “Love is a Battlefield”. Two things. I was wrong, and I have never ever heard of this song.

Any good? The early days of MTV was all about selling an image. Pat Benatar was one of those early images. Tight leather pants, bold lipstick, short hair, I’ll beat your ass attitude, Benatar was a pioneer in this arena when MTV was in it’s early days.

The video for “You Better Run” is mostly just the band performing, but it focuses on Pat Benatar. That is what separates this video from many others we will see in the first hour.

Memorable: Pat Benatar made much better music, and music videos, after “You Better Run”. I already mentioned “Love is a Battlefield”. This should not be in Benatar’s highlight reel.

Did video kill the radio star? Not this video. Pat Benatar was just getting ready to blow up on MTV and on the radio dial.

Now we meet the VJs (video jockeys in case you did not know). We start with Alan Hunter, then Martha Quinn, followed by JJ Jackson, Next up is Nina Blackwood, and we end with Mark Goodman boldly proclaims that MTV will do for music videos what FM did for music.

In the ad break we see commercials for a three ring binder called The Bulk, a promo for the movie “Superman II”, and then some words from Dolby Laboratories.

“She Won’t Dance with Me” Rod Stewart

Another artist who would make a name for himself in the early days of MTV, and yet another video I have absolutely no memory of.

Memorable: Obviously not. I just said I have no memory of it.

Any Good: Another performance video, but this one does show off the style and antics of Rod Stewart. It is also shot in a black room with white polka dots.

Did video kill the radio star: We all know Rod Stewart for his music, not for his music videos. There is no way “She Won’t Dance With Me” was ever going to deter the incredible career of Rod Stewart.

In the ad break is when we first see the iconic guitar smashing into a tv MTV ad.

“You Better You Bet” The Who

Love em or hate em, The Who is one of rock’s biggest acts. “You Better You Bet” is when The Who were getting away from their “Tommy” and “Quadrophenia” days and just trying to sell some records.

Memorable: The song is popular. The video? Not so much

Any Good: A straight up performance video, but it is shot in classy black and white.

Did video kill the radio star: The Who were already a global success. If anything, the laziness of the video may show that the radio star was not ready for video.

In the break, VJ Mark Goodman explains how you can mail away for a sticker to place on your stereo’s FM dial so you know where you can watch MTV on your television, and listen to the music through your stereo. We are then treated to a Mountain Dew ad followed by a plea from the Interfaith Hunger Appeal. REO Speedwagon then appears and tells you when you watch their next concert live on MTV.

“Little Susie’s on the Up” PH.D.

I have never heard of PH.D., and after doing a little research I know nothing significant about the band.

Memorable: After seeing it, yeah it is memorable because it is all over the place yet still tells it’s story of a dance competition.

Any Good: Being memorable and being good do not go hand in hand. “Little Susie’s on the Up” is exhibit one. We have piano playing, a butcher shop, hairdressers, ironing, a dance competition, snotty dancing people, and a top prize of a jar filled with olives, I think.

Did video kill the radio star: The insanity of this video is much better than the terribleness of the song.

“We Don’t Talk Anymore” Cliff Richard

I was getting ready to say that this is a no name artist left over from the AM Gold era, and a terrible video, and then I researched who is Cliff Richard. Holy crap. This guy is one of the best selling and beloved artists in British music history, and he is a knight. Sorry Cliff.

Memorable: Nope, just a guy swaying and singing with a guitar superimposed every now and then.

Any Good: The dude may be a legit superstar, but I still think the song and the video sucks.

Did video kill the radio star: Obviously not. Cliff Richard was already big by the time this snooze fest came along.

“Brass in Pocket” The Pretenders

A Hall of Fame band with a Hall of Fame video. Absolutely legendary.

Memorable: Hell yeah it’s memorable. This video shaped the way I hear the song “Brass in Pocket”. Whenever Chrissie Hynde says “special”, and the band responds with “special”, I always picture one of the guys pointing to the word special on the menu. It is so cheesy and so awesome.

Any Good: This is the best video to be shown on MTV in these early hours. It has a story you can follow and the iconic use of the special on the menu.

Did video kill the radio star: This is a great video, and it introduced many people to the awesomeness of The Pretenders, but no the video did not overshadow the music.

“Time Heals” Todd Rundgren

Music legend, and not in the Rock and Roll Hall of Fame for some reason, Todd Rundgren sings a song while he interacts with a bunch of surrealist paintings by Dali.

Any Good: It is different. If you like different, then it is good.

Memorable: I never saw it until I started this project. I will now never forget it.

Did video kill the radio star: Todd Rundgren has never been known for his videos. He is known for being one of the most influential people in rock history. Explain to me again why he is not in the Rock Hall.

“Take it on the Run” REO Speedwagon

Side note: The video I was watching cut this music video a few seconds after it started. I do however feel like I got the spirit of the music video by those few seconds.

Concert footage from REO Speedwagon singing one of their most popular tunes of the time.

Any Good: Bland concert footage from a bland band, so no.

Memorable: Maybe if you saw the Speedwagon at a county fair, this video could bring back some memories.

Did video kill the radio star: Not this video.

In the ad break, VJ Mark Goodman once again tells us where we can get the MTV dial position sticker. This is followed by an ad for Chewels gum.

“Rockin Paradise” Styx

Dennis DeYoung is alone on stage with a player piano. DeYoung is sporting an epic fro and killer mustache. He is singing a quiet melancholy tune. And then it gets real. The rest of the band join DeYoung and proceed to rock your world.

Any Good: Basic performance video with a crazy looking Dennis DeYoung

Memorable: Not really. Outside of DeYoung, standard rock performance.

Did video kill the radio star: If you love Styx, it is not because of this video. If you do not love Styx, this video will not convince you.

In the ad break we are told that Andron is the first pheromone based fragrance and the whole family, including the dog, enjoys playing Atari.

“When Things Go Wrong” Robin Lane and the Chartbusters

The biggest hit from a band I have never heard of. A video with a story. Lady goes to a colonial town, sings towards the sea as we follow a guy go on a big ship. The end.

Any Good: At least it is not a performance or concert footage video.

Memorable: Already forgotten.

Did video kill the radio star: I think video was supposed to launch the radio star. Did not happen.

VJ Mark Goodman introduces that MTV will cover the music business in all fifty states. Up first is a report by Bob McClain on the New York homecoming of The Ramones. We are then treated by an ad for The Movie Channel. We also get our first experience of the “Don’t watch that, watch this” MTV promo.

“History Never Repeats” Split Enz

A New Zealand band that never quite made it in the states. At least they had this video which is mostly the lead singer in bed while he sings the tune.

Any Good: Not that bad. They tried to make a visually interesting piece of art.

Memorable: They really did not succeed. Split Enz seems like an early version of the alternative artists that will take over MTV in a few years. They definitely had the eighties pop pretty boy look going.

Did video kill the radio star: Like Robin and the Chartbusters, I think this video was supposed to launch Split Enz. Alas, it did not work.

“Hold on Loosely” 38 Special

A famous band performing their famous song in concert.

Any Good: Do you like the song? Come watch the band play the song in front of people.

Memorable: Concert footage of a semi famous band. You do not need to watch to enjoy the song.

Did video kill the radio star. This is not a video. 38 Special did ok with out the visual aspect of their craft.

That is the first hour of MTV. Thirteen videos, along with introduction of the concept, and the VJs. This was what MTV launched as. A mix of new artists using the new medium, and a bunch of old artists showing you their concert footage. The good thing is after hour one, I am intrigued to see what is in store for hour two. How about you?

Overall review - I WANT MY MTV.

RD

RD is the founder and Head Editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support us and the podcast on Patreon.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.  

Teen Mom Has Jumped a Palin Sized Shark

Get the Palin’s off my television already

I've been talking about sports a lot the past couple of weeks. And, I still have a good amount of sports stuff in the hopper, but I'm going to take a bit of a break from it for a minute. Today I want to talk about a show that I have talked about a few times on this website.

So, I have written a few things about the show "Teen Mom". My wife loves it, I have grown to like it, I have watched it from the start, I have watched the spin offs and other iterations of it, and I have even given it some praise. I do appreciate that, at first, MTV showed how un glamorous life can get when you have a baby, and you are a teenager. They did that really well in the beginning.

Then, as the show grew bigger and bigger, and the kids became more "famous", I started to kind of get annoyed. I have vocalized as much to my wife. A good group of the teens, who are now in their 20's, act like they are important and, as I said before, "famous". Most of them have even started their own businesses, the majority of them, and this is just insane to me. Just because you are on TV does not mean that you will be able to sell children's clothes, or clothes for grown ups or food or treats. Starting a business is hard, hard work, but I feel as if these kids feel entitled to this. I feel like they think they can do no wrong now just because they are on TV. Some have even taken the "acting"/podcasting route. Basically, these kids are trying to do anything and everything they can to stay in the public eye. To stay "famous" if you will. 

It got so bad, one of the original girls, Farrah Abraham, did some adult movies. After these "movies" blew up, she started to act like she was the most famous of all the famous people. Now, Farrah Abraham is not famous. Not at all. She is as far away from it as I am. But, when you saw her on the show in the last season, by the way she carried herself and talked about herself, you would have thought she was a star. It got so bad that MTV fired her. She said she was going to continue to make adult movies and they said they didn't want to be in business with her. They went their separate ways and I thought that might be the end of the original "Teen Mom".

I was wrong.

This is where we get to my main point of my blog today. My wife told me, maybe around 6 months ago, that the show was coming back, and that they were adding 2 new moms. I was a little stunned by this news. Then, I wanted to know who the new moms were. She told me that one of them was a person that was on some other MTV show, and the other was Bristol Palin.

This news was upsetting. The show was already starting to go down hill, and I thought that the firing of Abraham was a good way to end the first run. Well, I guess MTV and I had a different idea. I feel like they thought adding someone like Bristol Palin would re energize the show.

They were so, so wrong.

Yes, my wife and I still watch the show, maybe we are gluttons for punishment, but this new season has been really, really bad. It has been boring too. First off, they are still calling the show "Teen Mom O.G.". The "O.G." stands for "Original Girls". This is a smack in the face to what O.G. really stands for, original gangster. The title was off from the jump, and it has always bothered me. But, now it doesn't make any sense. Sure, they still have 3 of the 4 moms when the show started, but now there are 2 new moms. The whole "original girls" is simply not true anymore.

And, before I shred Bristol Palin, I do not mind the other new mom. Her name is Cheyenne, and she seems fun and I like her, her baby and her baby's father, who is from multiple other MTV shows. And for the "original mom's" still on the show, they are just dull now. Their stories are either super depressing or, I just don't care about them anymore. Maci is the most stable, but I'm bored with the stuff with her first son's father, Ryan. Ryan needs to get real help and not constantly have his name dragged through the mud by MTV. He has a serious drug problem, but MTV just seems to keep showing it because it is the most "interesting" thing about Maci's life now. She has also started some kind of business, and anytime her, her husband or any of their friends are on TV, they all have to wear a shirt with the company logo on it. It is the lowest level of product placement. Amber is just flat out boring now too. I feel like she is trying to drum up her past anxiety stuff just to stay relevant. The stuff with her new son, and his dad, is very blah. Gary and his family are just a normal family. His story is played out. I tune out completely whenever she is on screen. And Catelynn and Tyler need to get real help too, just like Ryan. Unlike Ryan, they don't have a drug problem, they have a relationship problem. Their marriage seems to be on very thin ice, and instead of MTV trying to really help them, I feel like they are pushing the problems for ratings. Their story, when it started, was the best, but now, it is just depressing and rough to watch. They are the only couple that I "feel" for, and I just feel horrible for both of them.

Then there is Bristol Palin. Why does anyone anywhere still care about her, or her family? Didn't the Palin's stop being relevant around a decade ago? You know, when her mother made an ass of herself on national TV over and over and over and over again. I had forgotten about them, and did not remember, at all, that Bristol was once a teen mom. Then she shows up on MTV. That was a real kick in the teeth. In the season premier she was at some kind of pre wedding party, or some kind of nonsense, and I heard her mother's grating voice. I then heard Bristol's whiny voice. It was ridiculous. It made me mad. I was so disappointed in a MTV show that I actually used to like. The addition of Palin to "Teen Mom" really feels like a nail in the coffin. She, like much of the cast, is boring. She makes shit up just to seem interesting. She is always fighting with her now ex husband, who is clearly suffering from horrific PTSD that MTV uses for ratings, as opposed to getting him the real help he needs. Her fits and complaints and whining to the producers is so stupid and seems acted. I don't really think that she is as upset as she portrays herself. I don't think she is as good a mother as she thinks she is. There was one scene where she is basically pimping her son out to be on a dancing competition show just so she can stay in the limelight. The scene made her seem like a stage mom. And I do not like the way she talks to her kids and her ex husband. She acts like she is so much more important than all of them. She has this air of superiority that is so off putting. Bristol Palin was a horrible, stupid and far reaching choice to try and stay relevant from MTV.

"Teen Mom O.G." is bad, and it is getting worse. Even my wife, who LOVES shows like this, has bounced around the idea of us stopping the show. She is getting fed up. This was a bad addition, and it should be the final thing needed to cancel this show. MTV is no longer trying to help these kids. They are no longer trying to show how hard it is to raise kids. They are using these kids. They have given these kids an air of entitlement that they have not even come close to deserving. "Teen Mom" is just bad now. It is not even fun bad, like "The Room", it is just bad. Bristol Palin has made this show bad. And MTV has not tried to change it at all. They had lightening in a bottle, but the time has passed. They need to rid themselves of this mess. It is rough.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Once again MTV, Ty is up for a mid thirties mom show. He has a great opportunity right in the middle of the country.

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SeedSing's Advent Calendar of Awesome Holiday Television Programs: Day 14 - "Beavis and Butt-head Do Christmas Part 2: It's a Miserable Life"

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday television program for every day of Advent. This is the greatest tv of the season. Enjoy.

Day 14: "Beavis and Butt-head Do Christmas Part 2: It's a Miserable Life"

Original air date - December 19th, 1995

Opened Doors: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten, Eleven, Twelve, Thirteen

ed note: The first part of the special titled Huh-Huh Humbug is still great. It is a modern take on A Christmas Carol but this time a porno film features heavily. We have, and will have, written plenty on Scrooge-like shows. Today we will only focus on the back half of a must watch holiday program.

There is someone in our lives we could just do without. Maybe it is a co-worker, a boss, that terrible person in front of you at the grocery store, there is always someone who makes the world a worse place. It is not the way of a good person to wish death on this bad person, but we often times just wish they were never in our life to begin with. Without the terrible person, the world would be a much better place.

The 1995 Holiday episode of the MTV classic Beavis and Butt-head ended with the idiotic titular duo's take on the Christmas classic It's a Wonderful Life. The episode even begins with our heroes making fun of how dumb the source movie actually is. These guys know dumb, they spent the last few years deconstructing the still youngish genre of music videos. Their opinion is gold.

Like all great holiday television homages, this particular Beavis and Butt-head adventure mimics It's A Wonderful Life wonderfully. There's the guardian angel, the world without our hero, Butt-head this time around, and the happy ending, so to say. 

In this version, the world is a much better place if Butt-head was never born. Burger World has customers, Anderson has a yard Hank Hill would be envious of, McVicker has some rockin hair, and Stewart is wearing a Poison shirt, and has some self-esteem. To make the world even more nightmarish to Butt-head, Beavis is Stewart's lackey, and his former best friend is rockin a Winger t-shirt. Things get to a breaking point when Butt-head calls Beavis a bung-hole, and Beavis has no idea what that means. This is not a world Butt-head wants to know.

The guardian angel Charlie (or Charlie Angel as Butt-head calls him) tries to convince Butt-head that the world would be better without him in it. When Beavis reappears and calls his friend a bung-hole, Butt-head is convinced that Charlie Angel does not know what he is talking about. The guardian angel proceeds to fall off of a bridge into icy waters, and the boys stupidly giggle home to watch more tv. All is as it should be.

That person we hate means something to someone. We should be in a more charitable spirit during the holiday season, and we should not wish ill on others. Would you like it if your best friend was wearing a Winger t-shirt in your absence? Did not think so.

RD

RD Kulik is the Head Editor for SeedSing and the other host of the X Millennial Man Podcast. Beavis and Butt-head, along with 120 minutes, were the only places he could catch alternative music videos. He appreciates that.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

The Merits and Virtue of "16 and Pregnant" and "Teen Mom"

MTV is the model of highlighting kids having kids

So, for all of my posts this week, I wanted to try something a bit different. My wife and I were talking the other day and she told me that I should argue a point that I don't necessarily agree with. All five posts this week will be topics given to me that I have expressed a dislike for to, either my wife or everyone who reads my blog, but I have to give the opposite view. I have to explain why these things are actually true, or that they at least have some good qualities. This is going to be a weird, but also very fun, and maybe even a bit difficult, but I'm up to the task.

Let's get started with the first topic. The topic sentence my wife gave me today was, "explain why shows like "Teen Mom" and "16 and Pregnant" are, in fact, not garbage reality TV, but that they have had a positive impact on society".

Here we go.

I first saw "16 and Pregnant" about 6 or 7 years ago. My wife has a very deep love for reality TV, and I enjoy spending time with her, so I watch a lot of the shows with her. "16 and Pregnant" immediately held my attention. It was fascinating to see these children pregnant. They were literally babies having babies. It was unreal to hear these 16 year olds complain about always being hungry, tired and "feeling fat". I would say to my TV, "that's what happens when you get pregnant. You should have waited like 90 percent of the country does".

As the episodes wore on, I found myself seeing some good coming from "16 and Pregnant". I was happy that MTV was letting these girls be as real as they wanted to be about their not so good situation. I have 2 kids, one is 4 and the other is almost 9 months, and it is very hard. But, I'm a 33 year old adult. I lived my childhood and had a pretty much carefree teenage experience. The same cannot be said about the girls on this show. They had to deal with people saying things behind their back, calling them names and making fun of them. High school is hard enough, most people are going through puberty and almost everything is awkward, but throw being pregnant on top of that, that had to be brutal. So, the fact that the people behind "16 and Pregnant" had the thinking to let this reality show be an actual reality show, I give them big, big kudos.

The producers show you all the hard parts. They show the stretch marks, the clothes not fitting, the snickers, the loss of friendships, the pain of going into labor and delivering a baby, and then, to top it all off, they showed how hard it is to have an infant. You have to feed, clothe and diaper that baby when that baby needs those things. You are not the most important person anymore, your child is, and "16 and Pregnant" did an excellent job of portraying this. They also showed how terrible teenage boys are at being fathers. These kids, for the most part, had no interest in being involved after their child was born. They all still wanted to go play basketball, ride their bikes or continue to party. Well, all that ends when you have a kid. Some of the couples, while the girlfriend was still pregnant, were going to get married. None of them did, or if they did, I'm sure they are now divorced. "16 and Pregnant" definitely showed how real it is to have a baby. It is tough. Tack on the fact that the kids are teenagers, "16 and Pregnant" did an excellent job of not glorifying having a baby. I will always give them kudos for this. They let the viewing audience know how insanely hard, unforgiving and flat outbrutal it is to raise infants when you are still a child yourself.

A few years after I saw my first episode of "16 and Pregnant", another show came on called "Teen Mom". This show followed the girls from the first season of "16 and Pregnant". They waited a few months, even some a year, after their kids were born to see where they were. This was also an interesting wrinkle inside the life of a teen parent. For the most part, the couples that were still couples in "16 and Pregnant" had broken up. They were all inevitably stuck in some kind of custody battle. This seemed odd and selfish to me. Now, the parent that was absent when the baby was an infant, wanted to be involved because the hard part was over. They didn't have to get up in the middle of the night for feedings or diaper changes, most of the babies were sleeping through the night. That is so selfish to all of the sudden want to be involved in a child's life when the tough part is over. You cannot pick and choose when you want to care for your kid. You made that kid, so you should have been there all along, not when it is convenient for you.

Once again, MTV and "Teen Mom" did a very good job of showing how tough it is to be a teen parent. They show the kids going to court, or meeting with child protective services, or getting divorced, all before they turned 21. This was fascinating to me because, when I was 21, I was still living at home with my folks and had a dead end job and was going to concerts every weekend. I didn't have a kid to care for. Had I seen "Teen Mom" back then, it would have made me even more secure in my life decisions.

"Teen Mom" did not sugar coat how hard all this stuff is to do. But, what "Teen Mom" did that "16 and Pregnant" couldn't do, they showed all the joy that comes from having kids. These teen parents got to see their child walk, talk and smile for the first time, and so did we as an audience. We got to see many triumphs from the parents. Things like potty training be successful, families reuniting, and so on and so forth.

Look, I'm not one to watch reality TV, it just isn't my thing. But, I will say that shows like "16 and Pregnant" or "Teen Mom" are so much better and they actually show consequences to actions than any piece of garbage that the TLC Network puts on TV. "16 and Pregnant" and "Teen Mom" can also be given a huge thanks to the decreased number in teen pregnancy, so there is a real life correlation that these shows do work. If you are a teen, and you think you can be made famous by getting pregnant, I'd suggest watching "16 and Pregnant" or "Teen Mom", because it is not the quick and easy way to make money. It will alter your entire life.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. After reading Ty's thoughts, it seems like he is not pretending to like the MTV teen mom genre. He will be here all week folks. Follow Ty on twitter @tykulik.

The Greatest Television Ever: A Millennial History of Cartoons

As a child of the late 80's and the early 90's, cartoons have played a pretty pivotal role in my life. Everyone watches, and for the most part, loves at least one cartoon. They're impossible not to like and there is something for everyone. I'm not alone in this, I love cartoons, be they old or new. When I was growing up, I didn't watch too much TV. It's not that my parents forbade us from watching TV, it just wasn't really a viable option. They would send us outside when the weather was nice to play with friends and to play sports, and when it was cold outside, they always had some kind of activity for us to do, be it art, inside play, or when they would get crafty, we'd play "games" that involved cleaning the house. But, I did have friends that were allowed a lot of TV time, and when my folks would let us watch TV, I found plenty of cartoons that I thoroughly enjoyed. I was a big time Nickelodeon fan as a young child. I watched stuff like "Doug", "Rugrats", "Animaniacs" and "Pinky and the Brain". Those were my shows. They were wild and zany and goofy and just plain fun to watch. That was the type of cartoon I went for as a young child. The goofier, the better.

I know, I haven't brought up the "Simpsons" yet, but I feel like that would be unfair to the other cartoons and animated shows I watch. I've written plenty about the "Simpsons", and will write more, and I've talked about it on the podcast almost regularly. It's not only my favorite animated/cartoon show, it's my favorite show. There will be more "Simpsons" talk at later dates, I promise.

During my teen years I looked for more "grown up" cartoons. I was growing weary of the zany and the goofy things that I watched as a young child. Don't get me wrong, I still enjoyed these shows, especially "Rugrats", but I needed some older, more grown up humor. I was a teenager and the kids shows weren't doing it for me anymore. Then, when I was either 13 or 14, I was over at a friends house watching MTV and one of the greatest animated shows I laid my eyes on appeared on his TV. That show was "Beavis and Butthead". This show was AMAZING. I absolutely loved everything about this show. Beavis and Butthead were the ultimate slackers and ultimate troublemakers. They hated school and they hated pretty much everyone that they came into contact with, unless they were old enough to drink. I'm not a drinker, but when I was a teen, people that were old enough to drink, no matter how douchey they were, were cool as hell to me. Also, what teen truly likes school? Me and my friends all despised school and "Beavis and Butthead" portrayed this perfectly. This show was also bizarre and kind of started to shape my love for absurdist humor. They would do weird things during the episodes, things like playing frog baseball or helping a burnout steal things or cause some kind of trouble at school and with their elderly neighbor, basically things that teens were told not to do, they did and they did it with supreme hilarity. What made Beavis and Butthead truly excellent, they would break two or three times in the middle of the episodes and they would critique music videos. Yes, MTV used to play music videos and yes, I'm old enough to remember when they still did. This was the best part because they would absolutely rip apart boring, slow music and crappy pop songs. But, when they played a hard rocking video, Beavis and Butthead loved it and would head bang and it was glorious. "Beavis and Butthead" was a great show and it was my first true entryway to more adult humor that animated shows could pull off. I'm forever indebted to "Beavis and Butthead" for starting to shape my comedy taste.

Watching a ton of "Beavis and Butthead" made me search for more adult themed cartoons. I found things like "The Critic" and "The Tick", but Cartoon Network started showing cartoons late at night on a platform they called Adult Swim. This was a life changer for me. I discovered shows like "Space Ghost Coast to Coast" and "Harvey Birdman: Attorney at Law" and "Tom Goes to the Mayor". These shows were weird and absurd and like nothing I'd ever seen before and it was magnificent. They were so weird and so funny. I was immediately hooked on pretty much everything Adult Swim put on TV. Then, one night I stumbled across what may be my second or third all time favorite cartoon. That glorious little show was called "Aqua Teen Hunger Force".

You want to talk about absurdist humor, "Aqua Teen Hunger Force" epitomized it. The premise of the very first episode was about three "things" that were detectives. The three "things" I speak of are a life size shake called Master Shake, a hovering humongous carton of fries that was called Frylock and a childish, goopy meatball they called Meatwad. This show was so perfect for my newfound taste of comedy. The cherry on top of this great show was their neighbor, a balding, yet super hairy on the shoulders and back, gold chain wearing, always angry Carl. Carl was always mad at the Aqua Teen Hunger Force and he always loudly let it be known. Carl is one of the greatest TV characters of all time. Like I said, they were supposed to be detectives, and in the premiere, they did solve a case, but from there on out, they just had wacky adventure after wacky adventure. The show never really followed a true story line. It was basically a platform to do whatever weird and wild thing the writers of this brilliant show wanted to do. The episodes never made sense, but they were always funny. Another great thing about this show, and many others on Adult Swim, it was a short 11 minute show. They'd get in and get out and pack as many jokes as they could in 11 short minutes. "Aqua Teen Hunger Force" would always start off kind of slow for about the first 5 or 6 minutes, but that last 5 minutes was absolute gold. They always had their best jokes in that last 5 minutes and it always delivered. The thing that made this last minutes so great, Carl was usually involved in some capacity. He was always there with his anger and he would always take it out on the Aqua Teen, mainly Master Shake.

"Aqua Teen Hunger Force" is one of the greatest animated/cartoon shows to ever appear on TV. This, much like "Beavis and Butthead", one hundred percent shaped my love for comedy TV and comedy cartoons. I love the bizarre and the absurd, and "Aqua Teen" did this to perfection. If you haven't seen an episode of "Aqua Teen", do yourself a favor and binge the entire series. There's a ton of episodes, but they are only 11 minutes long, as I said before, and they are great. If you enjoy absurdist humor, you will love "Aqua Teen". It was such a great and bizarre show and they pulled it off excellently. I will forever love and thank "Aqua Teen" for showing me how far you can really take animated comedy cartoons. It's a masterpiece.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. Do you like reading about Ty's love of cartoons, well tomorrow you can hear him tell the tales on the X Millennial Man podcast. If you want more great Ty thoughts, follow him on twitter @tykulik.

The Greatest American Band Debate: The Cars

We all have a soundtrack to our lives. There are songs we hear that immediately transport us back to a certain time in our life. These songs are not always considered great by the critics and keepers of pop culture, but they have strong personal feelings. Everybody born before 1980 can sing the first few bars of the song Alex P. Keaton hears when he thinks of Ellen. I had no idea who sang that song, or what it was called. (Billy Vera and the Beaters, At This Moment. Now you know, it that is half the battle.) Music is the closest thing we have to time travel. Sometimes we hear a song, and we are transported to a time long forgotten.

The Cars created some of the greatest memories with their incredible music. The band was able to build these memories by making some of the greatest music to come out in the early 1980's. Ric Ocasek and his sound is iconic, but he was not a solo artist.  The Cars were a band who went through many previous incarnations with new members being picked out of other small local bands until an influential sound could be created. Ocasek first picked up bassist Benjamin Orr in Cleveland and headed to Boston. Once in Boston the duo added and subtracted many members until the Cars were formed with Ocasek, Orr, Elliot Easton on guitar, Greg Hawkes on keyboards, and David Robinson on drums.  The synth heavy, new wave sound of The Cars helped move the nation away from disco. The bands first two albums, The Cars and Candy-O both brought the band great success, but their eternal greatness was going to be how The Cars music was brought to the masses visually.

On August 1st, 1981 MTV launched and created a new trajectory for popular music. Well regraded musicians who did not have a good look, such as Christopher Cross, were suddenly being left behind. The pretty bands like Duran Duran and Flock of Seagulls (???) were now taking over your screens and speakers. The Cars were one of the first bands to understand that great music videos could complement great music. They were already commercially and critically successful with their sound, now The Cars were gaining a new level of fame with their videos. At the very first MTV Video Music Awards, The Cars took home the top prize for their video for "You Might Think".

The Cars already had the great music, they now were considered the best music video artists. Incredible music and mind blowing videos is not how an entire generation will remember The Cars. In 1982 the film Fast Times at Ridgemont High opened and left its mark on all of generation x. Writer Cameron Crowe and director Amy Heckerling created iconic characters, and produced one particular scene that would hit a bit close to home for many of the audience. (link kind of NSFW). The iconic music used for this memorable scene was the song "Moving in Stereo" by The Cars. Like the Alex Keaton sad song, Phoebe Cates coming out of the pool song has been planted in our brains and created a moment we will never forget. The red bikini, the exit from the pool, the slow walk, the embarrassment, all to the voice and bass of Benjamin Orr with backing from the rest of The Cars. Anyone born before 1980 knows that scene, and they know that song. The Cars created an everlasting memory.

The Cars broke up in the late eighties, and bassist Benjamin Orr succumbed to pancreatic cancer in 2000. There have been a few different line-ups touring under The Cars, mostly playing iconic hits from the bands greatest days. In 2010 the living founding members of The Cars reunited, recorded a new album, and went out on tour. It is down right criminal that The Cars have not been inducted into the Rock and Roll Hall of Fame. The keepers of the hall need to correct this oversight. The Cars created a sound for a generation.

In crowning the Greatest American Band, we get caught up in who made the most popular music, and we forget to give credit to the bands that are timeless. The Cars may not be the most popular, although they did pretty good at selling records, but they were unforgettable. When I listen to The Cars Pandora station, there is recognizable hit after hit. The moment "Moving in Stereo" comes on I am transported. Over thirty years later I can feel the excitement, and the embarrassment at the same time. That is true greatness.

RD Kulik

RD is the Head Editor for SeedSing. He hopes now that the Rock and Roll Hall of Fame has no more Beatles to induct, maybe a deserving band like The Cars can get some love. Nominate your Greatest American Band and write for SeedSing.

The Greatest American Band Debate: The Black Keys

In the Great American Band debate that we have ongoing on the website, I'd like to nominate my personal favorite band, the Black Keys.

Most people know who they are now, but that was not the case when I stumbled upon them in 2002. I was living with my brother at the time and watching an award show on MTV2. This was when MTV stopped showing music videos and only aired reality shows, but MTV2 still showed music videos and the award show I stumbled upon was giving awards to new and unheard of bands. I can't recall the name of the show, but I laid there on the couch watching late into the night and these two guys, one with a bushy beard and shaggy hair named Dan Auerbach and the other, a tall, lanky dorky looking guy named Patrick Carney, introduced me to the concept of a two piece rock band that actually rocked and rocked hard. I couldn't believe that just two guys could make that much sound and make it sound that good. It was like Led Zeppelin came back to perform as a two piece. They're that great.

The next day I immediately went out and purchased their first album, "The Big Come Up". I was in love. These two guys were so very, very awesome. Dan Auerbach is the lead singer and guitarist. He is, by far, the best user of distortion in the history of rock and roll music. The things he did and still does with reverb and distortion is like nothing I've ever heard before. He is a wizard. His voice, while gruff, but in the best possible way early on, has gotten better and better with each album they put out. Patrick Carney has his own make shift drum kit and he smacks the hell out of the skins. I've never seen anyone live that puts as much effort and excellence in their drumming. He's dripping sweat when they get off stage. He's the best drummer alive in my opinion. No one is even a close second.

Back to their debut album. "The Big Come Up" came out in 2002. It has a few originals on it, but about half is covers. Except, they do the covers in their style, and it's awesome. They do the Beatles, "She Said, She Said" like it's an old blues/rock and roll song. Dan Auerbach, once again using his distortion wizardary, crushes the song on guitar and, with the gruff voice, almost makes it a brand new song in the best possible way. Patrick Carney attacks the drums like a machine and I think if Ringo Starr heard his version on the drums, he would be embarrassed by how much better a drummer Carney is. It's a great cover of a great Beatles song. Their version of Junior Kimborough's "Leavin Trunk" is a great homage to one of their biggest influences. It's a great blues song, made better with Carney's excellent drumming. Some of the originals are fantastic. "Heavy Soul" and the "Breaks" are two great introductions for any Black Keys virgins out there. Those two songs will tell you everything you need to know about the band. They're hard rocking, heavily distorted bluesy songs with very, very excellent drumming. My personal favorite Black Keys song is on "The Big Come Up". The song is called "Yearnin" and it's a masterpiece. The distortion, of course, is there but Auerbach's vocals are top notch and I love absolutely everything about this song.

A year later they released their second album, "Thickfreakness". This is my favorite Black Keys record. The story goes, they locked themselves in a studio and recorded the whole album in 14 hours. Holy cow, that's impressive! The opening track, "Thickfreakness" is phenomenal. It starts with a very loud, heavy guitar riff and morphs into a four minute gem of a song. The rest of the album follows suit, with Auerbach excelling on guitar and vocals and Carney rocking out on the drums. There's even two slower songs on the record. They do another Junior Kimborough cover, "Everywhere I Go" and turn it into an even more bluesier tune than I think Mr. Kimborough himself ever thought it could be. It's epic. The last track on the album, "I Cry Alone", has a very slow, repetitive guitar riff and quiet, sleek drums. It's a step in a different direction and it works for them.

The very next year, they released "Rubber Factory". This was the album that I first saw them touring live with. This album was recorded in an old rubber factory in their hometown of Akron Ohio. They started to get a little notice from critics and gained some new fans. Hell, David Cross directed and starred in a music video for the song, "10am Automatic". That is also the first Black Keys song I learned on guitar. It has a simple guitar riff, but there's an epic solo at the end. The drums are immediately noticeable as well. I could pick the song out if I only heard one tom or high hat being hit at the start of the song. "Rubber Factory" features other great songs like, "Girl is on my Mind", "The Lengths" and "Keep Me". Each song is uniquely a Black Keys song and each song shows growth in the band. They also cover The Kinks "Act Nice and Gentle" to perfection. It's a fitting cover to another UK 60's rock band, but the Black Keys still put their spin on it with Auerbach's signature distorted guitar. They also give us their version of an old blues standard, "Stack Shot Billy" with some phenomenal slide guitar being played.

They finally took a year off after releasing three albums in three years and in 2006 they released, "Magic Potion". Some may say that this was a disappointing effort, but I'd kindly disagree. I know every word to every song on this album. There's some great songs on it like, "Your Touch", "Elevator" and the best song on the album, "Goodbye Babylon". "Your Touch" has a cool guitar riff, it's fast and choppy and Carney shines on the drums. "Elevator" reminds me of something that could have been on the album "Thickfreakness". It's a hard driving, Zeppelin esque rock and roll song. It's very good. "Goodbye Babylon" has some of Auerbach's best vocals and the guitar and drums are top notch. It's an excellent song.

The year 2008 marked a big change in the band and they brought in a new producer. Luckily for the fans, that producer happened to be Danger Mouse. He helped them with their fifth album, "Attack and Release". This album showed the band taking big chances, like adding bass and keyboards to their sound, and it really pays off. The opening track, "All You Ever Wanted" is a slow song, accompanied by Danger Mouse on the keyboard. The keyboard is the main instrument on this song. That had never happened on a Black Keys song before, and it took me by surprise how much I loved it. I didn't even think about the guitar until many, many listens later. "I Got Mine" and "Strange Times" are a return to form, with heavy drums and guitar. But then songs like "Oceans and Streams" and "So He Won't Break" and "Psychotic Girl" show the band using bass, keyboards again and even flutes and banjos. "Attack and Release" showed me that the Black Keys still rocked, but they were taking chances and hitting home runs. I was pleased with the growth and the taking of chances.

In 2010, the Black Keys released the album "Brothers" and this was when they became famous. They started winning Grammy's and playing "Saturday Night Live". A younger me would have thought that they were selling out, but "Brothers" is so damn good, I didn't care. They were still doing their style of music, but made it a bit more accessible to all listeners. Check out songs like, "Next Girl", "Tighten Up" or "Howlin For You" and you can see the pop and hip hop influence in their music, but there is still heavily distorted guitars and Carney wailing away on the drums. Other great songs on the album include a slower ode to a brother never met called "Unknown Brother" and "Sinister Kid" that has a heavy hip hop sound with some excellent vocals by Auerbach and a cool drum groove from Carney.

Continuing their assault of great music, a year later the Black Keys returned to their rock roots and released the excellent, straight up rock and roll album, "El Camino". "Lonely Boy", the opening track, has the coolest, most innovative guitar effect I've ever heard. It sounds like the guitar is going in circles. It's so incredibly cool. "Gold on the Ceiling" is a true throwback to rock and roll from the 70's with the Black Keys putting their twist on it. "Little Black Submarines" has a two minute opening that's just Auerbach and an acoustic guitar and then, it turns into a heavy rocker with some of the best solos I've ever heard. "Dead and Gone" is a great singing in the car song on long road trips. It's awesome. The closer, "Mind Eraser", is a classic rock and roll song with expert drumming from Carney. Clearly, working with Danger Mouse opened the band up to trying new things.

Last year, with Danger Mouse once again back in the studio with them, they released their most ambitious album to date. Their eighth album, "Turn Blue" has them taking on an almost Pink Floydian type of sound. The opening track, "Weight of Love" has a trippy, psychedelic three minute instrumental that morphs into a rock and roll song and ends up back at the psychedelic beginning. The title track, "Turn Blue" is a lot like "Weight of Love". The lone exception being, "Turn Blue" has the psychedelic sound of the 70's throughout the entire song. It's spacey and awesome. The Black Keys still have bluesy rockers like "Fever" and "It's Up to You Now", but this record is not like any of their other albums to date. "Waiting on Words", "Bullet in the Brain" and "In our Prime" are all psychedelic rockers with cool bridges and insane solos, both on drums and guitar. I love this new direction they're taking.

As with most great bands, the Black Keys have changed record companies three times. They started at Alive Records, moved up to Fat Possum and are now with the heavy hitters at Nonesuch Records. As you get better, you have to be on bigger labels, that's the music industry. Dan Auerbach and Patrick Carney have worked with other bands and have side projects, but they are best when it's the two of them(also really good with Danger Mouse) doing their thing. I love the Black Keys and will go to bat with them any day. They have a new, yet throwback sound to their music and they just keep getting better and better. All the things I've said should tell you how great of, not just an American band, but just a band, that they are. These dudes rock and will continue to for many years to come.

The Black Keys rule.

Ty

Ty is the Pop Culture editor for SeedSing and the co-host of the X Millennial Man Podcast. What he does is called rockin out and you are to old to get it. Follow Ty on twitter @tykulik.