Do Yourself a Favor. Start Listening to Little Richard

Cue up the Little Richard, and be happy.

Earlier today I was driving in my car and listening to some Little Richard. I need something upbeat to keep my mind off the horrors that occur everyday now. I've always been a Little Richard fan. I like his voice, his piano playing, his style, everything about him I find very entertaining. I don't think this falls in the greatest American band debate because he is just one man, but I wanted to point out the greatness that is Little Richard, and why I think he is one of the most underrated musicians of all time.

First off, his showmanship is second to none. I have gone on record saying that Freddie Mercury is the best front man of all time in rock music, but Little Richard is a very close second. Going back and watching some old footage of Little Richard is amazing. He absolutely owns the crowd. He is truly one of a kind when it comes to flash and stage presence. He was a hurricane when he performed. The old stuff on You Tube, or anywhere else you see it, is truly amazing. He would have been a stadium performer had he come around now.

Second, his singing is excellent. He rode the line between rock and R&B like no one else I have ever listened to. He had such a soulful voice, but when he needed and felt like he had to rock, he was awesome. Take his most famous song, "Tutti Fruiti". His vocals are so god damn amazing. When he is yell singing the chorus, I want to get up and dance. In actuality, you could say that about the majority of his songs. He hits the R&B when he needs to, but he is so much more of a rock and roller than I think people ever gave him credit for. His voice is legendary and will never be duplicated.

His piano playing was top notch too. He is just as good, better than in my opinion, than Jerry Lee Lewis, but he doesn't get the same recognition. I think it has to do with the fact that he wasn't on Sun Records, but that should not matter. The way he would thrash those keys and how loud, yet sophisticated it sounded was incredible. He could play Beethoven level stuff, but make it a rock and roll song that we could all sing and dance to. I mean, that is astounding. When he would go off on his little solos and hit high notes incredibly fast, my god that was magical.

Little Richard was flashy, he was a great singer, he dressed very stylishly and he owned a stage. So, why do more people not talk abut him being an enormous influence? I mean, without Little Richard, we may have never gotten James Brown. The legend goes, James Brown needed to be convinced to go on stage to perform, and the guy doing the convincing, a young dishwasher/part time musician by the name of Little Richard gave him the confidence he needed to get on a stage. He told him he was special and he gave James Brown that final push he needed. Stevie Wonder owes a great deal of his success to Little Richard. Wonder is definitely more of an R&B guy, but a guy like Little Richard paved the way for a piano player that could rock and play soulful R&B to become ultra famous. Little Richard was the first, then came Stevie Wonder, and I love Stevie wonder. The Beatles owe a ton of their influence from American music to Little Richard. They even tried to do covers of his songs. They did okay, but when the Beatles aren't as good, that is the sign of a true legend. I'm a Beatles fan through and through, but I'd much rather turn on Little Richard when I hear the Beatles attempt to do one of his songs. I know what I will get with Little Richard.

I also happen to think that front men like Freddie Mercury, Steven Tyler, Robert Plant and Mick Jagger owe a ton of debt to Little Richard. They saw him and they saw that they could dress as loudly as they wanted, wear what they wanted and be as free as they wanted on stage because, they saw Little Richard do it long before they became the faces of rock and roll. He was doing it all 10 to 20 years before they even attempted to act like him on stage.

Little Richard is not talked about nearly enough when it comes to legends of, not only R&B, but rock and roll as well. He was more of a rock and roller than a lot of people that are considered legends of rock. I'd take Little Richard any day over people like Jerry Lee Lewis, Elvis Presley, Steven Tyler, basically almost any of his contemporaries. I also think a lot of younger musicians, people like Adam Levine, Leon Bridges, Raphael Saadiq, I know he isn't young, but he still plays like Little Richard, Nathan Rateliffe, among many, many others, would not be doing what they do today if not for someone like Little Richard.

Little Richard is an all time great. I'm sure he is in the Rock and Roll Hall of Fame. He is recognized by people in the business and industry, but when it comes to fans of older R&B and rock and roll, I think he gets left out of the conversation, and that is unfair. I'm so glad that I have a father and brothers and sister in laws that all introduced me to him when I got heavily into older R&B and rock and roll. Little Richard is one of the most underrated legends of all time. He is truly a master of his craft and he deserves and garners respect from everyone that loves music. As I stated already, we would not have a lot of the people we have today if not for Little Richard.

Do yourself a favor and, to get away from the madness, nightmare hell scape that is our country right now, listen to some Little Richard. He will make you smile and make you want to dance. I know that I am a Millennial, but I am one of the biggest Little Richard fans there are, and I will sing his praises until the cows come home. You are truly a one of a kind legend Little Richard. Thank you for all you have done for music.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He now knows that Little Richard was part of the very first class inducted into the Rock and Roll Hall of Fame. Follow Ty on instagram and twitter.

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The Greatest American Band Debate: What is Hip and Cool is Always Changing

So, I never really thought I was getting old until very recently. Now, I'm not old by any means. I'm 33 and I'll turn 34 near the end of 2016. But, working with younger kids has made me feel kind of old. I will reference players that I assume everyone knows, even if that everyone includes children that were born in 2010. I made a reference to Shaquille O'Neal and Shawn Kemp during basketball season, and the kids, especially the 5 and 6 year olds stared at me blankly. I didn't realize they have no idea who those guys are and Shaq is a sure fire hall of famer. But, the younger players only know of LeBron James and Steph Curry. At least most know who Michael Jordan is, even if it only means they know about his sneakers, they at least know the name.

But, sports aside, I am getting pretty old when it comes to pop music and music played on the radio. I recently sat down with my 12 and 9 year old nieces, you'll hear them on the podcast tomorrow, and the people they were telling me about, I maybe knew 1/3 or even a 1/4 of their names. I looked at them as blankly as my young athletes looked at me. I consider myself a pretty hip and knowledgeable person when it comes to music. But, with that being said, I do not care for pretty much all of modern pop music. There's a few people I enjoy. I like Hozier, I've written about Alabama Shakes and I'm a humongous Black Keys fan, but I was also told by my nieces that those aren't really pop bands and musicians. Their music is more rock they said.

This was the exact moment when I felt old.

This must have been what my parents felt like when I was listening to Puff Daddy and Mase and I told them that their music was old and stuffy and uncool. I finally understood what they said to me back then. I would get older one day, and what I like will not be popular anymore, if it ever was. I thought they were crazy, but they were right, as they always have been. My nieces threw some bands and singers at me and they may as well have been speaking a foreign language. As I said, they will name all these people on the podcast, but I still don't remember the names. I know of people like Taylor Swift, Maroon 5 and One Direction, which the 9 year old rants about, but those people weren't even really on their radar anymore. They've already moved on from these bands and found new singers and bands to adore.

While this makes me feel old, I also feel like this is a big problem with modern pop music. No one sticks around that long anymore. Sure, some will have two or even three hits, but the majority are new versions of "one hit wonders". There's so many bands and singers that have one hit song, but they never do anything after that. At least nothing that's played on the radio. This doesn't make them bad singers or bad bands, it just means they capitalize on one song and on a very young fan base who's musical taste isn't fully developed yet. This is not meant to be a slight, I just said I listened to Puff Daddy and Mase, but then I grew up and, in my opinion, I got way better taste in music.

I also listened to what my dad said and listened to the music he lent me the older and more mature I became. My dad introduced me to Bob Marley, Bob Dylan, The Beatles and Robert Johnson, among many, many others. This makes me hopeful that my nieces parents will do the same. Their dad is my oldest brother and he and I have similar taste in music. I hope he does what our dad did for me, but I also know that he plays good music, like Radiohead and TV on the Radio in their house, so the girls are being exposed to good music, they just don't recognize it yet, just like I didn't when my father was playing good music in the house.

I know they will come around at some point, with urging from their parents, but it was equally fascinating and upsetting at their knowledge of modern pop music. They both really do listen to everything they can, that's great and very fascinating. They devour as much pop music as they can. It's awesome that young kids still listen to so much music, even if it's stuff I don't care for. But, it's also upsetting because this is the first time that I have truly felt old. I just had no idea of what they were talking about at times and I was that old man berating young kids and their music these days. I feel like I will try and listen to some of the stuff they mentioned, but I know I won't like most of it, even before I listen to it. Modern pop is just not for me, but it has its many fans and its many fans are very young.

Both my nieces give some wonderful insight and they make me happy because they truly do love music. Music makes everyone happy and there is something for everyone. You will get old and young kids music will sound weird to you, but just think of how you felt when you were a kid and your folks wanted to listen to their music. It took me 33 years, but what I thought would never happen happened. I felt old, but it's not that bad. That's what's supposed to happen. As we get older things change and change can be odd and weird, but you will always have your thing and your music. That will never change.

I also would like to thank my nieces for talking to me and trying to open my mind to new music. It didn't work, but they put out an excellent effort. Listen to the podcast tomorrow because it's was a delight to record and I know everyone, be they 80 or 8, will really enjoy the two conversations I had with my two nieces. They were funny, insightful and a lot of fun to chat with, even though they made me feel old.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Like Grandpa Simpson, Ty was once cool, but what was cool to Ty just changed, and now it is scary. Listen to the X Millennial Man Podcast tomorrow to hear the tale, and make sure you follow Ty on twitter @tykulik.

The Greatest American Band Debate: Rick Rubin and Brian Burton

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

In lieu of talking about another band today for the greatest American band debate, I'm going to talk about two producers. These guys are legends in the music business and without them, we would never have gotten some of the greatest bands of all time. They're both mainly producers, but one also doubles as a pretty good musician. The two people I'm going to talk about today are Rick Rubin and Brian Burton, AKA Danger Mouse.

Let's first start with Brian Burton. Danger Mouse bust onto the music scene with the legendary "Grey Album". This was a "mashup" of the Beatles "White Album" and Jay Z's "Black Album". This record was incredible. He perfectly blended Beatles with Jay Z. We had never heard anything like this before. Now, it's commonplace for DJ's and producers to do "mashups", but Danger Mouse was one of the first. This record was also impossible to come by. He didn't get permission from the powers that be to make it, so the few that got released were hard to get your hands on. You had to know someone who knew someone that had a copy just so you could get one. It's a masterpiece.

With the acclaim that followed "The Grey Album", Danger Mouse was in high demand. He began to work with a lot of artists. He, along with Cee Lo Green started the band Gnarls Barkley. An awesome concept for this band. Green did the vocals and Danger Mouse did everything else. They put out two awesome albums. The way he met Green was working with him on the "Danger Doom" album. This was Danger Mouse and MF Doom. MF Doom is an awesome, but under appreciated rapper. Their "Danger Doom" record is an excellent concept album. They used Adult Swim cartoons as their base and wrote rap songs to go along with it. Some Adult Swim people that appear are Master Shake, Harvey Birdman and Meatwad, to name a few.

Later on, Danger Mouse was called upon by the Black Keys, one of my all time favorite bands, to be the first outsider to produce one of their albums. He came to work with them on "Attack and Release", their first real ambitious album. He's since worked almost exclusively with them, making their sound more complete. He's added bass where needed and piano as a cherry on top of their unique sound. He was one of the driving forces behind their most recent and most ambitious record, "Turn Blue", and I will be forever grateful to him for making the Black Keys take some much needed steps to further their sound and push the limits.

Danger Mouse also has the band Broken Bells. This is him and Shins frontman James Mercer's side project. This is a great platform for Mercer to step away from the indie rock sound and really take some big vocal chances. He has to hit so many high notes with Broken Bells and he does great. That's something he would have never done in the Shins. Broken Bells is great.

Danger Mouse has also done work with a lot of other famous artists, Jack White, Norah Jones and Sparklehorse among many, many others. Danger Mouse is probably the second most in demand producer right now, and everything he's done so far has been pretty great. He's a top of the line producer.

The only guy that may be more in demand than Danger Mouse has got to be Rick Rubin. I mean, the dude co created Def Jam Records first of all. Just google Def Jam and look at all the ultra famous people that have been on that label, it's astonishing. He and Russell Simmons created an empire. They both created probably the best rap label of all time. Bands like Public Enemy, the Beastie Boys and Run DMC owe their fame to Simmons and Rubin. Even a guy like LL Cool J they made famous. Rubin is a total recluse, but when he emerges from his cocoon to work, this guy never disappoints. He was the producer on the "Black Album", Jay Z's best in my opinion.

Rubin has worked outside of rap music as well. His clientele includes  the Red Hot Chili Peppers, Johnny Cash, the Avett Brothers, the Dixie Chicks, Adele, Rage Against the Machine, Slayer, Mars Volta, Mick Jagger, the list could go on for days and days. He's even done stuff with Lady Gaga, Shakira and Ed Sheerhan. He has definitely expanded his grasp on all music.

The one thing you hear when people talk about working with Rubin is what a great professional he truly is. He has a knack for hearing and knowing great music. Before him, the Avett Brothers were just another run of the mill folk group. Rubin made them great. Same thing can be said about the Dixie Chicks. He produced their only listenable record. Rage Against the Machine knew they were working with a legend and let him do his thing, ending with great results. Lady Ga Ga, Shakira and Ed Sheerhan should thank their lucky stars that Rubin agreed to work with them. That's a huge compliment. Slayer and Mars Volta made their best stuff with Rubin on board. He's a genius, there's no other word that better describes him. Rubin's talent was on full display when he  got the absolute best out of an almost dead Johnny Cash. Those last two albums of his are masterpieces and a lot of that has to do with Rick Rubin being the producer.

They may not be a band, but we cannot talk great American music without mentioning these two guys that have helped produce so much of it. I can't wait to see what Danger Mouse and Rick Rubin do next.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. As a kid he thought Puff Daddy was the only producer in music. He has since become aware of others. Follow Ty on twitter @tykulik.

The Greatest American Band Debate: The Monkees

They were a big influence on the Beatles.

RD Kulik

RD Kulik is the creator of SeedSing and enjoys the early film collaborations of Jim Carrey and Jeff Daniels. He wants you to write for SeedSing.

The Greatest American Band Debate: The Black Keys

In the Great American Band debate that we have ongoing on the website, I'd like to nominate my personal favorite band, the Black Keys.

Most people know who they are now, but that was not the case when I stumbled upon them in 2002. I was living with my brother at the time and watching an award show on MTV2. This was when MTV stopped showing music videos and only aired reality shows, but MTV2 still showed music videos and the award show I stumbled upon was giving awards to new and unheard of bands. I can't recall the name of the show, but I laid there on the couch watching late into the night and these two guys, one with a bushy beard and shaggy hair named Dan Auerbach and the other, a tall, lanky dorky looking guy named Patrick Carney, introduced me to the concept of a two piece rock band that actually rocked and rocked hard. I couldn't believe that just two guys could make that much sound and make it sound that good. It was like Led Zeppelin came back to perform as a two piece. They're that great.

The next day I immediately went out and purchased their first album, "The Big Come Up". I was in love. These two guys were so very, very awesome. Dan Auerbach is the lead singer and guitarist. He is, by far, the best user of distortion in the history of rock and roll music. The things he did and still does with reverb and distortion is like nothing I've ever heard before. He is a wizard. His voice, while gruff, but in the best possible way early on, has gotten better and better with each album they put out. Patrick Carney has his own make shift drum kit and he smacks the hell out of the skins. I've never seen anyone live that puts as much effort and excellence in their drumming. He's dripping sweat when they get off stage. He's the best drummer alive in my opinion. No one is even a close second.

Back to their debut album. "The Big Come Up" came out in 2002. It has a few originals on it, but about half is covers. Except, they do the covers in their style, and it's awesome. They do the Beatles, "She Said, She Said" like it's an old blues/rock and roll song. Dan Auerbach, once again using his distortion wizardary, crushes the song on guitar and, with the gruff voice, almost makes it a brand new song in the best possible way. Patrick Carney attacks the drums like a machine and I think if Ringo Starr heard his version on the drums, he would be embarrassed by how much better a drummer Carney is. It's a great cover of a great Beatles song. Their version of Junior Kimborough's "Leavin Trunk" is a great homage to one of their biggest influences. It's a great blues song, made better with Carney's excellent drumming. Some of the originals are fantastic. "Heavy Soul" and the "Breaks" are two great introductions for any Black Keys virgins out there. Those two songs will tell you everything you need to know about the band. They're hard rocking, heavily distorted bluesy songs with very, very excellent drumming. My personal favorite Black Keys song is on "The Big Come Up". The song is called "Yearnin" and it's a masterpiece. The distortion, of course, is there but Auerbach's vocals are top notch and I love absolutely everything about this song.

A year later they released their second album, "Thickfreakness". This is my favorite Black Keys record. The story goes, they locked themselves in a studio and recorded the whole album in 14 hours. Holy cow, that's impressive! The opening track, "Thickfreakness" is phenomenal. It starts with a very loud, heavy guitar riff and morphs into a four minute gem of a song. The rest of the album follows suit, with Auerbach excelling on guitar and vocals and Carney rocking out on the drums. There's even two slower songs on the record. They do another Junior Kimborough cover, "Everywhere I Go" and turn it into an even more bluesier tune than I think Mr. Kimborough himself ever thought it could be. It's epic. The last track on the album, "I Cry Alone", has a very slow, repetitive guitar riff and quiet, sleek drums. It's a step in a different direction and it works for them.

The very next year, they released "Rubber Factory". This was the album that I first saw them touring live with. This album was recorded in an old rubber factory in their hometown of Akron Ohio. They started to get a little notice from critics and gained some new fans. Hell, David Cross directed and starred in a music video for the song, "10am Automatic". That is also the first Black Keys song I learned on guitar. It has a simple guitar riff, but there's an epic solo at the end. The drums are immediately noticeable as well. I could pick the song out if I only heard one tom or high hat being hit at the start of the song. "Rubber Factory" features other great songs like, "Girl is on my Mind", "The Lengths" and "Keep Me". Each song is uniquely a Black Keys song and each song shows growth in the band. They also cover The Kinks "Act Nice and Gentle" to perfection. It's a fitting cover to another UK 60's rock band, but the Black Keys still put their spin on it with Auerbach's signature distorted guitar. They also give us their version of an old blues standard, "Stack Shot Billy" with some phenomenal slide guitar being played.

They finally took a year off after releasing three albums in three years and in 2006 they released, "Magic Potion". Some may say that this was a disappointing effort, but I'd kindly disagree. I know every word to every song on this album. There's some great songs on it like, "Your Touch", "Elevator" and the best song on the album, "Goodbye Babylon". "Your Touch" has a cool guitar riff, it's fast and choppy and Carney shines on the drums. "Elevator" reminds me of something that could have been on the album "Thickfreakness". It's a hard driving, Zeppelin esque rock and roll song. It's very good. "Goodbye Babylon" has some of Auerbach's best vocals and the guitar and drums are top notch. It's an excellent song.

The year 2008 marked a big change in the band and they brought in a new producer. Luckily for the fans, that producer happened to be Danger Mouse. He helped them with their fifth album, "Attack and Release". This album showed the band taking big chances, like adding bass and keyboards to their sound, and it really pays off. The opening track, "All You Ever Wanted" is a slow song, accompanied by Danger Mouse on the keyboard. The keyboard is the main instrument on this song. That had never happened on a Black Keys song before, and it took me by surprise how much I loved it. I didn't even think about the guitar until many, many listens later. "I Got Mine" and "Strange Times" are a return to form, with heavy drums and guitar. But then songs like "Oceans and Streams" and "So He Won't Break" and "Psychotic Girl" show the band using bass, keyboards again and even flutes and banjos. "Attack and Release" showed me that the Black Keys still rocked, but they were taking chances and hitting home runs. I was pleased with the growth and the taking of chances.

In 2010, the Black Keys released the album "Brothers" and this was when they became famous. They started winning Grammy's and playing "Saturday Night Live". A younger me would have thought that they were selling out, but "Brothers" is so damn good, I didn't care. They were still doing their style of music, but made it a bit more accessible to all listeners. Check out songs like, "Next Girl", "Tighten Up" or "Howlin For You" and you can see the pop and hip hop influence in their music, but there is still heavily distorted guitars and Carney wailing away on the drums. Other great songs on the album include a slower ode to a brother never met called "Unknown Brother" and "Sinister Kid" that has a heavy hip hop sound with some excellent vocals by Auerbach and a cool drum groove from Carney.

Continuing their assault of great music, a year later the Black Keys returned to their rock roots and released the excellent, straight up rock and roll album, "El Camino". "Lonely Boy", the opening track, has the coolest, most innovative guitar effect I've ever heard. It sounds like the guitar is going in circles. It's so incredibly cool. "Gold on the Ceiling" is a true throwback to rock and roll from the 70's with the Black Keys putting their twist on it. "Little Black Submarines" has a two minute opening that's just Auerbach and an acoustic guitar and then, it turns into a heavy rocker with some of the best solos I've ever heard. "Dead and Gone" is a great singing in the car song on long road trips. It's awesome. The closer, "Mind Eraser", is a classic rock and roll song with expert drumming from Carney. Clearly, working with Danger Mouse opened the band up to trying new things.

Last year, with Danger Mouse once again back in the studio with them, they released their most ambitious album to date. Their eighth album, "Turn Blue" has them taking on an almost Pink Floydian type of sound. The opening track, "Weight of Love" has a trippy, psychedelic three minute instrumental that morphs into a rock and roll song and ends up back at the psychedelic beginning. The title track, "Turn Blue" is a lot like "Weight of Love". The lone exception being, "Turn Blue" has the psychedelic sound of the 70's throughout the entire song. It's spacey and awesome. The Black Keys still have bluesy rockers like "Fever" and "It's Up to You Now", but this record is not like any of their other albums to date. "Waiting on Words", "Bullet in the Brain" and "In our Prime" are all psychedelic rockers with cool bridges and insane solos, both on drums and guitar. I love this new direction they're taking.

As with most great bands, the Black Keys have changed record companies three times. They started at Alive Records, moved up to Fat Possum and are now with the heavy hitters at Nonesuch Records. As you get better, you have to be on bigger labels, that's the music industry. Dan Auerbach and Patrick Carney have worked with other bands and have side projects, but they are best when it's the two of them(also really good with Danger Mouse) doing their thing. I love the Black Keys and will go to bat with them any day. They have a new, yet throwback sound to their music and they just keep getting better and better. All the things I've said should tell you how great of, not just an American band, but just a band, that they are. These dudes rock and will continue to for many years to come.

The Black Keys rule.

Ty

Ty is the Pop Culture editor for SeedSing and the co-host of the X Millennial Man Podcast. What he does is called rockin out and you are to old to get it. Follow Ty on twitter @tykulik.

The Greatest American Band Debate: Fountains of Wayne

So what exactly is the Great American Band?  Is it just the best rock band that happens to be American?  If the Beatles or the Rolling Stones were American, would this conversation essentially be over?  I’m not convinced.  There’s a lot of talk in literary circles about the mythical Great American Novel, with the understanding that said novel is supposed to Say Something about The American Experience (a la The Great Gatsby or Huckleberry Finn).  If that’s the case, then the great American band should be not just a great band who happens to be American.  It should be a band that says something quintessentially American.

With that in mind, I’m going out on a limb to nominate Fountains of Wayne.  As in “Stacy’s Mom?”  Yes.  Hear me out.  Not to be one of those “but I knew them when” types, but I remember hearing their infectious first single “Radiation Vibe” on college radio, and instantly loving it.  A few years later, I heard the song “Troubled Times,” bought their first two albums, and was hooked.  All this is just to say that when I heard “Stacy’s Mom” on the radio, I had more context for it than most people.

Music first:  Most of their music is a mix of pop/rock styles.  It’s slightly off-kilter guitar driven power pop, sometimes with a little low-fi sheen.  There are rock, country, punk, and folk influences here, along with great harmonies and a little indie whine-rock thrown in for good measure.  More importantly, these guys write a hook like nobody’s business.  You’ve likely heard Adam Schlesinger’s songcraft in the movies.  He wrote the Wonders’ big hit, so you can blame him if you can’t get “That Thing You Do” out of your head.   If you’ve seen the film “Music and Lyrics” (which I don’t really recommend), you know that Schlesinger also has the chops to write a credible Wham! knockoff such as “Meaningless Kiss.”  (Look it up on YouTube right now.  I’ll wait.)  

But dig a little deeper, beyond the killer pop hooks, and you’ll hear Fountains of Wayne creating masterful songs about the suburban experience for Generation X America.  All the little details underscore the theme:  the power pop/punk melodies, the finely observed lyrical humor, and finally Chris Collingwood’s vocal performance, with its straightforward “everyman” delivery.  Part of the hip hop tradition is to talk about Gulfstream, the Palms, and Prada to seem glamorous and out of reach.  On the flip side, Fountains of Wayne name checks more prosaic and accessible brands like Subaru, La Quinta, and the Gap.  Even the seemingly fluffy “Stacy’s Mom” captures a sense of ennui, where the most exciting woman you know is your friend’s hot mom.  That whole album, the aptly titled Welcome Interstate Managers, is largely about the banal underpinnings of suburban life.  There’s a cheery song about a traveling salesman with an alcohol problem; another about waiting for a red notification light; and another about a Sunday morning with a significant other, drinking coffee while watching “Face the Nation.”

This theme runs through Fountains of Wayne’s entire catalog.  They’ve even done one of my favorite Christmas songs, “The Man in the Santa Suit,” which peers into the life of the poor schmuck who dons that red suit for the extra cash.  The image of a mall Santa who is “sweaty and smells like beer” is funny, but he’s been led there by his blue-collar cash strapped existence.  

Like most of us, as the band aged, the theme went from the youthful detachment of the mid-90’s to a little more fatalism in the post-9/11, post-Great Recession era.  Their latest album contains the elegiac song “Cemetery Guns,” about a military funeral on the Illinois plains.  The song focuses its attention on the grieving young widow, but it suggests that her life has been upended by a centuries-long cycle of military-industrial conquest.  While they aren’t raging, exactly, there is no mistaking the resignation of the lyric “Godspeed their reckless sons, who evermore play their forefathers’ hands on the foreign sands.”  Plus ça change, et cetera...

“Okay Tina, fine,” you say.  “They’re more than Stacy’s Mom.  But great American band?”  Fountains of Wayne’s music is a sardonic and melancholy reflection of middle class life disguised as upbeat power pop.  It’s the Reagan era’s sunny facade imperfectly plastered over that famous Gen X apathy.  What’s more American than that?

Tina S

Tina is an infrequent contributor, somewhat scientist, and tennis fan. She could not sit on the sidelines while we ignored great bands. Follow her lead and nominate your Greatest American Band.

The Greatest American Band Debate: The Introduction

Time to get the records out.

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

I'm a lover of all music.

All music except for jazz and new age country that is. People often pose the question to me, "Who's the best band"? There is any number of answers to give. Some may say The Beatles, Pink Floyd, Led Zeppelin, The Rolling Stones, etcetera. The one thing you may have noticed in those answers is, those are all bands from overseas. Mainly the United Kingdom. Why no American bands? Is it because most great American musicians are solo artists? We have Bob Dylan, Janis Joplin, Robert Johnson, BB King, Miles Davis and Woody Guthrie just to name a few. And before I get yelled at online, I don't count Janis Joplin's backing band, The Holding Company, or Bob Dylan playing with The Band(who are all Canadian except for Levon Helm) as great American bands. They're very good, but not great.

So, let's break it down. Who is the greatest American band? Do they come from the 50's, 60's, 70's, 80's, 90's or 2000's? Is there even an American band that can hold a card to the great bands from overseas? I don't know that for sure, but I'm going to throw out a lot of great American bands today and we can all decide together.

Let's take the 50's. One band that comes to mind for me is The Crickets. You may know them as Buddy Holly and the Crickets. The Crickets played on some of the greatest songs in the history of music and were just as important to Buddy Holly's music as Buddy Holly was. Some people may put The Crickets into The Holding Company category, but go back and listen to some of their stuff and you will see how influential they were on modern day rock and roll.

In the 60's, we got some more psychedelic rock bands from America, but I'm not too crazy about some of these bands. First, we have The Doors. I am not a fan of the Doors, but they were hugely popular and definitely put their stamp on rock music. Jim Morrison was fine as a poet and songwriter, albeit super overrated in my opinion, but his band was really pretty good. They just had an unfortunate choice in picking their lead singer and were stuck with Jim Morrison. Then there's the Beach Boys. I CANNOT stand the Beach Boys. They made crappy pop music and are an abomination to rock and roll. That being said, they are in the Rock and Roll Hall of Fame and a lot of people not only like the Beach Boys, they love them. Their fans will also defend Brian Wilson to the heavens, no matter how difficult of a person he is to work and deal with. My favorite American bad from the sixties, by far, is Creedance Clearwater Revival. Their brand of rock music, mixed with blues and soul is undeniably great. They've had a ton of hits and a ton of fans, are in the Rock and Roll Hall of Fame and John Fogerty is still making pretty good music as a solo artist.

The 70's brought along a lot of great talent to American rock and roll. We got the Eagles, Aerosmith, ZZ Top and Tom Petty and the Heartbreakers. Each one is great in their own right, and in the case of Aerosmith and Tom Petty and the Heartbreakers they are still making music. In Tom Petty's case, he is still making great music. Many people might even say that The Eagles are the greatest American rock band of all time. I disagree. The 70's did put out some great music from all corners. We also got KISS, the Ramones and Sly and the Family Stone. Another band from the 70's that people love is Grateful Dead. Not me though. In my opinion, they are a jam band that has no structure to their jams. I don't want to hear one song that's usually three and a half minutes long turn into a 30 minute song. no thanks. My older brothers will be pretty upset at me for trashing the Grateful Dead, but I just don't like them. When it comes to 70's American bands, it gets no better than the Allman Brothers Band. They played great songs with a beautiful mixture of rock and blues. Robert Johnson introduced me to the blues and Son House introduced me to slide guitar, but the Allman Brothers made slide guitar and rock/blues music cool. They are not just one of the best American bands, they're one of the greatest bands of all time period.

The 80's changed what rock music could be in America. Bands like Heart and The Runaways showed that girls can rock just as hard as guys. Blondie blended all different types of music, and did it very well. And yes, Blondie is the band name, Debbie Harry is their lead singer's name. But, when it comes to 80's rock bands in America, the Talking Heads are the greatest. David Byrne is a genius and still making fantastic music. The Talking Heads were innovators and way ahead of their time. They tried so many different things with their music and, more times than not, hit it out of the park.

The 90's brought on the grunge era in American rock music. We got great bands like Green Day, Soundgarden and Pearl Jam. Each band is great in it's own way. Green Day brought back punk/pop music. Soundgarden brought back the psychedelic rock from the 60's and 70's and Pearl Jam was dark a brooding. A very cool version of emo. Then came Nirvana. Kurt Cobain was a musical genius. Especially as a lyricist. His lyrics are profound and prolific. He died way too young and became way too famous too fast. His two band mates, Kris Novaselic and Dave Grohl were excellent. Most people know Dave Grohl and all the work he's doing right now and Kris Novaselic has played bass for many different bands. When it comes to 90's American rock for me, it gets no better than Weezer. I love Weezer. Rivers Cuomo is a great writer and very excellent, very underrated guitar player. Their first album, "The Blue Album" is a work of art. Then, they released "Pinkerton" which is just as good and maybe even a bit better than "The Blue Album" Weezer is awesome.

Which brings me to the 2000's. Time will have to tell with this era. It's only been 15 years and these bands still need a bit more seasoning. That being said, there are some bands on their way to greatness for sure. The White Stripes could've been on their way if they were still making music. Jack White has also become an unfavorable character and a shell of his former self as a musician. He's also a well known asshole too. Bands like the Black Keys and TV on the Radio still need time, but in the Black Keys case, they are well on their way. There are other bands such as, Alabama Shakes and The Shins, but like I said earlier. Time will tell.

See, in this long piece I couldn't single out just one American band. There's a lot to choose from and if I was told that I had to name one right now, I'd pick the Black Keys, strictly because they're my favorite band. I didn't even touch on rap groups and yes, rap groups can be considered great American bands. I'll leave that for a future piece. So people out there reading this, let me know which American bands are great in your eyes. Who did I leave out or who did I bash that you like. Or, do you agree with me. Leave a comment and until later, keep listening to good rock and roll music.

Be it American rock or otherwise.

Ty

Ty is the Pop Culture editor for SeedSing and the co-host of the X-Millennial Man Podcast. He is eager to write another 1000 words on music. Follow him on twitter @tykulik