Thoughts on the Drake/Kendrick Lamar Beef

I think we all know who the real winner is in this whole Drake and Kendrick Lamar beef. It has to be, unequivocally, Kendrick. Let’s discuss

I have only listened to Kendrick's three songs. I only want to listen to Kendrick's songs. I am a big fan of his work, so when he puts new music out there, I'll be very quick to listen to it. On the other hand, I have always been a Drake hater. I don't like his music at all. I think he is a phony. I think he is a try hard. I think he thinks he is way cooler than he actually is. And as a rapper, he is subpar at the very best. I know he has a ton of fans, but so does the band Nickelback, and they are pretty tough to listen to sing a single note. I was speaking with my father earlier today and I told him that Drake, to me, is similar to Bruno Mars. He said that is giving Drake too much respect. So, even my father, who is not a hip hop person, has listened to the songs enough to know that Drake is nowhere near Kendrick's level.

The reason I compare Drake to Bruno Mars you ask? They are both phonies. They are taking on personas that don't fit their real life. By all accounts, Drake grew up wealthy. He was a child actor. He had everything given to him. He had to work for nothing. He is, for all intents and purposes, a silver spoon kid and grown up. He raps about what he has read and seen on tv. He never had to live through some of the stuff that real rappers, like Kendrick Lamar, have rapped about before. Kendrick Lamar has seen some things. He has been through some stuff. His wasn't the easiest life to live growing up. He wasn't on television. He didn't have things handed to him. He had to go out and earn a record deal. He had to freestyle rap. He had to prove himself. And he is standing here today as one of the best to ever do it.

It isn't just me saying this as a fan. You go and look at the discourse, what others are saying, the clear and away winner of this whole ordeal is Kendrick. Almost everyone agrees to this. Fans and non fans. Supporters of music and people just here to listen to what each of them have to say. Kids and grown ups alike. We all agree that Kendrick Lamar is the winner.

I went back this morning and listened to his three tracks this morning, just to refresh my memory. If you want me to rank the three songs, "Euphoria" is the clear number 1, then "Not Like Us" is 2 and "Meet the Grahams" is third, for me. But all three of the songs are biting. They cut and they cut deep. Kendrick tells a story and he is going hard after Drake. There was a moment when I was listening to "Euphoria" and Kendrick was going in hard, I actually felt bad for Drake for a second. Kendrick Lamar is so good at saying all the right things in a rap battle, and he lays it all on the line. He is burning every bridge. He doesn't seem to care what Drake's fans think of him. Kendrick has clearly decided to go scorched Earth, and I'm here for it all. I want more of this. I love it that a true rap icon is going after this punkass wannabe. I want him to hit even harder. I want Kendrick to expose everything. Kendrick doesn't need ghostwriters or yes people around him telling him how great he is all the time, and that is why he is winning this going away.

I'm excited to hear what he has to say next, if he decides to say more. Get him, Kendrick. I'm on your side all the way. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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2022 Top Five - Music

We have 12 days until the new year. 2023 is upon us. Since we are close to the new year I'm going to spend this week doing my best of lists. I'll do music, movies, tv, podcasts and sports. I will do a top 5 like I do every year as well. Take it or leave it, but these are my top 5 in all the listed categories. Today we will start with music.

Music has been different this year for me. I am getting into a territory where I am stuck. I listen to the same stuff over and over. I like what I like. I need to branch out, and that is a goal for 2023 in music for me, but as of now, I am stuck in my ways. My top 5 this year will be different than in the past, but it is still music based.

At number 5 I have my refound love for bands I listened to 20 years ago and stopped for some unknown reason. I may have let my music snobbery get in the way or moved on to something else, who knows. But this year I have found that I like a good amount of the bands from my past. Franz Ferdinand is back in my life. They are rad. They play cool pop music. I saw them in the "Sparks Brothers" movie and that reinvigorated my want to listen to them. I am dabbling with the band Clutch again. They play older blues songs with a heavier sound. They use lots of reverb and distortion while playing classic tunes. They are great. I also got very much back into The Strokes. They are a good band. They are what The Ramones wished they could have been. The Strokes are a much more talented Ramones. I am happy that I let my snobbish ways go and rediscovered these bands. That makes me happy.

At number 4 I got to see Nas and Wu Tang Clan perform live this summer. Busta Rhymes was there as well. This is the perfect concert for me. I feel like they asked 15 year old Ty what he would want to see live. These 3 artists would have been very high on my list. Wu Tang Clan was great. This is one of the best collections of rappers to ever be assembled. Even without some original members, I still got to see Raekwon, RZA and Inspectah Deck. It rules. Nas was amazing. He crushed the venue. The whole crowd was vibing to him when he stepped on stage. He had this incredible presence. It's a show I won't soon forget. And to see Busta, he showed up at the end, that was the cherry on top. It was a dream. I loved this show. I'm glad I went. Now to the album portion of my list.

At number 3 I have "Dropout Boogie" by The Black Keys. The Black Keys are one of my all time favorite bands. I have been in love with their music since I first heard them in 2001. Their sound is unique to only them. People have tried to replicate it, but they cannot do it as well as The Black Keys. That is why I love "Dropout Boogie" so much. It is a return to form. They are going back to their roots on this album. They are more bluesy and rock forward. The reverb and distortion is back. The album is fast and it flows wonderfully. I really enjoy it. I was a little taken aback when I didn't see it on anyone else's best of lists, but that is neither here nor there. "Dropout Boogie" is like going back in time for me in the best possible way.

At number 2 I have "Cheat Codes" by Danger Mouse and Blackthought. This record rips. It is such a good hip hop album. Danger Mouse is continuing to show that he is the best and most versatile producer in the game. He is at the top of the mountain on this record. The production, the beats, the sound, the extra instruments, it all works and blends so perfectly. He is a master of his craft. Speaking of masters in their craft, Blackthought shreds on this album. His rapping is pitch perfect. Verse for verse he is the best one on the record, and this record has a ton of big time cameos. Artists like Raekwon. Michael Kiwaunka and the last known recording of MF Doom. These are heavy hitters, and they are all great. But Blackthought blows them all out of the water. I have these weird feelings where I don't think Blackthought is good anymore, and then I hear something like this. It makes me feel like a dummy. But then I sit back and enjoy it. Balckthought is an amazing artist and "Cheat Codes" further proves that point.

My number 1 album of the year is "Mr Morale and the Bigsteppers" by Kendrick Lamar. This is a masterpiece. Kendrick further proves why he is the best in the game on this album. This record is deep and introspective and overwhelmingly wonderful. This is like an hour long therapy session and Kendrick bares his soul on the album. I must have listened to this record dozens of times but I still find something new and different that I love with each new listen. This is a work of art. This is a masterclass in recording an album. There are no bad tracks. Everything works. The flow of the album, the tracklisting, it is all perfect. The accolades are very, very well deserved. I got to see him while he toured with this album and that was an amazing experience. Kendrick Lamar is the GOAT. "Mr Morale and the Bigsteppers" further hammers that home.

That is it for music. Come back tomorrow for my top 5 movies of 2022. 

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Kendrick Lamar is Great. Kendrick Lamar Live is the Greatest

I need to catch you all up on some stuff I have seen live and watched streaming for the past two weeks. I have been so focused on football that all this stuff had to wait. But I'm back to tell you about all the cool shit I have been doing for the past couple weeks.

Last Sunday I went to Kansas City to see Kendrick Lamar live in concert. This is an artist I have always wanted to see. Kendrick is the best rapper alive, in my opinion. He is at the top of the game, doing it better than anyone else and may go down as the greatest emcee to ever do it. He is a wonderful, introspective rapper who talks about real life stuff. His new album, "Mr Morale and the Big Steppers" is a massive achievement on every single level. So the opportunity to see him tour that album, and play older stuff, this was a can't miss thing for me.

I was utterly blown away by what I saw. He had two openers, Tanna Leone and Baby Keem. I know of Baby Keem because he is on the new Kendrick album. I had never heard of Tanna Leone, except for the one track he is on Kendrick's new record. He does well on that song, and his 15 minute set was solid. He did about five songs and each had its own charm. When Baby Keem came out, the crowd went nuts. He played for about 30 minutes, and it was hit after hit. He is a very, very solid rapper. I found myself bobbing my head along and vibing with the crowd. I have since listened to some of his stuff at home and found myself really enjoying it. But the reason we were all there, the guy who we all wanted to see, got on stage around 9 and proceeded to crush for the next 90 minutes. Kendrick Lamar is a genius. He is such a great performer, writer and, now, an instrumentalist. He opened his set playing the piano. I looked at my brother and said, "I didn't know he played!". We were both hyped. He also had a ventriloquist doll on stage that looked like him. He performed the song to the doll, then to the crowd. It was wild and I loved every second of it.

From there on out it was one of the greatest shows I have ever witnessed. I don’t know if it was because I hadn't seen a live show in over two years, or if it was just his genius. It was probably both. Kendrick Lamar did hit after hit. He sprinkled in tracks from older records and a bunch of his new songs. He brought, both Baby Keem and Tanna Leone on stage with him. He did hits like "DNA", "HUMBLE", "backseat freestyle", "Money Trees" and "swimming pools (drank)". I have always wanted to hear those songs live, and I finally did. They were amazing, He had dancers with him, and when they all danced to "HUMBLE", that was a once in a lifetime thing for me to see. The songs off the new record, I mean, he is such a pro they sounded like classics already. He had the crowd in the palm of his hand all night. We were singing along. When he asked just the crowd to sing, we knew every word. He put on a show too. This was not just about the music. I mentioned the doll, but there was so much more. He had a medical tent that was used for a few songs. There was fire and fake explosions on stage. The stage was humongous and went into the crowd. At one point a part of the stage lifted up about 15 feet into the air. The dancers were incredible. He did songs as if he were speaking to a therapist. He had a bed on stage for a track. He would disappear into the floor of the venue from time to time. The images displayed on the video screen were in perfect sync with whatever song he was performing. When we left the venue my brother and his buddy said it was more like a play than a concert. I couldn't have agreed more. It was truly a show.

I have been to a good amount of live shows before but I have never seen anything like this. There is a reason he is so great at what he does and why he can sell out these big venues. The place was packed and we all had a great time. And I didn't even get COVID. This whole evening was everything I wanted it to be, but it was so much more too. I highly, highly recommend seeing Kendrick is you are a fan and you have the means and he is coming near your hometown. I drove four hours to see him and I'd happily do it again. This show was amazing and I will never forget it. Kendrick Lamar is the man.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Ty Listens to Kendrick Lamar's "Mr. Morale and the Big Steppers"

The other new record that I was looking forward to last week was the new Kendrick Lamar. It is called "Mr Morale and the Big Steppers".

I, like all his other fans, have been waiting for this record for five years. "DAMN" came out then, it was great, I believe that he won a Pulitzer for it and I listened to it on repeat for months. This record is a wonderful, ambitious, eye opening album. I literally cannot stop listening to the record. Every time I have some free time or down time, I put the album on and vibe out. The album has 18 songs on it and I wish there were more. The selfish side of me wants this album to go on forever and ever. It is so, so good. It is also deep. Kendrick Lamar has clearly been going through some things for the past five years and he lets it all out on this album. He is an open book. He reveals all. It is like the greatest hip hop therapy session ever recorded.

From start to finish this album is a hit. There is not a bad song on the record. The production value is second to none. The way the album flows from song to song is perfect. There is not a single wasted moment on it. Everything works. And it works so very well. I read a headline the other day that made me kind of scoff, but the more I listen the more the headline comes true. It simply read "Kendrick Lamar is Here to Save Hip Hop", and they are 100 percent correct. Modern hip hop, in my opinion, is not very good. There are a few good artists, but for the most part it is not great. I do not like Drake. I think he is very overrated. Kanye West needs therapy. He needs real help. Dababy is homophobic and transphobic. And not very good. Post Malone is trash. There are few exceptions, like Pusha T, but that is few and far between. What Kendrick Lamar does on "Mr Morale and the Big Steppers" gives me faith in modern hip hop.

Everyone who listens to this record has liked it. Artists galore are out here singing its praises. Not one of them has a bad thing to say about it. The same can be said for journalists and bloggers. We all love the record. It is so good. It is perfect. Kendrick crushes everything he does on here, and with him still out there doing his thing, maybe it will help energize some new up and coming young rappers. Maybe the artists that have hit will listen to this and realize that they too can make quality hip hop music. Take an artist like Baby Keem. I never listened to him before seeing he was on this record, and by checking him out now, you can hear the influence. There is hope, and Kendrick is here to push the younger artists in the right direction.

Getting back to the songs now, there is so much good on here and Kendrick is an open book. The opener, "United in Grief", hits. "Father Time" has him coming face to face with fatherhood. "We Cry Together" is what being in a toxic relationship has to be like in real life. "Purple Hearts" has a Ghostfast Killah feature, and the song rips. "Count Me Out" is Kendrick begging people to come for his crown. "Crown" is a great song about being the GOAT. "Savior" is another great song about Kendrick not being your savior, how he is just a dude. "Auntie Diaries" is a revelation. It is the best song on the record in my opinion. "Mr Morale" is perfect. And "Mother", followed by "Mirror" is the best way he could have ended this masterpiece.

This album is wonderful. It is one of the best records I have heard in quite some time. It will most likely be my number one album of 2022. But it is so much more than that. This is going to go down as a classic. Kendrick Lamar has cemented his place. He is one of the best of all time. "Mr Morale and the Big Steppers" further hammers that home. The wait was more than worth it. I love this record.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

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Kendrick Lamar is Awesome

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This morning after I dropped my kids off at school I was able to put on my music. I don't care if my kids hear curse words as long as they do not use them in the wrong context. But sometimes it is more comforting for me to listen to my music when I am alone. And when I am alone I enjoy listening to hip hop. Again, my kids like it, but I have more fun listening alone. It is a much better time for me.

Today after heading back to my folks house I put on some Kendrick Lamar. I haven't listened to him in awhile and I was in the mood. I do not know why, or understand how it came upon, but when the wave hit, it was time to listen to Kendrick. I put on "DAMN" because that is my personal favorite, and from there I listened to a ton of his stuff. I went from the beginning to current times, hitting all the classics along the way. This blog post today is a simple ode, a discussion of how great Kendrick Lamar is as, not only a rapper, but a person too.

Kendrick is awesome. Let's just put that out there right away. He is one of, if not the greatest emcee of all time. I know, I am a humongous RTJ fan. They are my all time favorite group. I also love A Tribe Called Quest. I'm a NAS fan. I like Public Enemy and The Beastie Boys. And Pusha T is wonderful. But there is something about Kendrick. He is a cut above the best of the best in my opinion. The way he does his thing, how he writes, composes and performs his music is on a whole other level. There is a reason he won a Pulitizer. You don't just win those because you are famous or popular. You have to be an otherworldly genius to even be considered for a Pilitizer. And Kendrick has one. His lyrics are some of the best ever. He talks about important things. He raps about interesting and important things. He talks about his real life experiences and how he has come out of it on the other side. He is as real as they get in the music industry. He also isn't flashy or glamorous or anything like that. There is an interview my brother showed me between Kendrick and Rick Rubin. Those two men are worth more money than I will ever even see in my lifetime, but during this interview they both have jeans or shorts, t shirts, hoodies and a hat on. And it is one of the best things that I have ever seen on the internet. Neither of them needs to show out and show how rich they are. They just talked about music, and it was amazing. I appreciate that. There is no flash, no show needed, no over the top clothes. Just two people that are hyper intelligent sharing their thoughts on music. And that was the feeling I got today, especially when listening to "DAMN". That album is as about straight forward hip hop as you can get, and Kendrick absolutely nails it. He crushes every song. From top to bottom, it is perfect. And there are hits on the album. "DNA" and "HUMBLE" are big time hits. They were played on the radio a ton. But man the rest of that record is simply amazing. Listening to Kendrick's flow, how fast yet understandable he is, it is a work of art. I was amazed the first time I listened to the album and I was still amazed today. But that is how it is with every Kendrick album. They all rule. He is a master. And then you have his personal life, which is pretty buttoned up. That is a good thing. He doesn't need to air his business in public. He doesn't have any kind of weird stuff hanging over him. He is loved and respected by pretty much everyone. I have not met a single person that knows him who doesn't like him. He is world renowned. He is a rare star that is just a seemingly normal person who happens to have an amazing gift that he shares with the world. There are no beefs with other rappers. He gets along with people. Uber famous people adore him. But you'd never know the way he carries himself. That is why I adore him so much. Not only is he one of the greatest people to ever be involved in the music business, he is a great person as well.

I love Kendrick Lamar. I love his music, his lack of style, his public persona, the things he does for everyone, simply everything he does is just great. Kendrick Lamar is amazing and, even though he is a super duper star, he needs even more respect thrown his way. This man is a genius and we need to appreciate everything he does while he is still doing it. Kendrick Lamar is the man.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast.

Come and support Ty and the podcast on Patreon.

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The Best Albums of 2017

On to day 2 of my best of 2017 lists. Today we will focus on my top 5 albums of the year. My list has many different genres, but the main theme is rap/hip hop. It was a decent year for music, not as good as movies, but still pretty good. For example, Beck's new album is not on my list, Khalid's "Teenage Dream" was close, but not quite there, I love Big K.R.I.T., but his new record didn't make my list. I did not have as much trouble pairing my list down, but it still took awhile. Anyway, here we go.

At number 5 I have "Humanz" by the Gorillaz. First off, I was shocked that other publications left this record off their best of lists. "Humanz" was a long time coming, and I thought it was totally worth the wait. Damon Albarn has created something truly special with the Gorillaz. There will never be another band like this. Anyone that tries to do what he did will be called imitators. Albarn was way ahead of the curve as far as creativeness comes. With "Humanz", he took those creative juices and let them flow. It was like there was never a break from their last record. The record is so good and it flows perfectly. The guest list is second to none. You have people ranging from Vince Staples to Grace Jones to Danny Brown, and of course, De La Soul. The Gorillaz have taken on this EDM/rock/rap genre to a whole new level, and "Humanz" is a prime example of that. From start to finish this record is awesome. I love "Charger" featuring Grace Jones and their collaboration with Danny Brown, but the best song is "Moments", featuring De La Soul. That is the perfect Gorillaz song. "Humanz" is a delight.

At number 4, speaking of Vince Stales, I have his newest record, "Big Fish Theory". I was hesitant at first with this record. I was lukewarm on his early stuff, but after hearing him on "Humanz", I decided to give "Big Fish Theory" a shot. Boy am I glad I did. Staples is doing something unique as well. He blends electronic beats with politically conscious lyrics, all the while making it fun. Staples rapping is awesome on this record. He truly knocks his vocals out of the park. He seamlessly moves from party music to straight forward rap to conscious rap. With this record I feel like he has started to hit his stride. He has found his niche as a rapper. "Big Fish Theory" is fun, but also a much needed album in our current political climate. If he continues on this path, I do not see why he won't be as big as Chance the Rapper in the next year or two.

At number 3, going completely away from rap and electronic and cartoon bands, I have the return of LCD Soundsystem with their new record, "American Dream". As you all know by now I am a big, big fan of this group. I love how they blend pop, punk, funk, electronic and rock all into one. I love how they can do a slower song, then follow it up with a 3 minute punk song, then blend electronic with rock and play a 7 minute epic tune. James Murphy is one of a kind. While he may come off a bit pretentious, the dude can sing and write music. "American Dream" has all of this and so much more. From start to finish this album is a homerun. They are the modern day Talking Heads. In fact, thee first time I listened to this record, I was with my father and he asked if it was the Talking Heads. LCD Soundsystem has that same sound, just modernized. This record, another one that we all had to wait for, was totally worth it. You could tell they spent a ton of time in the studio trying to perfect the record. I believe they achieved that goal. "American Dream" also has some great songs about how rough our country is nowadays. We need more and more artists to address the current problems in our country. LCD Soundsysten does that on this record. "American Dream" is awesome and worth the wait. It is nice to have them back.

At number 2, and I had a very rough time with which one of these 2 albums I was going to put at 1, I chose Kendrick Lamar's "DAMN". "DAMN" is amazing. It is basically 1B compared to the record I will talk about next. Kendrick Lamar is the best solo rapper out there right now, and "DAMN" more than proves this. On his other records he can be more of a poet, channeling his inner Tupac, and a bit more obtuse, which I like, but on "DAMN", he makes a straight forward rap album, but with how exceptional he is, he makes it so much better than anything Drake or anyone else of that ilk, can do. This record bumps from start to finish. "DNA" has to be the song of the year. The beat and the intro to that song are amazing. He then tackles so many different themes throughout the 11 songs on the record. He calls out Fox News, Geraldo Rivera and the "president" all within 1 song. The track featuring U2, a band that I do not like at all, is awesome. If you can make me like U2, that is an accomplishment in and of itself. Even a song like "Humble", the chart topping hit from this record, is the bomb. Usually chart toppers get stale after a few listens,  but not "Humble". Kendrick Lamar continues to amaze me, and I cannot wait to hear his next record. Until then, I have "DAMN" to listen to.

And finally for my number one. There is no record better in 2017 than Lorde's "Melodrama". What a piece of art this record is. Lorde shines so bright on this album. She bounces from many different genres, sometime in the same song, so effortlessly. She is one of the best pop singers on the planet, but she can also do ballads as good as Adele, and she is light years ahead of someone like Taylor Swift when it comes to straight forward pop music. From the opener, "Green Light" to songs like "Writer in the Dark" and "Homemade Dynamite" and "Liability", she takes on many different genres. I know she is well known, but I am shocked that she isn't on the same level as some other pop stars. I don't hear her songs on the radio as much as Taylor Swift or Ed Sheerhan or anyone else who doesn't have 1/10 her talent. Lorde rules. I am so psyched that I get to see her live in March. It is also pretty dope that Run the Jewels is opening for her. "Melodrama" is a masterpiece. Lorde achieved legendary status on this record to me. If she never makes another album, I will be happy with what we got from her. I hope she makes more music, I'm sure she will, but she totally crushed it on "Melodrama". It is the best record of the year. I have no doubt about that now.

That is it for my top 5 records of the year. Come back tomorrow for my top 5 TV shows of the year.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He was struggling about what to do with Taylor Swift's new record. He has never heard it, never will hear it, but thought she deserved a mention. There, we mentioned her.

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Let Me Respectfully Explain Why Musical Festivals are the Worst

Behold the natural beauty of the modern music festival

Today I'm going to put on my old man hat, pants, short shorts, whatever you want to call it, and complain about music festivals, mainly, Coachella. First off, I love, love, love music. I have made that abundantly clear on the site. Next to my family and sports, music is the biggest thing in my life. It has shaped my style, my thoughts and how I perceive the world today. The music is not the problem with Coachella and all other music festivals in general. The music is most definitely great at most of these festivals. The fact that people and bands I love like Kendrick Lamar, Radiohead and Run the Jewels headline these fests are great. The problems I have are the people, the attire and how commercial all of this stuff has gotten.

The bad stuff started a long time ago when some morons decided we needed a Woodstock 2. First off, the original Woodstock was a free event held at some family's farm. Woodstock was meant to bring people together, in a trying time, through music. Sure, there were some wildly dressed people and many of the memories and pictures we all know and see now have to do with the mudslide. But, for the most part, the original Woodstock is remembered for Jimi Hendrix and the like that played some of the best music of their careers. Then, Woodstock 2 came along. You know what most people remember about this crummy festival? Well, I remember the horrific lineup, the fights and the fires that were started, and people complaining how expensive everything was, including bottled water. That is where the biggest problem with festivals nowadays lies. The prices for merchandise, food and drink is utterly ridiculous, and it all started with Woodstock 2.

Of course that was a tremendous failure, and festivals were very sparse afterward. People just didn't want to deal with the headache anymore. Sure, there were still one or 2 day things. We had situations where there were 3 stages and the whole thing would start at noon and end after midnight, but nothing too big.

Then, in the early 2000's, Bonnaroo came along. I remember first hearing about this fest. This was during my jam band phase, and Bonnaroo had them all. I remember wanting to go to it so, so bad. But, I couldn't afford the tickets, and I do not like camping, so it was out of the question. I bought the compilation CD that came out, and listened to it a bunch. I figured I'd go in the future, but not at the current time.

As the years passed, I got less and less interested because it started to become this over crowded, pop obsessed, image driven festival. What started as a much better predecessor to Woodstock than Woodstock 2, was becoming just as commercialized and stupid, for lack of a better word, in my opinion. When bands like U2, who were great in the 80's, but not in the 21st century, are your main headliners, no thank you. They have tried to do other things, like add a comedy event, but I still have no interest. First off, it is in the dead of summer, and I have no interest in hanging out with a bunch of smelly, sleep deprived and drug infused music fans. I'm a nightmare when I'm sleep deprived. Put me with a million other sleep deprived people and I would go nuts. It doesn't help my case that I'm not a "partier". I have no problem with people doing drugs and drinking, as long as they aren't hurting anyone. But, I do not want to hang with people for 3 or 4 days that are just straight up binging. That is the worst. Bonnaroo is so off my radar now, when someone says that they are going, I always think to myself, I can't believe that it is still a thing.

I did try the whole festival thing about 12 years ago though. I found a festival called Wakarusa being held in Lawrence, Kansas. It had a good lineup, and I thought that I could handle the camping. I even went with my oldest brother, his wife, some of their friends and my niece, when she was a tiny baby. I thought this was the ideal situation. I was wrong. I was miserable. I was constantly harassed by hippies and stoners all weekend long. I was made fun of because I was not drinking and or doing drugs. I thought it was going to be like going to a Widespread show, where everyone is welcome, but I was wrong. I felt secluded. I could not believe how mean these supposed all loving people could be. To make matters worse, there was no time to see the bands I wanted to see because schedules always conflicted. I would catch 15 minutes of Robert Randolph, sprint over to the second stage to catch 15 minutes of Keller Williams, then run again to see North Mississippi All Stars encore. This was incredibly frustrating. Add the fact that I was getting little to no sleep, I was ready to go home by the second morning. Luckily for me, so were my brother and his wife. We left early. All the excitement I felt a month before Wakarusa was demolished within an hour of being there. I have never even thought about Wakarusa again, until I decided to write this piece today.

Here in Saint Louis we now have LouFest, and I have absolutely no desire to go to this. The prices are outrageous, there is usually only one, maybe 2 bands worth seeing, and it is so commercialized that it is disgusting. LouFest is utterly ridiculous.

They also have the Roots N Blues BBQ/Music Fest in Columbia. I have been to this twice, and both times, I was ready to leave the moment I entered the park. I immediately regretted my decision to go. This has gotten way out of hand too. They sell way too many tickets, and for a smaller college town like Columbia, they cannot handle the amount of people. I vividly remember going to see Buddy Guy, and leaving after his first song because there were too many people, I felt like I was in a sardine can, and I couldn't even see or hear Buddy Guy. Never again for Roots N Blues. There is other stuff like Lollapalooza, the Gathering, and I'm sure other things I can't think of now that I will never go to because festivals are the worst. 

Finally, what sparked this whole idea today, we just had Coachella this past weekend. I will never, ever ever ever go to Coachella. I stated at the top that the lineup is second to none. But, no matter who plays, even if Bob Marley and Robert Johnson were to rise up from their grave, I will not attend. First off, it is in the desert at, or near the beginning of summer. No thank you. Second, this festival over sells every year. There are so many people there. Third, it is straight debauchery. My brother has been to Coachella once, and from what he told me, it was absolutely intense and insane. Not for me.

But, what I find most appalling about Coachella though is the fact that it has become some kind of crappy second hand fashion show. All the pictures you see are of celebrities, or faux celebrities, and what they are wearing. I could care less what Vanessa Hudgens, Cam Newton or any of the god damn Jonas Brothers are wearing at Coachella. I had to scroll through 4 or 5 different stories that talked about the "fashion" or the "famous faces in the crowd" before I got a small review of Radiohead's problems with sound, or how great of a set Kendrick Lamar did. That is a big, big problem. Coachella is the definition of image. People care more about what the bands, performers, or even worse, the crowd is wearing, or what they look like. Coachella should be about the music first, the art second, then everything else last. I do not care about anything from Coachella, except the music. How long until Coachella is just as much a laughingstock for outsiders, such as myself, as Burning Man is? Not too far away I'd guess.

Festivals have gotten a well deserved bad rap. They are wastes of time, in my opinion, and they are just a big cluster. I'd much rather just see the bands or performers when they come to, or near, my hometown. The fact that I got to see Run the Jewels in Kansas City, or that I'm seeing the Chance the Rapper here in Saint Louis, at their own headlining shows, sounds so much more appealing than fighting with thousands upon thousands of sleep deprived, smelly music fans. I LOVE live music. I LOATHE festivals. Simple as that.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He used to be with it, then it changed, now what is it is confusing and strange. It did not take Ty long to morph into Grandpa Simpson.

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Ty Listens to Kendrick Lamar's "Damn"

What should be to no one's surprise, Kendrick Lamar has done it yet again.

I heard rumblings about a week or so ago that he was putting out another new record so shortly after "To Pimp A Butterfly" and "Untitled, Unmastered". It was proven to be true when his new record, "Damn" was officially released today. I bought it as soon as I woke up, as I have done with all of his records, and I have already listened to it all the way through twice.

I have to say, I really enjoy this album. This is the first album that feels like you can just sit and vibe out to. All his other records are tremendous and wonderful and very, very insightful. Lamar has proven himself the best writer in hip hop since Jay Z, and now, I think he has surpassed him.

After I bought "Damn" this morning, I found an hour to myself, my wife is off work for the day, to listen to it from start to finish while doing some chores here and there, so the kids didn't have to hear it. They cannot listen to this record, just like every other Kendrick Lamar album. Then, when my kids retired to their room for naps, I went to work out, and that was when I really dug into the record. It was just me, my headphones, the pavement and Kendrick Lamar. I got to really focus.

What I really enjoy about "Damn" though, while it is still incredibly introspective, it is easily his most "fun" record. Now, it is not fun in the way that Puff Daddy or any other "party" rappers from the early to mid nineties. It is fun more so in the way that Jay Z was having fun on "The Black Album", or how Run the Jewels have fun on all three of their records.

This record has it all. Like I said, it is deep. The intro is sad and terrifying. Then, the album slips into an almost R&B/funk type record with Kendrick rapping over the beats. It was so different from what I have come to expect from him, but I found myself really enjoying it. I like when artists take a shot at something different, and when they hit, it is even better. Then, the record reverts into a straight up rap record with some big time bass thumping beats. These songs were perfect running songs. Being able to pound the pavement to every bass beat is exactly what I look for when listening to an album that I use for working out. The song "Loyalty" is so prefect for that. "Humble" is another track that made me feel like I could an extra mile or two. "XXX" is kind of a blend of bass and R&B, and it is tremendous.

Look, what it comes down to for me, I am a fan of Kendrick Lamar's just like I'm a fan of Run the Jewels. He would have to do something truly awful, Macklemore awful, for me to not like whatever it was/is. "Damn" just proves tenfold that Lamar is so gifted as a rapper and a writer. The fact that he can put out 3 records in less than 2 years is incredibly impressive. The fact that all 3 records are totally different from each other and successful proves that he may be the best solo rapper in the game right now. Scratch that, he is the best solo rapper right now. He has taken over that throne from Jay Z.

Looking at just the current hip[ hop scene, Kendrick Lamar is so much better than anyone right now, especially Drake. The fact that each of them have a newer record out now, and that Lamar's is so much better is proof enough. Add on "To Pimp A Butterfly" and "Untitled, Unmastered", and he is so much further ahead and so much more prolific than Drake could ever imagine being. While Drake is out there being a front runner for whoever is the best team in college football, basketball and the NBA at the current moment, Kendrick Lamar just keeps getting better and better at rapping and writing. Kendrick Lamar cares more about his craft than most musicians in any genre of music, and "Damn" further hammers home this point. If you ask me, there is no debate about who is a better emcee. It is Kendrick Lamar by a million miles. Lamar is so god damn good and can do any style of rap better than anyone.

I will be listening to "Damn" for a long time now. It will be spliced between listens of "RTJ 3" and "Awaken! My Love" for the next couple of months. There is another rumor floating now that he may release even more music on Sunday, I cannot think of a better way to celebrate Easter, which is a hilarious farcical holiday anyway, than more Kendrick Lamar. Until then, I will be listening to "Damn" over and over again, and you should too. This record is phenomenal.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Ha has yet to pick up the new Drake record. Ty is just not in the mood to hear sub-par rymes where Drake bashes the mentally ill.

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Let Me Respectfully Explain Why Macklemore Sucks

The only good place to store Macklemore's "music"

Today I'm going to go back in time and do one of my favorite things, explain why I irrationally hate something. I usually save this for sports teams, but today, my sole focus for my hatred will be squarely on a "rapper". Many of you may have just read that sentence and assumed that I will be talking about Drake today, but not so fast. I'll save him for another day. I have also shit on him a lot on the podcast.

But, today I was driving in my car listening to my Pandora stations on shuffle, and something so damning to my ears came on that I got literally upset. I yelled at Pandora as if the AI could hear me for what they'd done to me. I felt like tossing my phone out of the car because of how angry I was that Pandora's AI thought I would want to hear anything from the "rapper" Macklemore. 

I DESPISE Macklemore. I think he is one of, if not the, most overrated "emcees" of all time. And yes, I'm going to continue to use quotes throughout this whole article because he is one fake ass "rapper".

Macklemore first jumped on my radar in 2013 with the horrendous song, "Thrift Shop". Everyone I knew loved this song, but me. I could not stand it. I did not like the hook. I thought that the beat was terrible, at best. I loathed the video for this song. But, what irked me most was this phony new "rapper" Macklemore trying to rap. It was disgusting. He sounds like a white guy trying to rap. That is not a compliment. You know when you hear someone like Eminem, El-P or Mike Skinner(AKA The Streets), and they sound like a legit rapper? That is the opposite feeling I got when I heard Macklemore. He was trying so hard to be a "rapper", where with real rappers, it just comes naturally. Of course "Thrift Shop" blew up. It was everywhere. Try as I might, I could not get away from the song. Every party, gathering, radio station or place I went or listened to, that damn song was on. It never grew on me at all. It had the opposite effect. The more I heard it the more I hated it.

People then looked for what he was going to do next, and to everyone else around him I give credit, his next single was "Same Love". This song has a great message, just a terrible messenger. If this had just been the lady singing who sang the hook, I would have been totally on board with this track. As I have said, I love and respect and agree with the message behind "Same Love", but, every time I hear Macklemore's dumbass "rap", I get angry.

A great spoof of how horrific a messenger Macklemore is was Andy Samberg as Connor 4 Real in "Popstar: Never Stop Never Stopping" when he sang the song "Equal Rights". It is almost indistinguishable as to which guy is singing which song, and Andy Samberg was making a joke. That should, in and of itself, be enough evidence that Macklemore is an absolute joke.

Of course his record "The Heist" went on to win multiple Grammys, including beating out Kendrick Lamar's "Good Kid, M.A.D.D. City" for best rap record. That is one of the biggest "upsets" in the history of the stupid Grammys. In my opinion, that ranks right up there with Jethro Tull beating out Metallica for Best Heavy Metal Album, which many people see as the biggest upset in Grammys history. To make himself look even worse though, Macklemore supposedly texted an apology to Kendrick Lamar, telling him he deserved the award. What a douchebag. Just take your prize and let it be. I'm positive Kendrick Lamar doesn't give a second thought to the Grammys because he is way too busy making relevant, meaningful, incredible music. Only a moron like Macklemore would think that Kendrick Lamar would want an apology text from him. This was so stupid.

Then, Macklemore went on to show up in a multitude of Dr. Pepper commercials, claiming he was an independent artist who did things on his own terms. He would then take a sip of a Dr. Pepper at the end of these commercials claiming to be an "independent artist". This is such a sell out move. Just admit you did it for the money. Every musician and band does this now. It doesn't make you a sell out, unless you come across like Macklemore did in these stupid Dr. Pepper commercials. Some of my favorite bands, like the Black Keys for one main example, sell their songs to commercials all the time. I don't care because they don't come out and try and explain why they sold their music. I know why, they're getting paid a shit ton of money to do it. I'd do the same thing. Macklemore's Dr. Pepper commercials reminded me of myself when I was 17 and claimed anyone I liked that performed on TV or had one of their songs in a big time commercial was a sell out. Let me repeat my age, I was 17. Macklemore acts like a 17 year old. He also went on to do more stupid commercials, I don't even know what for, but he and Russell Wilson were hanging out. They said it was the Seattle connection, but I just saw a couple of holier than thou douchebags shilling some nonsense, and I hated those commercials too.

Many people anticipated Macklemore's second record, I couldn't have cared less, and it was a total flop. Again, I go to the "Popstar" comparison. Just like "Connquest" was a colossal failure for Conner 4 Real, so was "The Unruly Mess I've Made" for Macklemore. It was a colossal critical and monetary failure. That album got incredibly panned by critics and fans alike. I assumed the unruly mess he was talking about was his terrible "rapping", but I'm sure he was talking about some other bull shit that he thought made him seem semi important.

I hope this is the end of his "rap" career because he is garbage. I also do not know one single person, nor has anyone come to me and said, I'm a Macklemore fan. I know he sold millions of records, but I do not know one single person that owns a Macklemore single or record. It is a lot like The Black Eyed Peas with Fergie. I know they sold records, but I don't know one single person that claims to be a fan. Macklemore is trash and he should quit music forever. I hope it happens sooner rather than later.  

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He was at the thrift shop yesterday and saw all of Macklemore's music for $.99. Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Ty Listens to A Tribe Called Quest "We Got it From Here...Thank You 4 Your Service"

When we really needed it most, A Tribe Called Quest released their final album. They had recorded some stuff before the late, great Phife Dawg passed away, and with the terribleness that was last week, this record was a much needed breath of fresh air from one of America's greatest bands. I was so, so excited to listen to this record on Friday morning. I woke up, ate some breakfast, then bought the album. I went to do some work with my kids, so the moment we got in the car I figured I could listen with them. Sure, ATCQ uses foul language, but it's not as bad as some may think. But, I also have a very impressionable 4 year old, and a 1 year old that is like a parrot. So, after the first song, I decided it would be better to wait and listen on my own.

The wait was very, very hard, Finally, I got some alone time in the afternoon, went for a drive while my folks watched the kids, and cranked "We Got It From Here...Thank You 4 Your Service". I was absolutely blown away. It was like going back in time. The band was all there and they all sounded great. The record is very Q-Tip heavy, as expected, but that is a very good thing. And Phife Dawg's verses, my god I wish he were still alive. He sounds so god damn good on this album. He picked up right where ATCQ left off. He is just as gruff and great as he ever was. Every time I listen to the record now, it makes me miss him that much more. He was such an important voice in hip hop, and for me personally. I love Phife Dawg. He is one hundred percent on my Mount Rushmore of rappers, probably only behind the Notorious B.I.G. His verses on the first 2 tracks of the record are absolute highlights for me. He was incredible.

That's not to say that Q-Tip isn't rocking the mic as well. Q-Tip sounds as silky smooth as fans should expect. But, this time around, he has a slight anger in his voice. I really like this. It seems like his time away as a solo artist has hardened him, in the best possible way. He is wonderful on the album.

Ali Shaheed Mohammed is doing his great DJ work as usual, and chipping in a verse here and there. I do not think there is another artist that is more underappreciated than Ali Shaheed Mohammed. He is an incredible beat maker/producer/DJ/rapper. He is truly a jack of all trades, and a very important part of ATCQ. Jarobi even shows up saying a few things on some tracks. It was just so great to have the group back together and sounding as fresh as they did when they first exploded on the scene.

Then, the guest list on this album is awesome. Busta Rhymes makes a triumphant return to rap music. He sounds incredible on this record. He is rapping fast, furiously and with a purpose. It was a rebirth of sorts for him. He was great on "SNL" with them this past week too. I hope this leads to some new Busta Rhymes music on the horizon. Kendrick Lamar is there, and he is great, proving that he is the best rapper currently in the game. He is awesome, and he also sounds grateful to be included on this record. He knows the history of rap, and he respects that ATCQ is one of the greats, and one of his biggest influences, and it shows. Lamar is an incredibly gifted rapper. Jack White, who I'm not a fan of, does some excellent guitar work on a few of the songs. He does not sing, which I think is a good thing, but his guitar really works with the tracks that he is featured on. It reminds me a lot of the Blakroc thing that the Black Keys did with a bunch of rappers, Q-Tip being one of them, a few years back.

This record is astounding. It is one of the better albums to come out in a long time. I can already tell you now that it will be on my "Best Of" lists for 2016. I have not stopped listening to the album since I bought it. I have talked to friends, young and old, and they all agree that it is great. I'm so pleased that we got one more thing from ATCQ. It stinks that Phife passed away, but we will forever have his music, and this lasting impression, on this record, is a great way to honor his memory.

Thank you Tribe, we needed you guys now more than ever. Go buy this record people, you will not be disappointed.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Go check out his argument for A Tribe Called Quest being the Greatest American Band. Follow Ty on instagram and twitter.

SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Relive, and Debate, Great Music with "The Rap Yearbook"

Time to download the book about all of our favorite downloaded songs

I just finished another book by another former Grantland writer, and, once again, I really enjoyed it. I just recently finished and reviewed the very excellent "Boys Among Men: The Preps to Pro Generation that Changed the NBA" by Jonathan Abrams. So, naturally I figured another Grantland writer would have an equally as good book. The book I chose was "The Rap Yearbook" by Shea Serrano.

"The Rap Yearbook" was given to me as a gift, and I was putting off reading it until I caught up on some other reading, but boy am I glad that I read this book. It is widely known that I'm a big hip hop fan. I've written about a lot of hip hop groups and have been listening to hip hop for many, many years. This book is a great read about the most important, not best, rap songs from the years 1979 to 2014. It was absolutely fascinating. Serrano is just around my age, so we have very similar taste in older hip hop, but very different taste in more recent hip hop.

Serrano picked the most important song for each year, so it wasn't necessarily the best. It was the most important/influential song during it's particular year. The early years are easy to agree with. In 1979 he has Sugarhill Gang's "Rapper's Delight". Obvious choice. Some other obvious choices that are very hard to disagree with, 1980 Kurtis Blow's "The Breaks", 1982 Grandmaster Flash and the Furious Five's "The Message", 1987 Eric B and Rakim's "Paid in Full", 1988 N.W.A's "Straight Outta Compton", basically all the late 80's, early 90's stuff is easily and correctly chosen. He also writes a few paragraphs as to why the song is the most important. He points out what the song is about, why it's important, the influence it had, the message it sends, Serrano pretty much breaks down every legit reason why the particular song is the song of the year.

The author and I definitely differ when it comes to 21st century hip hop, and that makes this book great. Serrano seems to think that more popular artist put out more significant songs. I understand why he thinks this. The more popular the artist, the more people it reaches, thus making it more important. I just prefer more underground, lesser known hip hop artists. That's my particular taste. I'd rather listen to Murs or Mr. Lif or Dilated Peoples than Kanye or Drake or, god help me, Macklemore. But, as I said above, I totally understand why he picks those people. Serrano may like more lesser known artists too, but that would not make for a good book for more than half the hip hop listening community. So, in the 21st century, he picks some songs that I disagree with. In 2005, he picks Kanye West's "Gold digger". Yeah, it's a popular song, with a very good beat, but I don't think any song featuring an actor, Jamie Foxx, should be considered. Also, the song is very misogynistic. But, I don't know what I would put in it's place. That's where Serrano has me beat. Serrano also picks other stuff I don't agree with in the 2000's. Stuff like 2008 Lil Wayne's "A Milli". It's a fine song, but Lil Wayne had peaked already by that time and he was definitely on a down swing. It felt more like a lifetime achievement to put him in this book. For 2009 he picked Drake's "Best I Ever Had". Drake is a terrible rapper and an even worse bandwagon sports fan. Drake stinks, his music stinks and he will be irrelevant in about 5 years. Drake does not belong in this book. For 2012, he picks Macklemore's "Same Love". Sure, the song has a very good message, but it is not a good rap song. Macklemore is the biggest poser in the history of music. He is worse than Elvis. He calls himself independent, but he does nation wide commercials and carries himself like a jackass. "Same Love" is important, but not because of Macklemore and I'm sure there is much better, much more important songs from 2012. Macklemore, in my opinion, is as bad as Drake. They are corporate rappers that make corporate, shitty rap music. For 2013 and 2014 Serrano picked two songs I didn't recognize. For 2013 he picked Big Sean's "Control" and it wasn't until I read why he picked it that it was the coming out party for Kendrick Lamar. Personally, he could've picked any song from Lamar's debut album, "good kid, m.A.A.d city" as the most important song of 2013 and it would have been a better choice. In 2014 he picked a song I never heard of by Rich Homie Quan and Young Thug called "Lifestyle". His reasoning was more about the emergence and weirdness of Young Thug than the music. Ok by me.

Another thing that makes "The Rap Yearbook" a great book is the collaborations. In each chapter, Serrano brings a fellow writer or friend in and they give their rebuttal to what should be the song of the year. So, we get at least two different perspectives in each chapter. Serrano isn't married to his choice and that makes him a wonderfully gifted writer. He wants outsiders points of view and ideas. He's open to hearing why he is wrong and why someone else is right. I love that.

"The Rap Yearbook" is a must read for all fans of rap music and music in general. It's fascinating and it brings you back to that time in your life. I knew exactly where I was when I first heard his 1999 choice, Eminem's "My Name Is". I can picture 16 year old me bobbing my head to his 1998 pick, DMX's "Ruff Ryder's Anthem". I vividly remember arguing with friends and family that Jay Z was the clear winner in his beef with Nas, and Serrano picked "Takeover" vs. "Ether" for his 2001 songs. This book is wonderful. Go out, buy it and read it. You won't be disappointed.

Ty

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man Podcast. He is sorry to tell the head editor that 3rd Bass did not make the book. The head editor gave Ty the gas face. Follow Ty on twitter @tykulik.

The SeedSing (half) Year in Pop Culture: The Top Five Albums of 2015

These are the records to put on

These are the records to put on

Day two of my Best of 2015 countdown will be my top five albums of the year. I'm a huge music fan and there has been a decent amount of music put out this year. Bands and musicians like Sleater-Kinney, Earl Sweatshirt, Thundercat, Kurt Vile and Father John Misty all put out excellent records. I've also been introduced to some older bands and albums from years past this year. For example, I love both Run The Jewels albums. Shit, I was this close to putting them on this countdown because they're so good and I just recently started listening to them. I also recently got way into AC/DC. Their older stuff is excellent rock and roll music, but it wouldn't be fair to put them in this countdown. I picked five albums that were released this year. They are my five favorites and the ones I go back to the most. They're all fairly popular, but that doesn't make the music any less listenable. On with the countdown.

At number five I have a band that I was just introduced to five days ago, but I can't stop listening to their record. The band is Nathaniel Rateliff and the Night Sweats and the album is self titled. This album is great. It hearkens back to the good old days of early alternative soul music. I was introduced to this band while listening to the Sklar Brothers music podcast and the guy that was talking about them gave the perfect comparison. He said that Rateliff sounds like Van Morrison and the band is like the studio bands for soul music in the 60's and 70's. I couldn't agree more. This album is good from top to bottom. Rateliff has that Morrison/old soul gruff voice and the band is tight. The highlight of the record for me is the song, "Howling at Nothing". It has everything you could want in this style of music. Great vocals, great background music and a kick ass guitar solo. This record is excellent.

Coming in at number four I have what every other publication has at number one, Kendrick Lamar's "To Pimp a Butterfly". Oh my god, this album is so complex and so awesome. It's a total detour from his record last year, "good kid, M.A.A.D. city", but that's oaky. The funny thing about this record, I didn't care for it the first time I heard it, but on the second, third, fourth and so on and so forth listen, I grew to love this album. It's so god damn good. Lamar is a beast. He has taken over the throne as the best rapper out there right now. He is the best writer and his delivery is top notch. This is more an art piece than a rap album. Lamar pays tributes to the people that influenced him and the last track where he reads a letter to Tupac and has Tupac responding is chilling. I love this album. I'm a big rap fan and the things that Kendrick Lamar does on "TPABF" is light years ahead of any rapper out there right now. He's so much better than Drake or Kanye West, it's funny that they're mentioned in the same sentence as him. I cannot wait to see what he will do next.

My number three album is "Yours Dreamily" by The Arcs. I've heard some hipsters complain that this album is no good or complain that Dan Auerbach needs to stop doing side projects, but why not work with some good musicians and do some different, interesting things. Sure, it sounds a bit Black Keysish, but most stuff will if Auerbach is the lead singer. I think "Yours Dreamily" is better than any indie rock or alternative album that was put out this year, with one exception that I will get to at number two. The album spans many different genres of music and I like to hear what Auerbach can do with a full band. When I wrote about this album earlier this year, I said it was like a western movie soundtrack, but in the best way possible. Upon further listens, I still feel the same way, but I also think it's just a downright awesome rock album. Songs like "Velvet Ditch" or "Outta My Mind" are awesome rock/blues songs with Auerbach crushing on vocals and guitar. Auerbach can do no wrong musically. The best track on this album is "Stay in My Corner". There's a different singer, but the song is sweet, rock and roll and blues all mixed into one song. The vocals are great, the music is great and the chorus is memorable. This will be a wedding song for the hipsters that like this band for many years to come. "Yours Dreamily" is a great record, don't listen to the music snobs out there saying that it's not so good, they're wrong.

My number two record is the one alternative record I like more than "Yours Dreamily". That album is "Sound and Color" by the Alabama Shakes. I mean come on, how did they top their debut record, "Boys and Girls" so easily? "Boys and Girls" was a revelation to me, "Sound and Color" has the makings of a classic album. This is a record that I feel my kids will play for their kids. Alabama Shakes could've easily stayed in their little indie corner and make more swamp records and been very successful, but they took a huge chance by playing poppy prog rock and they hit a grand slam. This album is so different from their debut and I love that. "Sound and Color" proved that they were willing to take huge chances and showed a lot of diversity. This is the type of album you put on and listen all the way through without skipping one song. The highlights for me are "Sound and Color", "Future People" and "Dunes". "Sound and Color" is a super trippy, slow burning tune that works perfectly. You may have heard it on the most recent Apple Mac Air commercials. The marimba and Brittany Howards vocals are hauntingly beautiful. "Dunes" is another slow song with flat out awesome music in the back ground. Howard, once again, crushes the vocals as well. "Future People" is the high light of this phenomenal album. It's slow, it's heavy and it builds to be the perfect rock song. The guitar effect used during the chorus is one of the coolest things I've ever heard. "Sound and Color" is so good, Alabama Shakes is now one of the best and most talked about rock bands of the 21st century. Best alternative rock record of the year by far.

My number one album of 2015 is Leon Bridges "Coming Home". I've been on the Leon Bridges bandwagon for about nine months now. I've written about him twice on the website and my first blog on him was about a YouTube video I saw of him before he released his debut album. This album is so wonderful. It brings 60's soul and R&B into the 21st century. Bridges vocals are perfect for this style of music. His background band reminds me of the ladies that sang with guys like Rufus Thomas, Otis Redding and Isaac Hayes. The band plays and records on retro equipment. I mean, this is the coolest thing I've heard in quite some time. The fact that Bridges is only 25 years old makes this album all that more impressive. He is going to be a humongous star if he continues on this path. "Coming Home" is the best 30 minute album I've ever listened to. Songs like "Brown Skinned Girl" and "Better Man" sound like Stax Records re opened their doors and let him record there. Those songs are timeless. My favorite track on the record is "River". It's a quiet song that just builds and builds to a beautiful ending that has Bridges softly and smoothly singing the final lyrics. I love his voice and his band and everything about this album. "Coming Home" is far and away the best record I heard in all of 2015 and it was the first of my top five that I listened to. It's stayed with me all this time, that's how awesome it is.

So, there you have my top five albums of the year. Tell me why I'm right or wrong in the comment section and let me know what I left out. Come back tomorrow for my top five TV shows of the year.

Also, RIP Lemmy Kilmister, you were a guitar god and you will be greatly missed.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. Next year he is planning on getting into the BeeGees and Black Flag. Follow Ty on twitter @tykulik.

The Greatest American Band Debate: The Not So Greatest Bands of Today

For the Greatest American Band debate, I'm not nominating anyone today, I'm going to tell you why I think a lot of the bands out there today, that are played on the radio will not be in this conversation.

These bands don't have the staying power that a lot of the bands myself, RD and Tina have written about. I know I wrote Sugarhill Gang and how they are a one hit wonder, but they invented a genre of music. These bands today aren't inventing anything, they are strictly one hit wonders, or bubble gum pop. Now, I do like some current bands a lot. I've written about the Black Keys for this very debate. I'm a huge fan of TV on the Radio and I will be writing about them in the near future for this debate. I'm a huge Odd Future fan. I think they're the new Wu Tang Clan. The problem is, these bands don't get much, if any, radio play. Their music isn't catchy enough, or it's too weird for the masses. I've had a problem with pop music, I've written about the current state of radio on this site before, pretty much my whole life. When I was in high school, while I was listening to Outkast and Ben Harper and the Innocent Criminals, my friends and girlfriends were listening to shit like N'Sync, Backstreet Boys and Britney Spears. These people and "bands" will never be mentioned in any debate involving good music ever. They are ear worms. They're a hazard to people who listen to them, and the fans are some of the most annoying people in the world. They act like crazed religious people when talking about this music. It's not sufficient enough for them when I say I don't like this music. They have to not only berate me for not liking the music, but tell me why I'm wrong. And before you say it, I'm not telling you that you have to listen to the bands I like or have mentioned, I'm just telling you why pop music isn't sustainable, especially what they play on the radio. Do any of you millennials really think that Backstreet Boys or N'Sync is going to be Rock and Roll Hall of Fame inductees?

I didn't think so.

I have this same feeling for current pop "stars' like Taylor Swift, Miley Cyrus and George Ezra. You read that and said, "those are all solo artists, they don't count", okay, here's some current bands that will never be in this conversation, Imagine Dragons, OneRepublic and EchoSmith. As far as the solo artists go, Taylor Swift is annoying. I don't know if she's a country musician, or a pop musician. It's pop, right? She's a terrible role model as well. She may not want to be a role model, but she is. Her music all sounds the same, especially the garbage she's currently putting out. Miley Cyrus is terrible in every way. She's an abysmal singer, a terrible dancer, a bad actor and a shitty person. She's the worst. George Ezra was cool when he first came out, but he's doomed to be a one hit wonder. His sound is too weird, and the fact that "Budapest" became a hit is completely shocking to me. People will only remember him for that one song. The "rock" bands that they play on the radio today are just as bad. Imagine Dragons are America's version of Nickelback. They might not be as terrible as Nickelback, but it's pretty close. They are more worried about their image than their music. They are a band of haircuts that play absolutely unlistenable music. First of all, their songs do literally all sound the same. They are all horrible rock songs. They want to sound like The Black Keys mixed with pop music, but it doesn't work for them at all. When they were on SNL last year, first of all, they sounded bad and when they brought Kendrick Lamar on to perform their second song, even he couldn't save how terrible it was. I love Kendrick Lamar, and when he can't make you song mildly enjoyable, you have a problem. OneRepublic sounds like the crappiest version of a Christian rock band, and Christian rock music is terrible. Their song, "Counting Stars" is so bad, that when it's on the radio, I'd rather listen to the band Train, and I hate Train. They are also a bunch of dudes that seem more interested in their look rather than their music. If these bands put a quarter the effort into their music that they do their look, they might be decent, probably not, but maybe. OneRepublic is a hazard to your ears. Avoid listening to them at all costs. EchoSmith is a brother sister combo, I believe, but their music sounds like love songs to each other. It's creepy. I don't like the way they sing to each other. It's like Donny and Marie Osmond. Go back and watch the old SNL skit where Julia Louis Dreyfuss and some male cast member, I don't remember who (ed note: it was Gary Kroeger), play the Osmonds, and they're singing so sweetly to each other, they start to make out. That's what I fear with EchoSmith.

I'm just fed up with today's music I suppose. But, these bands will never be remembered for making great music, or even decent music. They will become trivia questions at companies trivia nights. Their sound has no staying power. They will never, ever be mentioned in the Greatest American Band Debate, except for today, and I'm trashing them. In ten to fifteen years from now, I won't come back to this topic and talk about any of these bands. So, what does this say about American music and radio right now? I guess, if I had to give an answer I'd say, that we are in a bad place right now with "pop" music. We don't have any CCR's or Talking Heads or Sugarhill Gang's to listen to and that's a shame. Step your game up pop bands and start making better music.

Please.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. Every morning he turns on his radio and has hope. Within in 5 minutes his hope is replaced with dread. Follow Ty on twitter @tykulik.