SeedSing's Advent Calendar of Awesome Holiday Television Programs: Day 18 - "A Very Murray Christmas"

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday television program for every day of Advent. This is the greatest tv of the season. Enjoy.

Day 18: "A Very Murray Christmas"

Original air date - December 4th, 2015 

Opened Doors: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten, Eleven, Twelve, Thirteen,  Fourteen, Fifteen, Sixteen, Seventeen

The Holiday season can be very lonely for some. In today's economy, many people will find themselves away from family and friends around Christmas. Even worse, some of us will be trying to get home, but the unpredictable December weather will bring some cataclysmic storm that will strand us where we stand. Sometimes the best thing to do when we are alone on Christmas is to find the nearest bar, and drink with your temporary holiday family.

Netflix got into the musical holiday Christmas special business with their 2015 release of A Very Murray Christmas. The one-hour special, directed by Sofia Coppola, featured internet sensation Bill Murray in his own modern holiday extravaganza. There was music, drama, and guest stars galore. The entire ordeal was a call back to the Christmas specials of the 50's and 60's, but A Very Murray Christmas incorporated the cynicism of star player Mr. Bill Murray.

The tale is a simple one. Bill is waiting, with his piano playing buddy Paul Shaffer, to start filming a star-studded musical Christmas special. The problem is that New York City is being pounded by a terrible blizzard. Bill is not optimistic about his special going off.  His producers are typical smarmy Hollywood people and urge him all will be well. How could all be right, the guest stars are nowhere to be seen? There is no George Clooney, or Pope Francis, or Angelina Jolie, the snow has kept them all away. Even if Mr. Murray wants to flee, the show must go on. Thank goodness Chris Rock gets stuck in New York. Bill has one, uncooperative, guest star to sing with. Then the power goes out. Special canceled, everyone is allowed to let it all go.

Poor Bill is still stuck in New York. With trusted Paul Shaeffer by his side, Mr. Murray decides to celebrate Christmas in the hotel bar drinking with the staff. He encounters a poor almost married couple (Rashida Jones and Jason Schartzman) who ended up in a fight because the weather ruined their picture perfect New York Christmas wedding. Being the lover of weddings that Bill Murray is, he tries to make it right. He sings with the kitchen staff (Phoenix), he orders drinks, he brings people together. Once Christmas eve becomes Christmas day, Mr. Bill Murray has had too much joy, and drink, and he proceeds to pass out.

In his dreamlike drunken sleep, Bill lives his grand Christmas special. George Clooney and Miley Cyrus join him for song, dance, and general holiday frivolity. The entire event is what makes the holidays magical. Bill Murray did it, he imagined the greatest 21st-century-holiday tv special ever. It makes the fact that he wakes up with just Paul Shaffer, and his piano, to keep Mr. Murray company for Christmas day a worthy reward.

We are never alone, especially on Christmas day. The weather may trap us, or jobs may be our late December prison, but we will always find people to be festive with. So many people think they will find themselves alone on Christmas Day, but they will always find each other. Barring their company, we will always have the spirits of the holidays. The ghosts of bourbon, vodka, gin, tequila, and rum will let us experience the joy of the season. They may even help us imagine George Clooney and Miley Cyrus. That is a true Christmas miracle.

RD

RD Kulik is the Head Editor for SeedSing and the other host of the X Millennial Man Podcast. He has spent many times alone around Christmas Day. If only he had Phoenix there to help him out. 

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Tracy Morgan brings some glory back to SNL

Tracy Morgan is bringing comedy sunshine the dark landscape that has been SNL.

Back to your regularly scheduled programming from me.

I know I've been blogging a lot about basketball and sports lately, and I'm still going to do that, but now I'm going to get back into the groove and give you pop culture from a lot of different angles. I'll get back to movies, TV shows, music and everything else starting today.

Today, I'm going to tell you about the sheer greatness that was last Saturday's SNL. Tracy Morgan, making his triumphant return to TV, crushed as the host of the 41st seasons third episode. The season premiere, featuring Miley Cyrus wasn't very good, and Amy Schumer did a better job on the second episode, but Tracy Morgan, hosting the third episode, hearkened SNL back to it's glory days. He seemed so comfortable and calm on that stage. This was the perfect place for him to make his official return to TV. As I written before, he's most comfortable at 30 Rockefeller Center and that's where his career took off, both on SNL and "30 Rock".

I did want to touch on the cold open before I get to the meat of the episode. My wife and I usually never watch cold opens because they're always political and we, quite frankly, don't care for humor involving politics. But, due to some social media searching, we both found out Larry David would be making an appearance. I'm a HUGE Larry David fan and this piqued my interest. So, we watched the cold open, hoping that it would be worth it, and boy was it totally worth it. David played Democratic presidential candidate Bernie Sanders. I can't think of a better character for him to play besides himself. This was a grand slam, getting David not only to appear, but also to play his doppleganger, Bernie Sanders. He was absolutely hilarious, and had you told me the lines David was reciting were actual Sanders quotes, I would've believed it. Bernie Sanders is a total nut job, and Larry David played that almost as perfect as comedian James Adomian does. Seriously people, if you liked David's impression, check out James Adomian's impression, it's better. Needless to say, the cold open set the tone for this being a really, really good episode. Oh, and I didn't even mention that Alec Baldwin showed up playing, a senator I think, named Jim Webb. But, David's appearance outshined everyone else on the stage.

Now, let's get to the return of Tracy Morgan. First of all, during the monologue, he started to talk as if he had a stroke. I was taken aback, but he immediately said he was joking and I was already laughing. The monologue was very good. None of the singing that usually goes on now, in fact, he talked about his old show "30 Rock" being prophetic about his accident. Which reminds me, he said that maybe the accident made him smarter because he now knew what prophetic meant and how to use it in a sentence. Back to the "30 Rock" episode. It was on the same stage, obviously it wasn't a real "30 Rock" episode, and cameos were made by Tina Fey, Jane Krakowski, Jack McBrayer and Alec Baldwin once again. They all reprised their roles from the show and talked about Tracy Jordan being in an accident. Morgan appeared as Jordan and let everyone know he was okay. This bit was played to many laughs. And, it's always good to have old friends and cast members appear on SNL. Pretty much all of the sketches were hilarious, and they brought back two beloved characters that Morgan played while part of the cast.

The first character they brought back was Brian Fellows. They did the Brian Fellows Show and anyone who watched when Morgan regularly did the show, knows how insane and bizarre this sketch is. It was just as crazy, with Fellows at one part, accompanied by a dream bubble, thinking about a beaver smoking cigarettes. He also yelled his titular line, "I'M BRIAN FELLOWS!".

It was great. During Weekend Update, we got a cameo from Tina Fey, hilariously making fun of Playboy not being a nudie magazine anymore. She even showed off some of the poses she always wanted to do, if she ever got a chance to pose for Playboy. During Weekend Update, while Michael Che was talking to his always upbeat neighbor, Willie, Morgan showed up as the bum who thinks he's way more important than he really is, Woodrow. Woodrow was Willie's life coach and the two of them sang a sweet, but very sad song. This was a great use of this character.

Some of the other good sketches were, one where, it was set up like a musical and all the cast members were joyously singing what they were doing. Well, when Morgan showed up, he sang what was literally on his mind. For example, one of his lyrics were, "I just peed". It was so weird, but Morgan made it funny because that's what he does. There was another weird sketch that Morgan made work called "Where's Jackie Chan At?". Morgan and Keenan Thompson played two guys that simply asked the question, where's Jackie Chan at. They had callers and even a person to person chat with Chris Tucker, played excellently by Jay Pharoah, and no one knew where Jackie Chan currently was. I loved this sketch, because I'm still trying to figure out, where's Jackie Chan at. They did one of their premade videos and it was very funny. The "movie" featured Pharoah, Shasheer Zamata, Taran Killam and Morgan. Killam and Zamata are a couple at the bar and Killam's character is clearly upset. Apparently, Morgan's character said something to her in passing and Killam was waiting for the right time to broach the situation. He finally does, and it's revealed that Morgan's character wants to dance. They keep saying, "you want to dance", insinuating a fight, but Morgan literally means dancing. He even has ballet flats on to prove how serious he is. They get into a whole back story about how Morgan's dad never let him dance, and made him act tough, and finally Zamata says she will dance with him because his story is so sad, but Morgan says he needs to dance with Killam because, "I can't lead, I don't know how". It ended with the two of then getting ready to dance, it was pretty funny.

The best sketch of the entire show was the first sketch after the monologue. They did a "Family Feud" sketch and I was in stiches the whole time. First of all, if there's a better impersonation of Steve Harvey than what Keenan Thompson does, I haven't seen it. He does a spot on Harvey impression, going so far as to call everyone player. It's great. During this sketch, we find out that the two families involved in the game are Tracy Morgan's new family, he got divorced six months prior, and his ex wife and three kids. This was a very, very funny premise for a sketch. We first met Morgan's ex wife, played by Leslie Jones. She's a star and needs to be on this show much, much more often. The kids are played by Pharoah, Zamata and Che. Morgan's new wife and family were as lily white as they come. His new wife was played by Cecily Strong and his kids were the new cast member, his name escapes me at the moment, and Vanessa Bayer. The only question asked during the feud was, "name something someone forgets". Jones rings in first and exclaims, "COMMITMENT!", clearly still upset about the divorce. She gets the answer right and her family gets to play. Pharoah answers, "not coming to your son's clarinet recital because it's not manly" and Zamata says, "not being there as a male role model, so now I have to strip". They each get strikes, and when they get to Che, he's gone to the other family because, "they're happy and always smiling". The whole time, Morgan is yelling back at his ex wife and children and it's hilarious. This was a great sketch to open with.

Obviously, I loved this episode. Tracy Morgan was phenomenal and exceeded my expectations by a million miles. I'm so, so happy that he's healthy and back doing what he loves. The comedy world has missed you Tracy Morgan, but your future looks bright after your triumphant return to SNL.

Welcome back.

The Greatest American Band Debate: The Not So Greatest Bands of Today

For the Greatest American Band debate, I'm not nominating anyone today, I'm going to tell you why I think a lot of the bands out there today, that are played on the radio will not be in this conversation.

These bands don't have the staying power that a lot of the bands myself, RD and Tina have written about. I know I wrote Sugarhill Gang and how they are a one hit wonder, but they invented a genre of music. These bands today aren't inventing anything, they are strictly one hit wonders, or bubble gum pop. Now, I do like some current bands a lot. I've written about the Black Keys for this very debate. I'm a huge fan of TV on the Radio and I will be writing about them in the near future for this debate. I'm a huge Odd Future fan. I think they're the new Wu Tang Clan. The problem is, these bands don't get much, if any, radio play. Their music isn't catchy enough, or it's too weird for the masses. I've had a problem with pop music, I've written about the current state of radio on this site before, pretty much my whole life. When I was in high school, while I was listening to Outkast and Ben Harper and the Innocent Criminals, my friends and girlfriends were listening to shit like N'Sync, Backstreet Boys and Britney Spears. These people and "bands" will never be mentioned in any debate involving good music ever. They are ear worms. They're a hazard to people who listen to them, and the fans are some of the most annoying people in the world. They act like crazed religious people when talking about this music. It's not sufficient enough for them when I say I don't like this music. They have to not only berate me for not liking the music, but tell me why I'm wrong. And before you say it, I'm not telling you that you have to listen to the bands I like or have mentioned, I'm just telling you why pop music isn't sustainable, especially what they play on the radio. Do any of you millennials really think that Backstreet Boys or N'Sync is going to be Rock and Roll Hall of Fame inductees?

I didn't think so.

I have this same feeling for current pop "stars' like Taylor Swift, Miley Cyrus and George Ezra. You read that and said, "those are all solo artists, they don't count", okay, here's some current bands that will never be in this conversation, Imagine Dragons, OneRepublic and EchoSmith. As far as the solo artists go, Taylor Swift is annoying. I don't know if she's a country musician, or a pop musician. It's pop, right? She's a terrible role model as well. She may not want to be a role model, but she is. Her music all sounds the same, especially the garbage she's currently putting out. Miley Cyrus is terrible in every way. She's an abysmal singer, a terrible dancer, a bad actor and a shitty person. She's the worst. George Ezra was cool when he first came out, but he's doomed to be a one hit wonder. His sound is too weird, and the fact that "Budapest" became a hit is completely shocking to me. People will only remember him for that one song. The "rock" bands that they play on the radio today are just as bad. Imagine Dragons are America's version of Nickelback. They might not be as terrible as Nickelback, but it's pretty close. They are more worried about their image than their music. They are a band of haircuts that play absolutely unlistenable music. First of all, their songs do literally all sound the same. They are all horrible rock songs. They want to sound like The Black Keys mixed with pop music, but it doesn't work for them at all. When they were on SNL last year, first of all, they sounded bad and when they brought Kendrick Lamar on to perform their second song, even he couldn't save how terrible it was. I love Kendrick Lamar, and when he can't make you song mildly enjoyable, you have a problem. OneRepublic sounds like the crappiest version of a Christian rock band, and Christian rock music is terrible. Their song, "Counting Stars" is so bad, that when it's on the radio, I'd rather listen to the band Train, and I hate Train. They are also a bunch of dudes that seem more interested in their look rather than their music. If these bands put a quarter the effort into their music that they do their look, they might be decent, probably not, but maybe. OneRepublic is a hazard to your ears. Avoid listening to them at all costs. EchoSmith is a brother sister combo, I believe, but their music sounds like love songs to each other. It's creepy. I don't like the way they sing to each other. It's like Donny and Marie Osmond. Go back and watch the old SNL skit where Julia Louis Dreyfuss and some male cast member, I don't remember who (ed note: it was Gary Kroeger), play the Osmonds, and they're singing so sweetly to each other, they start to make out. That's what I fear with EchoSmith.

I'm just fed up with today's music I suppose. But, these bands will never be remembered for making great music, or even decent music. They will become trivia questions at companies trivia nights. Their sound has no staying power. They will never, ever be mentioned in the Greatest American Band Debate, except for today, and I'm trashing them. In ten to fifteen years from now, I won't come back to this topic and talk about any of these bands. So, what does this say about American music and radio right now? I guess, if I had to give an answer I'd say, that we are in a bad place right now with "pop" music. We don't have any CCR's or Talking Heads or Sugarhill Gang's to listen to and that's a shame. Step your game up pop bands and start making better music.

Please.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. Every morning he turns on his radio and has hope. Within in 5 minutes his hope is replaced with dread. Follow Ty on twitter @tykulik.