Thom Yorke in Concert is not Radiohead, and it Still Rules

Saturday night I saw one of the most interesting and entertaining live shows I've ever witnessed. Me, my buddy and 2 of my brothers saw Thom Yorke on his Modern Boxes tour.

It was incredible. I even liked the opener, which is out of the norm for me. The guy who opened, I unfortunately do not remember his name, was a very solid cellist. He played his cello really well, and he did some interesting things with it. The way he used the amplifier and pedal board he had was pretty cool. He played some rock songs, some classical stuff and did quite a bit of looping. It was cool. I found myself nearly entranced by his performance. Even when he started to play some recordings of children and people talking, and then proceeded to play cello over it, I found it very neat. I liked this guy. Then it was Thom Yorke's turn.

Going into this show I did not know what to expect. Yes, I had previously listened to the record he put out prior to this tour, and I have listened to his other solo stuff, but I had never seen him solo. I have seen Radiohead on multiple occasions, but they played Radiohead songs. I knew what I was going to see when I went to those shows. I was prepared to be surprised, in a good way, by this show though. I am a Radiohead fan. I, as I have said, listened to all of his solo stuff, so I was pretty sure I was going to enjoy it. In listening to his Modern Boxes stuff I did expect a layer of electronic music. Yorke seems to be leaning towards that style with his solo stuff, in a good way. I'm not a huge electronic music fan, unless it is done right. Yorke does it right.

So, when he came on stage, I was very, very excited. He and his 2 other musicians got right into it. Yorke said hi, and they immediately jumped into their set. Yorke moves and dances and sings and does his thing on stage no matter what. Another one of his band mates was playing all different kinds of instruments and he was as in to the set as Yorke seemed. Then there was the third guy. He stood in one spot the whole time and was seemingly typing on a keyboard. I'm sure he had something to do with the entire show, but he didn't move at all, until the end when he waved to the crowd.

That being said, I really, really liked what I heard from Yorke and his band. They played some wild, jumpy, bouncy and overall cool music. It was all very, very different from what I expected. But, I loved it. Even when he did some of his older solo stuff, like "Black Swan", it was a totally different arrangement from his first recording of the song. And I loved it. His new original stuff is also very, very good. It is the upper echelon of electronic music. Yorke is a total pro, and it showed on Saturday night. I like some electronic bands, like Ratatat, but Yorke is so, so much better than the stuff they do. The songs were unique and different and fun and I even felt a bit if a hip hop vibe here and there. It was so cool.

Also, the show going on behind the band, on the 4 separate screens they had, was one of the coolest things I have seen in my lifetime. It was all shapes that would change into other shapes. He also had this cool screen that was totally white, then a black ink drawings started to fill in all the white space. It then turned into a full on crazy color palette. I'm also not big into strobe light type stuff, but I found myself completely engaged and enraptured by what was going on behind the band. It was so cool. There were times I could not take my eyes off what was going on on those 4 screens.

Finally, the double encore was great. Yorke and his band came back out after about an 80 minute set and played three more songs for the first encore. Yorke did a solo version of "Reckoner", and it was so cool to hear it in a totally different way. A song that is so drum heavy was played brilliantly, minus the drums, by Yorke and his computer and mixing board. When he came back for the second encore, he played one song, and it was the most normal one of the show, but it was a perfect ending. He played one of his new songs from the movie "Suspiria", for which he wrote and arranged all the music. It was a pretty, beautiful and scary song that Yorke, even while messing up at one point, even saying "whoops", played excellently.

This show was amazing. I am so, so glad that I got to see it live. I'm so glad that I got to experience with some very important people to me. This was a great night. It was a night I won't soon forget. This show was amazing, and it was one of the better shows I've ever been to. What a night. A special thanks to my wife who bought the tickets as an early birthday gift. She really knocked it out of the park. 

If you are a Radiohead fan, go see this show. You will love it.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He does not care for electronica, unless it is good. Let that be a lesson, if your genre of music is not widely accepted, make it good.

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SeedSing is funded by a group of awesome people. Join them by donating to SeedSing.

Let Me Respectfully Explain Why Musical Festivals are the Worst

Behold the natural beauty of the modern music festival

Today I'm going to put on my old man hat, pants, short shorts, whatever you want to call it, and complain about music festivals, mainly, Coachella. First off, I love, love, love music. I have made that abundantly clear on the site. Next to my family and sports, music is the biggest thing in my life. It has shaped my style, my thoughts and how I perceive the world today. The music is not the problem with Coachella and all other music festivals in general. The music is most definitely great at most of these festivals. The fact that people and bands I love like Kendrick Lamar, Radiohead and Run the Jewels headline these fests are great. The problems I have are the people, the attire and how commercial all of this stuff has gotten.

The bad stuff started a long time ago when some morons decided we needed a Woodstock 2. First off, the original Woodstock was a free event held at some family's farm. Woodstock was meant to bring people together, in a trying time, through music. Sure, there were some wildly dressed people and many of the memories and pictures we all know and see now have to do with the mudslide. But, for the most part, the original Woodstock is remembered for Jimi Hendrix and the like that played some of the best music of their careers. Then, Woodstock 2 came along. You know what most people remember about this crummy festival? Well, I remember the horrific lineup, the fights and the fires that were started, and people complaining how expensive everything was, including bottled water. That is where the biggest problem with festivals nowadays lies. The prices for merchandise, food and drink is utterly ridiculous, and it all started with Woodstock 2.

Of course that was a tremendous failure, and festivals were very sparse afterward. People just didn't want to deal with the headache anymore. Sure, there were still one or 2 day things. We had situations where there were 3 stages and the whole thing would start at noon and end after midnight, but nothing too big.

Then, in the early 2000's, Bonnaroo came along. I remember first hearing about this fest. This was during my jam band phase, and Bonnaroo had them all. I remember wanting to go to it so, so bad. But, I couldn't afford the tickets, and I do not like camping, so it was out of the question. I bought the compilation CD that came out, and listened to it a bunch. I figured I'd go in the future, but not at the current time.

As the years passed, I got less and less interested because it started to become this over crowded, pop obsessed, image driven festival. What started as a much better predecessor to Woodstock than Woodstock 2, was becoming just as commercialized and stupid, for lack of a better word, in my opinion. When bands like U2, who were great in the 80's, but not in the 21st century, are your main headliners, no thank you. They have tried to do other things, like add a comedy event, but I still have no interest. First off, it is in the dead of summer, and I have no interest in hanging out with a bunch of smelly, sleep deprived and drug infused music fans. I'm a nightmare when I'm sleep deprived. Put me with a million other sleep deprived people and I would go nuts. It doesn't help my case that I'm not a "partier". I have no problem with people doing drugs and drinking, as long as they aren't hurting anyone. But, I do not want to hang with people for 3 or 4 days that are just straight up binging. That is the worst. Bonnaroo is so off my radar now, when someone says that they are going, I always think to myself, I can't believe that it is still a thing.

I did try the whole festival thing about 12 years ago though. I found a festival called Wakarusa being held in Lawrence, Kansas. It had a good lineup, and I thought that I could handle the camping. I even went with my oldest brother, his wife, some of their friends and my niece, when she was a tiny baby. I thought this was the ideal situation. I was wrong. I was miserable. I was constantly harassed by hippies and stoners all weekend long. I was made fun of because I was not drinking and or doing drugs. I thought it was going to be like going to a Widespread show, where everyone is welcome, but I was wrong. I felt secluded. I could not believe how mean these supposed all loving people could be. To make matters worse, there was no time to see the bands I wanted to see because schedules always conflicted. I would catch 15 minutes of Robert Randolph, sprint over to the second stage to catch 15 minutes of Keller Williams, then run again to see North Mississippi All Stars encore. This was incredibly frustrating. Add the fact that I was getting little to no sleep, I was ready to go home by the second morning. Luckily for me, so were my brother and his wife. We left early. All the excitement I felt a month before Wakarusa was demolished within an hour of being there. I have never even thought about Wakarusa again, until I decided to write this piece today.

Here in Saint Louis we now have LouFest, and I have absolutely no desire to go to this. The prices are outrageous, there is usually only one, maybe 2 bands worth seeing, and it is so commercialized that it is disgusting. LouFest is utterly ridiculous.

They also have the Roots N Blues BBQ/Music Fest in Columbia. I have been to this twice, and both times, I was ready to leave the moment I entered the park. I immediately regretted my decision to go. This has gotten way out of hand too. They sell way too many tickets, and for a smaller college town like Columbia, they cannot handle the amount of people. I vividly remember going to see Buddy Guy, and leaving after his first song because there were too many people, I felt like I was in a sardine can, and I couldn't even see or hear Buddy Guy. Never again for Roots N Blues. There is other stuff like Lollapalooza, the Gathering, and I'm sure other things I can't think of now that I will never go to because festivals are the worst. 

Finally, what sparked this whole idea today, we just had Coachella this past weekend. I will never, ever ever ever go to Coachella. I stated at the top that the lineup is second to none. But, no matter who plays, even if Bob Marley and Robert Johnson were to rise up from their grave, I will not attend. First off, it is in the desert at, or near the beginning of summer. No thank you. Second, this festival over sells every year. There are so many people there. Third, it is straight debauchery. My brother has been to Coachella once, and from what he told me, it was absolutely intense and insane. Not for me.

But, what I find most appalling about Coachella though is the fact that it has become some kind of crappy second hand fashion show. All the pictures you see are of celebrities, or faux celebrities, and what they are wearing. I could care less what Vanessa Hudgens, Cam Newton or any of the god damn Jonas Brothers are wearing at Coachella. I had to scroll through 4 or 5 different stories that talked about the "fashion" or the "famous faces in the crowd" before I got a small review of Radiohead's problems with sound, or how great of a set Kendrick Lamar did. That is a big, big problem. Coachella is the definition of image. People care more about what the bands, performers, or even worse, the crowd is wearing, or what they look like. Coachella should be about the music first, the art second, then everything else last. I do not care about anything from Coachella, except the music. How long until Coachella is just as much a laughingstock for outsiders, such as myself, as Burning Man is? Not too far away I'd guess.

Festivals have gotten a well deserved bad rap. They are wastes of time, in my opinion, and they are just a big cluster. I'd much rather just see the bands or performers when they come to, or near, my hometown. The fact that I got to see Run the Jewels in Kansas City, or that I'm seeing the Chance the Rapper here in Saint Louis, at their own headlining shows, sounds so much more appealing than fighting with thousands upon thousands of sleep deprived, smelly music fans. I LOVE live music. I LOATHE festivals. Simple as that.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He used to be with it, then it changed, now what is it is confusing and strange. It did not take Ty long to morph into Grandpa Simpson.

Follow Ty on instagram and twitter.

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"A Moon Shaped Pool" is Further Proof that Radiohead is the Best Band in the World

Make your ears, heart, and mind happy with some good music

News alert, Radiohead released a new album yesterday. I bought it, but I waited until today to listen to it, and it is incredible, just like everything else Radiohead does. The record, "A Moon Shaped Pool" shows the growth and the same experimentation that the band has done since they busted out on the scene in the 90's. The record has rock, ethereal music, slow songs, touching songs, basically, it has everything we expect and love from Radiohead.

I know that there are other guys in the band, but Radiohead is really all about Thom Yorke and Johnny Greenwood. They are the two geniuses behind this wonderful band. Yorke is the eccentric, yet super talented front man that does a little bit of everything. Greenwood is the genius that writes and sonically puts all the music together. "A Moon Shaped Pool" has their separate genius on full display. Yoke croons and masterfully sings his way through the entire 11 song album. Greenwood's touch and elegance is all over the place in the music. Johnny Greenwood may be the greatest and most interesting person currently working in music. He is a true genius. You have to look no further than the second track on the album, "Daydreaming", to hear and realize how awesome Greenwood is. The song reminds me a lot of the slower stuff that was on "Kid A", but this song sounds a bit more grown up and put together with a purpose. I love the slower, weirder stuff on "Kid A", but it seems slapdash and spackled together. It's weird for the sake of weird. But on "Daydreaming", the weirdness and the etherealness has a real place in the song. It's structured and so well put together. The song has a base, verse, chorus, verse, but Greenwood has his trademark sound, and it is incredible.

The rest of the album is just as good. The opener, "Burn the Witch", is what a band like U2 strives to sound like, but they can't get there. Radiohead out does U2 on a song that sounds like U2. It's a great way to start out the new album. Yorke sings the hell out of it and the band sounds great. The third track, "Decks Dark" is currently my favorite song. It has acoustic guitar at the beginning, with slower singing, and it builds and only gets a lot better from there. Yorke absolutely crushes this song. It sounds like something off "The Bends", but it is better. They have some longer songs, a la stuff on "Kid A" or "OK Computer", like "Ful Stop", "The Numbers" and "Present Tense" that are great as well. As I've said, they sound grown up and mature on this record. You can tell they worked very, very hard on this record. These three songs are really good too. Sometimes slower, more musically charged Radiohead songs can feel a bit like a chore, but not on this record. They all fit in perfectly and they are perfectly placed on the record. They are all in the exact right spot. One of these will follow a faster or sweeter song and it's excellent placement. The last two tracks on the album are dynamite. Track 10, "Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief" has an incredibly long title and it is an incredibly awesome song. Yorke, once again, sings perfectly. He has that lower, almost scary type voice that gets louder and nicer as the tune goes on. The music accompanying him is just as good. There's great guitar, drums, bass and whatever the hell else Radiohead wants to do because they are the best. The song builds and builds and it is quite fantastic. The closer, "True Loves Waits" is absolutely beautiful and kind of sad. Yorke croons and moans and wails his way through the song and it is magical. His voice portrays love, hurt and pain so well. You can sympathize with him so easily. He makes you feel his hurt and his pain and we all can relate. The music is quiet, but just as important as Yorke's vocals. It is all so perfectly made and perfectly recorded by the perfect band.

Obviously, I love this record and I love this band. We all knew that something was coming when Radiohead went off all of social media one day before the announcement of the record, and I couldn't be happier with the outcome of their one day hiatus from social media. Radiohead can do no wrong, in my opinion. They are, and always will be, the perfect band. They are timeless. They make some of the best music that have ever been written and released. They are geniuses. And they know exactly how to market and promote themselves in the new digital age. They were one of the first, if not the first, band that let people decide what they wanted to pay for a record when they released "In Rainbows", and now, they can release a record on a Saturday, on Mother's Day, and it will be the talk of the internet for the next 7 days. They are awesome.

To all the people, the hipsters that is, complaining that Radiohead is "overrated" or "need to stop making music" or "old", shut up. This band is the best and we should be lucky that they are still creating some of the best music ever for us to listen to. The hipsters complaining about Radiohead are the same assholes that wear skinny jeans, collect vinyl, wax their mustaches and work in coffee houses that only do slow drip or French press coffee. These hipsters are the problem and they are the main ones complaining about a new Radiohead album. Get over yourself and start dressing more normal and stop judging me because I'm an unabashed fan of Radiohead. I will buy all their records, no matter how many they release and I'm sure I will love them all. These are the same people that still badmouth "The Simpsons" and complain about not having enough room to ride their unicycles because of people driving their cars. So, don't listen to the hipsters, listen to me and buy this new Radiohead album, it is awesome.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He may have a big bushy beard, but he is no hipster. Make sure you follow all of Ty's non-hipster thoughts on twitter @tykulik.

The Greatest American Band Debate: What is Hip and Cool is Always Changing

So, I never really thought I was getting old until very recently. Now, I'm not old by any means. I'm 33 and I'll turn 34 near the end of 2016. But, working with younger kids has made me feel kind of old. I will reference players that I assume everyone knows, even if that everyone includes children that were born in 2010. I made a reference to Shaquille O'Neal and Shawn Kemp during basketball season, and the kids, especially the 5 and 6 year olds stared at me blankly. I didn't realize they have no idea who those guys are and Shaq is a sure fire hall of famer. But, the younger players only know of LeBron James and Steph Curry. At least most know who Michael Jordan is, even if it only means they know about his sneakers, they at least know the name.

But, sports aside, I am getting pretty old when it comes to pop music and music played on the radio. I recently sat down with my 12 and 9 year old nieces, you'll hear them on the podcast tomorrow, and the people they were telling me about, I maybe knew 1/3 or even a 1/4 of their names. I looked at them as blankly as my young athletes looked at me. I consider myself a pretty hip and knowledgeable person when it comes to music. But, with that being said, I do not care for pretty much all of modern pop music. There's a few people I enjoy. I like Hozier, I've written about Alabama Shakes and I'm a humongous Black Keys fan, but I was also told by my nieces that those aren't really pop bands and musicians. Their music is more rock they said.

This was the exact moment when I felt old.

This must have been what my parents felt like when I was listening to Puff Daddy and Mase and I told them that their music was old and stuffy and uncool. I finally understood what they said to me back then. I would get older one day, and what I like will not be popular anymore, if it ever was. I thought they were crazy, but they were right, as they always have been. My nieces threw some bands and singers at me and they may as well have been speaking a foreign language. As I said, they will name all these people on the podcast, but I still don't remember the names. I know of people like Taylor Swift, Maroon 5 and One Direction, which the 9 year old rants about, but those people weren't even really on their radar anymore. They've already moved on from these bands and found new singers and bands to adore.

While this makes me feel old, I also feel like this is a big problem with modern pop music. No one sticks around that long anymore. Sure, some will have two or even three hits, but the majority are new versions of "one hit wonders". There's so many bands and singers that have one hit song, but they never do anything after that. At least nothing that's played on the radio. This doesn't make them bad singers or bad bands, it just means they capitalize on one song and on a very young fan base who's musical taste isn't fully developed yet. This is not meant to be a slight, I just said I listened to Puff Daddy and Mase, but then I grew up and, in my opinion, I got way better taste in music.

I also listened to what my dad said and listened to the music he lent me the older and more mature I became. My dad introduced me to Bob Marley, Bob Dylan, The Beatles and Robert Johnson, among many, many others. This makes me hopeful that my nieces parents will do the same. Their dad is my oldest brother and he and I have similar taste in music. I hope he does what our dad did for me, but I also know that he plays good music, like Radiohead and TV on the Radio in their house, so the girls are being exposed to good music, they just don't recognize it yet, just like I didn't when my father was playing good music in the house.

I know they will come around at some point, with urging from their parents, but it was equally fascinating and upsetting at their knowledge of modern pop music. They both really do listen to everything they can, that's great and very fascinating. They devour as much pop music as they can. It's awesome that young kids still listen to so much music, even if it's stuff I don't care for. But, it's also upsetting because this is the first time that I have truly felt old. I just had no idea of what they were talking about at times and I was that old man berating young kids and their music these days. I feel like I will try and listen to some of the stuff they mentioned, but I know I won't like most of it, even before I listen to it. Modern pop is just not for me, but it has its many fans and its many fans are very young.

Both my nieces give some wonderful insight and they make me happy because they truly do love music. Music makes everyone happy and there is something for everyone. You will get old and young kids music will sound weird to you, but just think of how you felt when you were a kid and your folks wanted to listen to their music. It took me 33 years, but what I thought would never happen happened. I felt old, but it's not that bad. That's what's supposed to happen. As we get older things change and change can be odd and weird, but you will always have your thing and your music. That will never change.

I also would like to thank my nieces for talking to me and trying to open my mind to new music. It didn't work, but they put out an excellent effort. Listen to the podcast tomorrow because it's was a delight to record and I know everyone, be they 80 or 8, will really enjoy the two conversations I had with my two nieces. They were funny, insightful and a lot of fun to chat with, even though they made me feel old.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Like Grandpa Simpson, Ty was once cool, but what was cool to Ty just changed, and now it is scary. Listen to the X Millennial Man Podcast tomorrow to hear the tale, and make sure you follow Ty on twitter @tykulik.

The Greatest American Band Debate: Influencers

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

When  it comes to music, no one is completely unique.

Continuing our discussion on the website of the greatest American band, I want to focus on influential bands today. I'm not going to single out one specific band, I will give my readers many examples. The one problem I ran into doing research for this piece, it was hard to find American bands that were truly influential. It was easy to find bands from the UK that were influential. You can take Pink Floyd and see their influence on many current bands like Radiohead or Muse. You can take Led Zeppelin and see their influence on bands like the White Stripes and Black Keys. There's so many more from the UK that have influenced American bands. Doing further research, I found that these bands from the UK were influenced by American musicians, but not bands. Zeppelin and Cream were heavily influenced by guys like Robert Johnson and Son House. In fact, a lot of the UK musicians were very influenced by blues musicians from the 20's and 30's. So, like I said, it was tough, but with help from my father, we found a good number of influential American bands.

When we talked, the first band that came up was the Paul Butterfield Blues Band. If you listen to our most recent podcast, you know that's my dad's favorite band. What makes them so influential, they had great musicians playing great, rocking blues music. Their writing was top notch. You take a band like the Black Keys, and as much as Zeppelin influenced them, the Paul Butterfield Blues Band was just as important to shaping their music. The same could be said for a band like Buffalo Springfield. This is another band that had great musicians and wrote great songs, and members of Buffalo Springfield would break away and do some really big things in the music industry. Stephen Stills and David Crosby were in Buffalo Springfield before they were Crosby, Stills and Nash. I love music that has distortion in it. It's my favorite effect on guitar. That's where a band like Ike Turner's Rockin 88's come into play. The story goes, while traveling, their amps fell off the car and were sliced. Ike and the band didn't know what to do or where to get new amps, so they used them. While playing, the guitar sounded gruff, but they all liked it. Distortion was born. Look at any number of rock bands, be it RATM or Soundgarden or Alabama Shakes, and you can hear how important distortion is to their music. Another, bigger band, Sly and the Family Stone, brought the concept of playing funky rock and roll, while having a big band feel. The way they injected horns and funk in their music reminds me a lot of what a band like Black Joe Lewis and the Honeybears are doing right now. You can take bands like the Eagles and Three Dog Night and see the influence they have on bands that focus on the vocals and harmonies in their music. Take a band like the Killers and see how much the Eagles and Three Dog Night meant to them getting started in music. A band I never really listened to until my dad told me about and have recently listened to and kind of enjoy is ELO. They have a unique electric sound and most of their music is all instrumental. I can see how a band like Ratatat was influenced by ELO. Some of their songs sound identical. It's uncanny.

Even bands from the 80's have influenced current bands. Look at Blondie, they had a cute blonde girl as their lead singer, and a bunch of dudes begin her. Tell me Grace Potter and the Nocturnals weren't influenced by that. They have the exact same makeup to their band. The Talking Heads were this avant garde, take all kinds of risks kind of band. If you just listened to them, I bet you wouldn't be able to guess what they looked like. I look at someone like Har Mar Superstar and feel the same way. He and his band play funky, R&B music, but Har Mar looks exactly like Ron Jeremy. When I first heard him and the Talking Heads, I felt the same. I loved the music, but I had no idea what these musicians looked like. Devo had a big influence on electronic/rock music. They took big chances and hit home runs every time. I look at a current band like TV on the Radio and see they were heavily influenced by Devo. Aerosmith, with their accessible to all ages rock music reminds me a lot of the Foo Fighters. Even a band like Nirvana has influenced younger musicians. I look at Conor Oberst and I just know that he listened to a ton of Nirvana. His lyrics are almost as poetic as Kurt Cobain and just as sad sometimes.

So, there are a lot of influential American bands. You have to do some research, but you can see how influential a lot of the bands from the 60's and 70's are on current day musicians. Go check out some of the bands I've mentioned today and compare them to who you are currently listening too, it may surprise you.

Go out and seek older music too, you will see the influence, I promise you.

Ty (With a little help from his dad)

Ty is the Pop Culture Editor for SeedSing and the co-host of The X Millennial Man Podcast. The biggest musical influence in his life is Dr. Teeth and the Electric Mayhem. Follow Ty on twitter @tykulik.