How the Internet has Changed Pop Culture

Popular culture is a complicated beast. Like the Hydra, it has many heads, and when you think you've figured it out, two more heads pop out of the last. I'd like to thank SeedSing.com for helping expand the conversation on so many topics, including this one. If you have time, check out their article about why the book is always better than the movie—argued from the perspective of someone who doesn't actually agree!

For its relatively short lifespan, pop culture has undergone many changes. Within the past century, it has developed alongside different forms of media, including radio, movies, television, and finally the internet. Of these forms of media, none has been more transformational than the internet.

While radio might at first seem like the first big mover of pop culture, the vast majority of pop culture has been a one-way street for nearly a century. Entertainers delivered material, and consumers absorbed it, transmitting it to other consumers in the process and growing the market. The internet has massively altered the way information is transmitted and, as a result, turned the entire pop culture scene on its side.

The Two-Way Street

In some ways, there's always been some level of interaction between fans of pop culture and perpetrators of pop culture. Music concerts, fashion shows, and other spectacles allow fans and enthusiasts to attend and see the latest—that much hasn't changed. But with the internet, people can also provide meaningful feedback instantly.

It has replaced the thousands of fan letters that are never read and go unanswered. Services such as Twitter and Facebook allow everyday people to interface with real celebrities, artists, and content creators on a very personal level. Rather than wait days or weeks for a response to hear from these famous figures, the public may see a response in mere minutes.

The leaders of pop culture haven’t let this change go unnoticed either. More than ever, social media pages are advertised on television, over the radio, and even within products. “Visit our website to learn more,” they say. “Text (something) to 321” will get you added to a list for any number of different things.

Even a person like Dr. Phil has gotten in on the act, with his show sometimes weighing the opinions of the public by broadcasting their responses to his questions live. As this trend continues, entertainment shifts more and more away from being a mostly passive to sincerely welcoming interaction.

The Death of Cable

Another amazing phenomenon we’ve begun to experience is the slow demise of cable. While there is still a hefty subscriber base to standard television, the numbers are beginning to dip. Consumers are seeking their entertainment elsewhere, mostly through streaming services over the internet.

As a result, the movers and shakers of pop culture are no longer just the late-night TV hosts or the faces of prime-time television. A new demand for quality entertainment that directly answers the wants and needs of the consumer has created an incredible lineup of original shows that can be seen any time so long as you have a subscription to the right service (typically Netflix).

That brings us to the heart of our next point: The change in audience has created a new type of consumer.

On Demand

The instant nature of the internet has, in many ways, altered the patience of consumers. As progressively more content becomes available on demand, it changes audience expectations. Pop culture becomes something the audience doesn’t want to wait to read about in the tabloids tomorrow—why bother when they can visit TMZ’s website right now?

In some ways, this has also created a conflict between the previous generation and the new. The older generation is used to waiting; what choice did they have? "Snail mail" got its name precisely because it was so slow. But the new generation wasn't raised on that.

The new generation has been exposed to an entirely different upbringing that is reshaping everything we know about pop culture. Deemed “millennials,” these new consumers are used to things being available instantly. They grew up with cell phones, email, and instant streaming movies.

Naturally, pop culture has developed to answer these needs. Vendors of popular items sell their goods online with fast-paced shipping. Virtually every major bill can be paid online with a few taps. And since the newer generation spends so much time online (typically on a phone or laptop), much of advertising has moved there as well.

Copy That

In many ways, the internet is solely responsible for the most freely produced content since the dawn of history. Because all online entertainment is stored as data, it can be (largely) freely copied. Unlike physical media, there are no limits to how many times data can be reproduced.

Internet users first figured it out on a large scale when Napster became big over a decade ago. A single user could post a song they had on CD, and thousands of other users could download it and share it themselves. Because there was no physical limitation on the number of copies, it meant millions of people could get music for free.

With time (and faster internet), file sharing expanded to videos and larger programs. So too did the record companies’ fight against what they deemed internet piracy. Today it still continues unabated, but new efforts have been made to fight against file sharing.

The Fight Against Piracy

This brings us right back to today’s on-demand culture. Piracy has been combated in two different ways. The first is through censorship and monitoring. The FBI has taken down several pirating websites, and Hollywood has sued the owners of select IP addresses that pirated movies. Well, except the people using VPNs, since they’ve been able to hide their IP addresses.

The second way has been just to make content more accessible. Instead of having to visit the video store, you can load a show up without leaving home. Music can be purchased one song at a time instead of having to buy an entire album. Little tweaks to the market have dissuaded quite a few pirates by making the legal way just as easy.

Other entertainers have embraced the idea of free content by literally making their stuff free but stuffing it with ads or add-ons that can be purchased for cold, hard cash. Video games have changed quite a bit as well. Many games can be bought before they’re even finished, allowing users early access to the still developing product.

Where most games usually shipped finished, now we see games sell with only a limited amount of content and the rest purchasable at a later date. This is made possible only by a fully connected population that can go online at any time to buy the new content.

What Tomorrow Holds

If present trends continue, we’ll only see more digital media come to replace physical media. The internet can’t quite replace live conventions or concerts, but it has afforded many more access to these events than ever before.

While print struggles to stay alive, online versions of popular magazines and TV shows flourish. Independent content also continues to grow in popularity, with YouTube and Twitch providing platforms for individuals to create content for other users.

We won’t know what tomorrow holds until it happens; my bets are in for something fast, convenient, and accessible anytime, anywhere.

If you have thoughts to share about pop culture and the internet, post a comment below.

Isa

About the Author: Isa is an internet security specialist and entertainment blogger. If you enjoyed her work, check out some more of her writing on Culture Coverage. Follow Isa on twitter @ Go like Culture Coverage on Facebook. 

The Greatest Television Ever: The Series Finale of "Maron" brings a Great Show to an Untimely End

Tonight marks the series finale of the IFC show, "Maron". Depending on who you ask, this was either IFC's choice to cancel the show, or it was Marc Maron's choice to end it after 4 seasons. Either way, this is an upsetting end for me. I really, really like this show. "Maron" centers around the life of comedian/writer/actor/podcaster, Marc Maron. It is a heightened version, but nonetheless, it was pretty much autobiographical. From the series premiere to tonight's finale, the show has been very funny, but also more realistic than any reality show on TV right now.

The first season was pretty much about how Maron and his podcast, "WTF" was blowing up. People were recognizing him and, in typical Marc Maron fashion, this made him uncomfortable. He did not like the spotlight being on him. Even more so though, he didn't feel that he deserved the spotlight. It was a great way to start a series about his life because his podcast was really blowing up at that time. Sure, he didn't have President Obama on yet, but he was getting some pretty famous people to appear on the show. The first season also talked about how his friends, the great Dave Anthony and Andy Kindler, were either jealous or didn't think Marc Maron deserved all the attention. There were funny and real moments during that first season that were just fantastic.

Season two found Marc with a new, very young girlfriend. She was controlling and wanted a baby. While this may sound like a big departure, it was still a very good through line for the season. Season 2 found Maron trying, and failing, to relate to his girlfriend's very young group of friends. Maron was trying to be hip and cool, but he also knew that he was older and he didn't want to do young adult things anymore. He wanted to play his guitar, do his podcast, play with his cats and listen to records. Maron's parents were more involved in this season as well. This really showed how the person Marc Maron came to be. His dad was a crazy man that lived in an RV that never showed any real love towards his son. His mom, retired and living in Florida, was a tough, no nonsense women who always told Marc that he was fat. This was also very good stuff. We also got to meet Marc's brother this season and more of the characters in his life. Season 2 was a big step up from season one, and I loved season one. The second season ended with him and his girlfriend splitting up, but it was definitely for the best.

In season three Marc Maron really starts to explode. His podcast is bigger than ever. He is getting deals done and doing some of the best work of his career. Friends and family even respected the fact that he was getting the acclaim he deserved. This all came to a head wonderfully and tragically in the season 3 finale. Maron finally got his own talk show, but he had previously hurt his back trying to stay in TV shape, thus leading him to a pill addiction. If you don't already know, Marc Maron, both the person and the character, is a recovering addict. Some shady doctor decides to give him oxycotin for his back, and being the addict he was, he got hooked right away. During the taping of his pilot episode, he was so high, he passed out. This was a harrowing season finale to a comedic show. It was dark, but funny, as only Maron and his writing team could do.

The start of this fourth season found Maron living in a storage unit and fully addicted to all pain pills. He looked rough. He had an unkempt beard that was shaggier than mine. He was sleeping with a nurse, who was keeping a cancer patient alive, so he could get pain pills from her. Dave Anthony, who I cannot stress enough how great he was on this show, finally gets him to go to rehab. Maron had screwed enough people over, and he needed help. The scenes that took place in the rehab were funny, poignant and terrifying. He was put in a rehab with a bunch of young, rich white kids and that seems to be one of Maron's biggest pet peeves. He hated this, but he did what he needed to do to get better. We, the audience, also come to see that Dave Anthony has become a big time guy in Hollywood, but it was all due to him stealing Marc's life. It was, much like the whole series, very funny and very weird. The scenes between Dave Anthony, Marc Maron and Amy Smart, who played Anthony's wife, were so bizarre, but I couldn't look away. While going through recovery, Maron is doing his apologies to the people he had wronged, and we come to realize that he fathered a kid as a sperm donor. In the penultimate episode, Maron leaves town to find this kid. He ends up in the hometown of the child, is about to leave, but changes his mind and stays.

Tonight we get the conclusion to this whole series. I'm excited, but also sad to watch the finale. I truly hope it was Maron's decision to end this show. I know it's going to be great, but I could have watched so much more of this. Well, at least we will always have "WTF" to listen to. Thank you for four great seasons of television. "Maron" will be missed.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Like "WTF" Ty hopes his podcasting career takes off in season two. Catch the first episode of our second season where The X Millennial Man talks about great dogs. Follow Ty on twitter @tykulik.

"Bar Rescue" is Back to Reclaim our Joy and Disgust

This bar is just right when it comes to my standards for trash

This past Sunday, July 10th, the new season of "Bar Rescue" premiered. I have written once before about this show, which I adore, but the episode I wrote about was rather disgusting. "Bar Rescue" is almost always about some dingy bar that is in dire need of a "rescue", so hall of famer in the nightclub industry, Jon Taffer, comes in with two experts and they fix the bar up.

The episode I wrote about previously was the first, and possibly, only time they "rescued" a strip club. Everything about that episode was gross. Jon Taffer is always gross, but he was extra disgusting. The experts looked scared and like they needed a shower afterwards. The strip club, which was called Chix on Dix(ewwwwwwwww), changed it's name to The Landing Strip, but that was the only change. It was still extra gross and downright sad.

Well, after that episode, I kind of lost a little interest in "Bar Rescue". They had crossed a line, in my opinion. I'm not a fan of strip clubs and the fact that they tried to "rescue" one, it all seemed way too weird and icky for my personal taste. But, my brother and head editor and owner of the site, RD, said I should watch this season premiere because they were doing a bar in my home city, Saint Louis. I thought, why not, let's give it another try. 

Man am I glad that I watched "Bar Rescue" again. When the episode opened, they did their patented thing of talking to the owner and having them explain why their bar is failing. This particular bar, called City Bistro, was losing money because the bartenders were getting drunk on the job, giving out free drinks and flashing their bare chests to patrons in hopes of getting big tips, they did not get those tips. The fact that these bartenders kept exposing themselves kind of gave me that icky feeling again, but it wasn't because it was a strip club, this was a legitimate bar. People should never be topless or bottomless in a place of business, unless it is a strip club. These bartenders were being gross because they were drunk and lost any inhibitions they once had. Tami, the main bartender, was constantly drinking and flashing anyone in the bar. Taffer, who was watching everything from his car, as he does on every episode, was growing more angry by the second. He was literally yelling at his two experts about this bartender drinking and exposing herself. There was even a shot of Tami, aka Tam Tam, taking her shoes off behind the bar. At that moment, Taffer walked in and went directly to the owner Tiffany. He spoke to her about what he was seeing and told her, this is his trademark, that she needed to fire Tami immediately. I swear, Taffer gets some weird pleasure from telling owners to fire people. It's disturbing how his face lights up when they go through with it and fire said employee. Tami was fired, obviously, and in typical fashion of the bad bartenders shown on "Bar Rescue", she walked off, swearing and slurring all her words on the way out.

Then, the experts had their turn to slam City Bistro. Taffer's drink expert showed the remaining bartenders all the fruit flies in the liquor bottles and how dirty the bar top had become. It was very straight forward "Bar Rescue" stuff. Then, the food expert went to check out the kitchen, and to his and Taffer's surprise, the kitchen was not even open. Apparently, they shut it down awhile ago because they couldn't afford to buy the inventory needed to run a kitchen. The kitchen was filthy, but the topper, and perhaps one of the most disgusting things I have ever seen on any TV show, there was a dead mouse floating in the fryer. It was just as gross as anything I saw on the strip club episode. What made it worse, the camera crew kept going back and staying on the shot of the dead mouse. My stomach is upset thinking about it now, and it's been two days. They cleaned that kitchen better than I had ever seen any kitchen cleaned on "Bar Rescue". I still wouldn't eat there, but they cleaned the hell out of that kitchen. They eventually got it up and running and hired a cook, Sam. Sam was the best part of the whole episode. He was funny, a hard worker and seemed more involved than any other employee there. Sam was great. The owner and the bartenders got to go on the Busch Brewery tour so they could "reconnect" with the local beer company. This was all pointless, wasted TV time. It felt shoe horned in the episode.

After retraining and cleaning up the bar, they changed the name to Beechwood, because Busch beer is "beechwood aged". I thought City Bistro was a better name, but Taffer always picks stupid new names. They seemed to be doing okay after Taffer and his people left, as is the case with every episode, but after reading some local stuff, I guess Beechwood isn't as great as "Bar Rescue" and Jon Taffer hoped it could be.

The good thing about this episode, one, they didn't go to some gross strip club and they fired the main person that was exposing themselves, but secondly, and most importantly, it was like any other episode. If you've ever seen an episode of "Bar Rescue", you could figure out what was going to happen, beat for beat. There is some kind of comfort in the familiarity. I'm actually excited to watch more episodes now. I'm back on the "Bar Rescue" bandwagon, as long as they stay away from strip clubs.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Being the youngest of four brothers, Ty has been going to bars since he was 10 years old. He knows a disgusting bar when he sees one. Follow Ty on twitter @tykulik. 

The Merits and Virtue of "16 and Pregnant" and "Teen Mom"

MTV is the model of highlighting kids having kids

So, for all of my posts this week, I wanted to try something a bit different. My wife and I were talking the other day and she told me that I should argue a point that I don't necessarily agree with. All five posts this week will be topics given to me that I have expressed a dislike for to, either my wife or everyone who reads my blog, but I have to give the opposite view. I have to explain why these things are actually true, or that they at least have some good qualities. This is going to be a weird, but also very fun, and maybe even a bit difficult, but I'm up to the task.

Let's get started with the first topic. The topic sentence my wife gave me today was, "explain why shows like "Teen Mom" and "16 and Pregnant" are, in fact, not garbage reality TV, but that they have had a positive impact on society".

Here we go.

I first saw "16 and Pregnant" about 6 or 7 years ago. My wife has a very deep love for reality TV, and I enjoy spending time with her, so I watch a lot of the shows with her. "16 and Pregnant" immediately held my attention. It was fascinating to see these children pregnant. They were literally babies having babies. It was unreal to hear these 16 year olds complain about always being hungry, tired and "feeling fat". I would say to my TV, "that's what happens when you get pregnant. You should have waited like 90 percent of the country does".

As the episodes wore on, I found myself seeing some good coming from "16 and Pregnant". I was happy that MTV was letting these girls be as real as they wanted to be about their not so good situation. I have 2 kids, one is 4 and the other is almost 9 months, and it is very hard. But, I'm a 33 year old adult. I lived my childhood and had a pretty much carefree teenage experience. The same cannot be said about the girls on this show. They had to deal with people saying things behind their back, calling them names and making fun of them. High school is hard enough, most people are going through puberty and almost everything is awkward, but throw being pregnant on top of that, that had to be brutal. So, the fact that the people behind "16 and Pregnant" had the thinking to let this reality show be an actual reality show, I give them big, big kudos.

The producers show you all the hard parts. They show the stretch marks, the clothes not fitting, the snickers, the loss of friendships, the pain of going into labor and delivering a baby, and then, to top it all off, they showed how hard it is to have an infant. You have to feed, clothe and diaper that baby when that baby needs those things. You are not the most important person anymore, your child is, and "16 and Pregnant" did an excellent job of portraying this. They also showed how terrible teenage boys are at being fathers. These kids, for the most part, had no interest in being involved after their child was born. They all still wanted to go play basketball, ride their bikes or continue to party. Well, all that ends when you have a kid. Some of the couples, while the girlfriend was still pregnant, were going to get married. None of them did, or if they did, I'm sure they are now divorced. "16 and Pregnant" definitely showed how real it is to have a baby. It is tough. Tack on the fact that the kids are teenagers, "16 and Pregnant" did an excellent job of not glorifying having a baby. I will always give them kudos for this. They let the viewing audience know how insanely hard, unforgiving and flat outbrutal it is to raise infants when you are still a child yourself.

A few years after I saw my first episode of "16 and Pregnant", another show came on called "Teen Mom". This show followed the girls from the first season of "16 and Pregnant". They waited a few months, even some a year, after their kids were born to see where they were. This was also an interesting wrinkle inside the life of a teen parent. For the most part, the couples that were still couples in "16 and Pregnant" had broken up. They were all inevitably stuck in some kind of custody battle. This seemed odd and selfish to me. Now, the parent that was absent when the baby was an infant, wanted to be involved because the hard part was over. They didn't have to get up in the middle of the night for feedings or diaper changes, most of the babies were sleeping through the night. That is so selfish to all of the sudden want to be involved in a child's life when the tough part is over. You cannot pick and choose when you want to care for your kid. You made that kid, so you should have been there all along, not when it is convenient for you.

Once again, MTV and "Teen Mom" did a very good job of showing how tough it is to be a teen parent. They show the kids going to court, or meeting with child protective services, or getting divorced, all before they turned 21. This was fascinating to me because, when I was 21, I was still living at home with my folks and had a dead end job and was going to concerts every weekend. I didn't have a kid to care for. Had I seen "Teen Mom" back then, it would have made me even more secure in my life decisions.

"Teen Mom" did not sugar coat how hard all this stuff is to do. But, what "Teen Mom" did that "16 and Pregnant" couldn't do, they showed all the joy that comes from having kids. These teen parents got to see their child walk, talk and smile for the first time, and so did we as an audience. We got to see many triumphs from the parents. Things like potty training be successful, families reuniting, and so on and so forth.

Look, I'm not one to watch reality TV, it just isn't my thing. But, I will say that shows like "16 and Pregnant" or "Teen Mom" are so much better and they actually show consequences to actions than any piece of garbage that the TLC Network puts on TV. "16 and Pregnant" and "Teen Mom" can also be given a huge thanks to the decreased number in teen pregnancy, so there is a real life correlation that these shows do work. If you are a teen, and you think you can be made famous by getting pregnant, I'd suggest watching "16 and Pregnant" or "Teen Mom", because it is not the quick and easy way to make money. It will alter your entire life.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. After reading Ty's thoughts, it seems like he is not pretending to like the MTV teen mom genre. He will be here all week folks. Follow Ty on twitter @tykulik.

Bill Simmons is Back with "Any Given Wednesday"

There is some new TV in the air

Last night, Bill Simmons new show, "Any Given Wednesday" premiered on HBO. This show was a long time coming for me. I'm a very big Bill Simmons fan. I like his takes. He is one of the most knowledgeable NBA writers on the planet. He isn't afraid to attack morons like Roger Goodell. And he seems like a pretty genuine, cool person.

I watched the show this afternoon, and it was just fine. I don't know why I was expecting it to be like "Real Sports", which is a great show, but I thought it as going to be more like that. "Any Given Wednesday" is the opposite of a show like "Real Sports". "Any Given Wednesday" is sports and pop culture, mixed with elements of comedy. There is no panel on this show. Simmons has people come on and talk, but it is more interview and less talking head type stuff. What the show all boils down to is, it is a live taping of his podcast. The show is very free flowing. There is a looseness to the show that I found refreshing. Simmons looked totally calm and in his element. The show is a perfect way to get his view across.

Last night, he had Charles Barkley come on to talk about LeBron James. Simmons asked, after doing a great opening monologue about why he now thought James belonged in the conversation as the best NBA player ever, and Barkley shut that notion down immediately. Barkley is definitely stuck in his old view of the NBA, but that is one of the many things that makes Charles Barkley so great. I personally agree with Simmons. I think LeBron is a top 5 all time player, but I liked hearing Barkley say he had to win a couple of more championships before he would put him past Kobe Bryant and Tim Duncan. I also enjoyed Barkley letting Simmons, the studio audience and everyone watching know that his top five all time players will never change. He is set in his way. Barkley seemed just as comfortable as Simmons was, even when Simmons pushed him on stuff like Barkley holding Larry Bird's arms back so Dr. J could punch him in the face, or Barkley's many past gambling stories. After the Barkley interview, Simmons did a kind of funny spoof on the Under Armor and Steph Curry commercials. There was some decent humor in it, but it was just okay. The commercial Simmons and his writers created was a very funny closing bit to the joke.

Then, Simmons had another one on one interview with Ben Affleck. They talked about the Batman stuff and what drove Affleck to becoming a director, but when Simmons brought up the Patriots and Tom Brady and "deflategate", Affleck went off. This was at times funny and very revealing. Affleck is a true sports fan and a true Boston fan. This dude loves Tom Brady and thinks, like most of the sports watching public, that "deflategate" is so dumb and so unimportant. His speech was impassioned. I recommend people seeking it out on the internet to watch, it is bizarre and telling. I know that I was enthralled.

Once Affleck has done speaking the truth, Simmons did his first of what I'm sure will be a weekly segment, where he gave the "championship belt" to the best thing of the week. This week was the year 2016 and how it has become so unpredictable. He mentioned the Cavs winning the title, the fact that the Cubs have the best record in baseball and that he now has his own show on HBO, among other things. I very much enjoyed this part of the show. Like I said, it was basically a live taping of his podcast, and that is a good thing, in my opinion.

I will be curious to see how future episodes attack sports and pop culture news. I also hope, at some point, he goes off on ESPN. I know he did that recently in a magazine interview, but I want to see him do it live on his TV show, curse words and all, since it is on HBO. I also hope he brings on some of his recurring guests from his podcast for face to face interviews. I don't think it will happen, but I'd love to see Jalen Rose and Zach Lowe on his show, but they both work for ESPN. He can have his buddy Joe House on, or Chuck Klosterman or even more famous NBA players, like Charles Barkley. Anyway, it was a decent premiere of a show that I will watch every week because I am a Bill Simmons fan. Don't go into "Any Given Wednesday" expecting "Real Sports", it is a totally different show.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He may not have the slurred passion of Ben Affleck, but Ty is also not a fan of "deflategate". Follow Ty on twitter @tykulik.

The Pathetic State of LeBron James Fanboyism at ESPN

Being in the bag for LeBron must be cutting oxygen off to the ESPN anchor's brains

To wrap up my week of NBA talk, I am going to criticize two of ESPN's lead anchors that are completely in the bag for the Cavs, and more specifically, LeBron James.

The first anchor is the loud mouthed piece of garbage known as Stephen A Smith. You'll remember him as the same guy that said that Kevin Durant made an enemy for life when Durant questioned a report that Smith put out about his impending free agency. Durant said that himself and his people didn't, or do they ever, talk to Smith. He called him out on his false report and said he was a liar. Well, instead of owning up to his mistake that he was caught red handed doing, he decided to go into attack mode, making that dumbass "you don't want to get on my bad side" comment. That shit was laughable, and I'm sure Durant and his people had a hearty laugh over his all around nonsense.

Before last night's game one, Smith was on some show saying that LeBron is the most disrespected and one of the most underrated NBA players of all time, and that if Kobe Bryant was the leader of this Cavs team, they'd be favored. All of that is utterly ridiculous. Everything that comes out of Stephen A Smith's mouth is garbage. He is not good at his job and he isn't that smart either. First of all, no one that knows even a little bit about basketball has ever disrespected LeBron James. Sure, some people may not care for him, but we all know that he is one of the 5 best players to ever play in the NBA. He is a legend and an all time great. Second, LeBron is not underrated at all. In fact, he may be the most perfectly rated player to ever step foot on an NBA court. He had high expectations when he entered the league as an 18 year old, and he won rookie of the year. Then, the Cavs got better every year he was there, even making the finals once. Then, he bolted for Miami, won 2 titles and went to the finals four straight years. He did as expected there. He comes back home, takes the Cavs to the finals last year, and they are back this year. LeBron has exceeded expectations everywhere he has been. He is not, not even a little bit, underrated. He may be under appreciated, but he is not underrated.

And the whole Kobe Bryant thing. If this Cavs team had Kobe in his prime, they wouldn't even be able to have this argument because they would be a mid to lower level playoff team. People think Kyrie Irving can be a ball hog, but imagine if he played with Kobe. Kevin Love would barely ever see the ball. Tristan Thompson wouldn't even touch the ball unless it was an offensive rebound. And, they would be even worse on defense than they are now, and they are terrible on defense now. If this Cavs team had Kobe and not LeBron, they'd be lucky to be a 43 or 44 win team. They would be a lot like the Rockets are now.

There, I just disproved all of Stephen A Smith's nonsense in about 500 or 600 words, yet he is a millionaire and he still hasn't lost his job at ESPN. Stephen A Smith is a moron and a jerk and he needs to get his smug face off my TV. I'm sick of hearing his stupid voice. My TV cannot handle it when he starts to yell talk, which is whenever he is on TV.

The next target of my ire is Brian Windhorst. This guy is an absolute joke. Yeah, he is from Cleveland and he has been following LeBron's career since LeBron was in 8th grade, but he is one of the worst journalists I have ever read or seen on TV in my life. He is so in the bag for the Cavs and LeBron, it's almost sad. As I just said, he's been following LeBron since he was a 13 year old, but Windhorst was in college when he started following him. Think about how creepy that is for a second. Windhorst was in his late teens or early 20's and he was following this child around the AAU circuit. First off, he looks like a creep, so if I was a parent of a kid on that team, I would have reported him to the authorities immediately. Second, what kind of college student decides that they are going to follow the career of a child? Yeah, LeBron turned out to be an all time great, but what if he didn't? What if he was just average, or a complete bust? Brian Windhorst wouldn't have a job if that happened. He would be looked at as another vulture that tried to capitalize on a young kids talent. He is so much worse, in my opinion, than any AAU coach or a guy like Sonny Vaccaro. At least those people pushed LeBron to greatness and gave him things, all Windhorst did was show up to his games and write some bull shit columns about a young phenom. And now, he has followed him to the pros, all the while, writing shitty article after shitty article. He even moved to Miami when LeBron went to play there and moved back to Cleveland when LeBron went back. This guy is like the worst possible friend that the group cannot get rid of. He is always there, whether you want him to be there or not.

When Windhorst would go on TV to talk about the Cavs, or the Heat when LeBron was there, he would always put the blame on someone else. It was never LeBron James' fault, it was always his supporting cast or coach. When LeBron did win titles, it was because of his greatness. Never mind the fact that Ray Allen made one of the most improbable shots of all time, or that Dwayne Wade found the fountain of youth during their second title run, or the fact that Chris Bosh completely overhauled his game to fit in with LeBron, none of that mattered to Windhorst because he is so far in the bag for LeBron James that it disgusting.

In the ongoing Windhorst shit show, he goes on TV yesterday to talk about how LeBron will never admit to being an underdog because he "has the heart of a champion" and he "will never admit that anyone is better than he is". Yeah, we all agree that he is the best basketball player in the world. Why do guys like Windhorst and Stephen A Smith need to keep bringing up something that we already know? The fact is that LeBron is the underdog in this finals series, no matter how much that may hurt Windhorst to say. The Cavs are playing a 73 win team. No other NBA team has ever won 73 games in a single season. LeBron James is the underdog, deal with it. But Windhorst is just another douchebag that is still on ESPN's payroll and he is one of their lead NBA guys. What a shame. He is a moron with blinders for anything negative that people may say about his beloved LeBron James.

Brian Windhorst, much like Stephen A Smith, is a blow hard and a piece of human garbage. But, this seems to be the down direction that ESPN is heading with their anchors. They want fan boys that are only loyal to their teams. That's not what a journalist should be. They should be non biased, so other people can take them seriously. Well, I don't take anyone seriously that works for that garbage company in Bristol. The sad fact is that Stephen A Smith and Brian Windhorst are the biggest dummies in an office filled with dummies. Pathetic.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He is going to continue his quest of pointing out overrated pop culture when the X Millennial Man talks about musicians that are not as good as people think. The newest episode will premier tomorrow, wherever your fine podcasts are sold. Also, make sure you follow Ty on twitter @tykulik.

Cloves and Fedoras: Michael Rapaport is one of the best, and hardest working, entertainers out there.

Cloves and Fedoras is Seed Sings reviews for little known pieces of pop culture.  Feel free to contact us with your own submissions of undiscovered gems that must be known.

Today I'm going to give love to another actor/director that seemed to be forgotten, but has now reappeared and is doing some great work. That actor/director I'm speaking of is Michael Rapaport.

This comes about because yesterday, on the Bill Simmons podcast, Rapaport was the guest, for the third time already, and I loved every single second. He is just an angry, yet jovial dude and I love to hear him talk about everything from music to movies to sports, mainly basketball. He is a huge basketball fan and he is extremely knowledgeable on the NBA, especially his beloved Knicks. He knows their history inside and out. He is so passionate about his team. He said on the podcast, that it is nothing but gray skies right now for the Knicks.

That's something I really like about him. He isn't a delusional Knicks fan that thinks, "this is the year we turn it around", every year, he knows that this is a very dark time for his team. They have no picks in the upcoming draft. They will be hard pressed to bring in any big time free agents, unless they trade Carmelo. They are trying to decide between Kurt Rambis and David Blatt as their next head coach. Why is this even a question? Hire Blatt. Rambis is incompetent and has proven that every time he gets a head coaching job. Blatt was in the wrong situation at the wrong time in Cleveland, and he still took that team to the finals last year. Rappaport said the exact same thing. He doesn't see the need for Phil Jackson to interview anyone else if Blatt is available. I couldn't agree more with him, obviously.

This past Tuesday, and the two other times before, he has expounded his vast knowledge of the Knicks and the NBA, and I agree with almost everything he says. I agree that the Knicks are going to be an also ran for the next three, four or even five years. I agree that the NBA is in a golden age, but it will be bad in a couple of years because of the "one and dones", he said this the last time he was on the podcast. I agree that the Knicks of the 90's were incredibly dominant, but also underachievers, because they never won a title with Ewing, Mark Jackson and John Starks. I agree with him when he says he wants the Cavs to lose the finals again because LeBron is kind of becoming whiny since he isn't the top story in the NBA anymore, it's the Warriors. I agree when he says that Russell Westbrook is a lunatic on the floor. I agree that he says there will never be another player like Kevin Durant, a guy that's 7 feet tall and can handle and shoot like a guard. Rapaport is very, very smart when it comes to all things NBA.

Rapaport's hobbies and the things that he likes goes beyond just the NBA. He is a successful podcast host himself. His podcast is very popular and he gets some big time people to appear. He was/is a very decent actor. I personally think that he is a really good actor that can play many different roles and genres. For example, look at his role in "Next Friday", next to "Cop Land". "Next Friday" he had such a throw away part, but he nailed it. He was a mildly racist mailman delivering mail to Craig's uncle's house in the suburbs. Rapaport was surprised to see a young black man answer the door and he acted like a guy that doesn't think he is racist, but there is definitely some racism in him. He was rude and ignorant and funny. And Ice Cube played off of him perfectly. "Next Friday" isn't good or bad, it's just blah, but that one scene with Rapaport and Cube is very funny and worth your time. In "Cop Land", he played a young, out of his league cop. He got to act with Harvey Keitel, who is a wonderful and legendary actor. I feel like Rapaport one hundred percent held his own. He also got to act with Sylvester Stallone in that movie as well. "Cop Land" is star studded and Rapaport does an excellent job among all the big time stars in that movie. But, nothing compares to how awesome he was in the wildly underrated "Beautiful Girls". First of all, that movie is so good and it totally holds up. The list of actors and actresses in that movie is incredible and Rapaport is so damn good in the movie. He gets to act opposite Mira Sorvino and Uma Thurman and he does a wonderful job. If you haven't seen "Beautiful Girls", do yourself a favor and watch it because it is great.

He is also a pretty good actor on the small screen too. He plays a cop a lot, he kind of looks like one, in shows like "Public Morals" and "Justified", and he is very good, but nothing compares to his outstanding, one episode feature he did on the last season of "Louie". He was so god damn good as a down on his luck security guard. He was kind of a downer and a mean guy that punched people and talked over people all the time, but it was because he was a lonely guy. His character was even more lonely than Louis CK. He was such a wannabe and such a meathead, but he was also, to be frank, a loser. Louie always wanted to be left alone, and he could be a jerk about it sometimes, but in this episode with Rapaport, you side with Louie. Louie shouldn't have to hang out with someone always talking over him, punching him and taking him to a basketball game that he doesn't want to go to, no one should have to go through all of that. But, at the end, when he loses his gun and Louie eventually finds it, his cries of agony turn into cries of joy and Rapaport is so awesome in this tiny role. He should have been nominated for an Emmy for that one episode.

Recently, Rapaport has taken his talents to directing with a ton of success. He directed a great "30 For 30" about the Big East at it's height. It is an awesome documentary and one of "30 For 30"'s best efforts. But, nothing will ever compare to the wonderful work he did on the Tribe Called Quest documentary, "Beats, Rhymes and Life, The Trails and Tribulations of A Tribe Called Quest". That doc is a masterpiece about one of the greatest hip hop groups of all time. Rapaport told every side of every story. He gave everyone a voice, even Jarobi and Ali Shaheed Mohammed. That movie is absolutely awesome. It's even more timely and wonderful and sad due to the untimely death of Phife Dawg. That was the last we really ever saw of Phife at his healthiest. It will go down as classic now that Phife has passed away. Rapaport was clearly a fan, but he wasn't afraid to talk about and bring up the bad stuff that happened to everyone in ATCQ. It's his best work by far.

I'm a big, big fan of most of Rapaport's work. I know he may come off as coarse, but if you actually listen to him, I think you will feel the same way as I do. Rapaport is a wonderful actor, director and a great, and very knowledgeable sports fan, especially when it comes to basketball. I'm a fan.

Ty

Ty is the Pop Culture Editor for SeedSing and the other host of the X Millennial Man Podcast. He agrees with almost everything Rapaport says about the Knicks, except for the fact they will be bad for four to five years. They will be bad for decades. Ty is on twitter, go follow him @tykulik.

The Final Days of ESPN

ESPN headquarters circa 2020

I think I need to take a moment today to talk about the mass exodus that is happening at ESPN right now.

I've been known to bash on ESPN on this site, but that's because they are an incompetent network that hires stupid people. They also act like they are the biggest and best thing since sliced bread. That was true about 25 years ago, but times have changed and ESPN refuses to keep up with that. They have barely changed anything about themselves since the internet has basically taken over the world. The only big difference that I have noticed, yes I still watch, but it's an anger watch, is the new set. They also have people hosting their own versions of "SportsCenter", but it's still pretty much the same. The higher ups at the company are either oblivious, or they just don't care, about the changing culture.

Nowadays, almost everything is done on the internet. I wouldn't be able to write if it weren't for the internet. In fact, a lot of people wouldn't have made it without the internet. But, ESPN doesn't seem to care. I wonder if they think it is a fad, or something that will just disappear. Sorry to break the news, but being the millennial writer and podcaster on this site, the internet is no fad and it will only continue to get bigger and bigger. I can't even fathom what it will be like when my kids are my age.

That's another thing, ESPN refuses to get with the times, what with live streaming now. Hell, if I want to watch a Michigan football, basketball or even a baseball game, I can see it in real time on the BTN2Go app. ESPN claims to have a live stream, but you have to pay for the stream, or they just have the "live" stream that is just some random person writing down what happens on each play, waiting what seems like an hour to write it, and the game is so far behind when they finally give you the info. For example, after my daughter was born, I had to watch a Michigan-Northwestern football game on my phone and I started with the ESPN "live stream". It was incredibly bad. I was getting zero updates. I couldn't find out which team had the ball or what they were doing. My dad asked me how the game was going and I could not give him a proper answer. After dealing with this nonsense for almost a half an hour, my older brother told me to go to the BTN2Go app. I downloaded it, searched the game, found it immediately, and was even able to watch it on my iPhone in a hospital room. Side note, Michigan thumped Northwestern that day. When I finally got to see the game, the first quarter was just about over and they were up 21-0. So, why does a channel, BTN, that has only been around for about 15 years have a better app and better internet capabilities that a company, ESPN, that's been around for 35 plus years? That is absolutely insane.

I think the "talent" at ESPN is starting to realize that the company will not get with the times and they have no chance of advancing any further than they already have. Sure, they fired Bill Simmons after he deservedly crushed Roger Goodell, but I guarantee that, had HBO came in and made an offer before he was let go, he would have left in a heart beat. Simmons outgrew that place, so instead of letting him leave on his own terms, they decided they would save face and fire him. That completely backfired on ESPN. Simmons has throngs of fans, me included, that will follow him to whatever network he goes to. They also decided, after letting Simmons go, it was time to shut down Grantland. Another huge mistake from ESPN. They lost a ton of great writers after doing this. Most of those writers are back with Simmons now. Grantland was huge for ESPN, but they wanted to rid themselves of everything Bill Simmons, and that was idiotic. Simmons and his staff write for the younger generation and, as I've said, we will follow him and his writers anywhere. I'm pumped for his show on HBO, I'm an avid listener of his podcast and I have subscribed to and follow The Ringer, his new site, on Twitter. 

Then, there was the news that Mike Tirico was leaving to go to NBC. This is a huge problem for ESPN. While Mike Tirico may not be the nicest, most pleasant person to be around, he was a crucial member of their staff. He was the co anchor on "Monday Night Football". He called big time college football games. He called NBA games. He was huge in college basketball. I mean, the guy is a jack of all trades. And the people at ESPN just lost him. I was legitimately shocked when I read that he was leaving. I don't know who they will replace him with, but I will bet it will someone who is incredibly under qualified.

Hell, they are even losing "journalist" that are not even mediocre, they are terrible. Last year they lost the racist piece of human garbage, Colin Cowherd. And now, the most moronic, nonsensical, I think I'm right because I'm the loudest, idiot Skip Bayless is leaving to join Cowherd at Fox Sports. This gives me a newfound hatred for Fox Sports, but damn, they can't even keep terrible people over at ESPN. Skip Bayless is a flat out dummy. The guy says some of the dumbest things I've ever heard on TV. Some, wait, everything he says is filled with stupidity and an arrogance that he should never, ever have. He is so dumb and so out of his mind. This is a guy that has said that Tim Tebow is an all time great QB, if you need a reference at how truly moronic he is. But, he too is leaving ESPN. I cannot believe they couldn't keep him on board. I wouldn't be shocked if the equally stupid and equally loud Stephen A Smith is the next to go. Yeah, they let Lou Holtz go, but he is about a million years old, so not a very big deal. Sure, they let Mark May go a year ago, but he is so much better off where he is now. They let Robert Smith go, but he was pretty good on TV and I'm sure he will find a job soon. And, after repeated racial slurs and racially insensitive things he put on the internet, they finally let Curt Schilling go.

Therein lies a huge problem for ESPN. If you bad mouth the NFL, a la Bill Simmons calling out Goodell, you get fired immediately. But, it took Schilling being incredibly racist, homophobic and mysoginistic many times before they actually fired him. Bill Simmons says one bad thing about the NFL, boom, he's gone. But, it's not until Schilling takes the side of the backwards ass people in North Carolina, he agreed with them that transgender people shouldn't be able to use the bathroom with the gender they now identify with, to fire him. Schilling is a horrible excuse for a human being. It's a travesty that it took ESPN that long to fire him. And what a crock from people that claim to be forward thinking.

It's just a matter of time now before everyone leaves ESPN, or they just shut down because they refuse to keep up with the change in the world. ESPN is an inept network and that ineptness will soon catch up to them.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He does not remember the early days of ESPN, but he sure remembers the last days. The network ended in 2006 if he recalls correctly. Ty is on the internet, follow him on twitter @tykulik.

Better Late Than Never to Catch Up and Enjoy the Great "Orphan Black"

Dolly would have loved the show about other clones

My wife and I just recently got caught up on the television show "Orphan Black". The show is absolutely phenomenal. They do action, suspense, drama and even a little comedy to perfection. There is some of the best action sequences I've ever seen on TV on the show. Car chases, shootouts, fights, every action thing you could want, they deliver. The show is also very quiet in their suspense. That's how I like my suspense. Quiet moments that build and deliver. It's perfect. Even the few moments of comedy are gold. Every time they throw a joke in there, or even a whole scene based on comedy, it works.

Fans already know how good of a show "Orphan Black" is. It's currently airing it's fourth season on BBC America, they're only two episodes in, with the third coming this Thursday. But, my blog today will focus on how great of an actress and the many, many roles that Tatiana Maslany plays and portrays on "Orphan Black". Everyone on the show is wonderful, but Maslany does all the heavy lifting, and then some. She is a powerhouse, and she should be so much more well known than she actually is. In fact, I only knew her as the doctor that played Tom Haverford's girlfriend for a couple of episodes on "Parks and Rec" before I started watching "Orphan Black". She is incredible on the show.

So, as most of you know, if you watch the show, it's all about clones. There's a lot of science talk and romance talk and all the stuff I mentioned before, but the bare bones of the show deals with all these clones. And they are all played by Maslany. In the very first episode, we meet Sarah Manning. She is kind of a street punk that steals from people. She's basically a petty thief. Then, one night she sees a lady step in front of a train and take her own life. This is all shocking to her, but what is more shocking, after she takes her wallet, the lady who just committed suicide looks exactly like her. We go down a rabbit hole from here for the next three seasons. We meet so many other clones throughout the course of each season. There's Sarah Manning, the aforementioned petty thief and mom. Clones are not supposed to be able to bear children, but she did. She is an anomaly in the world this show has created. It's pretty cool that she is the "indestructible" one. She is also the most simple, but in a good way, looking one. She is what Maslany would be, if she were English, minus the stealing. Manning is my favorite clone. But, we also get a housewife in Canada named Alison. She is bored and tired and fed up with her husband and suburban lifestyle, until she finds out that she is a clone. She also looks like a housewife. She has very sharp bangs and dresses like a mom. Lots of sweaters and pleated pants. But, Alison also has a drinking problem and she is a pill dealer. Alison comes on strong at first, but you grow to really like her in the middle of season two. Alison is my wife's favorite. Then there's the dread head, glasses wearing scientist, Cosima. She is the most down to Earth one. She is cool and hip and very well read and incredibly smart. She helps all her "sisters" understand what is going on and why they are clones. She is also very sick and needs to find help anyway possible. Cosima is the clone that I would hang out with and want to be friends with. She is very, very cool. And then there's Helena. She is the Russian bad ass of the crew. She is a stone cold murderer, but she might be the most sympathetic character of all the clones. She had a miserable childhood. She has brutally murdered hundreds of people. Sarah, spoiler alert, tried to kill her in season one. She gets caught up in a weird religion that's a mix of Mormon and Catholic. She gets thrown in a war prison. I mean, Helena has it rough. But, she is a fighter and she fights for the ones she truly loves. She grows to love her "sestras" and she becomes a huge part of the show and a pretty big deal in seasons two and three. Helena has seen and been through some pretty gruesome things, but she is an excellent character. Sarah is my favorite, but Helena is the best clone, and it's not even close. There have been some other clones as well. There's the leader of DYAD, the science company that controls the clones, Rachel. She is pretty mean, but she also has to deal with some rough stuff. There's another German/Russian clone that gets shot when she and Sarah are trying to escape. There's a ditsy spa worker named Crystal they introduced in season three. And I'm sure there's many more to come.

Sarah, Cosima, Alison and Helena are the main ones, with a decent amount of Rachel thrown in there. And, they are all played by Maslany. I cannot imagine how tough that must be. She has to know different dialects. She has to walk and carry herself differently with each character. She has to give each clone their own persona. She has to memorize the most lines. She has to spend more time in make up than anyone else on the show. She has to spend the most time filming. And she is absolutely fantastic at doing all of this. She is just an absolute treasure and this show lets her showcase her incredible talent. It is no surprise that I enjoy strong female leads and "Orphan Black" is right up there with Furiosa in "Mad Max: Fury Road". Maslany, much like Theron, is the driving force and everything revolves around her. I love it. One of the best things about all the clones she plays, they all look similar, but they are all extremely different. That's a testament to how well Maslany does all of these roles.

I love "Orphan Black" and I love Maslany's acting on the show. Like I said before, everyone on the show is great, but they all pale in comparison to the absolute top notch work from Tatiana Maslany. It's a powerhouse role. Everyone should watch "Orphan Black" and be amazed at the great work Maslany and everyone involved does.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. His love of female action heroes started when his three older brothers forced him to watch Aliens on repeat for days. Follow Ty on twitter @tykulik.

"Hell's Kitchen" is Still Trashy, and Still Awesome

I have seen this donkey make a better risotto than the "Hell's Kitchen" chefs

I watch a lot of cooking shows. I've blogged about some, Ina Garten's and "Top Chef" to name a few. But, my wife and I have recently been watching the trashiest, sleaziest and downright most hilarious cooking competition show I think has ever been created. We have been watching "Hell's Kitchen" on demand.

We have caught up on all our regular shows, so when we eat dinner we like to watch something light. We found "Hell's Kitchen" on Fox on demand, and we have fallen back in love with the show. We used to watch it when it was first on TV, maybe 7 or 8 years ago, but we didn't enjoy or understand the campiness of it back then. Now, we cannot get enough of the camp. Gordon Ramsey, who is a world renowned chef and restaurant owner has to be in on the joke that this show is. I love Gordon Ramsey. He is a very loud and boisterous guy, but even he has to know how ridiculous "Hell's Kitchen" truly is. I've ragged on "Top Chef" before, and I don't usually care for cooking competition shows, but at least most of the chefs on other shows are James Beard winners or nominees, or they have their own restaurants, or they're executive chefs, basically, they are well established.

What makes "Hell's Kitchen" so great is the contestants are competing to become a head chef at one of Ramsey's throw away restaurants in Las Vegas. They don't win money or a spread in a cooking magazine, they just get to go work long, tedious hours at a new, fancier restaurant than they worked at before, and it's in Las Vegas. That's so hilarious to me. What puts "Hell's Kitchen" over the top is the contestants. They are the most ignorant, grossest, shady, back stabbing, ugly in personality people that the executives at Fox could find. They are all line cooks for the most part. Now, I'm not denigrating line cooks, I tried it and I failed tremendously, but line cook is just one step above dishwasher in the restaurant industry. I know "Top Chef" is pompous and pretentious, but they wouldn't take a line cook if that was the last chef available. Hell, most cooking competition shows on the Food Network or the Cooking Channel would never take a line cook. They all want well established chefs that know what in the hell they are doing and chefs that can create new, exciting dishes.

That's another thing that I think is funny about "Hell's Kitchen", they still have the exact same menu as when my wife and I first watched it almost a decade ago. We turned it on the other night and I said, "I wonder if they are still making beef wellington", and wouldn't you know it, Chef Ramsey was yelling at someone for under cooking a beef wellington! I was cracking up! This caused my wife to say, "well, I bet they don't do snapper or risotto anymore, I'm sure they've gotten better fish and newer appetizers". Nope. The chefs are still under cooking risotto and burning the skin on snapper. The only thing they have really mixed up or done differently is the challenges. Sometimes, with the newer challenges, the chefs get to be a tad creative, but these chefs are so green, they never stray to far, and they end up doing something safe and easy.

The "chefs" are the absolute best. As I stated before, they are gross, both inside and out, but mainly on the inside. Even the "nice" people are total assholes. There is one nice guy, I think his name is Jarrad, and he just totally screwed over his only friend in the competition recently. The things these people say, on national television mind you, is appalling. They are constantly cursing each other out, constantly back stabbing one another, constantly blaming one another and never taking blame when they are clearly at fault. It's a whole show of people saying, "I did this because so and so was screwing up on something else, so I only messed up because this other person messed up. It's not my fault Chef Ramsey". A bunch of spineless competitors. The men on this show are the worst representation of meat heads that I've seen on TV. There was one guy in this particular season, his name is Frank, who always bad mouthed and talked down to any female competitor. He said, on way more than one occasion, "this is why you can't have women in the kitchen. They're terrible listeners and impossible to work with". I mean, how crazy and how sexist is that?! And Fox put in on the air! WTF! The women are not much better though, They talk behind each others backs. I've seen two girls get into a fist fight on the show. I've seen girls spit into another girls face. It's just all around gross, from both the men and the women.

This show is entertaining as hell. You know why it's entertaining? It's not the chefs and it's not the competition and it's not the back stabbing and double crossing, it's Chef Ramsey. He is so god damn good on the show. He knows that these chefs are the bottom of the barrel and he treats them that way. But, he also gives the winners of the challenges, and the whole thing, some very great gifts. Stuff I would love to have, he hands over with a smile. But, he also yells and berates and screams and calls people failures and tells them he's ready for them to quit at the drop of the hat. You under cook a wellington, Chef Ramsey will call you a donkey. You don't have his veggies ready in time, he calls you an imbecile. You burn his fish, he will curse you out. He has no patience for slacking chefs, yet he takes on a dozen of them each season of this show. I don't know that any winner of "Hell's Kitchen" has gone on to be a famous chef or restaurant owner. I haven't dug that deep. But, I know Chef Ramsey will keep doing this show because it's easy money for him.

I'm glad my wife and I rediscovered this ridiculous cooking show. It's fun to watch and make fun of and I don't have to take it seriously. Go watch "Hell's Kitchen" if you like trashy reality show, because it's one of the best.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He never heard of Beef Weelington until "Hell's Kitchen". Ty is not interested in food that fance people ate 100 years ago. Ty is on twitter, go follow him @tykulik.

You and Your Kids Should watch "Wally Kazaam"

No invaders, no dragons, no trolls. No I'm serious, those things terrify me

I've noticed recently that my blog I did on the children's show "PJ Masks" has been getting read a lot and there has even been some comments. There's one good one, but for the most part, people seem to think that I don't have an imagination. While that may be true when it comes to "PJ Masks", I mean, why are there no parents involved anywhere, It's insane, but, I do like a couple of shows that my four year old watches. I loved "Yo Gabba Gabba". I thought that show was super weird and really cool. I loved the lessons it taught and I thoroughly enjoyed all the musicians and bands that would make guest appearances. I also like older kids shows like "Sesame Street". Basically, I like shows that teach children some kind of practical skill that they will need when they start school. All "PJ Masks" teaches is to not go against your friends wishes. It's a veiled, and very poor attempt at lesson learning if you ask me. That show is lazy.

There is one children's show that I want to point out, that my four year old still watches and loves, that I too love, "Wally Kazaam". "Wally Kazaam" has about one thousand times more imagination than any episode of "PJ Masks", and they teach your children how to sound out letters and, eventually, how to spell. From watching "Wally Kazaam", my son knows the sound to every letter in the alphabet and he is even in the very early stages of spelling. He can spell his name, and with a little help, he can spell easy words like cat and dog. Some of that has come from my wife and I helping him and some has come from school, but a lot of it has come from "Wally Kazaam". My son gets amped when he hears the theme song for the show, and I do to. I know that both him and I are going to enjoy ourselves for the next 25 minutes, much more so than an episode of "PJ Masks". Where my son likes the colors and the animation and the goofy way the characters talk, I enjoy the joke writing and the story telling on the show.

First of all, we know we are in a fantasy world the moment the show opens on a troll finding a magical stick that helps him spell. "Wally Kazaam" doesn't try to hide that it's a possible real world situation, the kids are supposed to be real kids on "PJ Masks", they are openly letting you know that this is a cartoon. The main character is Wally Trollman, the troll with the magic stick that helps them spell and get out of sticky situations. But, we also get some great tertiary characters. Characters like Norvel, Wally's pet dinosaur. There's also Gina Giant, Wally's friend that is literally a giant, and she is the nicest person in the fake universe they've created. There's Ogre Doug, a big, but very friendly ogre that helps out the crew. There's a little singing fairy named Libby Lightsprite that is adorable. There's Stan, the old swamp creature that dislikes anything that's clean. He will only take mud baths to give you some perspective.

There are a lot of great characters on "Wally Kazaam, but the best character not named Wally is the wonderful Bob Goblin. Bob Goblin is the troublemaker, but he is also a good guy. He will get the crew in trouble, or try to get things from them, but in the end, he just wants to be part of the group, and like the good trolls and ogres and fairies and giants that they are, they always find a place for Bob Goblin. Bob Goblin is also always the best character in the episodes that feature him. There's been one when he wants to be in a rock band, but Libby Lightsprite loses her singing voice, due to something Bob goblin did, so they have to go through all these loopholes that Bob Goblin has setup, to get her voice back. They get through everything, with the help of Bob Goblin, and at the end of the episode, Bob Goblin gets a great drum solo. I love it. My favorite Bob Goblin episode is when he takes over the castle that Wally made out of magic for Norvel. He kind of walks in, plays with everything, then claims the castle as his own. It's so funny and so well animated and so well written. The episode centers around sharing and the way they talk about it, it's magnificent. The lessons learned and the spelling that goes along with the episode is great. But, the highlight is the song that Bob Goblin and Wally sing about the castle. It's so catchy, so imaginative and so well sung by the voice actors. To this day, I still walk around the house singing the song. My wife does too. So does my son. We all adore the song. I believe it's called "My Friend the King", and it's supposed to be about Norvel, but Bob Goblin turns it into his song. Wally sings about building the castle, loading it with pillows and toys for Norvel and letting Norvel stay there. But, after Bob Goblin takes over, he turns every chorus into his song. Wally will sing, then Bob Goblin will come in with the best line in a children's song, "no invaders, no dragons, no trolls". He doesn't want Gina Giant, the invader, Norvel, the dragon and Wally, the troll to get in. The end of the song even has Bob Goblin saying "and no cakes", because Wally thought he could trick him by giving him sweets, but Bob Goblin does not fall for it. As with most kids shows, they resolve the conflict and everyone gets to play and live in the castle.

Basically, "Wally Kazaam" is, by far, the best, most innovative and most imaginative children's show since "Yo Gabba Gabba". It's also the best written. It's so much better than "Paw Patrol", "Blaze and the Monster Machines" and, of course, "PJ Masks". So no, I'm not some curmudgeon with no sense of imagination or whimsy or wonder, I have all of that ten fold. I just prefer kids shows that don't talk down to the adults watching with their children and "Wally Kazaam" does not do that. The creators and writers of that show speak to both children and adults alike. I will take "Wally Kazaam" any day before I watch another episode of "PJ Masks".

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. Does Ty lack imagination, you ask? Find out for yourself by following him on twitter @tykulik.

No, "The Walking Dead" Will Never be Great Again

Time to take a barbed wire stick to "The Walking Dead"

Last night was the season finale of "The Walking Dead", and I wrote about it's hopes of me continuing to watch it afterward last week, and it was so maddeningly, infuriating, boring and a stupid waste of 90 minutes of my life. I understand that I have gotten to watch this show for free for the last seven seasons, and I understand that they don't owe me anything at all, but come on, this was absolutely atrocious and, if you call yourself a true fan, you should feel the same as me.

This finale was everything that has been wrong with this show for about 4 seasons now. It was so boring. It was wildly stretched out to inconceivable measures. The story was dumb as hell. All the lead up to Negan was for naught. I didn't care that the original survivors kept getting caught by Negan's crew. I kept checking my phone every 5 minutes to see how much time was left in the episode. I absolutely loathed all the slow, no dialogue parts. I hated the beginning part with Carl and his weirdo girlfriend. Basically, this episode, in my personal opinion, was terrible in every possible way, especially the stupid, moronic, spit in the face that was the ending.

This stunk.

That ending was so, so stupid. The show runners and writers and producers and AMC are getting way too big for their britches with all the stupid ass tease endings that they do on their scripted shows now and this "Walking Dead" finale was the high point, or low point, if you ask me, of this new trend. I thought this finale was ten times worse than the "Mad Men" series finale, and I hated the "Mad Men" series finale. This ending though, what the hell? What a load of dog crap. This was absolutely ridiculous. Sure, there may be some spoilers coming up, but not too many with the dumbass way they ended this season. Let's get into it. 

So, we finally meet Negan, with about 15 minutes left in the episode. Everyone knew he was being played by Jeffrey Dean Morgan, who is a very talented actor, but his portrayal, I thought, was way too over the top. He gives about a 10 minute speech and, instead of being filled with tension and heart pounding moments, I found it very dumb and Morgan couldn't have chewed more scenery while performing said speech. He said each word as if every single thing he said was as important as the next. In all seriousness, he was basically giving a speech about how he was going to brutally beat up, possibly murder, one of Rick's crew. It was a pointless speech for what he ended up doing. The camera kept panning around from the original survivors to Negan and his crew, and it was frustrating and very irritating. I HATED everything about this monologue. God, it was dumb as hell. Then, to decide who he is going to beat up, Negan plays the old kid game, eenie meanie minie mo, changing from person to person, with the camera showing all of the original crew. Hated this as well. Then, when he finally and mercifully picks someone, they decided to not show the viewer who he picked. They have teased a big name death all season long, and when they finally get to the scene where Negan picks someone, all we see is a fading image of Negan and his bat, Lucille. We have no idea who he may have beaten to death.

Screw you "The Walking Dead" for doing this.

This is a cop out and a slap in the face to the viewer. This show has never done this before, but this season, and last season for that case, has been all about bull shit teasing. This is so maddening. They can't promise the viewer something all season long, then not deliver. If I did something like that to my kids, promised them something, but then not deliver, I would be viewed as a mean parent. Why do shows and show writers think they can continue to do this? What gives them the right? It is the worst kind of cop out that a show can do. The people heavily involved with this show have been clearly persuaded by the uproar over the rumors of Daryl's impending death from the internet. It was rumored all season long that Daryl would be the big time character that would die, then when he got shot last week, rabid fans of the show took to the internet to openly complain that they shouldn't kill him, going as far as to start a petition. So, I think all this gave the writers a tough decision and they chose a tease ending instead of just doing what they had planned all season long. This is exactly what happened last season when they supposedly killed off Glenn, only to reveal in the next episode that he was covered by another guy being eaten by a zombie. That was bull shit and so was last nights finale. As I wrote last week, horrible things are supposed to happen in the horrible world that the "Walking Dead" creators have created. They killed off a lot of important people early on, Shane and Rick's wife to name a few, but they seem to be giving in to the mass media and public now. That really pisses me off. I can't think of another show, in the same vain as "The Walking Dead", doing what they have done over the past three or four seasons. It has been one cop out after another.

Besides this terrible excuse for the ending, the rest of this episode was a pile of garbage. I mentioned the opening scene with Carl and his girlfriend. That was dumb. All the Morgan and Carol stuff was pointless. I didn't care about the guy trying to make Carol suffer. I didn't care about Morgan finding a horse. I didn't care about Carol leaving Morgan's care. I just flat out didn't care about anything the two of them did or said to each other. It was stupid. I didn't care about Negan's crew showing up everywhere Rick's crew went. I didn't care about the preacher. I absolutely hated the "hero's" sendoff they gave to the guy with the mullet, I can't remember his name. I just didn't really care about anything that happened or about anyone in this finale, most of all being Negan. We were told all season long that he would be the "best villain ever on TV". He was going to be like no one we had seen on basic cable before. He was supposed to be great. Well, we got 15 minutes with him that seemed at times rushed, but then, at other times, very slow. He was a very uneven, very boring character. As I said before, I hated the monologue and he didn't scare or fill me with any tension whatsoever. The people most involved with the show built this character up way too much and I felt that he didn't deliver at all. Some of that is the writers fault and some is Morgan's fault. There's all kinds of blame to throw around.

In my article last week, and at the beginning of this post, I told the readers that this finale was going to be my decision maker as to if I was going to continue watching "The Walking Dead" and I can equivocally and without hesitation say that I will not be watching this show anymore. I loathed this finale and I do not care to continue watching. I had hopes that they could return to past glory, but they continued with the terrible and boring writing and stupid teaser endings that they have hung on to for the last four years. I feel like a weight is off my shoulders now that I'm done watching this show. I don't have "homework" on Sunday night anymore. This finale was terrible in every sense of the word and they lost one viewer last night. Good riddance to what has become bad rubbish.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. With his new found free time on Sunday nights, he wants to catch up on recent pop music. The guests on last week's X Millennial Man Podcast have some ideas. Like Ty's ideas? Follow him on twitter @tykulik.

We Need to Talk About Superman

I don't want to know how he feels about leaping tall buildings, I just want to watch the man fly

A few nights ago I saw Batman v Superman: Dawn of Justice and left the theater kind of frustrated. I did not hate the movie like the gang of obsolete film critics so desired, I actually thought the movie was mostly enjoyable. What was so frustrating was the way actor Henry Cavill and director Zack Snyder treated the Man of Steel. There was no humor, very little humility, and no awe to the last son of Krypton. These problems were in Man of Steel and they were present once again in Batman v Superman (I will not keep writing the full title, you know what movie I am talking about). Once I took a few days to think about the movie, and tell my closest friends all about it, I started to realize that Cavill and Snyder were not ruining my love for a big screen Superman, the actual Man of Steel is what is wrong.

I adore Superman. He is far and away my favorite comic book hero. As a member of Generation X I grew up with the Christopher Reeve Superman movies. I even remember seeing the third and fourth films, and not hating film forever (they are horrible movies, do not see them). I was willing to give anything Superman a pass. By the time the "Death of Superman" comic series came out I was too old to be buying comics, but I bought those stories. I watched Lois and Clark: The New Adventures of Superman and played the horrid N 64 game. While many of my peers were moving on to Buffy the Vampire Slayer, I was watching Smallville.  In more recent years I have started to seek out Superman comics again. I am very fond of graphic novels like Red Son, Kingdom Come, and All Star Superman. Anything related to Superman and I was interested. I was especially interested in any movies that would feature the boy in blue with a red cape.

In 2006, almost twenty years after Superman IV: The Quest for Peace, we finally got a new big screen adventure for the Man of Steel. Superman Returns hit the theaters a year after Christopher Nolan and Christian Bale redeemed the film version of the Dark Knight with Batman Begins. Many people, myself included, were hoping that director Bryan Singer and actor Brandon Routh could bring the big blue boyscout into the 21st century. Unfortunately Superman Returns was a fairly boring rehash of the Richard Donner / Christopher Reeve vision for the last son of Krypton. The only new power given to the Man of Steel was the ability to be a deadbeat dad to a very confused child. Superman Returns was not considered a critical or box office success. The 20th century version of Kal-El was not ready for 21st century audiences.

In order to create a Superman for the modern movie goer, Warner Brothers tapped The Dark Knight Trilogy's Christopher Nolan to produce and Watchmen's Zack Snyder to direct the latest reboot. Relative unknown Henry Cavill was tasked with bringing to life a modern look at Clark Kent / Superman. Man of Steel opened in the summer of 2013 to tepid reviews and fairly good box office. Many of the critics disliked the movie because of it's lack of humor and the overall darkness that surrounds one of America's earliest comic book heroes. The final destructive battle between Superman, General Zod, and the other Kryptonians is often held up as the biggest failure to Man of Steel. How many people died in Metropolis? Why did Superman not take Zod to the moon and fight? Why did Superman kill Zod? I was part of the chorus of people asking these questions. I was blaming Nolan, Snyder, and Cavill for smearing the good name of my favorite superhero.

This brings me back to Batman v Superman and my overall frustration. Christopher Nolan, Zack Snyder, and Henry Cavill once again presented us with a violent and dour Superman. Even Clark Kent is humorless and jerky. I found myself getting bored and annoyed whenever Superman, and his friends like Lois Lane and Perry White were on the screen. Whenever I saw Batman/Bruce Wayne, or Wonder Woman/Diana Prince, or Alfred, I was enjoying a great movie. I personally loved Ben Affleck's performance as a violent and unhinged Dark Knight. Jeremy Irons is now my favorite Alfred ever. The little bit of time Gal Gadot gets as Diana Prince, and the criminally less amount of time she gets as Wonder Woman, are incredible. My only real problems with Batman v Superman were the parts with the Man of Steel. That was frustrating because Superman is my favorite of all the heroes. He is the best of the Super Friends, the greatest of the Justice League, and the comic book hero all others should be judged by. Why can I not get a good Superman on my big screen?

The week before I went out to see Batman v Superman, I watched Man of Steel again. I really enjoyed the movie. It had been a couple of years since I first saw it in the theater, but I feel like time has been good to that movie. The opening scenes on Krypton are awesome. Russell Crowe's Jor-El and Michael Shannon's Zod are great takes on classic characters. The action scenes are easy to follow, and quite exciting. The plot is well executed and the character motivations make perfect sense. I really enjoyed Man of Steel, I just did not care that much for Superman. Then I figured it all out. It is not Bryan Singer, Brandon Routh, Zack Snyder, or Henry Cavill that are ruining Superman. It is the character of Superman that is ruining these movies.

In the comics Superman is all powerful (most of the time) and all good (again most of the time). The Christopher Reeve films focus on Clark Kent and how he fits in a world he barely understands. The best characters in Superman I and II were Clark Kent and Lois Lane. A show like Lois and Clark was more like the 1960's Adam West Batman. The best character was Lois Lane. Smallville focused heavily on the characters around Clark Kent and explored what Superman meant to them. The best character was Lex Luthor. Superman Returns focused on nothing new and interesting and every character was worthless. Do not waste your time on this movie. Many of the great Superman comics looked at what it meant to be the Man of Steel, not who the man actually is. Red Son imagines the last son of Krypton as someone who represents truth, justice, and the Soviet way. The best characters are Lois Lane, Wonder Woman, and Batman. Kingdom Come shows us an older and bitter Superman who is ineffectual because he is out of touch, a Superman who needs his friends. The best characters are Wonder Woman, Batman, and Magog. All Star Superman has the Man of Steel facing imminent death, and it is a joyful and celebratory journey. The best characters are Lois Lane and Lex Luthor. Superman stories work best as a light hearted affair, or one of philosophical ruminations. The greatest stories about Superman focus on the people around him (mostly Lois and Lex), they focus on how Superman effects them personally.

I am not frustrated with the people bringing Superman to the big screen, I am frustrated that these people keep trying to make movies with Superman as a main character. The last son of Krypton is more interesting because of what he is to others, not because of who he is personally. Superman is super because of his unmatched power, and unmatched humanity. That does not make for a very interesting protagonist. Why does Batman distrust someone like Superman? That is an interesting tale. How does Lois Lane deal with being in love and having a relationship with someone like the Man of Steel? That is a story worth telling. How does the existence of Superman effect genius sociopaths like Lex Luthor? I would leap tall buildings to see that particular film. The people who are directly impacted by the Superman have the more interesting stories to tell. They should be the main characters in any film concerning the big blue boyscout.

We need to accept the fact that there will never be a good stand alone Superman movie. The character is too much a part of our cultural identity. When producers like Christopher Nolan, and directors like Zack Snyder try to give the Man of Steel some depth, we end up with a dour film and have a Metropolis leveled. Batman v Superman was a great film when Superman was not the focus. The final climatic battle saw the Man of Steel working with the Dark Knight and Princess Diana of Themyscira, and it was glorious. We could see Superman's awesome powers being complimented by the two other heroes. Superman is my favorite comic book hero ever because of what he means to everyone else. His purity does not need to be tinkered with. DC can own the superhero world by focusing on everyone else. We will always know that Superman is in the back ground to help out. The world of superhero movies is better off with the Man of Steel backing up all of the World's finest.

RD

RD is the Head editor at SeedSing. He will keep seeing Superman movies, and he will keep reading Superman comics, because Superman is the best. Do have a better superhero? Well let us know.

Will "The Walking Dead" get Back to Being Great?

"The Walking Dead" has been exciting as watch this paint peel.

This Sunday, AMC will have a 90 minute "The Walking Dead" season finale. Some big things are supposed to happen in this finale we've been told. Some big name character will die, we will get to meet Negan finally and the group will be left in some kind of disarray. This seems to happen every finale, at least in the past three finales, with "The Walking Dead". Sometimes it hits, like when Beth was accidentally killed by that crazy cop at that hospital two finales ago, but it also misses. Case and point, I don't even remember how last season ended. I think Daryl may have lost his crossbow, but I honestly cannot remember anything else. I could also be wrong about Daryl as well.

For a show that started so incredibly strong, these past three seasons have been very dull and, quite frankly, boring. Yes, I'm still watching, as is most of the country, but it's staring to feel like homework and I'm beginning to not enjoy it so much anymore. They came out of the gates on fire. That opening scene in the series premiere, where Rick wakes up in an abandon hospital, and realizes something is not right in the world, is absolutely incredible. It only grew from there in the first season. The show was great, with great scenes, but it wasn't just a zombie show, it also dealt with the survivors. The show asked and tried to answer questions that included, how do we survive in this kind of world, and do we really want to survive in a world like this? I didn't want to watch this how at first, but I'm very happy my wife convinced me and I was immediately hooked. I couldn't wait for what they'd do next.

Then, in either season two or three, they found a farm and that's when the show started to turn. Yes, it was still very good and there was some excellent episodes, but when they went looking for Carol's young daughter, those specific episodes, it became very tedious. I thought, this is just a small part and they will get through this boring stuff very soon and, at first, they did. The stuff in the jail was great, Morgan returning was great, they seemed to have righted the ship. But, in the coming season, they found Alexandria.

Now, not to be this guy, but I'm totally going to be this guy, when they found Alexandria in the graphic novel, that's when it went from good to great, but the TV show just couldn't seem to find the right footing. Where the graphic novel still focused on the question of how to survive and live in this world, if that was even a good thing, the show decided it was time to start making up love stories and talk about the people to the point of tedium. They tried so hard to give Rick a relationship with some lady, who's husband was an abusive alcoholic, that I couldn't have cared less about. She also had some weirdo son that Carol befriended, I couldn't have cared less about that as well. They did too much of the point-counter point talking that worked well for them early on, but they had established a new world, and the talking made for very long and very boring episodes. I wasn't even really all that moved by the lady who ran Alexandria husband died in the finale. Spoiler alert, he was killed by Rick's new love interests crazy husband, in a fit of rage trying to fight Rick, then, with the "blessing" of the "mayor", Rick brutally murdered that man. I didn't care about any of that. The best thing about that finale was Morgan walking in right after Rick shot this guy. But, we had to wait an entire off season before we got to see anything from Morgan again. If that specific finale was supposed to make me feel something, all it did was make me angry. I didn't care about Rick and his new girlfriend and I didn't care about the original crew's plan to take over Alexandria. All I wanted, and they teased it all season, was to see Morgan, and all we got was that final shot. That was a bummer.

Then, last season happened. That last season was incredibly boring. I literally didn't care about anything that happened. I watched the season while I played on my phone, or wrote for this site. It was on, but I was half in and half out. I didn't care that Maggie was pregnant. I didn't care about the "Wolves". I didn't care that Carl had some new, weird girlfriend. I didn't care about Rick's girlfriends weird son and his relationship with Carol. I didn't care that Carol was becoming some badass that acted like a soccer mom. I did care that they barely used Michonne last season. She is awesome and when they used her, it was to be Rick's police partner. She had no huge story line or anything that important happen to her. She is the best one on the show and she was criminally under used during that season. I was ready to give up on the show after that uneventful finale I mentioned earlier, but I figured I'd give it one last shot. This show was great at one point and I thought they could do it again. I told my wife that the season premiere would be my gauge if I was going to continue or not.

Well, the premiere was very good. They got back to their roots. They focused on the story telling with the original crew. They had some awesome fight scenes. They made me care again. I was back on board. But, the second episode was pretty boring and pretty uneventful. The rest of this season has been wildly inconsistent. They've had some great episodes, but they've also had some duds. It's been very up and down. Some good stuff, the humongous fight scene in Alexandria was great, Rick finally has a cool girlfriend in Michonne, Michonne is being used more, a scene between Maggie and a guy from another town involving a trade for goods and services and meeting Negan's crew. Some bad and boring, Abraham and Rosita breaking up, the under utilization of Morgan, Rick going completely off the deep end, the character of Jesus and Carol's change of heart back to being a loner and all of the sudden a god fearing person. I just can't get my finger on what they are trying to do. In last week's episode, another spoiler alert, it ended with a gunshot in Daryl's direction and the shooter saying, "it will be okay". Some were outraged because they assumed that Daryl is dead. First of all, Daryl was never in the novel, so who cares if he is gone. And second of all, if they do kill him off, they can bring him back, just like they did, in super cheap fashion, with Glenn last season. I don't get the upheaval. People are supposed to die in a show like this. That's what happens. They also said a big name character would die. Someone important is not going to be in the upcoming season. Deal with it. We will finally get to meet Negan in Sunday's finale as well. I'm mixed on this, because I want to meet him, but I'm also wary of all the writers and showrunners saying that "he will be the best villain on TV ever". Don't say things like this, let the viewer decide. That's what they did so well early on, but now they feel that they have to sell everything and that scares me.

So, yes, I will watch all 90 minutes of the finale and I hope that it's worth it. If not, I will most likely give up on this show. It started so well, but it's been very hit or miss for the last four seasons and it's becoming tough to care and watch and pay attention every week. Hopefully they do something big and regain my full attention, but I don't think that will happen. Hopefully Negan is a great, once in a lifetime villain, but I wish the people involved weren't pushing him on me so much. I want "The Walking Dead" to be great again, but I fear it's time is up. We'll see this Sunday.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. In case of a zombie outbreak, Ty will hole up at Chesterfield Mall. Make sure the chopper is on time. Before the apocolypse you should follow Ty on twitter @tykulik.

Jonathan Banks Turns Great Shows into Classic Television

New Mexico is much more beautiful with Mike Ehrmantraut in it.

I just want to take a minute to talk about how awesome of an actor Jonathan Banks is and has always been.

Jonathan Banks is new to me, the first place I saw him was on "Breaking Bad" as Mike Ehrmantraut. He was phenomenal on that show. He was the badass assistant that Gus Fring needed. He was the perfect hitman, bodyguard, money guy, basically, he was the jack of all trades, as long as it was shady. When Mike showed up in season four of "Breaking Bad", that's when that show went from great to a classic masterpiece. He really turned an already great show into absolute, must watch TV. He was so great and was almost as fun to watch as Gus. No one, and I'm including Walt and Gus and Jesse, was as good on that show as Mike was. He was awesome.

Now I'm a big fan of "Better Call Saul". I put season one in my top 5 shows of 2015, both on the podcast and on my blog. It's a really great show. I had my doubts, it was released so close to the end of "Breaking Bad", so how could they even come close to what they had with that show, but they have pulled it out. It doesn't hurt that Vince Gilligan and Peter Gould still produce and write a lot of the episodes and that the majority of the original actors appear as themselves on "Better Call Saul". That helps the show even more.

Bob Oedenkirk is the star of the show, but what makes shows like "Better Call Saul" and "Breaking Bad" so great is the fact that any number of actors can have their moments. In "Breaking Bad", it wasn't always Bryan Cranston as Walt that made it great. There was also the afformentioned Gus and Jesse, but also Krysten Ritter as Jesse's junkie girlfriend or Walt's brother in law Hank, his thieving wife Marie, Walt's wife, Skyler and, of course Saul and Mike. They all had episodes that featured their characters in pivotal roles and some of the episodes that featured these people, like when Walt watches Jesse's girlfriend choke and die on her own vomit, were compelling as any Walt heavy episode. Same thing goes for "Better Call Saul". There is plenty of episodes that focus on Saul's brother Chuck, played expertly by Michael McKean, and his struggles with electronics and paranoia and the fact that Jimmy is still a crook. There is also the stuff that features Jimmy's, that was Saul's name before he became Saul Goodman, girlfriend/work buddy Kim. She's played a pivotal role in 2 of the first 5 episodes of season 2 already. There is also Howard, who is co owner and creator of the law firm that Chuck started and Jimmy could never get a real job at.

Every episode of "Better Call Saul" is great television ,but the best episodes, and I'm including the ones that are Jimmy centric, are the ones that focus on Mike. He is wonderfully brilliant on this show. The fact that we get to see him alive again, spoiler alert, is fantastic. And man does Jonathan Banks knock it out of the park with this role. He is so god damn good. He plays the same type of character that he did on "Breaking Bad", but on "Better Call Saul", we get to see what turned him into this shady back door bag man and body guard and hit man and con artist. The episode in season one of "BCS" where we learn why he left the police was one of the best, most heart wrenching 45 minutes of television I have ever witnessed. That episode is a masterpiece and it should be shown in film and TV schools because it needs to be studied by the future TV and movie writers. It is so, so great. Go back and watch that episode. You will cry and you will feel things you never thought a TV show could make it feel. It is a work of art.

This season on "BCS", it seems that they have taken a more forward approach to making Mike more of a main character and the show is so much better for doing that. Jonathan Banks as Mike is so soft spoken and calm, yet you can see the anger and violence that he has behind those eyes. He never gets to amped up or too crazy about anything or any situation he's thrown in. He always has the same look on his face and the same tone to his voice and he carries himself with the same demeanor. He's always calm, but you better not cross him, or he will make you pay. Take an episode earlier this season. The guy from Minnesota, that he was essentially a body guard for, shows up in a humongous bright yellow hummer to go do a drug deal and Mike calmly tells him that he will not get in that car that screams arrest me and that if this guy goes to the deal alone, he will pay some kind of consequence. The guy doesn't listen and his home eventually gets robbed and his treasured baseball card collection is stolen. Mike cleans everything up for this guy in the next episode, but he is not happy about it. He did it for the money. Then, there is last nights episode, where he helps get Tucco arrested. Tucco's assistant, Nacho, wants Tucco killed and asks Mike to do it, but Mike calmly explains how this is a terrible idea for everyone involved. Instead, he hatches a plan to get Tucco arrested where no one will suspect any foul play and it works to perfection.

Jonathan Banks is a excellent actor. I'm just upset that it took for me to watch "Breaking Bad" to realize this. He was great on that show and he has been the best thing about "Better Call Saul" and I love that show. Hopefully he gets awards or at least recognition for the awesome things that he is doing on TV. Jonathan Banks is a wonderful actor.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man Podcast. He forgets that Johnathan Banks taught a lot of young men about the biology of a young woman (thanks to Conan O'Brien for digging this gem up). Learn from Ty by following him on twitter @tykulik.

Ed note: We misspelled Jonathan Bank's name when the article was posted. Ty got it right, I was wrong. It has been corrected. Sorry

The Greatest Television Ever: A Millennial History of Cartoons

As a child of the late 80's and the early 90's, cartoons have played a pretty pivotal role in my life. Everyone watches, and for the most part, loves at least one cartoon. They're impossible not to like and there is something for everyone. I'm not alone in this, I love cartoons, be they old or new. When I was growing up, I didn't watch too much TV. It's not that my parents forbade us from watching TV, it just wasn't really a viable option. They would send us outside when the weather was nice to play with friends and to play sports, and when it was cold outside, they always had some kind of activity for us to do, be it art, inside play, or when they would get crafty, we'd play "games" that involved cleaning the house. But, I did have friends that were allowed a lot of TV time, and when my folks would let us watch TV, I found plenty of cartoons that I thoroughly enjoyed. I was a big time Nickelodeon fan as a young child. I watched stuff like "Doug", "Rugrats", "Animaniacs" and "Pinky and the Brain". Those were my shows. They were wild and zany and goofy and just plain fun to watch. That was the type of cartoon I went for as a young child. The goofier, the better.

I know, I haven't brought up the "Simpsons" yet, but I feel like that would be unfair to the other cartoons and animated shows I watch. I've written plenty about the "Simpsons", and will write more, and I've talked about it on the podcast almost regularly. It's not only my favorite animated/cartoon show, it's my favorite show. There will be more "Simpsons" talk at later dates, I promise.

During my teen years I looked for more "grown up" cartoons. I was growing weary of the zany and the goofy things that I watched as a young child. Don't get me wrong, I still enjoyed these shows, especially "Rugrats", but I needed some older, more grown up humor. I was a teenager and the kids shows weren't doing it for me anymore. Then, when I was either 13 or 14, I was over at a friends house watching MTV and one of the greatest animated shows I laid my eyes on appeared on his TV. That show was "Beavis and Butthead". This show was AMAZING. I absolutely loved everything about this show. Beavis and Butthead were the ultimate slackers and ultimate troublemakers. They hated school and they hated pretty much everyone that they came into contact with, unless they were old enough to drink. I'm not a drinker, but when I was a teen, people that were old enough to drink, no matter how douchey they were, were cool as hell to me. Also, what teen truly likes school? Me and my friends all despised school and "Beavis and Butthead" portrayed this perfectly. This show was also bizarre and kind of started to shape my love for absurdist humor. They would do weird things during the episodes, things like playing frog baseball or helping a burnout steal things or cause some kind of trouble at school and with their elderly neighbor, basically things that teens were told not to do, they did and they did it with supreme hilarity. What made Beavis and Butthead truly excellent, they would break two or three times in the middle of the episodes and they would critique music videos. Yes, MTV used to play music videos and yes, I'm old enough to remember when they still did. This was the best part because they would absolutely rip apart boring, slow music and crappy pop songs. But, when they played a hard rocking video, Beavis and Butthead loved it and would head bang and it was glorious. "Beavis and Butthead" was a great show and it was my first true entryway to more adult humor that animated shows could pull off. I'm forever indebted to "Beavis and Butthead" for starting to shape my comedy taste.

Watching a ton of "Beavis and Butthead" made me search for more adult themed cartoons. I found things like "The Critic" and "The Tick", but Cartoon Network started showing cartoons late at night on a platform they called Adult Swim. This was a life changer for me. I discovered shows like "Space Ghost Coast to Coast" and "Harvey Birdman: Attorney at Law" and "Tom Goes to the Mayor". These shows were weird and absurd and like nothing I'd ever seen before and it was magnificent. They were so weird and so funny. I was immediately hooked on pretty much everything Adult Swim put on TV. Then, one night I stumbled across what may be my second or third all time favorite cartoon. That glorious little show was called "Aqua Teen Hunger Force".

You want to talk about absurdist humor, "Aqua Teen Hunger Force" epitomized it. The premise of the very first episode was about three "things" that were detectives. The three "things" I speak of are a life size shake called Master Shake, a hovering humongous carton of fries that was called Frylock and a childish, goopy meatball they called Meatwad. This show was so perfect for my newfound taste of comedy. The cherry on top of this great show was their neighbor, a balding, yet super hairy on the shoulders and back, gold chain wearing, always angry Carl. Carl was always mad at the Aqua Teen Hunger Force and he always loudly let it be known. Carl is one of the greatest TV characters of all time. Like I said, they were supposed to be detectives, and in the premiere, they did solve a case, but from there on out, they just had wacky adventure after wacky adventure. The show never really followed a true story line. It was basically a platform to do whatever weird and wild thing the writers of this brilliant show wanted to do. The episodes never made sense, but they were always funny. Another great thing about this show, and many others on Adult Swim, it was a short 11 minute show. They'd get in and get out and pack as many jokes as they could in 11 short minutes. "Aqua Teen Hunger Force" would always start off kind of slow for about the first 5 or 6 minutes, but that last 5 minutes was absolute gold. They always had their best jokes in that last 5 minutes and it always delivered. The thing that made this last minutes so great, Carl was usually involved in some capacity. He was always there with his anger and he would always take it out on the Aqua Teen, mainly Master Shake.

"Aqua Teen Hunger Force" is one of the greatest animated/cartoon shows to ever appear on TV. This, much like "Beavis and Butthead", one hundred percent shaped my love for comedy TV and comedy cartoons. I love the bizarre and the absurd, and "Aqua Teen" did this to perfection. If you haven't seen an episode of "Aqua Teen", do yourself a favor and binge the entire series. There's a ton of episodes, but they are only 11 minutes long, as I said before, and they are great. If you enjoy absurdist humor, you will love "Aqua Teen". It was such a great and bizarre show and they pulled it off excellently. I will forever love and thank "Aqua Teen" for showing me how far you can really take animated comedy cartoons. It's a masterpiece.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. Do you like reading about Ty's love of cartoons, well tomorrow you can hear him tell the tales on the X Millennial Man podcast. If you want more great Ty thoughts, follow him on twitter @tykulik.

Ty has Very Strong Committed Feelings for "Love"

It is nice when the show title reflects how I feel

Yesterday I finished the new Netflix show "Love" and it was totally awesome. I literally loved everything about this show. It was the perfect comedy/love story show. It was, in my opinion, so much better than another similar Netflix show, "Master of None", and I really enjoyed "Master of None".

One of the things that I enjoyed more on "Love" than "Master of None" was the female lead. Gillian Jacobs was so much better than Noel Wells. Noel Wells was very good, but she was your typical, I need a guy in my life, but when things get too serious, I'm jumping ship and moving on. Aziz Ansari is a great writer and created a great show, but Noel Wells character was pretty one dimensional and I didn't watch that show for her, I watched it for Ansari, who is awesome. Gillian Jacobs was absolutely phenomenal on "Love". In the first episode when we meet her, we immediately see that she is a troubled person, that doesn't realize it yet. She always thinks that she is right and that she is the cool one and that she has no problem, but all of those things couldn't be further from the truth. She is, for the most part, wrong 9 times out of 10. She is not cool, she is a mess that relies on other people way too much. And she has a ton of problems. She is an addict. She is addicted to drugs and alcohol and sex and love. Gillian Jacobs, her character's name is Mickey, is an absolute mess as a person. She plays this role to perfection. I believe every single moment of struggle and awkwardness and anger that she so excellently portrays. This is a real star making role for her. She is absolutely phenomenal on "Love". This is also a completely different role for her. She is not the same character she was on "Community" or "Girls" or any movie role she has had. She usually has her head on her shoulders or realizes that she is a screw up, but not on "Love". It takes her a real long time before she even considers that she may have a problem.

"Love" much like "Master of None", I know I'm comparing the two shows but they are basically the same thing released only months apart from each other so it's an easy comparison, Paul Rust co created this show and stars in it much like Ansari does for his show. Paul Rust is terrific. This is a great vehicle for his brand of comedy and his style of acting. When he is on screen, which is most of the series, you cannot take your eyes off of him. He commands the attention of the audience. Rust plays Gus, your typical nice guy that tries to hard to impress the girl. He's a hard worker, but he has a nothing job. He is a tutor on the set of a fake witch show. Pretty familiar premise for a leading man, but what Rust does with the character Gus is excellent. At first, he is a pushover. He will do whatever his girlfriend wants him to do. When they break up, he constantly blames himself although he was not in the wrong at all. When he meets Mickey, he is putty in her hands and Mickey knows this. She uses him and his kindness to her advantage and Gus is just happy that a pretty girl is talking to him. When he starts to gain confidence, after telling Mickey how he feels, his character becomes more confident, and once again, I completely believe his transformation. He is still a dork, but he is a confident dork. The growth of his character is so believable, I swear I have friends that have gone through the same transformation as we have grown up. Much like Gillian Jacobs, this is also a star making turn for Paul Rust. The two of them have been steady actors, but never been the lead in anything, save for Rust in the not as bad as I thought it was "I Love You Beth Cooper", but "Love" is the perfect platform for them to truly shine.

Jacobs and Rust  may control and demand the audiences attention, but the supporting characters are just as good. Comedic actors like Mike Mitchell, Armen Weitzman, Neil Campbell, Seth Morris and Brett Gelman are great. So are Claudia O'Dougherty, who is really, really great on this show, Charlyne Yi, Bobby Lee, Kerri Kenney and Traci Thoms. Iris Apatow is wonderful as the lead actress on the show that Rust works as a tutor for. She is a very good actress with a very bright future. There are many other supporting actors that I didn't mention that are equally as good.

"Love" is a very good show. I'd call it a great show to be honest with you. I really enjoyed "Master of None", but it felt a little long to binge, at least for my taste. "Love", on the other hand, had the same amount of episodes running the same amount of time, but I breezed through it in three days. It was such an enjoyable watch and I cannot recommend it enough. I don't want to spoil anything because I want everyone to go out and watch this show. It is very, very good and Paul Rust and Gillian Jacobs are tremendous.

I cannot wait for season two.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He loves to binge watch old Michigan football games. Do you have twitter? So does Ty, go follow him @tykulik.

The Greatest Television Ever: "The Simpsons" Best Episode, Ever

For our greatest television debate I'm going to talk about my favorite episode of my favorite TV show. By now, everyone knows that I'm a huge fan of "The Simpsons". I've written about the show a lot so far, but that's just the tip of the iceberg. Not only am I going to write about it today, but I will have many posts in the future that will be "Simpsons" centric. That show is the best and I can't say enough great things about it. Just for today I want to tell you all about the most perfect episode of "The Simpsons". This episode is "The Simpsons" at it's absolute best. The episode I'm going to talk about today is "Behind the Laughter", the season 11 finale.

This is their parody of all the "Behind the Music" stuff that VH1 did, but "The Simpsons" do it ten thousand times better. I absolutely love that they took something that is very popular, yet very depressing, and made it hilarious. It is just a perfect episode. The episode opens just like any other "Behind the Music" episode does, with the announcers voice over, explaining the Simpson family humble beginning, even stating that they are from Iowa. It's your typical "Simpsons" episode, Bart is being a terror, Lisa is being shunned, Maggie is being Maggie, Marge is questioning, yet still supporting Homer, and Homer, he brings up the fact that "there aren't any families like ours on TV". Marge then says to the filmographer, "So I told him, piss or get off the pot", where the voice over guy responds, "and piss, he did". This leads us into Homer's pilot episode for his show, "My Funny Family". It's ridiculous, of course. Homer is inviting his boss, played by Bart, over for dinner, he gets a stain on his clothes and he overloads the washing machine with way too much detergent. His catchphrase for his show is "Mamma Mia!", which when he's saying it, he grabs his cheeks, a la Kevin McCallister in "Home Alone". When the washing machine is overflowing, even Maggie does the hands to the cheeks implying that she's saying "Mamma Mia!". Bart is your typical over the top boss, constantly yelling at Homer. Even though he brings this pilot to many TV offices, places like NBC, CBS and even Telemundo, the only one that bites is Fox. I love this because only "The Simpsons" can constantly rag on the network that their show is on and get away with it. Imagine if "Friends" tried to do something like that to NBC when it was on. They would have pulled it in a heart beat. While filming later episodes of the show, Homer is caught strangling Bart, because that's what Homer does, and the people filming and the network execs that are present love it. They tell Homer that he should do this in every episode and he does. After this, as Homer puts it, "horrific act of child abuse", the show becomes a huge hit. The Simpson family is making so much money, Marge exclaims, "we were using 20 dollar bills as toilet paper, and toilet paper as dog toilet paper". There's another scene of their house being flooded by a big dump truck that has the word CAVIAR in big bold letters on the side and another dump truck with the words TOAST POINTS dumping all this into their living room. The family starts to get so famous, they begin merchandising everything, including diaphragms with Marge's face on them. They also start a music career, with their hit song, that sweeps the Grammy's that year, "Simpson Family Boogie". They naturally follow that hit up with a holiday themed album, entitled "Simpson Christmas Boogie", also a huge hit. But, with all the success, fame and money, trouble found them.

See, that is what is so great about this episode, they perfectly ape the ridiculousness that is "Behind the Music". Bart becomes kind of the spoiled bad boy type. He is a parody of a Corey Feldman or MaCauly Caulkin. He's showing up late to couch gags, he's making terrible movies because he has "fair weathered fans to feed" and he even gets himself kicked out as a judge of a beauty contest. He has to go away at some point, and his good friend Richie Rich fills in for his role. Lisa is so upset at what her family has become, she writes a tell all book. She complains that Homer makes her work too much and is giving her anti growth pills. She spills everything on Bart and complains about Marge phoning in some episodes. Marge is just upset that her family is falling apart and she wants everyone to just be nice to one another again. But Homer has the best bad luck. He buys MC Hammer's old house, smashes out the HAMMERTIME written on the front gate and changes it to HOMERTIME, but he's found to be a big time tax evader and he gets everything repossessed. He has also developed a terrible painkiller addiction from doing all his own stunts. He says during this segment, "the stunts were like a drug to me, but what was more like a drug, was the drugs". That's exceptional writing. After he gets clean, he has to take on some pretty awful acting jobs after that, just to pay the taxman. He plays the role of "landlord" in "RENT", and as he tells it, I literally chewed the scenery and holds up a piece of the set that has literal bite marks out of it. Bart goes on to replace Lorenzo Lamas in a "Renegades" remake and that's a disaster. Marge has her own one woman show that she has to perform in dingy bars. And Lisa, she is still spilling the beans on the family to anyone that will listen.

One of my absolute favorite parts is when they sit down to a Thanksgiving meal together. Everyone has brought their own lawyer, and Lisa's lawyer is the biggest badass of them all, yelling "That is assault!", at Marge after she bad mouths Lisa for writing a tell all book. Homer has one of the best lines here too, saying, "it was the best Thanksgiving ever. The emotional distress was terrible, but the gravy", then he does his drooling noise. They split after this. Bart goes to rehab to get his life back together, Lisa goes off and does her own thing, Marge continues her one woman show and Homer finds a new passion, dusting and cleaning sound mixing boards. Then, an awards show hosted by Willie Nelson individually invites the whole family, each member separately, and that's the first time they'd been on stage together in a long time. They begin to sing a song, which turns into a fight, but then Willie Nelson saves the day. He explains that the award show is fake, much to the dismay of a Woody Allen type character, and it was just a rouse to get the family back together again. They relent after they hear the entire crowd chant "HUG! HUG! HUG!", and they go back to normal. They begin shooting the show again, just like they originally had it planned. The episode closes with the family by an editing board, the voice over guy saying that there will be many more "Simpsons" episodes to come, and we hear Homer say, "this will be the last season".

From start to finish, this is, in my opinion, the most perfect episode of "The Simpsons". There is not one dull moment and everything about it is absolutely hilarious. "Behind the Laughter" took me by surprise, but I will still watch it anytime it's on FXX, or whenever I put on my season 11 DVD. When I watch the DVD, I watch that episode at least 5 or 6 times. I love it.

"Behind the Laughter" is not just the best "Simpsons" episode ever, it is the best episode of any TV show, ever.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. With over 500 episodes, Ty has a couple years worth of Simpson's related tv articles to still write. Make sure you are one of Ty's follows on twitter to hear his true thoughts @tykulik.

The Greatest Television Ever: "Undeclared"

Getting back to our debate about great TV shows, TV moments and seasons of certain shows, I'm going to talk about one of my favorite shows that only got one short, 17 episode season, but it was a phenomenal season and very memorable. The show I'm going to talk about today is "Undeclared".

"Undeclared" is one of the best, most underrated shows of all time. It was so far ahead of it's time and anyone that watched the show, and spent at least one semester in college, could relate to it 100 percent. "Undeclared" is the best representation of everyone's freshman year in college. Every topic they covered in their lone season, every college student went through one way or another. It was that relatable.

Take their pilot episode. Steven(Jay Baruchel), meets his roommates, Ron(Seth Rogen), Lloyd(Charlie Hunnam) and Marshall(Tim Sharpp) and they are stand offish at first because that's how 18 year olds act when they first meet. It doesn't help that Steven's dad, played by Loudon Wainwright, won't leave his side because he's depressed about his divorce and the fact that his son his going away to college. Steven also meets Lizzie(Carla Gallo) and he's immediately smitten. He was a nerdy high school kid that never really had any girlfriends, so he figures college is the perfect chance to change his image. He wants to be a cool guy now and he tries this on Lizzie, and it works. She sleeps with him that night, but we come to find out later that she has an older boyfriend, played by Jason Segel, that lives back home. Lizzie only slept with Steven because she was fighting with her boyfriend, and she wanted to get revenge. Steven thinks that they are now a couple, but after many conversations with his roommates, he comes to realize that he was just a pawn and that Lizzie wasn't going to leave her boyfriend. This is a great representation of all the things that could go wrong on your first day of college. Crazy stuff can happen that will forever alter your life.

We also meet Lizzie's roommate in the pilot, Rachel(Monica Keena), and she's one of the first characters I'd ever seen on TV that showed the same type of anxiety that I had when I went away to college. She was frightened, lonely and missed her high school friends and her family. I personally related to all of that. Now, Monica found ways to deal with her anxiety and her character only grew from there. I wimped out and left college after one semester.

That first episode had it all. It one hundred percent got the first day of college correct. I was hooked. Look at some of those names I mentioned too. People like Jay Baruchel, Seth Rogen, Charlie Hunnam and Jason Segel were all still relative unknowns while on this show. Now, most of them have had very successful careers, especially Rogen and Segel.

Back to some of the themes in the episodes that epitomize freshman year of college. There's an episode where Steven decides he wants to join a fraternity and he is put through hell, only to get his revenge on the president of the frat, played by Samm Levine. This episode was great. They made Steven do some stupid, childish things that no person should be made to so, but that's what dumbass fraternity guys do. Steven gets fed up, and with the constant urging from his roommates to not even join the frat, Steven and his roommates come up with a plan to make the president of the frat do the same stupid stuff. And, after they catch him and try to force him to eat an entire jar of pickles, he relents and says that all the frat stuff is stupid and lets Steven walk with no consequences. Or, there's the episode centered around Marshall's crush on Monica. Monica is so sweet and nice, but she is oblivious to Marshall's feelings and after she finally realizes this, it's too late to tell him she just wants to be friends, Marshall is in too deep and he will always love Monica. She doesn't reciprocate the feelings, but they stay friends throughout the show's run. We could talk about any episode with Lloyd and how he is a total ladies man and the envy of his roommates, but how not every girl is receptive to his moves. He has the smooth English accent, and while it works on most ladies, there is an episode where it totally backfires and he has to lick his wounds and realize that he may not be the ladies man he has made himself out to be. The character of Lloyd is a perfect portrayal of the student that comes from overseas and thinks they are the coolest guy, but they are just like every one else in college, just trying to find their way. They also have run ins with RA's, they go to a live Adam Sandler show and then get to hang out with him and his crew afterward, they have dorm parties and they talk and deal with the good and the bad like any real life college student would.

"Undeclared" is excellent. This show also had some huge guest stars. Some were recurring, others may have been on only once or twice. I just mentioned Adam Sandler, but some other guests were Jenna Fischer as a badass sorority girl, Amy Poehler as an over sexualized RA obsessed with Lloyd, Fred Willard as a professor that's lost his love for teaching, Will Ferrell as a Ritalin dealer that also has answer keys to finals and Martin Starr as Steven's super nerdy high school best friend. This was another Judd Apatow show that Fox gave up on way too early, much like "Freaks and Geeks". Apatow had a knack for grabbing these certain moments in young kids lives and portraying them perfectly for the TV viewing public. He hasn't made many great movies lately, but I will always be thankful to him for creating "Freaks and Geeks" and, more importantly for me, "Undeclared".

If you haven't watched "Undeclared", go back and check it out. I believe it may be streaming on Netflix (ed note: It unfortunately left Netflix late last year). and it is well worth your time. You'll thank me after you watch it, I promise you that, especially if you spent at least one semester in college. It is very, very relatable and extremely well made.

I will always have a spot in my heart for the great "Undeclared".

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He left college because they had no major for podcasting, since the term and technology was yet to be invented. You must absolutely follow Ty on twitter @tykulik.

The Greatest Television Ever: NBC Thursday Night Comedy

In the coming weeks and months, we at SeedSing will be doing our favorite TV shows. It will be a lot like our greatest American band debate, each week picking a show or a season or just particular moments from TV shows that we enjoy.

I'm going to kick it off today by talking about one of my favorite two hour blocks of TV on NBC. There was a time that the Thursday night line up on NBC had four of the best sitcoms that I've ever seen. It was epic, must watch TV for me and any other fan of comedic television. The four shows they trotted out were "30 Rock", "The Office", "Community" and "Parks and Recreation". Talk about a murderers row of great, great TV. These four sitcoms are all in my personal top ten of TV shows. I love these shows and I love them all for different reasons.

First we'd get "30 Rock". This show is one of the all time greats. Tina Fey is a genius. Her writing and acting are beyond genius. She's on a whole different level from any other sitcom writer I've ever seen. She is a legend. But, it wasn't just Tina Fey that made that show great. We got Tracy Morgan, Jane Krawkowski, Jack McBrayer and, of course, Alec Baldwin. Tina Fey basically revived both Morgan's and Baldwin's career with their roles on this show. And they were both fantastic. Any episode that revolved around Morgan's character, Tracy Jordan, was so hilarious and so well written. Anytime he interacted with McBrayer, or Grizz and Dot Com or with Liz Lemon or Jack Donaghy was great. Morgan's first appearance on the show, naked, except for underwear, freaking out on the highway, waving around a fake light saber, was a perfect introduction to his character. And when he tries to get the EGOT, that was a great run of episodes. Alec Baldwin as Jack Donaghy was the perfect representation of the arrogant, yet idiotic studio head that has no clue how to run a network. He was so great on this show. Two of my favorite lines spoken on a sitcom were said by him. The first, Liz asks him why he's dressed so nicely and he says, "it's after six, what am I, a farmer?", loved it. The only line I like better is when Donaghy is talking about his hard working father and he says, "he worked the day shift at the graveyard and the graveyard shift at the Days Inn", that is exquisite writing. I love "30 Rock" and I could go on forever about it, but I need to talk about the other three shows.

After "30 Rock", we got "The Office". This is my second favorite show of all time, behind only "The Simpsons". When this show was great, it was the best thing on TV. Seasons 1-4 of "The Office" is some of the best TV that's ever been aired. We got three phenomenal episodes in those first four seasons. In season one they had the episode where the sales team challenged the warehouse workers to a game of basketball. It was so good. Michael Scott(Steve Carrell) warming up and then playing basketball is so god damn funny. I love that episode. Season two gave us "The Dundies". That was the award show that they had for the employees of Dunder Mifflin. It was cringe worthy comedy, with Michael Scott and Dwight Schrute(Rainn Wilson), emceeing this train wreck. It was so funny and it was the first time that Jim(John Krasinski) and Pam(Jenna Fischer) kissed. This episode is great. The best episode of "The Office" came in season four. The episode titled, "Dinner Party", is the most uncomfortable 44 minutes of brilliant comedy ever written. Michael and Jan(Melora Hardin) constantly fighting while they have four employees over to their condo is so good, yet so uncomfortable. I still love this episode to this day. It is excellent comedy. I adore "The Office" and it will always hold a special place in my heart. It is the second greatest show of all time, in my personal opinion.

Then, we got the weird, off the wall, bizarre comedy, "Community". At first glance, I didn't think Id really like this show, but the more I watched it, the more I grew to love it and look forward to it every week. Joel McHale finally got his chance to be the lead role on a show and he did it so well. He is criminally underrated for his work on that show. But the other actors were just as good. Danny Pudi. Gillian Jacobs, Donald Glover, Jim Rash and Ken Jeong were great. Alison Brie and Yvette Nicole Brown were also really good. The only person I didn't really care for was Chevy Chase, but he's an asshole. I loved the off beat humor that Dan Harmon brought to major network TV with "Community". The show was an almost perfect representation of community college life. I could relate to the people because I ran into the exact same people in my almost two years of community college. There were athletes, nerds, regular joes, old people and good looking ladies that never got into a four year school, so they had to go to community college. Sure, "Community" is a glorified version of community college, but they made it relatable, especially when Dan Harmon was the main writer and show runner. They had ups and downs, but there were way more ups than downs when it comes to "Community". And yes, the paintball episodes are as good as the fans say they are. Go back and watch those and be amazed at how well "Community" was done. It's an underrated cult classic show.

NBC would close the night with probably my third all time favorite show, "Parks and Recreation". This show is a classic that only got better and better the more seasons it got. I loved the first season, but each season that followed was better than the last. This show was the exact representation of what it's like to work for a parks and recreation department. My sister in law, that works for Columbia's parks and rec department, even confirmed this. Ron Swanson(Nick Offerman) and Tom Haverford(Aziz Ansari) are real representations of people that take government jobs in parks and rec and just sail from there. They don't take their jobs seriously at all because it's not a serious job. They plan parties and races and community gatherings, not that tough of a job. Amy Poehler as Leslie Knope was the perfect post "SNL" role for her. She was so, so good on that show. She excelled. When shows bring new people on, it's usually a bad sign, but the additions of Rob Lowe, whom I've written about before, and Adam Scott made this show that much better. Rob Lowe, as the always upbeat and exercising Chris Traeger, was the perfect foil for Ron Swanson. and Adam Scott as Ben Wyatt, failed mayor and Leslie's love interest, was perfect. When these two showed up, "Parks and Rec" went to a whole new level. Chris Pratt, Retta, Aubrey Plaza and later on, Jon Glaser and Billy Eichner were also excellent on the show. I love every episode of "Parks and Rec", there isn't a bad one. If you haven't seen it and you're looking for a starting point, start at the end of season two, when Rob Lowe and Adam Scott show up, that's when the show went from good to great.

So, there you have the first entry in our greatest TV choices on SeedSing. I figured I'd come out of the gates strong, and this Thursday night lineup is a slam dunk. Come back for more TV later. I already am writing "The Simpsons" blog in my head now.

Ty

Ty is the Pop Culture editor for SeedSing and the other host of the X Millennial Man podcast. He desperately wanted to add "Andy Barker P.I." to his list, but then realized the show was no "Andy Richter Controls the Universe" Follow Ty on twitter @tykulik.