February 24, 2016

The Greatest American Band Debate: Booker T. and the M.G.'s

February 24, 2016/ Ty

SeedSing is filled with music lovers. We can not agree on who is the best band from the States. The Greatest American Band Debate will be a regular feature where we discuss and compare bands who started in the good old USA. If you have any suggestions of bands we should debate Contact us seedsing.rdk@gmail.com

Today for the greatest American band debate I'm going to nominate the first, and possibly only, all instrumental band. Instrumental music can be a hard sell for a lot of people, but these guys did it funky with a ton of soul and made it very enjoyable. Of course I'm talking about Booker T and the MG's.

Chances are even if you don't think you know who Booker T and the MG's are, or one of their songs, you've heard them before. They have been around forever, still performing today, albeit very limited and not the same guys that started the group, and their sound has been used by very famous singers. They were one of the first backing bands that went out and did their own thing and garnered a good amount of success doing it.

Booker T and the MG's formed in the early 60's in Tennessee. They helped shaped, and probably pioneered, the "Memphis sound". They were the funkiest backing band that I have ever heard. Booker T Jones was the organist and piano player, Steve Cooper was on guitar, Lewie Steinberg played bass and Al Jackson was the drummer. After forming, they quickly became the house band for Stax Records. They performed with legendary singers like Otis Redding, Wilson Pickett, Bill Withers, Sam and Dave, Carla and Rufus Thomas and Albert King. Basically, any big time artist that Stax had, they wanted Booker T and the MG's to be their backing band. They have had to played on hundreds upon hundreds of hits when you look at those musicians that they performed with. Songs like "Walkin the Dog", "Hold On, I'm Comin", "Soul Man" and "Try a Little Tenderness", just to name a few, they were the ones bringing the music to the lyrics. Those are mega hits that not only soul music fans know and love, but just fans of music adore. "Soul Man" and "Hold On, I'm Comin" really show you Booker T and the MG's signature soul/funk/rock sound. Great guitar, followed by great bass and thumping drums and then the cherry on the top that is Booker T's exceptional piano playing. They could even do slower stuff like "Try a little Tenderness", but they had to throw their sound in to make it a little funky and have a touch of rock and roll. When that song jumps up in tempo, I get goosebumps listening to it. It's a perfect song that perfectly showcases not only Otis Redding, but mainly Booker T and the MG's.

The band would also record and release their own material while still performing with these uber famous singers. They have put out a ton of their own stuff, but their biggest hit has to be "Green Onions". Believe me, you know this song. The first place I heard "Green Onions" was in the movie "The Sandlot". I was in fifth grade, my dad took me out of school early to see this baseball movie, and while the movie is one of my all time favorites, with the scenes of the kids playing being phenomenal, I kept asking my dad about "that one song that had no words". I couldn't shake that song. I loved it as a 10 year old and I still love it now. "Green Onions" is the personification of the "Memphis sound" and, more importantly, perfectly sums up the greatness that is Booker T and the MG's. The organ and the drum that starts is awesome. Then, the simple guitar riff, that is just chords, absolutely wonderful. Then, Booker T really shines on the organ, playing the most distinct notes anyone has ever heard. I guarantee you know the song when you hear that organ in the first verse. The guitar keeps adding reverb and gets a bit more complicated throughout the three minute song. Then, it's back to organ, with a downright funky bass line being played. The drums, keeping perfect beat the whole time, are just incredible. When I hear this song, I can't help but dance or move my feet or bob my head to it. It's a classic.

Now, "Green Onions" isn't their only hit as a band, they also have the song "Time is Tight". This song features the great organ by Booker T, but the other musicians shine just as bright. The guitar is just as front and center as the organ and it's awesome. The solos are fantastic. The drums are great, this time, not just keeping time, but playing awesome fills and having a very full sound. The bass is just as good. It's minimal, but it is necessary and it is good. I know bass always gets a bad rap and people make fun of bass players, but in a soul/R&B/funk group, bass is very important. It keeps time, just like the drums do. They have many other hit songs, but these are the two that everyone, even if they think they don't know them, know these songs. Hell, "Green Onions" is a staple in most movies and on a lot of TV shows.

Booker T and the MG's are owed a great debt by many musicians, especially ones that fancy themselves funk musicians. Without what these guys did, we may have never gotten that funky soul sound that they brought to the listening public. They are in the Rock and Roll Hall of Fame, but I feel like they're a very underrated band. They are all extremely technically skilled musicians that all the big names in soul music wanted to be their backing band. Booker T and the MG's, in my opinion, are the best backing band of all time. I know people will throw out singers and musicians from the movie "20 Feet From Stardom" or the band from "Standing in the Shadows of Motown", but for my taste, it gets no better than Booker T and the MG's. These guys created a sound that was all their own. They are inventors and masters of their craft. They still perform today, with mainly new members, but Booker T is still there hammering away at his organ, and that's all that matters. As long as he is still around, the MG's will continue to be a great band.

Here's to you Booker T and the MG's, you guys are pioneers.

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He feel bad for being mean to the bassist from his high school rock band. The dude kept good time. Hear all about the glory days of The Redshirt Freshmen by following Ty on twitter @tykulik.

February 17, 2016

The Greatest American Band Debate: The Avett Brothers

February 17, 2016/ Ty

For the greatest American band debate today I'm going to nominate one of my personal favorite folk rock groups. The band I'm going to talk about today is the Avett Brothers.

The Avett Brothers are a four piece with the "Brothers" part being banjo player and co lead vocalist, Scott Avett and lead guitar and co lead vocalist, Seth Avett. The rest of the band is bass player, both upright and electric, Bob Crawford and they have a cello player named Joe Kwon. They have other musicians sit in on drums and piano from time to time, but those are the four main guys.

I was introduced to this band about 7 or 8 years ago via an article in "Rolling Stone" I read. They had just started to work with Rick Rubin and I pretty much like anyone that brings Rick Rubin on to work with them. This was kind of a departure for Rubin, but he had been doing mainly rap for awhile when he found the Avett Brothers. He worked with Johnny Cash and he was doing some other stuff with rock bands as well as working with Jay Z and many other rappers, but he had never really produced any folk music, at least not to my knowledge (ed note: He did also work with The Dixie Chicks, I guess they are folk-like). All I needed to see was that this band personally asked Rubin to come in and produce their record. I was going to listen no matter what.

That Rubin produced album was "I And Love And You". This is an absolutely phenomenal album. It was a great way for me to be introduced to their sound. This record is perfection. The way they mix folk and rock is just incredible. They also do beautiful slow songs and when they rock, they really bring it. The opening track, "I And Love And You" is one of the most bittersweet songs ever. They talk about falling out of love with their partner and saying that those three words are very hard to say. The piano they use, as it builds and builds, is downright beautiful. The louder the piano gets, the more pain they sing with and it's awesome. It is a great song. But, when you have had all the sadness you think you can endure, they hit you with a great love song, "January Wedding". This is a great, great first dance song, especially if you have a wedding in the month of January. "January Wedding" features some excellent solo banjo playing from Scott Avett and beautiful vocals from Seth Avett. Another great song. Then, they hit you with a rock song. The song "Head Full of Doubt/Road Full of Promise" is a great rock song. It starts out slower, like a folk song, but when they hit the bridge and then the third verse, it turns into a straight up rock song, with loud drums, banjo and guitar. They also up their vocals and knock it out of the park. The rest of "I And Love And You" is a great example of how to mix rock with folk and Rubin is at the top of his game producing this album. I could write a whole piece just on this record, but they have a lot of other music that is equally great.

After listening to "I And Love And You" on repeat for about 6 months, I decide it was time to dig into their older stuff, the stuff that is mainly folk music. I went out and bought "Four Thieves Gone: The Robbinsvile Sessions", "Emotionalism", "Country Was", "Mignonette" and "A Carolina Jubilee" and listened to them all almost immediately, one right after the other. "Country Was" and "A Carolina Jubilee" are very similar, in the fact that they are straight up folk records. Sure, they rock out on some songs, but it's all acoustic and it's all great. There are some classic Avett Brothers songs on these records like "Love Like the Movies", saying that movie love is fake, and I agree, "Pretty Girl From Raleigh", which finds them opining an old love and "I Killed Sally's Lover" which is a dark song, but the tone is upbeat. All great, early songs from the Avett Brothers.

Then I listened to "Four Thieves Gone: The Robinsville Sessions". This record, in my opinion, is a masterpiece. This album showed the band stretching what I thought was folk music, and had them exploring rock, and on one song, Scott Avett is almost rapping. It's a really good album. Go listen to songs like "Colrshow" to hear them rock out and yell sing lyrics awesomely or "Matrimony" which is about the plight of marriage, but there precision on vocals and instruments is on full display. Some other great songs are "Four Thieves Gone", which has them back to their roots with a ballady, slower folk song or "Pretend Love", which is a great mixture of rock and folk. My favorite track is the opening song, "Talk On Indolence". This song perfectly captures the bands love for folk and rock and both brothers vocals are just excellent.

"Four Thieves Gone" is so great. I didn't think that they could get better on the other albums I had, but, I was floored by what I heard on "Mignonette" and "Emotionalism". Both of these albums show real growth and exploration from this awesome band. On "Mignonette", we get some classic Avett Brothers tunes like "Swept Away", just an absolutely beautiful love song, "The New Love Song", which shows that this band is really unsure that they have ever truly been in love, you can really hear the hurt in this song, "Letter to a Pretty Girl", which has them, once again, opining for a lost love and "Salvation song", that is so good, it should be gospel. "Mignonette" is a really good album. But, "Emotionalism" is better. On "Emotionalism", we get great songs like "Paranoia in B-Flat Major", which is one Avett Brothers song that every fan knows and they play it at most live shows. There's also the beautifully heart breaking song "The Ballad of Love and Hate", which has hate being a jerk, but love loving everything about hate, no matter what. A great folk/rock song on this album is "Pretty Girl From Chile" which has a lady read an old love letter right in the middle of the song, then they proceed to rock for the rest of the song. "Hand Me Down Tune" is a great, slower folk song that is about the love of old music. It's awesome.

I was now hooked on Avett Brothers music. I was ready for their next record to come out because I needed new Avett Brothers music. They released "The Carpenter" in 2012 and I adore this album. It is one great song after another. "Once and Future Carpenter" is a typical folk song made great by this band. "Live and Die", which some of you may know from a GAP ad a couple of years ago, is a really sad song about death, but made upbeat by the vocals and instruments. "Pretty Girl From Michigan" is a great throwback Avett Brothers song that has them rocking and being very folksy at the same time. "Down With the Shine" is a perfect folk song. The instruments are great and when Scott Avett and Seth Avett trade off on vocals, I love every second of it. "Geraldine" is a very short, but very awesome rock song. Great electric guitars and great, very fast vocals. "Paul Newman vs. The Demons" starts off as a rock song and continues to rock harder through all 4 minutes and 43 seconds. It's the first straight forward rock song from the Avett Brothers and they crush it.

Then, one year later they released "Magpie and the Dandelion". This album is great, but it's not as great as their other stuff. I like that they take a ton of chances on this album and play a lot of electric instruments, and it is still very good, it's just not up to par with the other stuff I've mentioned today. Still good and worth a listen for fans though.

Other than what I've mentioned above, the Avett Brothers have a lot of EPs and they have put out three live albums and one live DVD. It's all great. The EPs are very early so they are mainly folk with some country splashed in. The live stuff is great. I've seen them live three times and every time they are awesome. They have a great energy that they bring to their live shows and when they slow it down, their ballads are beautifully done. Go see them if you want to experience a great, high energy live show.

I'm very excited to see what the Avett Brothers have in store for the near future. They are a great band that has put out a ton of music, but they are still fairly young and they have a lot of music ahead of them. I adore the Avett Brothers and they belong in this conversation. I know they lean more folk, but they are one of America's greatest bands.

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He liked to strum the banjo on his front porch, but had to stop because the neighbors that it was creepy. Make sure you follow Ty on twitter @tykulik.

February 10, 2016

The Greatest American Band Debate: Eric B and Rakim

February 10, 2016/ Ty

For the greatest American band debate, I'm going to get back to a band, although it's a duo, and I'm going to get back to rap. The band I'm going to nominate today is Eric B and Rakim.

Eric B and Rakim may be the most influential rap group of all time, even more so than Sugarhill Gang. Eric B and Rakim proved that you could make great music with only two guys. I know that I nominate and talk about a lot of two piece bands, the White Stripes, Ratatat, Run the Jewels and the Black Keys to name a few, but, at the very least, there would be no Run the Jewels if not for Eric B and Rakim. They are the quintessential two piece rap group. They had a short, but very prolific run in the music industry.

The duo exploded on the scene very early on, only a few years after rap became a big thing. Their first record, "Paid in Full", was released in 1987 and it was a hit. It was helped by the huge single "Eric B For President". According to Wikipedia, this album, although rushed to release, influenced huge hip hop stars like Run DMC, KRS-One and Chuck D. This record showed the world that smooth, yet profound flow of Eric B. It also introduced us to the wizardry that was Rakim. He was a master of making beats and could write the hell out of a song. So could Eric B. He was a lyrical master. The song "Eric B For President" is a master class of rhyming and flowing that hip hop artists nowadays owe a huge debt to. Without this song's structure, a lot of famous rappers wouldn't have a clue at how to put their flows to a beat. "Eric B For President" laid the groundwork for modern hip hop cadence.

After the release and success of "Paid in Full", they signed a deal with MCA. They were now with a huge label and expectations were high, and they did not disappoint. Their second album is one of the all time greatest albums. In 1988 they released "Follow the Leader". This record is a masterpiece. The title track, "Follow the Leader" is epic. The song has a great beat, great lyrics and the message is fantastic. They basically shouted to the hip hop world that they were the leaders of the movement, and it's hard to argue with them. No one, at that time, was even close to how awesome Eric B and Rakim were. They owned the throne of hip hop. "Lyrics of Fury" is another classic. This song is another example at how great of an emcee Eric B was/is. He is a lyrical genius. And the way he raps on "Lyrics of Fury", watch out because he destroys the song. It's an incredible rap song. "Microphone Fiend" is another great track on this record. I love this song and it was introduced to me through Rage Against the Machine, a band I've already written about, but Eric B and Rakim's original version is the best. I love the angst and anger that this song brings and I love that, instead of fiending for drugs or money or violence, Eric B wants only a microphone. That's what he's fiending for and I love it. He needs that microphone to spit his lyrics out to the world and we, the audience, need it as well. It's my favorite song from the entire Eric B and Rakim songbook. The rest of that record is just as phenomenal, but those are the three standouts. The fact that it took so long to be acclaimed, it didn't get good early reviews and it wasn't until the late 90's and early 2000's that it became a classic, is shocking. the first time I heard this record, as a 20 year old, it immediately blew me away. I love this album.

In 1990 they released their third album, "Let the Rhythm Hit 'Em". it was okay, but it doesn't get the critical or commercial acclaim that their first two albums eventually got. The record is still really good. Songs like "Set 'Em Straight", "Untouchables" and the title track, "Let the Rhythm Hit 'Em" are all classic Eric B and Rakim and they all still, 100 percent old up as all time great hip hop songs. This album was also the first album to get a 5 mic rating in "Source" magazine. That's a huge honor and they were the first to earn it. This is a good album.

They released their final album as a duo in 1991 called "Don't Sweat the Technique". This was just another example of their awesomeness. They weren't getting along great in the studio, but they still made a very good album. Two of the songs on the record were also used in two big time movies in the early 90's. The song "What's on Your Mind" appeared in "House Party 2" and they recorded the theme song to the very underrated movie, "Juice". Both of those movies were huge at the time. "House Party 2" doesn't really hold up, but "Juice" is just as good now as it was in 1991. They broke up shortly after this album's release and they both did solo and side projects, but they never hit the same nerve as they did when they recorded together.

Eric B and Rakim were on the ballot for the Rock and Roll Hall of Fame, but they didn't make it on their first try. That's insane to me because I believe they are the most influential rap group of all time. Eric B's writing and rhyming laid out the example of what a true emcee should sound and rap like, and Rakim's ear for looping and beat making is second to none. They belong and deserve to be in the Hall of Fame much more than some of the bands that are already in there. Eric B and Rakim are one of the best rap groups of all time and they are definitely the best rap duo of all time. They belong in this discussion for all the reasons I laid out.

Eric B for president indeed.

Ty is the Pop Culture Editor for SeedSing and the other host for the X Millennial Man podcast. He is constantly fiending for the mic, but Ty only talks and does not rap. Yet. Follow Ty on twitter @tykulik.

February 03, 2016

The Greatest American Band Debate: Robert Johnson

February 03, 2016/ Ty

For the greatest American band debate, I'm going to go off the board and nominate a solo artist. I know this is "against the rules" and it doesn't fit the title, but without this musician, modern rock and roll and modern blues wouldn't exist. Those are, arguably, the two most important genres of music. This person is also a personal musical idol of mine and it pains me that I've waited this long to put this person in the conversation. I know, people will tell me that this opens up a while new can or worms and makes solo artists viable for this discussion, but the person I'm going to talk about today is so groundbreaking, he deserves to be talked about more than any other American musician, in my personal opinion. I did a whole article on influential bands, but this guy deserves his own, separate piece. He is a blues god and, without him, I never would have even thought about picking up a guitar. The artist I'm talking about is Robert Johnson.

It does not get any better than Robert Johnson for me. He is a legendary figure in music. He is, at least to me, the greatest musician of all time. He even has a very cool, very crazy backstory. Anyone that knows blues music, and knows of Robert Johnson, has heard the story about him meeting the devil at the crossroads and selling his soul to be an excellent singer and guitar player. If he did truly do this, he got what he wanted for the large price of his soul. He is the greatest guitar player ever. Go back and listen to him play.

Some will say that it sounds simple and blues music is just three chords and 12 bars. Not true. The stuff he was doing, in the 20's mind you, was so far ahead of the game, it's astounding. He was so ahead of his time as a guitar player. Take a song like "Come on in My Kitchen". It is one of the first times anyone had heard this incredible 12 bar blues and that sliding sound he was playing on the guitar. It was so foreign to people back then and he was just getting started. Some of his songs, which he wrote, are some of the most famous songs in music history and have been covered thousands of times by hundreds of musicians and bands. "Sweet Home Chicago" is one of the most famous blues songs. Robert Johnson wrote that. "I Believe I'll Dust My Broom", the first song I learned on slide guitar and has been covered by some famous musician every decade since the 50's, Robert Johnson wrote that. "30-20" blues, the first blues song to break away from the traditional 12 bar blues, Robert Johnson wrote that. "They're Red Hot", the first blues/rag time type song, Robert Johnson wrote that. "Stop Breakin Down Blues", the first rock/blues song, Robert Johnson wrote that. "Phonograph Blues", one of the first songs about getting a phone call, Robert Johnson wrote that. "Rambling On My mind", one of the first country/blues songs, Robert Johnson wrote that. I mean, I could go on and on, but I feel like that is a great sample size of all the brilliant stuff that Robert Johnson created.

Robert Johnson is THE most influential artist of all time. Yeah, he was taught and brought into the music world by Son House, another one of my favorites and a legend, but Robert Johnson took what Son House taught him and rose it to a historic level. He made blues music that much better and that much more influential. And when Son House turned to religion, Robert Johnson stayed dark and continued to make excellent, groundbreaking music.

Let's take a look at some of the artists that have covered his stuff. and yes, not all of these bands are American, but the point is the influence Robert Johnson had on all music. Led Zepellin and the Rolling Stones have covered pretty much every song written by Robert Johnson and a lot of those songs are some of their biggest hits. "Traveling Riverside Blues", on the album "Led Zepellin: Live at the BBC" is one of their biggest and best songs. Jimmy Page does his best Robert Johnson impression and he crushes it. The Rolling Stones "Love in Vain" is a humongous hit for them and that wouldn't have been possible if not for Robert Johnson. Eric Clapton has covered a ton of Robert Johnson songs, hell, he made an entire album that is all Robert Johnson songs, but his best is "Sweet Home Chicago". Clapton shreds this song and he owes it all to Robert Johnson. A band I wrote about last week, The White Stripes, do an excellent cover of "Stop Breakin Down Blues". They make it a rock song, but they also pay homage to Johnson by keeping the lyrics the same. "I Believe I'll Dust My Broom" has been covered by everyone from Elmore James to The Red Shirt Freshman(my brothers loving name given to my "band").

Robert Johnson was taken far too young, at the tender age of 28. Some people say it was the devil coming to collect payment, others say he died from syphilis. While the syphilis is the more likely scenario, I like to believe the other version. He could have done so much more, but what he did was so earth shattering and so influential, he 100 percent belongs in this conversation. Without Robert Johnson, we would never have gotten some of the greatest songs and greatest bands of all time. Robert Johnson is the best musician to ever walk the face of the earth.

No doubt about it.

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. The head editor is going to send Ty a dictionary with and open to the page with the defination for the word band. Have you followed Ty on twitter? Get to it @tykulik.

January 27, 2016

The Greatest American Band Debate: The White Stripes

January 27, 2016/ Ty

For the greatest American band debate, today, I'm going to nominate a band that I once adored, but now, I cannot stand them and I can't believe that I ever defended them or thought that they were great musicians.

That band is the White Stripes.

I used to love this band, and I mean LOVE them. I thought that Jack and Meg White were two of the most unique, most proficient musicians I ever heard. They burst onto the scene in 2000 with the album "De Stijl". This was a classic blues/rock throwback album. It was a lot of old blues covers and the way they played the songs was quite phenomenal. Jack White's voice and guitar playing was top notch. Meg White was a good drummer, keeping the rhythm, but that's about it for her.

It was also around this time that I discovered the Black Keys, a band that I still adore and I think is ten thousand times better than the White Stripes, but you have to know, I was a teenager when I first heard the White Stripes and my mind wasn't fully developed as far as my musical taste went. Not yet at least. Then, I saw their video for the song "Seven Nation Army" and I was immediately hooked. There was nothing better at the time, not even the Black Key in my mind. I was so, so wrong. But, "Seven Nation Army", the song and the album both, were huge hits that showed the world that a two piece band could make great music.

So, from about 2001 to 2004 I was one of the biggest White Stripes fans there was. I devoured every record they put out. I already owned "De Stijl" and "Seven Nation Army", but then I went out and bought "The White Stripes", "White Blood Cells" and "Elephant". Their very first record, "The White Stripes" was a lot like "De Stijl". It was raw, old timey blues covers that Jack White turned into rock and roll. It was a good album, at least I thought it was at the time. Then I bought "White Blood Cells". I absolutely loved this album when I first heard it. It wasn't all covers this time around. Jack White was making his own versions of old timey blues/rock songs and they were good. He also threw in some acoustic stuff that I really enjoyed. The song, "We Are Gonna Be Friends" is still, even though my feelings on the band have changed, one of my favorite songs to listen to and play on guitar (plus it is featured in my favorite movie ever, Napoleon Dynamite). My kids, especially my son, loves when I start to finger pick this song. This is still a very good song that I will always enjoy, no matter how big my hatred gets for this band. Then, the album "Elephant" blew me away. It was mixtures of old and new songs. Some of the songs on the record are timeless. And then there was another awesome video for the song "The Hardest Button to Button". That video is incredible. Go check it out if you haven't seen it. The White Stripes, to their credit, knew how to make a memorable music video.

In my personal opinion, their album "Elephant" was the last great record they made. In 2005, they released "Get Behind Me Satan", and that was when I started to lose interest. The album is okay. Songs like "My Doorbell", "The Denial Twist" and "Instinct Blues" are all classic White Stripes, but I was growing weary of their sound. 2005 was also the year that my love affair really took off with the Black Keys. That was the first or second time I'd seen them and I loved everything they were doing. They definitely took the throne, as far as two piece bands, away from the White Stripes. It was also around this time, either 2004 or 2005, that I saw the White Stripes live, and that's when I kind of gave up on them. They were okay live, but it was their demeanor on stage, especially Jack White's, that made my distaste for them first appear. He was rude, arrogant and seemed like he didn't want to be there. The songs sounded boring, almost like they were recording in the studio. He yelled at the techs that were back stage whenever his guitar would go out of tune. He's a professional musician, I'd think he'd be able to tune his own guitar. His solos lacked proficiency and flare. He kind of just picked a pattern, and that was his solo. No fuss, no muss. I need some excitement out of my lead guitar player when I see a band I enjoy live. And then there was my big revelation about Meg White during that show. She is the second luckiest person in the history of music, behind only Ringo Starr. She's not that good of a drummer I realized. In fact, she's quite terrible. She just banged away simple 4/4 rhythms all night and seemed brain dead. Even when she sang, it was boring and pretty awful. After that show, I kind of lost interest in the band.

The White Stripes seemed to lose interest as well, only putting out one more album, a live one, in 2010. Jack White went off and did other projects like, The Raconteurs and Dead Weather and produced new records for old country singers like Wanda Jackson and Loretta Lynn. The Raconteurs and Dead Weather are fine, just not my cup of tea. They are too emo to be rock and too rock to be blues. Both bands are White Stripes light, and that's not a compliment. Meg White, I haven't heard from her in about 7 years now. I'm sure she's living large on the enormous amounts of money that the White Stripes made.

What angers me the most about this band though is Jack White's off stage attitude. He's a bully. He picks fights with random other musicians and when they call him out on it, he verbally abuses them via social media. He has a bad attitude. I don't buy the tortured genius bull shit either. He is a straight up bully, there's no other way to put it. He should be happy that he gets to live his dream life, but he picks fights and complains about the state of pop music. Screw you Jack White, you're a supreme asshole. I just can't believe I invested so much of my time, energy and money on this band. I got caught up in the hype, and for five years, they reeled me in. I'm glad I got out and found much better two piece bands, like Deadboy and the Elephant Men and, of course, the Black Keys. When the White Stripes were great, they were awesome. But, their attitude and off stage act became too much, at least for me, to handle. They definitely belong in the conversation, but I can now say, without any hesitation, that I loathe the White Stripes and more importantly, Jack White.

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man podcast. He finds it therapeutic to write about musicians he used to like and now hates. Is Puff Daddy next? Follow Ty on twitter @tykulik.

January 20, 2016

The Greatest American Band Debate: The Ramones

January 20, 2016/ Ty

For the greatest American band debate on Seed Sing, I'm going to nominate another band that I'm not really a fan of, but to be reputable, we have to acknowledge these bands that most of the music listening population recognizes as an all time great. The band I'm going to talk about today, I actually dislike almost as much as I dislike the Beach Boys. That band is The Ramones.

The Ramones are widely considered the founders of punk rock music, a genre of music I'm not that into, but I recognize how important and influential it is and has been. For my punk rock, I go to Iggy and the Stooges, who I will write about at another date, or more prog type punk rock like King Crimson or Mars Volta, I'll also be writing about Mars Volta at a later date. King Crimson is from England, so they don't make the cut in our debate. Those three bands, in my opinion, are way, way better than The Ramones, but they aren't recognized like The Ramones. The Ramones are credited with starting punk rock because every single one of their songs is a tight 2 minutes and they only play three chords and the lyrics are sung muffled. That, for all intents and purposes, is the definition of punk rock. When it comes to my personal definition, punk rock is anarchy and disestablishment and great, complicated guitar work, especially solos.

When it comes to front men, Iggy Pop is a much better punk rock singer than Joey Ramone. You can understand most of what Iggy Pop is saying and as far as on stage theatrics, there is no one that comes close to Iggy Pop, especially not Joey Ramone. But, Joey Ramone is widely looked at as the essential punk rock front man, much to my shock. He just kind of stood on stage and garbled his way through each song. People will call that punk rock, I say, he was hiding the fact that he was not that good of a singer and he had some form of stage fright.

Then, when you look at the musicians in King Crimson or Mars Volta, they are so much better and so much more proficient than Johnny, Dee Dee and Tommy Ramone. Robert Fripp, of King Crimson, is ten thousand times the guitar player that Johnny Ramone ever wished he could be. And oh my god, Omar Rodriguez-Lopez is one of the greatest, most innovative and weirdest guitar players I've ever listened to in my entire life. I think he's an alien that was put on Earth to show us humans what a real guitar god looks and plays like. He is the Millenial's Jimmy Page. He's a guitar wizard that people will call legendary in about 20 years. I guarantee I will be telling my son about him when he's in his twenties and asks me about music from my generation. He's the man. Do people really say the same thing about Johnny Ramone? Is he a legendary, all time great guitar player? I don't think so. He doesn't have any memorable solos and he basically plays three chords on every song. Anyone that takes one guitar lesson can pretty much learn the entire Ramones song book. It is literally that easy. Just learn a G chord, a C chord and an F chord and you are good to go.

Let's get back to why some believe they are so influential. I will bend and say that without The Ramones, we would have never gotten The Sex Pistols, another band I'm not so fond of, but people love, Jello Biafra, who is a genius musician, there'd be no Black Flag, who is a much better band and Bad Brains, who are a great, great punk rock/reggae band. They did influence these bands and musicians and countless others, but the people I just mentioned took that influence, ran with it and made much, much better music than The Ramones. I know that people love the "simplicity" of their songs. Critics love the fact that they got their message out in 2 minutes or less. In my opinion, they could only handle that small amount of music because they were not that skilled. They needed to get everything done in a short amount of time because, if their songs lasted longer, they would be seen as subpar musicians and songwriters. They wouldn't be as highly regarded as they are now. Big time magazines and publications like "Billboard" or "Rolling Stone" even went as far to name them the second greatest rock group of all time, behind only The Beatles. That's down right insane. No way are they better than The Rolling Stones, Bob Marley and the Wailers, The Kinks, Public Enemy, The Beastie Boys, The Paul Butterfield Blues Band, Janis Joplin and the Holding Company, the Flying Burrito Brothers, I could literally go on and on with bands that are far superior to The Ramones.

I also acknowledge that the Ramones had a big stake and were very influential in making the cult classic movie "Rock and Roll High School" that many people adore. Have any of these people that claim to love that movie seen it lately? It does not hold up well. The movie is a lot like The Ramones music. It's kind of a muffled, garbled look at a Detroit high school in the 70's. It's boring and pointless too. I don't get the love for that movie. It's very overrated.

Look, I understand that a lot of people think The Ramones are one of the greatest American bands, I'm not one of those people. But, I also realize that we at SeedSing have to recognize and write about things we don't like or disagree with if we want to be taken seriously. So, I made the best case that a non fan of The Ramones can make. I believe that there are thousands of bands and musicians that are much, much better than The Ramones, but not everyone sees it that way. Much to my chagrin, these are the "reasons" that The Ramones belong in our greatest American band debate. Please tell me why I'm wrong in the comment section, but also check out some of the people I mentioned above and go listen to the people that The Ramones influenced instead of listening to The Ramones.

That's the best advice I can give you.

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man podcast. He once adored the Ramones, then learned their entire catalog in one afternoon and moved on. Follow Ty on twitter @tykulik.

January 11, 2016

Thank You David Bowie

January 11, 2016/ Ty

Today we have lost a legend in the music business. He was not only a legend in music, but a pioneer, a fashion icon, an actor and an all around great guy. This morning, I turned on my phone, went to Twitter and saw that David Bowie had passed away.

I was shocked.

I first thought it was one of those celebrity death hoaxes. A couple of months ago there was a story being passed around the internet that Macauly Caulkin had passed away. I thought this was bizarre because I'd just seen his band, Pizza Underground, open for Har Mar Superstar. They were terrible, but I didn't think he should lose his life over it. It was found out about an hour later that he was still alive and all was well. That's what I thought when I read about David Bowie this morning. At least, that's what I hoped. But, further research proved that the stories online were true.

We lost David Bowie very unexpectedly. I really didn't know how to process this. I do not know him personally. I just came to his music about a decade ago, I was admittedly very late to his genius. I really liked him in "Zoolander" and "Labyrinth". But, I found myself pretty upset. It's not like losing a family member, but it still hurts. He was an inspiration to me musically. The first album of his I had was "Ziggy Stardust and the Spiders From Mars" and it completely changed my preconceived notion of his music. I assumed he was a disco, rock type of guy. He seemed more poppy than what I really like. Well, "ZSATSFM" totally floored me. It was rock, psychedelic and pop all blended perfectly together. Songs like "Soul Love" and "Five Years" and "Starman" are all classic pop songs. "Soul Love is beautiful and moving. "Five Years" is a very cool intro to this album. I like the quietness at the beginning and I love a song that explodes at the end, much like this one did. "Starman" is just an absolutely perfect pop song. Then there's the mega hits on this record, "Suffragette City" and "Moonage Daydream" and "Ziggy Stardust". "Suffragette City" is such a cool, punkish rock song that only Bowie could pull off. "Moonage Daydream" is the personification of the perfect psychedelic/pop song. And "Ziggy Stardust" has the hippest, coolest and most innovative guitar riff in almost all of rock music. The moment I first heard that riff, I went out and learned it on my Gibson immediately. I was so into the riff, I couldn't go on without teaching myself how to play it. The song, lyrically, is so perfect. I absolutely adore that song. I know that I'm only focusing on one of his albums, but why not this one that is so perfect. I know he has many, many other hits and beautiful songs, but "ZSATSFM" is his best and one of the best albums of all time. It's the perfect rock/psychedelic/pop album.

Bowie was a pioneer of the movement in the late 70's and early 80's of musicians taking on new personas. He became Ziggy Stardust, and all of the sudden, "new" people showed up. Without Stardust, we'd never gotten the band KISS. There'd be no new career for Rod Stewart, he would have disappeared just like Faces did. Mick Jagger, who was already mega famous, started to wear make up at the same time as Bowie and he became even more famous. These guys, and many more owe a lot to Bowie for being the first to do it and do it well.

As far as his acting career, I mean, how great and extremely weird was he in "Labyrinth". That movie is so nutso, but only a guy like Bowie could pull off that role and pull it off so awesomely. Try to imagine anyone else in that role, it's impossible. "Labyrinth" is one of the most bizarre movies I've ever seen, but Bowie's performance is so perfect, it makes that movie very enjoyable and very, very memorable. He was also excellent in his five minute part in "Zoolander". He just shows up, seemingly out of nowhere, and crushes it. He was funny. His hair was on point. He looked dashing. He seemed normal. And him judging the runway walk was so hilarious and so great. I loved when Stiller tried to pull his underwear off like Owen Wilson did, fails at this task and they cut to Bowie making a hilarious ouch face. It was great. I hope he had some kind of role in "Zoolander 2", since they already filmed it, because that would be great to see him one more time so we can remember how great of an actor he was. His movie choices were weird, but he pulled them off like only he could.

David Bowie was married twice, but you never heard of spats or disputes in public like we seem to with every other celebrity. I didn't know much about his first wife, but he's been with super model Iman for 14 years and they seemed to be very happily married and very happy to be with each other. Two beautiful people being married for that long and looking that good in the modern day social media society is incredibly admirable. I feel very upset for Iman. We, the fans, lost a musician and guy that we adored, she lost her husband whom she knew inside and out. I'm incredibly sorry for your loss Iman.

What I like most abut Bowie is the fact that while incredibly famous, he always seemed to come off as a genuinely good guy. There weren't any stories, at least not to my knowledge, of him taking his celebrity seriously. You never heard about off stage demands or illicit affairs from him. I'm sure he did a lot of drugs, who didn't in the 70's and 80's, but it didn't wreck his life. He was super cool all the way to the end of his life. He didn't seem to have any enemies or people that didn't like him. I've never run into someone that is not a fan of Bowie in some capacity. He was just an all around good guy for the most part. I'm sure he's made mistakes, but it was never really aired out in the media and who among us hasn't made mistakes.

David Bowie was an incredible artist and he will be missed. He's an influence to a countless number of people and will continue to influence people posthumously. Rest In Peace Mr. Bowie, you had a great life that was cut way, way too short. Enjoy making music with Freddie Mercury wherever the two of you are now.

Ty is the Pop Culture Editor for SeedSing. Follow him on twitter @tykulik.

January 06, 2016

The Greatest American Band Debate: Run The Jewels

January 06, 2016/ Ty

With the new year here and all of my best of lists done, I'm going to get back to my regular writing schedule. So that means, on Wednesdays, we will be getting back to our greatest American band debate here on SeedSing.

Today I have a newer group, but I feel like they are on their way to superstardom. It's another hip hop group, so get used to me writing about hip hop because it's one of my favorite styles of music and I've been listening to a ton of it lately. The band that I'm going to nominate today has only put out two albums, one in 2013 and the other in 2014, but they are currently working on their third record as we speak. This is a "super group", but it only consists of two rappers. The band I'm speaking of is Run The Jewels.

This group is rad. The members are Killer Mike and EL-P. Killer Mike is part of the dirty south rap movement. I first came to know him from his guest appearances on older Outkast records and the Dungeon Family stuff he did. I was always a fan of his style. He is gruff, disturbing and phenomenal. His rapping is so fast yet so clear, I'm amazed at what he can do with a mic. He is a wizard with words. He has become bigger over the years, stepping away from the Dungeon Family and the Outkast stuff, doing his own solo thing, and that has benefitted him very much. He found his own voice and had crushed on several solo albums, most notably "R.A.P. Music". Killer Mike is a beast. EL-P is a new discovery for me. I had heard his name as a producer when I was in my early twenties, but I had no idea he was a rapper too. The person that introduced me to him rapping was my brother Seth, who's made an appearance on our podcast. He is a great rapper as well. He has a slower delivery, but with his New York accent, it works like a charm. He has a smooth voice and since he's a producer and a beat maker, he has a great ear for making great rap songs. He is a legendary producer, but with Run The Jewels, he can become a legendary rapper. Basically, he's a better version of what Kanye West is doing, but since he isn't married to a reality star, he doesn't get the love he deserves. He gets it from the indie hip hop community, but he needs to be known nationally. EL-P is a great rapper.

The two of these guys got together a couple of years ago and immediately connected. They both like the same style of music and they both have unique styles that, when put together, makes some fantastic music. They couldn't be more different in their deliveries, but it works so well together. In 2013 they released "Run The Jewels". This record is a must have for hip hop fans. It's so good. They open with the title track, "Run The Jewels" and it's a beast of a song. EL-P has the first verse and he crushes. He has that smooth delivery going over a very hypnotic, yet oddly loud beat that works so well. Killer Mike comes in, and even when talking about shooting a poodle, I can't help but nod my head to his lyrics and the beat. This is a great entry way into the world of Run The Jewels. You get both rappers styles and the beats are top notch. The very next track has Killer Mike teaming up with Big Boi, from Outkast, on a song called "Banana Clipper". The great thing about his song, Big Boi only has one verse and it's at the very end. Usually, when you have a guest, they get about half the song. That's not the case on "Banana Clipper". Killer Mike has the first verse, he crushes, EL-P has the second, it's excellent and Big Boi closes the song out with one of his best verses since early Outkast. This is an awesome song. And props to Big Boi for letting EL-P and Killer Mike shine, most big time rappers would want the spotlight, but Big Boi takes a back seat. I like that. They actually close out "Run The Jewels" with a "Christmas" song called, "A Christmas F&^%*&g Miracle". Now, this is by no means "Jingle Bells" or "Have Yourself a Merry Little Christmas", and it's not meant to be. This is a jokey holiday song that is made awesome by these two kick ass rappers. They even made an ugly sweater that goes along with this song and the sweater is very ugly and very cool.

In 2014 they followed up "Run The Jewels" with "Run The Jewels Volume 2". This is another thing I like about these guys. No pomp and circumstance, no weird album titles with weird album art, just give me the title and the same art and I know exactly what I'm getting. I like that they get straight to the point. This album is just as good as their debut. On "Close Your Eyes(And Count to F&%k)", they are exceptional and it's made better by the reappearance of Zach de la Rocha. Everyone that reads my stuff knows that I'm a Rage Against the Machine fan and I love de la Rocha, he's a legend. He actually does the chorus which is also the beat by saying "run them jewels fast, run them jewels fast, run them, run them, run them f&%k the slow mo" and I was instantly on board when I heard this. This is a lot like "Banana Clipper", with EL-P and Killer Mike getting the first and second verses and de la Rocha closing it out, and it's equally as good, but better in my personal opinion. EL-P and Killer Mike do their thing and de la Rocha absolutely destroys the final verse. It is so good to hear his voice and hear that he is still one of the best rappers/singers/activists out there. He's a monster and I wish he did more music. "Close Your Eyes" is my favorite Run The Jewels song, and it's the one I always listen to first when I put their albums on my iPod. "Jeopardy" is another great tune on the album that lets both guys do what they do best. Killer Mike is there with his super fast, super awesome flow and EL-P produces an excellent beat and gives us that smooth style that we have grown accustomed to.

In my personal opinion, I think they are a better "super group" than Odd Future, and I love Odd Future. They are the best "super group" since the Wu Tang Clan. They only have two guys also, how crazy is that. I've heard that their live shows are phenomenal, and if they come to, or close to Saint Louis, you better believe I'm going to see them. I cannot wait to see what they do for this third album. I know it will be awesome, and hopefully even better than their first two. I know it's hard to put a band in this conversation that has only released two records, but damn it, those records are incredible and these guys belong in our conversation. The future is bright for Run The Jewels.

These guys can become legends.

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He is currently try to form a supergroup of bad rapping rec center basketball stars. Join his team by following Ty on twitter @tykulik.

December 29, 2015

The SeedSing (half) Year in Pop Culture: The Top Five Albums of 2015

December 29, 2015/ Ty

Day two of my Best of 2015 countdown will be my top five albums of the year. I'm a huge music fan and there has been a decent amount of music put out this year. Bands and musicians like Sleater-Kinney, Earl Sweatshirt, Thundercat, Kurt Vile and Father John Misty all put out excellent records. I've also been introduced to some older bands and albums from years past this year. For example, I love both Run The Jewels albums. Shit, I was this close to putting them on this countdown because they're so good and I just recently started listening to them. I also recently got way into AC/DC. Their older stuff is excellent rock and roll music, but it wouldn't be fair to put them in this countdown. I picked five albums that were released this year. They are my five favorites and the ones I go back to the most. They're all fairly popular, but that doesn't make the music any less listenable. On with the countdown.

At number five I have a band that I was just introduced to five days ago, but I can't stop listening to their record. The band is Nathaniel Rateliff and the Night Sweats and the album is self titled. This album is great. It hearkens back to the good old days of early alternative soul music. I was introduced to this band while listening to the Sklar Brothers music podcast and the guy that was talking about them gave the perfect comparison. He said that Rateliff sounds like Van Morrison and the band is like the studio bands for soul music in the 60's and 70's. I couldn't agree more. This album is good from top to bottom. Rateliff has that Morrison/old soul gruff voice and the band is tight. The highlight of the record for me is the song, "Howling at Nothing". It has everything you could want in this style of music. Great vocals, great background music and a kick ass guitar solo. This record is excellent.

Coming in at number four I have what every other publication has at number one, Kendrick Lamar's "To Pimp a Butterfly". Oh my god, this album is so complex and so awesome. It's a total detour from his record last year, "good kid, M.A.A.D. city", but that's oaky. The funny thing about this record, I didn't care for it the first time I heard it, but on the second, third, fourth and so on and so forth listen, I grew to love this album. It's so god damn good. Lamar is a beast. He has taken over the throne as the best rapper out there right now. He is the best writer and his delivery is top notch. This is more an art piece than a rap album. Lamar pays tributes to the people that influenced him and the last track where he reads a letter to Tupac and has Tupac responding is chilling. I love this album. I'm a big rap fan and the things that Kendrick Lamar does on "TPABF" is light years ahead of any rapper out there right now. He's so much better than Drake or Kanye West, it's funny that they're mentioned in the same sentence as him. I cannot wait to see what he will do next.

My number three album is "Yours Dreamily" by The Arcs. I've heard some hipsters complain that this album is no good or complain that Dan Auerbach needs to stop doing side projects, but why not work with some good musicians and do some different, interesting things. Sure, it sounds a bit Black Keysish, but most stuff will if Auerbach is the lead singer. I think "Yours Dreamily" is better than any indie rock or alternative album that was put out this year, with one exception that I will get to at number two. The album spans many different genres of music and I like to hear what Auerbach can do with a full band. When I wrote about this album earlier this year, I said it was like a western movie soundtrack, but in the best way possible. Upon further listens, I still feel the same way, but I also think it's just a downright awesome rock album. Songs like "Velvet Ditch" or "Outta My Mind" are awesome rock/blues songs with Auerbach crushing on vocals and guitar. Auerbach can do no wrong musically. The best track on this album is "Stay in My Corner". There's a different singer, but the song is sweet, rock and roll and blues all mixed into one song. The vocals are great, the music is great and the chorus is memorable. This will be a wedding song for the hipsters that like this band for many years to come. "Yours Dreamily" is a great record, don't listen to the music snobs out there saying that it's not so good, they're wrong.

My number two record is the one alternative record I like more than "Yours Dreamily". That album is "Sound and Color" by the Alabama Shakes. I mean come on, how did they top their debut record, "Boys and Girls" so easily? "Boys and Girls" was a revelation to me, "Sound and Color" has the makings of a classic album. This is a record that I feel my kids will play for their kids. Alabama Shakes could've easily stayed in their little indie corner and make more swamp records and been very successful, but they took a huge chance by playing poppy prog rock and they hit a grand slam. This album is so different from their debut and I love that. "Sound and Color" proved that they were willing to take huge chances and showed a lot of diversity. This is the type of album you put on and listen all the way through without skipping one song. The highlights for me are "Sound and Color", "Future People" and "Dunes". "Sound and Color" is a super trippy, slow burning tune that works perfectly. You may have heard it on the most recent Apple Mac Air commercials. The marimba and Brittany Howards vocals are hauntingly beautiful. "Dunes" is another slow song with flat out awesome music in the back ground. Howard, once again, crushes the vocals as well. "Future People" is the high light of this phenomenal album. It's slow, it's heavy and it builds to be the perfect rock song. The guitar effect used during the chorus is one of the coolest things I've ever heard. "Sound and Color" is so good, Alabama Shakes is now one of the best and most talked about rock bands of the 21st century. Best alternative rock record of the year by far.

My number one album of 2015 is Leon Bridges "Coming Home". I've been on the Leon Bridges bandwagon for about nine months now. I've written about him twice on the website and my first blog on him was about a YouTube video I saw of him before he released his debut album. This album is so wonderful. It brings 60's soul and R&B into the 21st century. Bridges vocals are perfect for this style of music. His background band reminds me of the ladies that sang with guys like Rufus Thomas, Otis Redding and Isaac Hayes. The band plays and records on retro equipment. I mean, this is the coolest thing I've heard in quite some time. The fact that Bridges is only 25 years old makes this album all that more impressive. He is going to be a humongous star if he continues on this path. "Coming Home" is the best 30 minute album I've ever listened to. Songs like "Brown Skinned Girl" and "Better Man" sound like Stax Records re opened their doors and let him record there. Those songs are timeless. My favorite track on the record is "River". It's a quiet song that just builds and builds to a beautiful ending that has Bridges softly and smoothly singing the final lyrics. I love his voice and his band and everything about this album. "Coming Home" is far and away the best record I heard in all of 2015 and it was the first of my top five that I listened to. It's stayed with me all this time, that's how awesome it is.

So, there you have my top five albums of the year. Tell me why I'm right or wrong in the comment section and let me know what I left out. Come back tomorrow for my top five TV shows of the year.

Also, RIP Lemmy Kilmister, you were a guitar god and you will be greatly missed.

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. Next year he is planning on getting into the BeeGees and Black Flag. Follow Ty on twitter @tykulik.

December 24, 2015

SeedSing's Advent Calendar of Awesome Holiday Music: Day 24 - Snoopy's Christmas

December 24, 2015/ RD Kulik

The pre-Christmas Day season of Advent is upon us. Here at SeedSing we love the chocolaty goodness of getting a piece of candy once a day until we get to open our presents. As our gift to you we will present a new awesome holiday song for every day of Advent. This is the greatest music of the season. Enjoy.

Day 24: Snoopy's Christmas by The Royal Guardsman

Opened doors: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten,

Eleven Twelve, Thirteen, Fourteen, Fifteen,Sixteen,Seventeen,Eighteen,

Nineteen, Twenty, Twenty One, Twenty Two, Twenty Three

The Christmas season can feel like a battle. There are large crowds and everyone seems to have their own agenda. People are constantly fighting each other for parking, space in line, and the hot holiday gift. We move through the malls and hardly acknowledge one another. On Christmas Eve, the holiday season reaches its peak while everyone rushes past one another to complete their individual goals. Christmas Eve is the final struggle we face on the battlefield of the holiday season.

"Snoopy's Christmas" is the 1967 follow up to The Royal Guardsman hit "Snoopy vs The Red Baron". The band made their name by incorporating in their songs the Peanuts character of Snoopy, and his exploits of aerial dog fighting against The Red Baron. "Snoopy's Christmas" reads like a classic tale from Charles Schultz's Peanuts comic strips. The Red Baron is terrorizing the skies, and Snoopy with his trusty Sopwith Camel (his doghouse) must engage in battle high in the sky. While Snoopy valiantly tries to defeat the German ace, disaster strikes. The Red Baron shoots down the pup in German territory. Snoopy lands and believes that the end is here, then suddenly the bells ring out over the countryside marking the beginning of Christmas. Being inspired by the spirit of the season, the Red Baron offers Snoopy a drink and wishes him a Merry Christmas. The brotherhood of Christmas Day causes the foes to befriend, and they then go on their separate ways. Christmas Eve saw bloodshed, Christmas Day is about peace.

The exciting tale being told in "Snoopy's Christmas" is based on a true event, the 1914 Christmas Truce of World War I. British and German troops were shelling each other on December 24th, suddenly the firing stopped when both sides heard the bells from the countryside ring out for the beginning of Christmas Day. The Germans invited the British troops to cross no man's land and have a peaceful celebration. The enemies shared food and drink, showed pictures of their families, and even played games together. The magic of Christmas stopped sworn enemies from killing each other. The feeling of brotherhood trumps the anger of war. It is a magnificent piece of human history.

Christmas Eve can be a tough day. Many people are frantically trying to get that last must have gift. We have no time to be kind and courteous to our fellow man. If you are not relentless, you will lose the battle of the Christmas Season. Once midnight hits and the bells of the village rings out for Christmas Day, a new feeling takes hold. Our disagreements on religion, geopolitics, and philosophy take a day off. Christmas makes us one family. Enjoy your holiday, and thank you for your eyes this Advent Season. As the Red Baron would say, "Merry Christmas my Friend".

RD Kulik

RD is the Head Editor for SeedSing and the other host of the X Millennial Man podcast. No matter who you are, or what you believe, the bells at midnight will make you the editor's new friend. Join our circle of joy by liking SeedSing on Facebook.

December 23, 2015

SeedSing's Advent Calendar of Awesome Holiday Music: Day 23 - Christmas in Hollis

December 23, 2015/ Ty

Day 23: Christmas in Hollis by Run DMC

Opened doors: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten,

Eleven Twelve, Thirteen, Fourteen, Fifteen,Sixteen,Seventeen,Eighteen,

Nineteen, Twenty, Twenty One, Twenty Two

For SeedSing's Advent Calendar of Awesome Holiday music, I'm going to talk about the phenomenal "Christmas Time in Hollis" by the great RUN DMC. This song is one of the greatest holiday songs of all time. I've mentioned many times before that I don't care for holiday music, but this tune and "Christmas Time at My House" are the two exceptions.

"Christmas Time In Hollis" is a rap song about the holiday. This could only be done by RUN DMC. They're the only straight forward rap group that could pull off a holiday song. Do you think Eminem or Wu Tang Clan or Tribe Called Quest could really pull off a holiday song? I love all those people, but no way. This was one of the first holiday songs I heard that I wanted to hear over and over again. The beat is classic RUN DMC. It's repetitive and thumping and just downright awesome.

I love the way it starts out. The opening lyrics give you the date and the place, then they say, "When I see a man chillin with his dog in the dark". So, they think they just see an old haggard man walking a dog, but then, "I approached them very slowly with my heart full of fear. Looked at his dog, oh my god, a illin reindeer". It may sound corny, but when they rap these words, I'm in. They've grabbed my attention and I'm fully on board for what RUN DMC is going to tell me throughout the entirety of the song. They go on to say, "But then I was chillin because the man had a beard and a bag full of cookies, 12 o'clock had neared". They realize that it's Santa. This is not only a perfect song for rap enthusiasts, but for kids too because they keep the myth alive that Santa is a real person. I love it. Then they turn their heads and Santa is gone, off to do his work since it was midnight, making it Christmas day technically. I also love that they check out his wallet, because he dropped it, and they find a million dollars in it. I didn't know Santa rolled like that. He's a baller. Being the good people that they are, RUN DMC doesn't steal the money from Santa, they mail it back to him that night. What a bunch of saints. But when they get home, they realize the wallet and the money was a present for them from Santa, he left it there purposefully. The boys were bummed, but they'd soldier on.

Then the greatest chorus in holiday music history is spoken, "It's Christmas time in Hollis Queens, mama's cooking chicken and collard greens. Rice and stuffing, macaroni and cheese and Santa putting gifts under Christmas trees". Poetic. This is the coolest chorus in, not only holiday, but all of music history. I love the rhyming structure and the ferocity that they deliver it with. This chorus has been in my life so long, when playing one of the first iterations of Madden on PlayStation One, the Jaguars had a kicker named Mike Hollis and my brother and I would sing the chorus after every extra point and kick off. I still hum this chorus in my head all year long. I absolutely love it.

In the second verse, they talk about decorating the tree and the house with the excellent line, "snow's on the ground, snow white snow bright". RUN DMC are lyrical geniuses. It seems simple, but it's complex and fantastic. Then they say, "The rhymes you hear are the rhymes of Darryl's, but each and every year, we bust Christmas carols". I love that they don't have to be hard core, or gangster. They are rappers that like holiday music, how cool is that. They almost make me like holiday music. If only every holiday song could be like "Christmas Time in Hollis". I like how upbeat they are throughout the song. Lines like, "Jack Frost chillin, the hawk is out and that's what Christmas is all about", or, "The time is now, the place is here and the whole wide world is filled with cheer". It's so great. They're the happiest rappers in the world. They work clean too, so, like I said before, I can listen to this song with my three year old and not worry about any swear words.

They close out the song with some of the best lyrics in rap history. The final verse goes as follows, "My name's DMC with the mic in my hand and I'm chillin and coolin just like a snowman. So open your eyes, lend us an ear, we want to Merry Christmas and a happy new year!". It's so upbeat! I can't get enough of it. I love this song, but the chorus is the greatest part by far. As I said before, I still hum it year round and my son even gets involved now. RUN DMC can do no wrong, so no wonder I enjoy their one and only holiday song. This song is great and everyone should go listen to it now and enjoy all the merriment. It's not only a great holiday song, it's just a great song.

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man podcast. It is not Christmas in his house until he gets a nice helping of chicken and collard greens. Wish Ty a merry Christmas by following him on twitter @tykulik

December 22, 2015

SeedSing's Advent Calendar of Awesome Holiday Music: Day 22 - Patton Oswalt talks about The Christmas Shoes

December 22, 2015/ RD Kulik

Day 22: Patton Oswalt talks about The Christmas Shoes (language NSFW)

Opened doors: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten,

Eleven Twelve, Thirteen, Fourteen, Fifteen,Sixteen,Seventeen,Eighteen,

Nineteen, Twenty, Twenty One

I really love Christmas music. This entire Advent Calendar project is a way to show the people who hate Christmas music that there are great tunes available to the uninitiated. My love for holiday music is directly related to the fact that while I was growing up my parents would regularly take me and my brothers to church. I was never super psyched to go to our little suburban catholic cathedral, except for one time of the year. The Christmas season was the only times of the year I was happy to go to mass, and it was the songs that created my excitement. Many of the best holiday songs come from the religious tunes the congregation would sing. Hope, light, the betterment of mankind. That is the true religious meaning of Christmas, and it sounds beautiful.

A couple of years back I heard the song "The Christmas Shoes" and I was left dumbfounded. I first thought that this "christian" song was some kind of SNL parody. It was atrocious. The basic plot centered on the story of a poor kid who wants to buy shoes for his mom on Christmas. These shoes are very important because the kid's mom is dying, and he wants her to look pretty if she meets Jesus. That plot is dumb enough, but what puts "The Christmas Shoes" into the stratosphere of appalling is that the song is from the point of view of some grumpy dude in line behind the kid. The narrator thinks that "God" sent this kid, and his dying mom, to be in this man's life so he will feel the Christmas spirit. It is a truly disgusting message.

In 2009 comedian Patton Oswalt dedicated part of his stand up set discussing "The Christmas Shoes" Everything he says is spot on. Oswalt talks about how manipulative and downright sinister the message behind "The Christmas Shoes" is. He also imagines a world with a God being pissed about people being grumpy on Christmas and a Jesus who is bitchy about a person's fashion sense. What Patton Oswalt does in the YouTube video attached to this article is take one of the worst Christmas songs ever, and give it a new hilarious life. You can skip the song and get a dose of the Christmas spirit by hearing Patton Oswalt tear this piece of trash apart. His thoughts on "The Christmas Shoes" makes the song listenable, because I hear Patton Oswalt's words behind every horrid verse.

A few weeks back my son was being rude to the checkout person at a store. When we were heading home, my wife and I were scolding him about his behavior. At one point I told him that Christmas is about being nice to your fellow person. My son was not listening and being quite defiant. As I was getting more angry and frustrated I heard the opening notes of "The Christmas Shoes". My wife and I stared at each other and smiled. My son was forgiven. The rest of the car ride was filled with joy and laughter. Patton Oswalt has made "The Christmas Shoes" a holiday tradition. Not the song, it is awful, but his thoughts about the tune's idiotic message is what Christmas means to me. Mr. Oswalt, I owe you a pair of some great Christmas shoes.

RD Kulik

RD is the Head Editor for SeedSing and the host of The X Millennial Man podcast. Every year he tries to buy his wife some ugly shoes for Christmas, but he never has quite enough pennies. Help him buy those shoes by supporting SeedSing.

December 11, 2015

SeedSing's Advent Calendar of Awesome Holiday Music: Day 11 - Mamacita, Donde Esta Santa Claus?

December 11, 2015/ RD Kulik

Day 11: Mamacita, Donde Esta Santa Claus? by Guster

Opened Doors: One, Two, Three, Four, Five, Six, Seven, Eight, Nine, Ten

I never questioned the science behind Santa Claus. How did he get to every house in a few hours? How did he really know what each person individually wanted? Why did other reindeer not fly? These were not the questions on my mind. Santa was a magical being, that was all the explanation I needed. Every Christmas Eve I never questioned how the big man did his job, the only question on my mind late into the night is where is Santa Claus.

In 1959 "Mamacita, Donde Esta Santa Claus" first hit the airwaves. Twelve year old Augie Rios was the original artist to sing the part Spanish and part English Christmas tune. Waiting up to see Santa is captured with childlike joy on the song. The singer is excited because today is Christmas Eve, and he wants his mother to answer the question, where is Santa. The excitement is keeping the little boy up, he just wants to get a peek at Santa, his sleigh, and the mix of traditional and Latin reindeer (Pancho and Pedro should be included in all reindeer related tunes).

Many people have covered "Mamacita, Donde Esta Santa Claus", but the artists who tackle the song have always been trying to mimic the annoying high pitch sound of the original. It was a tune of great words, not great singing. Finally in 2003 the indie band Guster recorded an awesome low key version of the song for the collection of Christmas music on Maybe This Christmas Too? The band took the grating sound of the original, and dialed it way down. There is still a Latin musical influence in Gusters version, highlighted by some awesome steel drums. The easy going, laid back version of "Mamacita, Donde Esta Santa Claus" by Guster took the great words of the original, and made it a great Christmas tune.

On Christmas Eve I will be filled with anticipation. Where is the big red sleigh being piloted by the bearded fat man? Is Pedro still flying next to Donner? Did Santa pack his castanets? All these questions will be in my head, and to calm down I will let Guster ask the same questions. We do not question the science of the man, we just want to know donde esta Santa Claus.

RD Kulik

RD is the Head Editor for SeedSing. He hopes Santa packs some new writers in his sleigh. If he did, make sure you come on over and write for us.

November 25, 2015

The Greatest American Band Debate: The Up-and-Comers

November 25, 2015/ Ty

For the greatest American band debate, today I'm going to write about some current bands that I think are on the verge of belonging in the conversation. These particular bands aren't quite at the level of some of the other bands I've written about, but they could be if they continue on their current paths. Some of these bands have only put out one, two or three albums, but the albums they've released have put quite an impression on not only me, but the masses as well.

The first band I want to talk about is Alabama Shakes. I have written about them already on the website, reviewing their most recent album "Sound and Color". As my review stated, I love this album. It's a wonderful array of different genres of rock music. They use cool effects and bring in new instruments to mess around with. Their first album, "Boys and Girls" was an out of nowhere phenomena to me. I had a friend tell me about the record, I bought it not having heard anything from it, and was immediately hooked. It's a throwback to swamp rock. It's funkier than any Creedance album I've heard, and Brittany Howard is a powerhouse. If Alabama Shakes continues to get better and experiment like they have on their first two records, there will be no denying the fact that they belong in the conversation. They are bringing swamp rock to the masses and taking chances that make their music sound that much better. Alabama Shakes are a very good band.

Another band that is on the verge is Ratatat. I've written about their record and concert on the website. They are bringing electronic music to the masses. Their newest album, "Magnifique", was one of the best reviewed records of the year. Ratatat is the newer, better version of a band like YES or ELO. Their electronic music appeals to the masses because it's guitar driven. It's not jump computers and repetitive beats used over and over again. It's actual music that has a beginning, middle and end. There are no words, but you get the gist while listening. You can also tell when the bridge comes in. They are weirdos making some of the best electronic music I've ever heard. They have released more albums than the other bands I will mention today, but they don't have the mass appeal that some of the other bands do. That has begun to change with "Magnifique", and if my father is into an electronic band, they have to be good because he doesn't like electronic music at all. Ratatat is a great band that is finally getting noticed.

Black Joe Lewis has a chance to be huge. On their first two records the band went by Black Joe Lewis and the Honeybears. They played some of the funkiest rock and roll I'd ever heard. Black Joe Lewis almost sounds like a modern day James Brown, scream singing lyrics, and the rest of the band is dynamite. The horn section is absolutely phenomenal. The drums and guitars are totally on point. After the release of their first two albums, they changed their name to Black Joe Lewis. They've released one album under this name and while it's not as funky, it's one of the best rock and roll albums I've heard in a long time. The band uses very heavily distorted guitars and they almost have a metal sound. But, just when you think it's going to be Black Sabbath esque, Black Joe Lewis comes in with his awesome, gruff voice and gives you what you are used to out of the band. The horns even make an appearance on more than half the album. Black Joe Lewis is great. They are one of the best rock bands out there now. They should be playing arenas, but they may like playing the smaller venues more. Black Joe Lewis is incredible. Go out and listen to them now.

The Arcs, another band I've written about before, put out one of the coolest albums I've heard all year. "Yours Dreamily" is a Western movie soundtrack with fantastic musicians playing the music. It's not corny like most Western movie music, it's rock and roll mixed with funk, blues and even a little R&B. It's not literally a Western movie soundtrack, that's just what it sounds like to me. The Arcs are one of Dan Auerbach's side projects. He has many other interests outside of the Black Keys, but The Arcs has been my personal favorite. It doesn't hurt that Richard Swift is the co founder of this band. He's an awesome solo artist, and he's been playing bass with the Black Keys on their most recent tour. Dan Auerbach has a chance to be in this conversation at least twice. He's a musical genius and I'd take him any day over the extremely overrated Jack White. If The Arcs continue to make more and more records, I'd be hard pressed to not write about them for the greatest American band debate.

The last band I want to talk about today is St. Paul and the Broken Bones. They've only released one album so far, but it's dynamite. "Half the City" is 50's and 60's R&B come to life in the 21st century. The band plays excellent, funky music in the background and the lead singer has one of the best voices I've heard in a long while. He can hit very high notes. He reminds me of a modern, better Rufus Thomas. The band is incredible, as I stated before, and they play perfect funk/R&B music. Not too many people know St. Paul and the Broken Bones, but I have a feeling that will change very soon. They have a radio friendly sound and they will start to become more and more popular within the next few years, especially if their future albums are as good as their debut. There are many other bands I'm leaving out of the discussion today, but these five have the best chance to end up in the greatest American band debate in the future. As long as they all continue to do what they're doing, and get better and better, they will all be as famous and popular as the bands I've written about for this debate previous to today.

Go out and listen to these bands if you don't already. You'll thank me later.

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man podcast. He will be travelling a lot this Thanksgiving and plans on listen to these bands multiple times. Follow Ty on twitter @tykulik.

November 18, 2015

Guitars are Great and the Gibson SG is the Greatest Guitar of All

November 18, 2015/ Ty

In lieu of writing about a band for the greatest American band debate on SeedSing, I'm going to write about an instrument today.

It's an instrument that I play, I'm very average, but I love. This instrument is the guitar. Now, I know, that's a very open ended thing to write about. To make it more interesting though, I'm going to specifically talk about a brand of guitar, that I and a lot of pros prefer. I'm a big fan of Gibson guitars.

A Gibson SG was the first real electric guitar that I bought. This guitar was my baby before I had real babies. The sound was so clean and smooth. Even when I put distortion on heavy on my pedal board, it still sounded clean. The feel of my SG was phenomenal. It was heavy, but not too heavy. It felt good when I rested it on my lap. I liked the feel when I stood and played it. The colors are beautiful. There's hints of dark brown, black, white and even soft red colors. It looks like it was cut from a humongous redwood tree. I was, and still am, a bit obsessed with this guitar. It was the first thing I bought when I got my first paycheck from my first real adult job. I had been at the dental lab I first worked in, waited two weeks, got my paycheck, cashed it in and went straight to Guitar Center. I brought my dad and two of my brothers with me. I had tested this particular SG prior to this day, but I wanted to weigh all of my options. I tried Squires, Epiphones, Alvarez and Fenders, just to name a few. They all sounded decent and were within my price range, but I kept going back to the SG. I even tried different styles. I tried semi and full hollow bodies, 12 string, electric/acoustic combo guitars, but none of them sounded and felt the same as the SG. After about two hours, my dad and brothers agreed that it was time for me to just pick a guitar already. I went with the SG because I could not shake it. I thought about it the whole week leading up to the purchase, and kept saying about the other guitars I tried, "it sounds fine, but that SG, that's a great sounding guitar".

So, I bought the SG, on sale, with cash. That's how much I wanted this guitar. I brought it home that night and played it for what seemed to be 10 hours. I just couldn't put it down, it was the coolest thing I ever owned, and it was truly mine because I bought it with my own hard earned money. I had an acoustic, and I still have it, prior to this purchase. It's a Washburn that my folks bought me for the holidays about 12 years ago. It's a fantastic guitar and still sounds excellent, but it's not my SG. I have a dobro that I play slide and rhythm guitar on, but it's not my SG. I have a lap steel that I strictly use for slide guitar, but it's not my SG.

Do you see what I'm getting at? My SG is a wonderful and beautiful guitar. I know this sounds like a love letter to a guitar. It sounds like that because it is a love letter to my guitar. This is the best inanimate object that I own. I have a full size Michigan football helmet, I have a signed Charles Woodson football, I have a lot of Michigan memorabilia, and as much as I love these things, they don't compare to my SG. I've heard people, mostly older people, tell me that Gibson is inferior to Fender, but I vehemently disagree. They all tell me that when I'm older, I'll understand, but my love for Gibson guitars will not waver. I'm 32 now, been playing guitar since I was 20, and I still prefer Gibson over Fender. I'll take Gibson 10 out of 10 times if you ask me.

I know that a lot of the older blues musicians, blues is my favorite style of music, play Fenders, but nothing compares to Gibson guitars, and most importantly, their SG brand. I mean, look at some of the famous musicians that played Gibson brand guitars throughout their entire career. First of all, the man who invented Gibson, Les Paul. He was a genius guitar player and created the whole Gibson brand. He is one of, if not the, greatest guitar players that ever lived. Go back and listen to him playing guitar, it's masterful, and he did it all on his Les Paul brand Gibson guitar. Slash, from Guns and Roses and many other side projects, plays Gibson guitars. I may not like the genre of music he plays, but he is an incredible guitar player that only plays Gibson guitars. No way he gets that same sound out of a Fender, not in a million years. Jimmy Page, maybe the second greatest guitar player, behind Les Paul, plays primarily Gibson guitars. He is the master of blues/rock and it sounds so fantastic coming from his enormous collection of Gibson's. Do you think that "Stairway to Heaven" or "Whole Lotta Love" would've sounded the same if he played on any other brand of guitar? No way. Randy Rhoades has played only Gibson's his entire career. You may not know who he is, so I'll tell you. He's been Ozzy Osbourne's lead guitar player his entire career. He played on songs like "Crazy Train" and "War Pigs". Both songs, Gibson guitars. Zakk Wylde, widely considered one of the best heavy metal guitarist of all time, has played all those dizzyingly fast riffs on only Gibson guitars. Ace Freehly, KISS leading guitarist, has played only Gibson Les Paul's his whole career. I don't like KISS, but Freehly is a pretty damn good guitar player. Duane Allman, probably the greatest rock and roll slide player of all time played all of those hits from the Allman Brothers on Gibson guitars. Eric Clapton, arguably considered the best guitar player of all time, played every hit song and every fantastic solo on Gibson guitars. When he was with Cream, Gibson guitars, with Traffic, Gibson guitars, the lead on "While My Guitar Gently Weeps", Gibson. Enough said. Bob Marley, the king of reggae music, played Gibson guitars. That steady beat and groove that almost everyone has come to love was played and made famous on Gibson guitars. I'll get crushed by my brother Seth if I don't mention that Jerry Garcia played a Gibson, an SG at that. I don't like his music, but it's hard to ignore their influence on music, and he was playing a Gibson. Even newer musicians, like Dan Auerbach of The Black Keys, plays pretty much only Gibson guitars. Gibson's are the best.

I think I made that point pretty clear today. But, tell me why I'm wrong or why Fenders are better, or any other brand for that matter, than Gibson in the comment section. Anyone who's played a guitar, or still plays guitar has a favorite brand and mine are Gibson guitars. Specifically, a Gibson SG.

They're the greatest.

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He neglected to tell us that all great wannabe guitarists play Gibson, it was the original Guitar Hero controller. Follow Ty on twitter @tykulik.

November 11, 2015

The Greatest American Band Debate: Digable Planets

November 11, 2015/ Ty

I'm going to get back to music that I enjoy today for my nomination to the greatest American band debate. Last week, I nominated the Beach Boys, but I made it abundantly clear that I loathe the Beach Boys. Today, I'm getting back to mid 90's rap music and I'm nominating Digable Planets.

I know a lot of people may not know who Digable Planets are, they only released three albums, but everyone knows one of their songs. I'll get to that song in a bit. Also, of their three albums, I only like one of them. But, the one I like is classic and way ahead of it's time. Much like my Sugarhill Gang blog, I nominated them based on one song, Digable Planets get the nod simply based on one classic album. The album that I'm speaking of is called "Reachin (A Refutation of Time and Space)". This album came out in 1993 and it was totally different from anything I'd ever heard. I hadn't yet discovered A Tribe Called Quest, so the jazz influence that Digable Planets used on this album was completely new to me. The way each of the members rhymes on each of the songs is very much their own unique style. The three members are named after insects, they went for a whole vibe of being insects from another planet on this album, very weird but very cool. Their names are Butterfly, the leader, Doodlebug, the city boy and Ladybug Mecca, the fierce feminine voice of the group. Butterfly has a very cool, hip way to how he raps. He sounds so confident and comfortable doing what he does. He is one of the most underrated and best rappers I've ever heard. Butterfly brings the "street" to the group. He's got a gruffer voice, but he also reads poetry on this album and speaks truth on political beliefs of the band. Ladybug Mecca is awesome. She's a strong female and she can rap with the best of them. Some of her verses on some of the songs are incredible. She is/was a true genius of a rapper. They use jazz as the driving force in their sampling on this album. Now, I don't care for jazz music, but put a beat to it and some good rapping, I'm totally on board.

As I said before, Digable Planets came to me before Tribe, so without them, I would've never found Tribe. A Tribe Called Quest is one of my all time favorite groups and you can read why I like them so much on the site involved within this very same debate. "Reachin" came to me as a pre teen. My brother Seth, who's been on the podcast before, introduced to them. I was listening to Ma$e and Puff Daddy and Seth gave me this record and told me to "enjoy some real hip hop". He was right on the mark, and I listened to this tape, that's right, I remember when there were tapes, so much, I wore it out and my folks had to buy it on CD for me. I love everything about this album. I used to listen to it on my Walkman while playing basketball with my friends. I was, and still am, totally obsessed with this album.

It opens with "It's Good to Be Here". This is a great song. They talk about their love for music and the fact that they're just happy to be performing together. This song proved to me that all bands don't hate each other, some really do enjoy the other band mates company. After that song, it's great song after great song, in my opinion. Songs like "Pacifics", "Where I'm From" and "What Cool Breezes Do" are classics. "Pacifics" is a groovy, jazzy rap song. It's a great early 90's rap tune. "Where I'm From" shows the band giving love to their hometowns. It's a great song for anyone from either Philadelphia or New York. "What Cool Breezes Do" is almost a full on jazz song. There's rapping on it, but this song is more about the instrumentation. "Time and Space (A New Refutation Of)", has Doodlebug reading poetry and the rest of the band doing straight forward rap. It's pretty great. The song I spoke of earlier that I thought most people would know is "Rebirth of Slick (Cool Like Dat)". This song was played pretty heavily on the radio in the 90's and I still hear it in commercials from time to time. The chorus is the most memorable part. simple lyrics, "I'm cool like dat, I'm cool like dat, I'm cool like that, I'm cool" and they switch it up a little with, "I'm cool like dat, I'm fly like dat, I'm hip like dat, I'm down like dat". I guarantee most of you know this song when you hear it. Later in the album they have great songs like "Jimmi Diggin Cats", "La Femme Fetal", "Nickel Bags" and "Swoon Units". "Jimmi Diggin Cats" has the band expunging the fact that, if Jimi Hendrix was still alive, he'd be a Digable Planets fan, and it's hard to argue with them listening to the song. "La Femme Fetal" is a song that's way ahead of it's time. The lyrics call out people that oppose places like Planned Parenthood and talk about how insane right wing Christian nut jobs truly are. Had this song been released now, it would be all over social media. Back then, it was kind of overlooked and that's a shame. The song is about a young couple who decide to abort a pregnancy because they live in squalor and don't have the means to take care of a child. It has a great message and for the pro choice people out there, me included, this is a great statement song. I love this song so much. "Nickel Bags" is about exactly what you thin it's about. Each member takes a turn talking about how much they like weed and why it's so good. This is a love song to marijuana. Also, this was ahead of it's time too. Release it today, it would be a mega hit. "Nickel Bags" would put Afroman's "Because I Got High" to shame. "Swoon Units", the second to last song on the record is a straight ahead rap song. Each rapper is rapping fast yet smooth and the beat is very bass heavy. It's a good song. This album is a rap masterpiece and I love every minute of it.

It's kind of a shame because they peaked so early, but "Reachin" is a great high point to have in their short career. I love this album and I love Digable Planets. I hope this piece brings new listeners to the group and you discover this great album.

Digable Planets, you get my nomination for the discussion of greatest American band today.

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man podcast. He is still washing the Beach Boys stink off his mind and needs some great hip hop to clear his thoughts. Follow Ty on twitter @tykulik.

November 04, 2015

The Greatest American Band Debate: The Beach Boys

November 04, 2015/ Ty

It is frustrating when a lot of people like something you may despise.

If we at SeedSing are going to be a competent and commendable website, we need to give recognition to things that we may not like, or even hate in this case, but other people adore. We kind of did this on the podcast when I had my brother Seth on and he talked about his love for the Grateful Dead. I'm clearly not a fan of theirs, but Seth loves them and we gave him yet another platform to opine on why he loves them. I'm going to tackle a band that I truly despise for the greatest American band debate, but a ton of other people, easily in the millions, loves and adores. Today, I'm going to talk about, not really make the case for them, just talk about the Beach Boys.

Let's get this straight right out of the gate, I really, really, really hate the Beach Boys. They're bubble gum pop music in my opinion, and I think Brian Wilson is one of the most overrated musicians of all time. Had he not had a nervous breakdown, he wouldn't be the "icon" that he is today. There'd be no movies or books about him, he'd just be another run of the mill musician. He's not genius, not even close. So, have I laid out the fact that I really dislike the Beach Boys enough yet? I think so, but my hatred will bubble up throughout this post today. Let's get to why a lot of people, not me, think they're not only the greatest American band, but the greatest band of all time. First of all, they introduced, or some even say, invented the California surf rock sound. This sound was very popular in the 60's, and is kind of making a resurgence nowadays. People like to say that they have the best vocal harmonies of any band ever. I don't hear it, but fans seem to think they're the greatest. That's high praise to be told that you have the best harmonies of all time. That's a huge accomplishment in music. Brian Wilson is the unquestioned leader of the band, and he wrote and orchestrated pretty much all of their music. This is music to fans ears, but not that impressive to me because I don't like their music at all. Their music sounds simplistic, but fans adore this. He wrote their biggest hit "Good Vibrations". This song epitomizes California rock. It's poppy with an easy guitar riff and the vocals couldn't be anymore "beachy". That's what I like to refer to their harmonies as, "beachy". That means, to me, that they sound like they're singing on the beach, in every song. Kind of a happy go lucky vibe to their music, also known as "pop" music. Everybody knows the song "Good Vibrations", so, for all intents and purposes, that makes them one of the greats. That sentence just hurt my brain. God, I hate the Beach Boys. "Good Vibrations" came after their most critically acclaimed album, "Pet Sounds". I've tried with this record, and I just don't get it, but critics and musicians and fans adore it. It is the essential California rock record. People will tell you that they brought psychedelia to the masses with this album, but I'll take any Pink Floyd or Jimi Hendrix or even any YES album over "Pet Sounds" for my psychedelic music. "Pet Sounds" opens with another humongous hit, "Wouldn't It Be Nice". This song is not psychedelic, it's pop. The Beach Boys thrive with songs like these. "Good Vibrations and "Wouldn't It Be Nice" are in their wheel house and songs like these were massive hits because this is what the masses liked and still like. It's poppy and fun and while they may be sad lyrically, they sound happy, so fans like them and think they're happy songs. "Good Vibrations" and "Wouldn't It Be Nice" are no different than current songs like "Honey I'm Good" by Andy Grammar or "I'm Yours" by Jason Mraz. They're all bubble gum garbage, but the masses love it. They called the album "Pet Sounds" because they literally use pet sounds. This is like the stupid stuff Phish does, using vacuums as instruments, that people seem to think is innovative. It's not psychedelic, it's stupid. But, most critics heaped praise on the Beach Boys for doing this. They thought it was ingenious, and only a musical "genius" like Brian Wilson could pull this off.

Soon after "Pet Sounds", Brian Wilson started to lose his mind. This wasn't like Syd Barrett from Pink Floyd, who literally did lose his mind, I feel like this was, what some today would call, a media ploy. I feel like the Beach Boys wanted to be even more famous, so they made Brian Wilson go nuts. I'm sure he has a problem, but he's still alive and making music, so he couldn't have been that nuts. The Beach Boys, and more famously, Brian Wilson did gain even more notoriety after this. The band broke up after "Pet Sounds", but some iteration of the Beach Boys still made albums up to 2012, and they're still touring. What they may be most famous for, post Brian Wilson, is the fact that they recorded "Kokomo", but even bigger than that, they play live with John Stamos. This makes them very lame, in my opinion, but when "Full House" was a massive hit, being on the show multiple times, as the Beach Boys were, they were remembered and gained even more fame. Older fans would see this and think, hey they're still doing it. And younger fans, they loved them some "Full House" and teenage, and even a lot of adult women, loved them some John Stamos. They regained their old fans, and brought a whole new generation of fans by being on "Full House".

In 2004, Brian Wilson released the album "Smile" to huge critical acclaim. I believe the editor of this website, RD himself, bought this album when we lived together (ed note: yes I did). He would put it on, and I'd think, Jesus, this is crap. I think even RD hated it too (ed note: yes I did), but he would listen to it and try to like it. I don't get the love, but fans loved it. The love for the Beach Boys is very weird to me. They've won tons of Grammys and other music awards. Some magazine named them the most influential American rock band(bull shit) and they're still beloved to this day. I've said it many times, I HATE the Beach Boys, but if we are taking this debate seriously, they need to be mentioned. I know a lot of people will read this and call me a hater, and I definitely am a hater of the Beach Boys, but at least I took time today to put them in this discussion. I also know that I left out huge chunks of their career, but I don't care enough to mention any of it. I feel I covered what is best known and what made the Beach Boys famous.

This post was very hard for me because I'm a music snob and the Beach Boys boil my blood. But, I did it, I made the "case" for the Beach Boys as the greatest American band. I know this will read very different from my other greatest American band posts, but you have to put bands in this discussion, even if you dislike them. Go ahead Beach Boys fans and skewer me in the comment section, I know it's coming and I'm ready for it.

Bring it.

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. While writing this piece, Ty was humming along the Blue Jean Committee's hit song "Catalina Breeze". Follow Ty on twitter @tykulik.

October 28, 2015

The Greatest American Band Debate: Wu Tang Clan

October 28, 2015/ Ty

Today for the greatest American band debate, I'm nominating the Wu Tang Clan.

I love Wu Tang. They're one of, if not the best rap group of all time. People will throw out Grandmaster Flash and the Furious Five or Eric B and Rakim, both I will be writing about on a later date, but Wu Tang is far superior. They have great, very memorable songs, but they get my nomination simply based on the fact that almost every single member of the band is still performing rap music and some are doing great things in acting. The fact that these guys not only have hit record after hit record while with Wu Tang, but most of them have had hit records as solo artists. That doesn't happen too often, but some of the members are more known for their solo stuff than their Wu Tang stuff.

I do want to mention some of their famous songs still, and I'll do that right now. Songs like "C.R.E.A.M.", "Wu Tang Clan Ain't Nothing to F$&k With", "Protect Ya Neck", "Bring Da Ruckus" and "Killer Beez". "C.R.E.A.M." Is an awesome, classic rap song with a great, great chorus. It's an acronym for cash rules everything around me and that's the epitome of a classic rap lyric. I love it so much. "Wu Tang Clan Ain't Nothing to F$&k With" is such a cool, dirty, hard core rap song. They put themselves at the front of greatest rap group with this song. They let it be known that they were the best, and anyone coming to get the crown, step off because you don't mess with Wu Tang. "Protect Ya Neck" is grimy rap at its best. This song is filthy in all the right ways and it gave each member a chance to shine. "Bring Da Ruckus" is a cool rap song about bringing the noise to rap. It's a joyous song about the beauty that is rap. "Killer Beez", while not one of their best songs, has the coolest music video ever. Each member kind of morphs into a bee while rapping and it was very, very cool. Check it out if you haven't seen it.

But, as I said earlier, they're getting my nomination because of the members of this group. This is a murderers row of all time great rappers. Let's list them off right now, RZA, GZA, Method Man, Ghostface Killah, Ol Dirty Bastard, Raekwon, Inspectah Deck, Cappadonna, Masta Killa and U God. See, some of the best of all time. U God is still making solo albums, but he's probably the least famous. Masta Killa hasn't made an album since 2012, but he's still active with Wu Tang and he still performs live with the band. Cappadonna was in the first iterations of Wu Tang and he still performs with Theodore Unit, another hip hop group with Ghostface Killah. Inspectah Deck was a performer and producer for Wu Tang and received critical praise for his lyricism and way he rapped. He did some solo work, but now he's a top of the line producer, mainly doing things for Wu Tang. Raekwon is awesome. He's made a great career for himself as a solo artist, and he was an integral part of Wu Tang at their height. He's credited with creating "Mafiosi" rap. He's got one of the coolest styles of rapping that I've ever heard. We all know about Ol Dirty Bastard. He was one of the grossest, yet coolest rappers I've ever heard. His style was all his own and it will never be duplicated. His most famous lyric, "ooh baby I likes it raw", is disgusting and glorious. I loved ODB and I still miss him. Rest in peace. Ghostface Killah is my favorite member of Wu Tang. I love his style of rap, and his solo albums are the best of the bunch. His style is grimy and gritty and politically conscious. He's achieved critical acclaim for his work with Wu Tang and his solo stuff. Ghostface Killah is one of the all time greats in the world of rap music. Method Man has gained more notoriety for his acting than he ever did with his music. Now, that's not to say that he's not a great rapper, he is. Just listen to the Wu Tang song "Method Man". It's about him and he's the star on the track. But, he's taken to acting like a pro. He's been a star, a role player and a cameo guy and he always crushes. Just look at his role on "The Wire". He played "Cheese" and he was excellent as a thuggish drug dealer and, spoiler alert, when he got shot in the face, I was stunned. GZA is a genius. He wrote the majority of Wu Tang's songs and is the founding member of the band. He always seems like the most level headed guy in the room. He deserves way more praise than he gets. Without him, we never would've gotten Wu Tang. He has maintained a successful solo career as well. I love everything the GZA does. The final member, RZA has the most critical acclaim in music and acting. He's right up there with the GZA. Where the GZA started Wu Tang, the RZA produces everything they do. He's also, for most people, the first name you think of when talking about Wu Tang. He's made a ton of solo albums, he's appeared as a guest on a ton of albums and he's, hands down, one of the greatest rappers of all time. He's highly in demand. As far as the acting, not only has he done as much, if not more, than Method Man, but he's also written and directed movies. He's appeared in movies like "Ghost Dog", "Funny People" and "Coffee and Cigarettes" (ed note: Plus he was the Blind Master in the G.I. Joe: Retaliation - awesome movie). In these bit parts, he all but steals the show. He's a great actor. He's also written and directed and starred in "Man With the Iron Fists", both one and two. While these aren't the best movies, they're campy throwbacks to old school Kung Fu movies and he wrote them. That's impressive. He's right up there, influentially, with the GZA.

Wu Tang Clan is an all time great. This blog was easy for me to write because these guys are so famous and so influential to rappers today. Look at a group like Odd Future and tell me they're not striving to be the next Wu Tang. Wu Tang is awesome and they absolutely, 100 percent deserve to be in this discussion. These above reasons are why.

And remember, Wu Tang Clan ain't nothing to mess with.

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He yearns for a Wu Tang Christmas sweater. Follow Ty on twitter @tykulik.

October 26, 2015

When Bad Pop Culture Happens to Hopeful People

October 26, 2015/ Ty

This is what happens when you mix hope and awfulness

Piggybacking on our podcast from Saturday and RD's piece about sports heartbreak, I'm going to talk about a different type of heartbreak.

Today, I'm going to talk about two movies and two albums that left me heartbroken. There's things in your life that you look forward to and, even though movies and music are very low on the list, things as small as that can leave you heartbroken. You look forward to something coming out, you're already a fan and the first, or everything prior in the catalog, is great, and then a movie or an album comes out, and it's just a dud, and that makes me upset. All the build up and it's just a pile of garbage. That's what I'm going to talk about today.

First, let's talk about two albums that left me heartbroken. I was a huge fan of the band Rocco Deluca and the Burden. Their first album, "I Trust You To Kill Me" was phenomenal. Rocco Deluca is a fantastic slide guitar player, playing my favorite type of guitar, a dobro. He had a way with the slide and how he used chord progressions and effects that was pretty astounding. "I Trust You To Kill Me" had everything on it. There was blues, rock, love songs and everything I liked. I tried to teach myself songs off the album. I only do that with records that I really like. It was a great album. I saw the band perform at the Duck Room in Saint Louis, and the concert was excellent. He played all the songs off the record, played old blues standards, and blew me away. I was fully on board with whatever was coming next from Rocco Deluca and the Burden. In 2009, the band released their second album, "Mercy". Of course I bought it on the day it was released. I listened to it immediately, and this is where the heartbreak seeps in. This album wasn't the same. It was more emo and sad. I didn't know that the band was going through stuff, and they did break up after this album, but what they put on record was, quite frankly, garbage. There was no distorted slide guitar. There was no fire and passion coming from Deluca's vocals. The band seemed disinterested and the album was a complete downer. Being OCD, I gave this album many, many chances. I swear, I've listened to it from start to finish at least ten times. I still have the album downloaded on my iPod, but I don't listen to it. It is a bad record. This really bummed me out. I also heard that in interviews, Deluca kind of said that if you don't like this album, you're not a real fan of his. He's portrayed himself as kind of an asshole before this album was released, and this interview further proved the point. That also made me upset, because, I was a fan. I really liked what they did on their first record, but to act like this after you put out a dud of an album is really upsetting. I recommend listeningto "I Trust You To Kill Me", but give "Mercy" a hard pass. It's not good.

Another musician and band that I adore, not so much anymore, Ben Harper and the Innocent Criminals, put out six great, different albums and then their seventh record ruined all the good vibes I had. I was a huge fan of Ben Harper's in high school. The second show I ever saw, the first under my own accord, was Ben Harper at the American Theater in Saint Louis. I was a junior in high school and me and a friend of mine showed up about six hours early so we could be front row. I spoke about this show on one of our early podcasts. It was great. I was hooked and loved everything Ben Harper was doing. He was my introduction to slide guitar. His music introduced me to a lot of the blues that I still listen to. He has a really good voice. The band can do everything from rock to reggae. They're very versatile. And, like I said earlier, their first six albums are very good. But, in 2006 a double disc was released called, "Both Sides of the Gun". I was a bit older by this time, and my love was wavering just a bit. I really enjoyed his previous album, "There Will Be a Light", but that was more a Blind Boys of Alabama record than a Ben Harper record. "Both Sides of the Gun" was supposed to be Ben Harper getting back to what made me like him so much. He was supposed to put the acoustic guitar down, which he apparently fell in love with, and get back to the slide guitar. He does on "Both Sides of the Gun", but barely. That's what left me heart broken. He was supposed to have a return to form, but he only did on about four songs on a 18 song double record. It wasn't a return to form at all, it was all a lie, at least in my mind. I listened to this record a bunch too, trying to like it, but I just couldn't. It was too poppy. Ben Harper, inexplicably, started to yell sing on songs. The band didn't sound very good. It was a huge disappointment. I even went to see the band tour this album, and it was a pretty dreadful show. They didn't sound good live anymore, and that made me even more heartbroken. They kind of redeemed themselves with the album "Lifeline", but "Both Sides of the Gun" left a bad enough taste in my mouth, that I haven't purchased a Ben Harper record since.

Now, to the movies that bummed me out. In 2012, I saw previews for a movie entitled "Abraham Lincoln: Vampire Hunter". This preview had my favorite president, Lincoln, and mashed it up with him being a badass vampire hunter. I was on board. I couldn't wait to see this movie. Opening day couldn't come fast enough. I dragged my wife and her friend along with me because they had to enjoy how awesome this movie was going to be with me. I thought it would be selfish of me to go see it alone. I wanted to share it with the people closest to me. So, not only did the three of us see it on opening day, but we saw it in 3D. I don't like 3D movies, but this movie was going to be so awesome, why not see it in 3D. The first hint I should've taken that this was going to be terrible, the theater was basically empty for a rush hour show on an opening Friday. But, I thought, people were going to miss out on the greatness that is "Abraham Lincoln: Vampire Hunter". Then, the movie started. I was excited, but, that excitement was drained almost immediately. This movie was so awful. The acting was bad, the action was terrible, the fights were poorly performed and the 3D gave me a headache. This was not the movie I expected. This was supposed to be the movie of the summer in 2012. What the hell happened? I should've realized that a lot of movies released in early summer are released then because they're so bad. This was heartbreaking. I so wanted to love this movie, but I couldn't even like it in a way that people like bad movies. It wasn't fun bad, it was just bad bad. How could a movie that looked so cool be so terrible? Previews, that's how. The only good thing that came out of this awful, awful movie was, I don't take previews that serious anymore, going so far as to not watch trailers for movies that I'm excited to see. Don't watch "Abraham Lincoln: Vampire Hunter". It's very, very bad and will only disappoint you.

Another movie that broke my heart was Tim Burton's "Charlie and the Chocolate Factory". I adore "Willy Wonka and the Chocolate Factory", and I figured that Tim Burton would do a good job with a remake. Casting Johnny Depp as Willy Wonka seemed like a home run in my mind. That was not the case. First of all, Depp as Wonka was god awful. Instead of playing it with the whimsy and humor that Gene Wilder does in the original, Depp plays the role like a creep. He seems like a guy that shouldn't hang around children, and definitely shouldn't own a chocolate factory. He was dreadful in this role. But, he wasn't the only problem. This movie was an absolute train wreck from start to finish. The kids cast in the iconic roles played them way too over the top. They're supposed to be snotty kids, but these actors took that way too literally. Freddie Highmore, who I think is a pretty good actor, doesn't do such a good job as Charlie. He was too boring. I wanted this movie to be as good as the original, but it was so bad. Tim Burton tried to put his weird vibes on this movie, but this movie doesn't need his touch. This is supposed to be a whimsical movie, but Tim Burton tried to make it dark. That doesn't work here, and it broke my heart. Tim Burton needs to stick to his darker stuff and not ruin another classic movie. I looked forward to this movie, but it was so bad, it just made me upset.

So, there you have it. There's a lot of other stuff besides sports that have left me heartbroken, but these four particular things left me the most heartbroken as far as pop culture goes. Tell me some things that have left you heartbroken in pop culture in the comment section, or tell me why I'm wrong about the stuff I mentioned today. And avoid the things I mentioned today at all costs.

You'll thank me later.

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He wants to give all these things in big kiss while at a party in Cuba and tell them how they broke his heart. Follow Ty on twitter @tykulik

October 21, 2015

The Greatest American Band Debate: TV on the Radio

October 21, 2015/ Ty

Getting back to the Greatest American Band debate, today I'm going to nominate a band that's only been around for a little less than 10 years, but I feel like they're on the verge of becoming one of, not only the greatest American bands, but just one of the greatest bands of all time.

I found out about this band in 2006, and since then, I've been a huge, huge fan. Their debut album, "Desperate Youth, Blood Thirsty Babes" had me on the name alone, but after listening to it over and over again, I was immediately hooked. I'm of course speaking of TV on the Radio. I know that they're fairly newish, they've been around for almost a decade like I said earlier, but they're so innovative, and just really, really good musicians. TV on the Radio formed in New York, Brooklyn to be exact, but they didn't release the aforementioned "Desperate Youth, Blood Thirsty Babes" until 2004. They had released one EP before, entitled "Young Liars", and it's awesome, but it doesn't even begin to show you how great of a band they are. "Desperate Youth, Blood Thirsty Babes" was like nothing I'd ever heard before. I heard one of the songs on MTV2, when they still played music videos, "Staring at the Sun", and it was everything I wanted it to be. It was emo, alternative, bluesy and very rock and roll. I love "Staring at the Sun", it was my gateway to TVOTR. What made this album so unique was all the different genres they showcased. Songs like "Ambulance", with Tunde Adebimpe singing acapella and the band giving him an almost doo wop background was incredible. "Poppy" is a 7 minute epic that builds and builds and builds to an epic awesome rock and roll ending. "Bomb Yourself" and "Wear You Out" are two great ending songs to this album. Both songs are like the band King Crimson came back together, found the fountain of youth and played their songs a bit more listener friendly. The guitars are distorted and funky, but not as hazardous to your ears as some King Crimson tunes are. This album came out of nowhere and I still love it as much today as I did in 2004.

They followed "Desperate Youth, Blood Thirsty Babes" up with the fantastic "Return to Cookie Mountain". This album couldn't be more different than their debut, but that's a good thing because, it showed that they had range. They could play more than alt rock music. Take a tune like, "Wolf Like Me". Sure, it's got heavy guitars on it, but it's almost played like a radio song. It's got a great chorus, and Tunde's vocals are absolutely incredible. The opener, "I Was A Lover", features lead guitarist, Kyp Malone, providing lead vocals, and he's just as good a singer as Tunde, he's just different. There's also a really cool, really odd drum beat as well. On "A Method" and "Dirtywhirl", we get a glimpse of what they will sound like on future records with their big booming guitars and their really cool instrumentation. Tunde sings both of these songs and his vocals are perfection, especially on "Dirtywhirl". Another song sung by Kyp Malone, "Blues From Down Here", is really, really good. It starts out with Malone singing solo, no instruments and then pow, it hits you with fuzzy guitars and loud drums. The chorus is really catchy and memorable. It's an awesome song.

In 2008, TVOTR came out with their most critically acclaimed album yet. They released "Dear Science" and in 2008, Rolling Stone named it Album of the Year. This record is a masterpiece. TVOTR is crushing it on every level on this album. "Halfway Home", the opener is an awesome rock and roll song. Great distorted guitars, a really nice drum beat and great vocals from Tunde. "Dancing Choose", their "single" from this record is a really good song. It has elements of rock, alternative and even a little bit of jazziness to it. "Golden Age" is a phenomenal song that lets TVOTR do what they do best and mix genres of music. "Love Dog" is a really cool rock song. It starts out with a faint piano and drums, and just keeps building, gets louder and is met at the bridge by a crescendo of sounds that all come together perfectly. It closes as quietly as it starts, and everything in between is sublime. "Lover's Day" is a neat little song to close out the album. It's kind of poppy, but in a TVOTR type of way. "Dear Science" is a perfect album from start to finish. If someone were to ask me where to start with TVOTR, this would be the album I'd give them first.

They followed "Dear Science" up with the very underrated and under appreciated "Nine Types of Light" in 2011. It's hard to follow up a great album, but I feel like TVOTR did just that with "Nine Types of Light". This album is a bit more radio friendly and poppy, but TVOTR makes it work to their advantage. My gateway to this record was them releasing the song "Will Do" a couple of months prior to the release of the album. "Will Do" is a great radio rock song and the music video is really cool and trippy. Check it out if you haven't seen it. There are some other really great songs on this album. "Second Song" is a really cool blues/rock song that opens this album. "Keep Your Heart" is a sad song, and Malone's singing and lyrics make it even sadder. "Killer Crane" is a really unique slow song with some cool use of different instruments. "New Cannonball Blues" is Malone doing his best Howlin Wolf impression. This song is awesome. It's like Zeppelin, but Malone sings it as if he's channeling Howlin Wolf. "Caffeinated Consciousness" closes out the album and it's the best three chord rock song I've ever heard. Malone's guitar and Tunde's singing are so good on this song. This was the last album that featured original bassist Gerard Smith, who died of lung cancer nine days after the record was released. The song "Killer Crane" is almost a hymn for him, with the video being mostly still shots of the band, with the majority of them featuring Smith. "Nine Types of Light" was also released as a movie. It's more music videos for each song than a movie, but it moves like a movie. I highly recommend listening to the record and then watch the movie. This was a really good idea by TVOTR and it totally works with their persona.

Last year, they released "Seeds". They took time off due to the death of Smith, and "Seeds" was the result of their off time. This is a really good record and it kind of gave TVOTR the little bit of fame they have always deserved. Songs like "Careful You", "Test Pilot" and "Loved Stained" are all slow burners with very cool and innovative music accompaniment. "Careful You" has one of the coolest guitar effects I've ever heard. Other tracks like "Winter", "Lazzeray" and "Happy Idiot" are straight up rock and roll songs with TVOTR's distinct sound. My favorite song on the album, "Seeds", is love song esque, with great lyrics and simple yet sophisticated instrumentation. "Seeds" seems cathartic for the band and it's a fitting tribute to Smith.

As I said earlier, I know that TVOTR is still semi new, but they belong in this conversation for all of these and many more reasons. They will continue to keep making cool, interesting new music and I'm very excited for what their future holds.

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He wants to know what American music makes you rock. Come write for SeedSing, then follow Ty on twitter @tykulik.

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